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--INSTRUMENTS--
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ALTO
AUTOHARPE
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Organ: Nola
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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Organ: Nola
Partitions à imprimer
11 partitions trouvées
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Organ: Nola (Silhouette for Piano / Novelty Rag) - Felix Arndt
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Arndt
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Aubrey Tucker
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Organ: Nola
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Aubrey Tucker
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SheetMusicPlus
Composed by Felix Arndt (1889- 1918). Arranged by Aubrey Tucker. 20th Century, Concert, Jazz, Ragtime. Score. 6 pages. Aubrey Tucker #6608155. Publishe...
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Composed by Felix Arndt (1889- 1918). Arranged by Aubrey Tucker. 20th Century, Concert, Jazz, Ragtime. Score. 6 pages. Aubrey Tucker #6608155. Published by Aubrey Tucker
$7.95 ≈
$11.06
Organ Sonata (B56)
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Orgue
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Contemporain
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Colin W Bayliss
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Organ Sonata
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Colin Bayliss
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SheetMusicPlus
Organ - SKU: A0.1068414 Composed by Colin W Bayliss. 20th Century. Full Performance. Duration 1171. Colin Bayliss #3388423. Published by Colin Bayliss (...
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Organ - SKU: A0.1068414 Composed by Colin W Bayliss. 20th Century. Full Performance. Duration 1171. Colin Bayliss #3388423. Published by Colin Bayliss (A0.1068414). This work was written in 1992 for Joseph Nolan, an organist described by the composer as the only person he then knew who could make an organ recital both enjoyable and exciting.
$3.50 ≈
$4.87
Futility: Quarantine
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Orgue
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Contemporain
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Valentin Sbelavich
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Futility: Quarantine
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Nolan Thomas Letourneau
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SheetMusicPlus
Organ - SKU: A0.1017768 Composed by Valentin Sbelavich. Contemporary. Score. 6 pages. Nolan Thomas Letourneau #6244405. Published by Nolan Thomas Letour...
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Organ - SKU: A0.1017768 Composed by Valentin Sbelavich. Contemporary. Score. 6 pages. Nolan Thomas Letourneau #6244405. Published by Nolan Thomas Letourneau (A0.1017768). This was written during the Great Quarantine of 2020 in order to represent the feelings at the time. .
$7.99 ≈
$11.11
Requiem for the Dead
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Orgue
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INTERMÉDIAIRE
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Contemporain
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Valentin Sbelavich
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Requiem for the Dead
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Nolan Thomas Letourneau
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1017767 Composed by Valentin Sbelavich. Contemporary. Score. 3 pages. Nolan Thomas Letourneau #6244401. Published by Nolan Tho...
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Organ - Level 3 - SKU: A0.1017767 Composed by Valentin Sbelavich. Contemporary. Score. 3 pages. Nolan Thomas Letourneau #6244401. Published by Nolan Thomas Letourneau (A0.1017767). A requiem for those who have died under covid-19.
$7.99 ≈
$11.11
Lady Marmalade
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Orgue
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FACILE
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Pop musique
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Christina Aguilera, Lil' Kim,
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Michael Storeton-West
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Lady Marmalade
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Kicker Productions Ltd.
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1041268 By Christina Aguilera, Lil' Kim, Mya & Pink. By Kenny Nolan and Robert Crew. Arranged by Michael Storeton-West. Pop. S...
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Organ - Level 2 - SKU: A0.1041268 By Christina Aguilera, Lil' Kim, Mya & Pink. By Kenny Nolan and Robert Crew. Arranged by Michael Storeton-West. Pop. Score. 3 pages. Kicker Productions Ltd. #646004. Published by Kicker Productions Ltd. (A0.1041268). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$4.99 ≈
$6.94
Guía práctica para el estudio de la armonía - Piotr Ilich Tchaikovsky
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Juan Carlos Cortés A
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Guía práctica pa
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.958765 Composed by Peter Ilyich Tchaikovsky. Arranged by Juan Carlos Cortés A. Instructional,Romantic Period...
