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Vous avez sélectionné:
Cello Loft
Partitions à imprimer
72 partitions trouvées
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Darkness for Two Cellos
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2 Violoncelles (duo)
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INTERMÉDIAIRE
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Martin Torch-Ishii, Eric Moore
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Darkness for Two Cellos
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Cello Loft
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SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.878896 Composed by Martin Torch-Ishii, Eric Moore. Contemporary,Rock. Score. 5 pages. Cello Loft #3406071. Publishe...
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Cello Duet Cello - Level 3 - SKU: A0.878896 Composed by Martin Torch-Ishii, Eric Moore. Contemporary,Rock. Score. 5 pages. Cello Loft #3406071. Published by Cello Loft (A0.878896). In Darkness, one of Chopin’s Nocturnes meets Muse with a little Bartok thrown in for good measure. Simple form and soaring melodies make it expressive and audience friendly. Challenges include rhythmic control and flexibility, playing lyrical melodic lines and navigating some unusual octatonic harmony. - Watch it on YouTube: https://youtu.be/WVhzNP6l26M - Buy the track: https://thecellodoctor.bandcamp.com/releases
$5.99 ≈
$8.35
Apres un Reve for Two Cellos
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2 Violoncelles (duo)
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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Eric Moore
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Apres un Reve for Two Cellos
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Cello Loft
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SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.878904 Composed by Gabriel Faure. Arranged by Eric Moore. Standards. Score. 5 pages. Cello Loft #3452309. Published...
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Cello Duet Cello - Level 3 - SKU: A0.878904 Composed by Gabriel Faure. Arranged by Eric Moore. Standards. Score. 5 pages. Cello Loft #3452309. Published by Cello Loft (A0.878904). Gabriel Fauré's Après un Rêve, op.7 no. 1 arranged for 2 cellos by Eric Moore.The second part is an accompaniment intended to be used instead of piano - it is staid and sparse.Also look for the other standard French Showpieces arranged for 2 Cellos as a digital download!Allegro Appassionato | Elegie | Papillon | Sicilienne | The Swan
$4.99 ≈
$6.96
Papillon for Two Cellos
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2 Violoncelles (duo)
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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Eric Moore
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Papillon for Two Cellos
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Cello Loft
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SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.878906 Composed by Gabriel Faure. Arranged by Eric Moore. Romantic Period,Standards. Score. 8 pages. Cello Loft #34...
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Cello Duet Cello - Level 3 - SKU: A0.878906 Composed by Gabriel Faure. Arranged by Eric Moore. Romantic Period,Standards. Score. 8 pages. Cello Loft #3452619. Published by Cello Loft (A0.878906). Gabriel Fauré's Papillon, op.77 arranged for 2 cellos by Eric Moore. The second part is an accompaniment intended to be used instead of piano - it's full of fast-changing chords. Also look for the other standard French Showpieces arranged for 2 Cellos as a digital download! Allegro Appassionato | Apres un Reve | Elegie | Sicilienne | The Swan
$4.99 ≈
$6.96
Reconciliation for Two Cellos
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2 Violoncelles (duo)
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Martin Torch-Ishii, Eric Moore
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Reconciliation for Two Cellos
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Cello Loft
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SheetMusicPlus
Composed by Martin Torch-Ishii, Eric Moore. 21st Century, Contemporary Classical, Rock. Score. 7 pages. Published by Cello Loft (S0.296985). - Score - 21st Cent...
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Composed by Martin Torch-Ishii, Eric Moore. 21st Century, Contemporary Classical, Rock. Score. 7 pages. Published by Cello Loft (S0.296985). - Score - 21st Century,Contemporary Classical,Rock - Cello Loft
$5.99 ≈
$8.35
Odyssey for Two Cellos
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2 Violoncelles (duo)
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Martin Torch-Ishii, Eric Moore
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Odyssey for Two Cellos
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Cello Loft
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SheetMusicPlus
Composed by Martin Torch-Ishii, Eric Moore. 21st Century, Contemporary Classical, Rock. Score. 7 pages. Published by Cello Loft (S0.296999). - Score - 21st Cent...
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Composed by Martin Torch-Ishii, Eric Moore. 21st Century, Contemporary Classical, Rock. Score. 7 pages. Published by Cello Loft (S0.296999). - Score - 21st Century,Contemporary Classical,Rock - Cello Loft
$5.99 ≈
$8.35
Vortex for Two Cellos
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2 Violoncelles (duo)
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Martin Torch-Ishii, Eric Moore
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Vortex for Two Cellos
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Cello Loft
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SheetMusicPlus
Composed by Martin Torch-Ishii, Eric Moore. 21st Century, Contemporary Classical, Rock. Score. 9 pages. Published by Cello Loft (S0.296991). - Score - 21st Cent...
