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Vous avez sélectionné:
Can't We Try
Partitions à imprimer
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Can't We Try
Piano grosses notes
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1111879 By …
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1111879 By Dan Hill & Vonda Sheppard. This edition: scorch. E-Z Play Today. Love,Pop,Rock. Score. 5 pages. Hal Leonard - Digital #117228. Published by Hal Leonard - Digital (HX.1111879). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
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Piano grosses notes
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Dan Hill & Vonda Sheppard
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Can't We Try
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Hal Leonard - Digital
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SheetMusicPlus
Can't Stay Away
Chorale 3 parties
Choral Choral (3-Part) - Level 1 - Interactive Download SKU: A0.1303360 Composed by…
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Choral Choral (3-Part) - Level 1 - Interactive Download SKU: A0.1303360 Composed by Darin and Jamie Alexander Hartman. Arranged by Ã…sa & Ulf Nomark. This edition: Interactive Download. Pop. 12 pages. Duration 173. UNÃ… Music #2ElEczyqyZRef79zUqtepR. Published by UNÃ… Music (A0.1303360). Key: Bb major.Philosophy of the Pop-in & Sing Choir arrangements: * Known pop songs in a wide range of sub-genres and from the 70's and newly released songs. * Easy to learn, usually within an hour * The choir sing sings everything, we try to avoid verses with only uhs or ahs. So the arrangement are not backup vocals arrangement, but rather full arrangements where the choir carry the song all the way through. * We usually have a shared tenor/bass part, but in some cases where the tenor part is high, we have a separate bass part. * We usually try to follow the original quite closely, but sometimes makes simplifications in order to make the song easier to learn.
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Chorale 3 parties
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Darin and Jamie Alexander Hartman
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Ã…sa & Ulf Nomark
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Can't Stay Away
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UNÃ… Music
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SheetMusicPlus
But You Don't Seem To Understand
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1415907 By Andrew McD…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1415907 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Rock. Score. 7 pages. Andrew Mc Donald (Macka Records) #997601. Published by Andrew Mc Donald (Macka Records) (A0.1415907). But You Don't Seem To Understand is a song about learning to ask and listen to God's direction in our lives.Sometimes we can jump the gun and our hair brain ideas we try to do in our own strength and we soon discover that we raced ahead of God's actual plan for us. Sometimes we can miss it cause we are so busy doing what we want. But you don't seem to understand that we might need to sit and wait for God's direction. This is a piano and vocal score.
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Piano, Voix et Guitare
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Andrew McDonald
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Andrew McDonald
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But You Don't Seem To Understand
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Andrew Mc Donald
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SheetMusicPlus
Can't We Try
Ligne De Mélodie, (Paroles) et Accords
Digital Download SKU: HX.375195 By Dan Hill & Vonda Sheppard and Rockell with Colla…
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Digital Download SKU: HX.375195 By Dan Hill & Vonda Sheppard and Rockell with Collage. This edition: scorch. Love,Pop,Wedding. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #117228. Published by Hal Leonard - Digital (HX.375195).
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Ligne De Mélodie, (Paroles) et Accords
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Dan Hill & Vonda Sheppard and Rockell with Collage
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Can't We Try
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Hal Leonard - Digital
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SheetMusicPlus
Can't We Try
Piano, Voix et Guitare
By Dan Hill & Vonda Sheppard. This edition: Interactive Download,scorch. Love, Pop…
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By Dan Hill & Vonda Sheppard. This edition: Interactive Download,scorch. Love, Pop, Rock. Score. 6 pages. Hal Leonard - Digital #117228. Published by Hal Leonard - Digital
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Piano, Voix et Guitare
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Dan Hill & Vonda Sheppard
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Vonda Sheppard
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Can't We Try
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Hal Leonard - Digital
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SheetMusicPlus
You Can't Take It With You
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1045783 By Andrew McD…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1045783 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Country,Pop,Spiritual. Score. 7 pages. Andrew Mc Donald (Macka Records) #650372. Published by Andrew Mc Donald (Macka Records) (A0.1045783). You Can't Take It with You is a song about storing up riches here on earth. It is a waste of time because we cannot take it all with us when we die and go to heaven. This is a Gospel pop song for piano and vocals.
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Piano, Voix et Guitare
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Andrew McDonald
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Andrew McDonald
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You Can't Take It With You
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Andrew Mc Donald
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SheetMusicPlus
We're Forgiven (God of Grace) SATB Choral Version
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921768 Composed by Lisa Wa…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921768 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Octavo. 2 pages. Servant Song Music and Ministry #6629007. Published by Servant Song Music and Ministry (A0.921768). We're Forgiven (God of Grace) was originally scored in a Piano/Guitar/Voice format, but for this Advent/Christmas season, Servant Song Music & Ministry has produced this full SATB Choral arrangement, as well! This particular arrangement is suitable for Beginner and Early Intermediate Church Choirs and Worship Teams, including very small ensembles. If you don't have any men in your choir, you can turn the score into a Soprano/Alto 2-part version pretty easily, too. This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing the Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Please don't make illegal copies of this score; it is the primary way I recover the costs of arranging, engraving and publishing new music. I work on the honour system. If you truly can't afford to purchase copies of this piece for each of your singers/musicians, please contact me via email or my Facebook music page, and I'll make sure your group is taken care of. To God be the glory!