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Choral Choir (Mixed) - Level 3 - SKU: A0.958765 Composed by Peter Ilyich Tchaikovsky. Arranged by Juan Carlos Cortés A. Instructional,Romantic Period,World. Octavo. 234 pages. Juan Carlos Cortés Aguirre #6473855. Published by Juan Carlos Cortés Aguirre (A0.958765). Traducción al idioma Español (Castellano) de la obra pedagógica musical GuÃa práctica para el estudio de la armonÃa por Piotr Ilich Tchaikovsky (Vótkinsk, 7 de mayo de 1840 - San Petersburgo, 6 de noviembre de 1893), compositor ruso del Siglo XIX basado en la versión rusa, luego traducida a los idiomas Alemán e Inglés. Obra amparada por el © Copyright como Derecho Conexo que otorga protección a quienes, sin ser autores, contribuyen con creatividad, técnica u organización, en el proceso de poner a disposición del público una obra.VÃDEOS:VIMEO:https://vimeo.com/679341606Перевод на иÑпанÑкий (каÑтильÑкий) Ñзык музыкально-педагогичеÑкого ÑÐ¾Ñ‡Ð¸Ð½ÐµÐ½Ð¸Ñ Â«ÐŸÑ€Ð°ÐºÑ‚Ð¸Ñ‡ÐµÑкое поÑобие по изучению гармонии Петра Ильича ЧайковÑкого (ВоткинÑк, 7 Ð¼Ð°Ñ 1840 г. - Санкт-Петербург, 6 ноÑÐ±Ñ€Ñ 1893 г.), руÑÑкого композитора XIX века. РуÑÑÐºÐ°Ñ Ð²ÐµÑ€ÑиÑ, затем Ð¿ÐµÑ€ÐµÐ²ÐµÐ´ÐµÐ½Ð½Ð°Ñ Ð½Ð° немецкий и английÑкий Ñзыки. Работа защищена авторÑким правом © как Ñмежное право, которое обеÑпечивает защиту тем, кто, не ÑвлÑÑÑÑŒ авторами, вноÑит Ñвой творчеÑкий вклад, иÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÑ Ñ‚ÐµÑ…Ð½Ð¸ÐºÑƒ или организацию, в процеÑÑе предоÑÑ‚Ð°Ð²Ð»ÐµÐ½Ð¸Ñ Ð¾Ð±Ñ‰ÐµÑтвенноÑти Работа.Ãœbersetzung in die spanische Sprache (Kastilisch) des musikpädagogischen Werks Praktischer Leitfaden für das Studium der Harmonielehre von Pjotr ​​Iljitsch Tschaikowsky (Vótkinsk, 7. Mai 1840 - Sankt Petersburg, 6. November 1893), russischer Komponist des 19. Russische Version, dann in die deutsche und englische Sprache übersetzt.. Werk geschützt durch © Copyright als verwandtes Recht, das denjenigen Schutz gewährt, die, ohne Autoren zu sein, mit Kreativität, Technik oder Organisation einen Beitrag zur öffentlichen Zugänglichmachung leisten a Arbeit.Translation into Spanish language (Castilian) of the musical pedagogical work Practical guide for the study of harmony by Pyotr Ilyich Tchaikovsky (Vótkinsk, May 7, 1840 - Saint Petersburg, November 6, 1893), Russian composer of the XIX century based in the Russian version, later translated into the German and English languages. Work protected by © Copyright as a Related Right that grants protection to those who, without being authors, contribute with creativity, technique or organization, in the process of making available to the public a work.Traduzione in lingua spagnola (castigliano) dell'opera di pedagogia musicale Guida pratica per lo studio dell'armonia di Pyotr Ilyich Tchaikovsky (Vótkinsk, 7 maggio 1840 - San Pietroburgo, 6 novembre 1893), compositore russo del XIX secolo con sede nel Versione russa, poi tradotta in lingua tedesca e inglese Opera protetta da © Copyright as a Related Right che garantisce protezione a coloro che, senza essere autori, contribuiscono con creatività , tecnica o organizzazione, nel processo di messa a disposizione del pubblico di un lavoro. Traduction en espagnol (castillan) de l'ouvrage de pédagogie musicale Guide pratique pour l'étude de l'harmonie de Piotr Ilich Tchaïkovski (Votkinsk, 7 mai 1840 - Saint-Pétersbourg, 6 novembre 1893), compositeur russe du XIXe siècle, basée sur la version russe, traduite ultérieurement en allemand et en anglais. L'Å“uvre est couverte par le © Copyright en tant que droit voisin qui accorde une protection à ceux qui, sans être des auteurs, contribuent de manière créative, technique ou organisationnelle au processus de mise à disposition d'une Å“uvre au public.
