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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concertino for Bass Trombone and Piano
Non classifié
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Trombone et Piano
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Tuba et Piano
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Concertino for Bass Trombone and Piano
Partitions à imprimer
13 partitions trouvées
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1
Concertino for Bass Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Ernst Sachse
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Charles Vernon
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Concertino for Bass Trombone a
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.1043020 Composed by Ernst Sachse. Arranged by Charles Vernon. Romantic Period. Score and part. 24 pages. Gordon Cherr...
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Piano,Trombone - Level 5 - SKU: A0.1043020 Composed by Ernst Sachse. Arranged by Charles Vernon. Romantic Period. Score and part. 24 pages. Gordon Cherry #647718. Published by Gordon Cherry (A0.1043020). Not much is known about the origins of the Concertino, except that the three-movement work was most likely first written and performed by E-flat Cornet in the mid-19th Century by Sachse himself. Since that time, the work has been edited for Trombone and Bass Trombone. Along with the David Concertino, the two works are great examples of German Romantic solo writing for the brass family. Charles Vernon has arranged an excellent sounding edition for Bass Trombone or Tuba and Piano of about 12 minutes in length for advanced performers.
$30.00 ≈
$41.65
Concertino for Alto Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Ernst Sachse
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Charles Vernon
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Concertino for Alto Trombone a
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Cherry Classics Music
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SheetMusicPlus
Alto Trombone and Piano - Advanced - Composed by Ernst Sachse (1810-1849). Arranged by Charles Vernon. Romantic Period, Classical Period. Score, Sol...
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Alto Trombone and Piano - Advanced - Composed by Ernst Sachse (1810-1849). Arranged by Charles Vernon. Romantic Period, Classical Period. Score, Solo Part. 25 pages. Published by Cherry Classics Music
Not much is known about the origins of the Concertino, except that the three-movement work was most likely first written and performed by E-flat Cornet in the mid-19th Century by Sachse himself. Since that time, the work has been edited for Trombone and Bass Trombone.
Along with the David Concertino, the two works are great examples of German Romantic solo writing for the brass family.
Charles Vernon has arranged an excellent sounding edition for Alto Trombone and Piano of about 12 minutes in length for advanced performers.
$27.50 ≈
$38.18
Concertino for Contrabass Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Ernst Sachse
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Charles Vernon
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Concertino for Contrabass Trom
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.792795 Composed by Ernst Sachse. Arranged by Charles Vernon. Classical,Romantic P...
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Instrumental Duet Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.792795 Composed by Ernst Sachse. Arranged by Charles Vernon. Classical,Romantic Period. Score and parts. 25 pages. Gordon Cherry #6519139. Published by Gordon Cherry (A0.792795). Not much is known about the origins of the Concertino, except that the three-movement work was most likely first written and performed on the E-flat Cornet in the mid-19th Century by Sachse himself. Since that time, the work has been edited for Trombone and Bass Trombone.Along with the David Concertino, the two works are great examples of German Romantic solo writing for the brass family.Charles Vernon has arranged an excellent sounding edition for Contrabass Trombone and Piano of about 12 minutes in length for advanced performers.
$27.50 ≈
$38.18
Concertino for Bass Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Frith, John
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Cherry Classics Music
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Concertino for Bass Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792243 Composed by Frith, John. Arranged by Cherry Classics Music. 20th Century,Contemporary. Score and part. 49 page...
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Piano,Trombone - Level 5 - SKU: A0.792243 Composed by Frith, John. Arranged by Cherry Classics Music. 20th Century,Contemporary. Score and part. 49 pages. Gordon Cherry #4764317. Published by Gordon Cherry (A0.792243). John Frith's new composition, Concertino is a major new work for Bass Trombone in three movements: Humoresque, Ballad and Scherzo. Mr. Frith lives in the UK has written this work for Bass Trombone virtuoso, Jonathan Warburton also from the UK. The 13 minute work is for very advanced players and will challenge the technique and musicianship of the performer. This work can be your major work on a recital or concert. The version with Wind Ensemble and solo will be coming out soon.
$22.50 ≈
$31.24
Concertino No. 2 in B-flat for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Ferdinand David
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Jeremy Niles Kempton
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Concertino No. 2 in B-flat for
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792631 Composed by Ferdinand David. Arranged by Jeremy Niles Kempton. Classical,Romantic Period. Score and part. 23 p...