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Composed by Martin Torch-Ishii, Eric Moore. 21st Century, Contemporary Classical, Rock. Score. 9 pages. Published by Cello Loft (S0.296991). - Score - 21st Century,Contemporary Classical,Rock - Cello Loft
$5.99 ≈
$8.35
Le Cygne The Swan for Two Cellos
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2 Violoncelles (duo)
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Classique
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Camille Saint-Saens
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Eric Moore
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Le Cygne The Swan for Two Ce
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Cello Loft
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SheetMusicPlus
Composed by Camille Saint-Saens (1835-1921). Arranged by Eric Moore. Romantic Period, Repertoire. Score. 5 pages. Published by Cello Loft (S0.319155). - Score -...
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Composed by Camille Saint-Saens (1835-1921). Arranged by Eric Moore. Romantic Period, Repertoire. Score. 5 pages. Published by Cello Loft (S0.319155). - Score - Romantic Period,Repertoire - Cello Loft
$4.99 ≈
$6.96
Sicilienne for Two Cellos
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2 Violoncelles (duo)
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Classique
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Gabriel Faure
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Eric Moore
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Sicilienne for Two Cellos
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Cello Loft
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SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Arranged by Eric Moore. Romantic Period, Repertoire. Score. 7 pages. Published by Cello Loft (S0.319203). - Score - Roman...
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Composed by Gabriel Faure (1845-1924). Arranged by Eric Moore. Romantic Period, Repertoire. Score. 7 pages. Published by Cello Loft (S0.319203). - Score - Romantic Period,Repertoire - Cello Loft
$4.99 ≈
$6.96
Allegro Appassionato for Two Cellos
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2 Violoncelles (duo)
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Classique
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Camille Saint-Saens
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Eric Moore
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Allegro Appassionato for Two C
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Cello Loft
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SheetMusicPlus
Composed by Camille Saint-Saens (1835-1921). Arranged by Eric Moore. Score. 8 pages. Published by Cello Loft (S0.319157). - Score - - Cello Loft...
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Composed by Camille Saint-Saens (1835-1921). Arranged by Eric Moore. Score. 8 pages. Published by Cello Loft (S0.319157). - Score - - Cello Loft
$4.99 ≈
$6.96
Elegie for Two Cellos
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2 Violoncelles (duo)
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Classique
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Gabriel Faure
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Eric Moore
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Elegie for Two Cellos
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Cello Loft
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SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Arranged by Eric Moore. Romantic Period, Repertoire. Score. 7 pages. Published by Cello Loft (S0.319159). - Score - Roman...
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Composed by Gabriel Faure (1845-1924). Arranged by Eric Moore. Romantic Period, Repertoire. Score. 7 pages. Published by Cello Loft (S0.319159). - Score - Romantic Period,Repertoire - Cello Loft
$4.99 ≈
$6.96
Popper (arr. Richard Aaron): Op. 73, Etude #12
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Violoncelle
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Methodes
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David Popper
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Richard Aaron, Eric Moore
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Popper
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Cello Loft
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SheetMusicPlus
Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.3452...
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Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.345241). - - Etudes and Exercises,Technique Training - Cello Loft
$1.99 ≈
$2.77
Popper (arr. Richard Aaron): Op. 73, Etude #11
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Violoncelle
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Methodes
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David Popper
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Richard Aaron, Eric Moore
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Popper
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Cello Loft
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SheetMusicPlus
Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.3452...
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Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.345239). - - Etudes and Exercises,Technique Training - Cello Loft
$1.99 ≈
$2.77
Popper (arr. Richard Aaron): Op. 73, Etude #10
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Violoncelle
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Methodes
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David Popper
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Richard Aaron, Eric Moore
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Popper
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Cello Loft
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SheetMusicPlus
Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.3452...
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Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.345237). - - Etudes and Exercises,Technique Training - Cello Loft
$1.99 ≈
$2.77
Popper (arr. Richard Aaron): Op. 73, Etude #9
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Violoncelle
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Methodes
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David Popper
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Richard Aaron, Eric Moore
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Popper
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Cello Loft
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SheetMusicPlus
Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 4 pages. Published by Cello Loft (S0.3452...
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Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 4 pages. Published by Cello Loft (S0.345235). - - Etudes and Exercises,Technique Training - Cello Loft
$1.99 ≈
$2.77
Popper (arr. Richard Aaron): Op. 73, Etude #8
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Violoncelle
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Methodes
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David Popper
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Richard Aaron, Eric Moore
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Popper
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Cello Loft
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SheetMusicPlus
Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.3452...