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Chorale SATB
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Lisa Waites
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We're Forgiven
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Servant Song Music and Ministry
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SheetMusicPlus
We Can't Make It Here
Piano, Voix et Guitare
By James Mc Murtry. This edition: Interactive Download. Country, Folk. Piano/Vocal/G…
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By James Mc Murtry. This edition: Interactive Download. Country, Folk. Piano/Vocal/Guitar. 10 pages. Published by Hal Leonard - Digital
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Piano, Voix et Guitare
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James Mc Murtry
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We Can't Make It Here
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Hal Leonard - Digital
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SheetMusicPlus
We Can't Be Friends (Wait For Your Love)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1406019 By Ariana Grande. By Ariana…
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Piano Solo - Level 2 - Digital Download SKU: A0.1406019 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, and Max Martin. Arranged by Cathy Pate. 21st Century,Pop,R & B. Score. 4 pages. Aiwo Production #989071. Published by Aiwo Production (A0.1406019). We Can't Be Friends by Ariana Grande is a poignant pop ballad that explores the complexity of emotions surrounding a breakup. Through heartfelt lyrics and expressive vocals, Grande conveys the struggle of wanting to remain friends with an ex-lover while grappling with the lingering feelings of love and longing. The song's emotive melody and vulnerable lyrics capture the bittersweet essence of trying to navigate the transition from romantic partners to platonic friends.
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Piano seul
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Ariana Grande
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Cathy Pate
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We Can't Be Friends
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Aiwo Production
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SheetMusicPlus
Down among the Cane-Brakes
Flûte à bec Soprano
Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1400609 Compose…
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Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1400609 Composed by Stephen Foster. Arranged by songbooks.info. Country,Folk,Traditional. Individual part. 3 pages. Songbooks.info #983807. Published by songbooks.info (A0.1400609). Songs by Stephen C. Foster (1826-1864) - notated for the Soprano or Tenor Recorder. The classic musical notation indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Recorder is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Songs von Stephen C. Foster (1826-1864) - notiert für die Sopran- oder Tenorblockflöte. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Blockflöte ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
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Flûte à bec Soprano
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Stephen Foster
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songbooks
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Down among the Cane-Brakes
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songbooks.info
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SheetMusicPlus
We Wish You a Merry Christmas
Chorale TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.856138 Composed by Trad. Arranged by…
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Choral Choir (TTBB) - Digital Download SKU: A0.856138 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 2 pages. Liz Garnett #3023043. Published by Liz Garnett (A0.856138). There are many rambunctious versions of this song. This one is short but harmonically rich and designed to be sung slowly and quietly to surprise and delight audiences who aren’t expecting artistry at what can be a rowdy time of year.Ranges:Tenor: B3 - G4Lead: F3 - F4Bari: F3 - D4Bass: B flat 2 - B flat 3www.HelpingYouHarmonise.com
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Chorale TTBB
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Trad
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Liz Garnett
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We Wish You a Merry Christmas
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Liz Garnett
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SheetMusicPlus
We Wish You a Merry Christmas
Chorale SSAA
Choral Choir (SSAA) - Digital Download SKU: A0.856136 Composed by Trad. Arranged by…
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Choral Choir (SSAA) - Digital Download SKU: A0.856136 Composed by Trad. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 2 pages. Liz Garnett #3023041. Published by Liz Garnett (A0.856136). There are many rambunctious versions of this song. This one is short but harmonically rich and designed to be sung slowly and quietly to surprise and delight audiences who aren’t expecting artistry at what can be a rowdy time of year.Ranges:Tenor: F4 - D5Lead: C4 - C5Bari: C4 - A4Bass: F3 - F4(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.www.HelpingYouHarmonise.com
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Chorale SSAA
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Trad
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Liz Garnett
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We Wish You a Merry Christmas
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Liz Garnett
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SheetMusicPlus
I Don't Miss You At All
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.845468 Composed by Finneas O'Connel…
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Piano Solo - Level 3 - Digital Download SKU: A0.845468 Composed by Finneas O'Connell. Arranged by Musikeo. Contemporary. Score. 2 pages. Musikeo #6381847. Published by Musikeo (A0.845468). I Don't Miss You at All is a song by American singer-songwriter Finneas from his debut EP, Blood Harmony (2019). It was released by OYOY as the fourth and final single from the EP on September 20, 2019. The dark pop track, was written and produced by Finneas himself. The song received mainly positive reviews from music critics, several of whom praised the music and lyrical content. During his October 2019 United States tour, the singer performed the song. He also sang it on Jimmy Kimmel Live! and during a livestream for Verizon Communications.Finneas explained in a statement that the song is about trying to convince yourself that you're over someone. Remembering all your absolute favorite things about them and pretending they mean nothing to you now. Finneas wrote I Don't Miss You at All while touring in New York City. He was sitting on a hotel bed while playing a toy guitar he had bought in Boston. He intended to write a song that felt like it was entirely a lie, the way we all lie to ourselves to try to feel like we're over someone when [we're] definitely, definitely not.The piano score you'll find follows the original structure of the song with it's bossa-nova flavour. Perfect tune to practice rythmic patterns in your left hand. Enjoy playing it on your piano!
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Piano seul
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Finneas O'Connell
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Musikeo
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I Don't Miss You At All
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Musikeo
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. I…
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Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Quatuor de Flûtes : 4 flûtes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
Cor Anglais
English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Ha…
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English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Cor Anglais
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
Alto seul
Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. I…
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Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Alto seul
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua H…
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Quatuor de Clarinettes: 4 clarinettes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Basson
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser.…
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Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Basson
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Flûte, Hautbois, Clarinette, Basson
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
Cor
French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hau…
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French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Cor
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Quatuor de Clarinettes: 4 clarinettes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Slide Ride
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SheetMusicPlus
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