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Piano,Trombone - Level 5 - SKU: A0.792631 Composed by Ferdinand David. Arranged by Jeremy Niles Kempton. Classical,Romantic Period. Score and part. 23 pages. Gordon Cherry #5042815. Published by Gordon Cherry (A0.792631). The Concertino No. 2 in B Flat was recently discovered while surfing the internet. The version found stated that it was a concertino for viola and piano. However the piano reduction had the solo part written for bassoon. It was followed by a separate solo part for viola. However upon examination this proved to be and orchestral viola part and not a solo part at all. From this one could conclude that there must have been, and perhaps still exists, a score and parts for a full orchestral accompaniment. Although not originally for trombone, this piece lends itself admirably to the lyrical and heroic nature of the trombone. It is challenging but well-suited to the instrument and a quality piece of music. The editor hopes that this piece will find its place as a mainstay in the literature for trombone.
$25.00 ≈
$34.71
Concertino for Tuba or Piano
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Tuba et Piano
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AVANCÉ
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Classique
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Ernst Sachse
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Charles Vernon
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Concertino for Tuba or Piano
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.811247 Composed by Ernst Sachse. Arranged by Charles Vernon. Classical,Romantic Period. Score and part. 24 pages. Gordon ...
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Piano,Tuba - Level 5 - SKU: A0.811247 Composed by Ernst Sachse. Arranged by Charles Vernon. Classical,Romantic Period. Score and part. 24 pages. Gordon Cherry #6520037. Published by Gordon Cherry (A0.811247). Not much is known about the origins of the Concertino, except that the three-movement work was most likely first written and performed by E-flat Cornet in the mid-19th Century by Sachse himself. Since that time, the work has been edited for Trombone and Bass Trombone. Along with the David Concertino, the two works are great examples of German Romantic solo writing for the brass family.Charles Vernon has arranged an excellent sounding edition for Tuba and Piano of about 12 minutes in length for advanced performers.
$32.50 ≈
$45.12
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble) - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Masakazu YAMAMOTO
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Shadow in a harlequin
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Motch Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1339375 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 31 pages. Motch Music #925066. Publi...
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Concert Band - Level 4 - SKU: A0.1339375 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 31 pages. Motch Music #925066. Published by Motch Music (A0.1339375). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$50.00 ≈
$69.41
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Masakazu YAMAMOTO
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Shadow in a harlequin
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Motch Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1339368 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 85 pages. Motch Music #925059. Publi...
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Concert Band - Level 4 - SKU: A0.1339368 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 85 pages. Motch Music #925059. Published by Motch Music (A0.1339368). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$200.00 ≈
$277.65
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
$41.58
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
$108.22
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99 ≈
$13.87
Shaken, Not Stirred - Happy Hour for 8
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Benedikt Brydern
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Shaken, Not Stirred - Happy Ho
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ConSordino Music Publishing
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Double Bass,Piano,Trombone,Viola,Violin - Level 5 - SKU: A0.751123 Composed by Benedikt Brydern. Contemporary,Jazz. ...
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Large Ensemble Alto Saxophone,Cello,Double Bass,Piano,Trombone,Viola,Violin - Level 5 - SKU: A0.751123 Composed by Benedikt Brydern. Contemporary,Jazz. Score and parts. 132 pages. ConSordino Music Publishing #3568807. Published by ConSordino Music Publishing (A0.751123). This piece has been commissioned by a chamber music group consisting of members of the acclaimed Wuerttemberger Kammerorchester Heilbronn in Germany. They needed a piece for all participants of a crossover concert as a closer for the eclectic program. I settled on four movements named after four well known cocktails. The composition quotes b-a-c-h throughout in various disguises and blends light jazz with classical form. Duration approx 20 minutes. The audio sample is a compilation of 4 sections from all four movements.
$29.99 ≈
$41.63
French Connection
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Benedikt Brydern
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French Connection
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ConSordino Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,Trombone,Viola,Violin - Level 5 - SKU: A0.751167 Composed by Benedikt Brydern. 20th Century,Classical,Contempo...
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Large Ensemble Cello,Double Bass,Drum Set,Trombone,Viola,Violin - Level 5 - SKU: A0.751167 Composed by Benedikt Brydern. 20th Century,Classical,Contemporary,Jazz. Score and parts. 130 pages. ConSordino Music Publishing #6673371. Published by ConSordino Music Publishing (A0.751167). A jazz inspired suite in 3 movements for Solo Trombone, Rhythm Section ( piano, drums and upright bass) and Strings ( violins, violas and violoncelli) . Commissioned by trombone soloist Prof. Henning Wiegräbe . Premiered 2010 in Germany with the acclaimed Württemberger Kammerorchester Heilbronn (WKO) under the direction of Ruben Gazarian featuring Prof. Henning Wiegräbe. .
$49.99 ≈
$69.40
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Concertino for Bass Trombone and Piano