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Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.345233). - - Etudes and Exercises,Technique Training - Cello Loft
$1.99 ≈
$2.77
Popper (arr. Richard Aaron): Op. 73, Etude #7
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Violoncelle
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Methodes
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David Popper
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Richard Aaron, Eric Moore
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Popper
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Cello Loft
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SheetMusicPlus
Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 4 pages. Published by Cello Loft (S0.3452...
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Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 4 pages. Published by Cello Loft (S0.345231). - - Etudes and Exercises,Technique Training - Cello Loft
$1.99 ≈
$2.77
Popper (arr. Richard Aaron): Op. 73, Etude #6
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Violoncelle
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Methodes
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David Popper
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Richard Aaron, Eric Moore
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Popper
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Cello Loft
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SheetMusicPlus
Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.3452...
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Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.345227). - - Etudes and Exercises,Technique Training - Cello Loft
$1.99 ≈
$2.77
Popper (arr. Richard Aaron): Op. 73, Etude #5
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Violoncelle
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Methodes
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David Popper
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Richard Aaron, Eric Moore
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Popper
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Cello Loft
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SheetMusicPlus
Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.3452...
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Composed by David Popper (1843-1913). Arranged by Richard Aaron, Eric Moore. Etudes and Exercises, Technique Training. 5 pages. Published by Cello Loft (S0.345225). - - Etudes and Exercises,Technique Training - Cello Loft
$1.99 ≈
$2.77
Circles - Concerto for Cello & (H.S.) String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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the end, everyone is bowing an
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919...
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String Orchestra - Level 4 - SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00 ≈
$27.88
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Violoncelle
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published ...
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Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
$66.84
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards...
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String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
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Popper (arr. Richard Aaron): Op. 73, Etude #29
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Cello Solo - Level 4 - SKU: A0.878935 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 5...
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Cello Solo - Level 4 - SKU: A0.878935 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 5 pages. Cello Loft #3497365. Published by Cello Loft (A0.878935). From a new edition of David Popper's 40 Etudes, Hohe Schule des Violoncello-Spiels (The High School of Cello Playing), op. 73 Edited by Richard Aaron (Professor at University of Michigan, The Juilliard School). This edition utilizes the latest philosophies about cello technique while helping students learn faster: clarified structure, rehearsal marks and Richard Aaron's set shift notation to enhance shifting accuracy. The complete set of 40 Etudes is available as a .
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Popper (arr. Richard Aaron): Op. 73, Etude #17
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.878923 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 4...
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Cello Solo - Level 4 - SKU: A0.878923 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 4 pages. Cello Loft #3497337. Published by Cello Loft (A0.878923). From a new edition of David Popper's 40 Etudes, Hohe Schule des Violoncello-Spiels (The High School of Cello Playing), op. 73 Edited by Richard Aaron (Professor at University of Michigan, The Juilliard School). This edition utilizes the latest philosophies about cello technique while helping students learn faster: clarified structure, rehearsal marks and Richard Aaron's set shift notation to enhance shifting accuracy. The complete set of 40 Etudes is available as a .
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Popper (arr. Richard Aaron): Op. 73, Etude #15
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Richard Aaron, Eric Moore
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.878921 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 5...
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Cello Solo - Level 4 - SKU: A0.878921 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 5 pages. Cello Loft #3497333. Published by Cello Loft (A0.878921). From a new edition of David Popper's 40 Etudes, Hohe Schule des Violoncello-Spiels (The High School of Cello Playing), op. 73 Edited by Richard Aaron (Professor at University of Michigan, The Juilliard School). This edition utilizes the latest philosophies about cello technique while helping students learn faster: clarified structure, rehearsal marks and Richard Aaron's set shift notation to enhance shifting accuracy. The complete set of 40 Etudes is available as a .
$1.99 ≈
$2.77
Popper (arr. Richard Aaron): Op. 73, Etude #20
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Richard Aaron, Eric Moore
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.878926 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 5...
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Cello Solo - Level 4 - SKU: A0.878926 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 5 pages. Cello Loft #3497343. Published by Cello Loft (A0.878926). From a new edition of David Popper's 40 Etudes, Hohe Schule des Violoncello-Spiels (The High School of Cello Playing), op. 73 Edited by Richard Aaron (Professor at University of Michigan, The Juilliard School). This edition utilizes the latest philosophies about cello technique while helping students learn faster: clarified structure, rehearsal marks and Richard Aaron's set shift notation to enhance shifting accuracy. The complete set of 40 Etudes is available as a .
$1.99 ≈
$2.77
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