$39.99 ≈
$55.62
Highlands [2 violins]
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2 Violons (duo)
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FACILE
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Ir...
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Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00 ≈
$2.78
Day One
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Ost
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Daniel Luna de Menezes
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Day One
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Daniel Luna de Menezes
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SheetMusicPlus
Strings 1 Piano,4 Hands,Acoustic Guitar,Cello,Drum Set,Electric Bass Guitar,Electric Guitar,Flute,Organ,Viola,Violin - Level 2 - SKU: A0.1416942 By Ost ...
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Strings 1 Piano,4 Hands,Acoustic Guitar,Cello,Drum Set,Electric Bass Guitar,Electric Guitar,Flute,Organ,Viola,Violin - Level 2 - SKU: A0.1416942 By Ost (original Soundtrack). By Alex Gibson, Hans Zimmer, and Ryan Romeyn Rubin. Arranged by Daniel Luna de Menezes. 21st Century,Chamber,Contemporary,Film/TV,Rock. 45 pages. Daniel Luna de Menezes #998531. Published by Daniel Luna de Menezes (A0.1416942). Day One was composed by Hans Zimmer for the 2014 film Interstellar by Christopher Nolan. The soundtrack garnered critical acclaim and was nominated for the Academy Award for Best Original Score and the Grammy Award for Best Score Soundtrack for Visual Media.This arrangement is written for a large chamber ensemble composed of flute, 2 pianos (or 1 piano played by 4 hands), organ, acoustic and electric guitars, electric bass, string quartet (or ensemble) and drums.
$49.99 ≈
$69.53
Lady Marmalade
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Contemporain
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Patty LaBelle
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Marc Gumberg
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horn parts all at once
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Lady Marmalade
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Marc Gumberg
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SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Piano Accompaniment - Level 3 - SKU: A0.897981 By Patty LaBelle. By Kenny Nolan and Robert Crew. Arranged by Marc Gu...
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Small Ensemble Bass Guitar,Drum Set,Piano Accompaniment - Level 3 - SKU: A0.897981 By Patty LaBelle. By Kenny Nolan and Robert Crew. Arranged by Marc Gumberg. Contemporary. Score and parts. 6 pages. Marc Gumberg #4357493. Published by Marc Gumberg (A0.897981). Everyone who has ever played at a wedding, private party, or in a night club has been asked to play this song! This chart is written with the keyboard player in mind who has to cover the piano, organ, & horn parts all at once. This chart makes it easy to cover everything in a sensible way that fills out the sound of the band. This can be used as a Master Rhythm chart for the rest of the band as well.
$6.50 ≈
$9.04
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
$13.90
Patterns
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Orchestre de chambre
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FACILE
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Brenda A
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Patterns
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Brenda A. McGee
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.984952 Composed by Brenda A. McGee. 20th Century,Contemporary,Sacred. Score and parts. 29 pages. Brenda A. McGee #...
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Chamber Orchestra - Level 2 - SKU: A0.984952 Composed by Brenda A. McGee. 20th Century,Contemporary,Sacred. Score and parts. 29 pages. Brenda A. McGee #5205389. Published by Brenda A. McGee (A0.984952). Patterns is a sacred music work based on Jude 12-13 inThe Message Bible (see program notes). Patterns is appropriate for high school, college or university,and professional orchestras..Patterns is a polytonal work written in 3 keys, E, C, and Bb. The duration of Patterns is 8 minutes. My performing rights organization is BMI. My social media contact info is Facebook.com/thepianoladybamcgee. You can contact me at bamcgee@brennieproductions.com.
$21.31 ≈
$29.64
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Organ: Nola
