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Síuil a Rún
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--INSTRUMENTS--
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ALTO
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Vous avez sélectionné:
Síuil a Rún
Partitions à imprimer
28 partitions trouvées
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26
Síuil a Rún
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Harpe
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Anne Smith
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Síuil a Rún
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Anne Smith
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SheetMusicPlus
Harp - Level 3 - SKU: A0.518337 Composed by Irish Traditional. Arranged by Anne Smith. Celtic,Folk,Irish,Multicultural,Traditional,World. Score. 3 pages...
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Harp - Level 3 - SKU: A0.518337 Composed by Irish Traditional. Arranged by Anne Smith. Celtic,Folk,Irish,Multicultural,Traditional,World. Score. 3 pages. Anne Smith #129032. Published by Anne Smith (A0.518337). A harp arrangement of the traditional Irish song SÃuil a Rún (Shule Aroon.) This is one of my favorites! There are no pedal/lever changes.
$4.99 ≈
$6.97
Siúil a Rún
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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Kathleen Ryan
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Siúil a Rún
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1208639 Composed by Traditional Irish. Arranged by Kathleen Ryan. Celtic,Classical,Contemporary,Folk,Irish,New Age. Score...
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Piano Solo - Level 4 - SKU: A0.1208639 Composed by Traditional Irish. Arranged by Kathleen Ryan. Celtic,Classical,Contemporary,Folk,Irish,New Age. Score. 5 pages. Indigo Mesa Music LLC #806742. Published by Indigo Mesa Music LLC (A0.1208639). A lyrical and powerful arrangement of the traditional Irish song, as arranged and performed by Kathleen Ryan on her CD Passages.Kathleen‘s notes: “Devastation marches in, and marches away again. But the sweetness that follows … !“This Irish song is best known in the US as Buttermilk Hill (Johnny Has Gone for a Soldier), popular during the Civil War. As in Siúil A Ghra (Shule Agra, on my first CD A Handfull of Quietness), a woman is singing of her love, for whom she has sacrificed even her way to support herself, so that he would be armed for the war he has gone to join. Will he return? How will she manage in the meantime? ‘Go safely, my love,†she sings at the end of every verse.‘â€Very late intermediate.
$5.25 ≈
$7.33
Aires de Lima de Valsequillo
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Chorale 3 parties
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INTERMÉDIAIRE
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Vicente Umpiérrez Sánche
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Aires de Lima de Valsequillo
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Vicente
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SheetMusicPlus
Choral Choir (SAA) - Level 3 - SKU: A0.1135714 Composed by Vicente Umpiérrez Sánchez. Arranged by Vicente Umpiérrez Sánchez. A Cappella,Clas...
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Choral Choir (SAA) - Level 3 - SKU: A0.1135714 Composed by Vicente Umpiérrez Sánchez. Arranged by Vicente Umpiérrez Sánchez. A Cappella,Classical,Contemporary. Octavo. 5 pages. Vicente #735775. Published by Vicente (A0.1135714). Creación coral de la melodÃa popular canaria. Elaboración rÃtmica y polifónica.
$4.99 ≈
$6.97
Jacques Dussouil: "La nuit s’étend sur la terre" from Quatre Noëls for SATB mixed chorus
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Jacques Dussouil
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Jacques Dussouil: "La nui
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.535405 Composed by Jacques Dussouil. Christmas,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4283611. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.535405 Composed by Jacques Dussouil. Christmas,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4283611. Published by Musik Fabrik Music Publishing (A0.535405). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.1. La nuit s’étend sur la terre1. La nuit s’étend sur la terre, Il fait si-lence au dehorsAbandon-nous nos misères à qui bon souffrir encore?Toi qui pleures, et te lamentes, Prends espoir et te réveille.Ne res-te plus dans l’attente, viens voir l’en-fant qui sommeille.2. Oubliez peines et larmes, Et si vous souffrez encoreSoyez émus par les charmesDe cet enfant qui s’endortNoël enlève nos doutes,Joies passées, joies espérées,Létoile éclaire ma routeoù m’aide ce nouveau-né3. Oubliez ce qui nous blesseQue cesent nos trahisons!Que Noël soit jour de liesse,Qu’un enfant soit notre union.Que tous ceux qui se rassemblentVoyant nos cœurs rejouir.Nous aides à bâtir ensembleUn monde qui nous unit.
$1.99 ≈
$2.78
Has Jesus Left the Building?
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KJ Murdock
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Has Jesus Left the Building?
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Kristopher James Murdock
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SheetMusicPlus
Small Ensemble Drum Set,Guitar,Piano Accompaniment,Voice - Level 3 - SKU: A0.893701 Composed by KJ Murdock. Blues,Christian,Gospel,R & B,Traditional. Sc...
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Small Ensemble Drum Set,Guitar,Piano Accompaniment,Voice - Level 3 - SKU: A0.893701 Composed by KJ Murdock. Blues,Christian,Gospel,R & B,Traditional. Score and parts. 3 pages. Kristopher James Murdock #3039089. Published by Kristopher James Murdock (A0.893701). Christian music ministers and bands! Are you worried that people will focus too much on the hype and excitement, instead of on Jesus? Are you looking for a way to express your concerns that will get them to listen? The old-time rock style of Has Jesus Left the Building is meant as an ice breaker to broach this difficult subject and lead up to a more sobering setting, such as a sermon or a call to prayer dealing with the song's tough but important message: that no matter how we get with it to Christian music, we'll eventually lose the glory of God if we don't focus our worship and submission on Him.Appropriate as a special in a contemporary church service.Suggested improvisatory style: 1950s R&B/rock 'n' roll.For more information, contact revelation.and.restoration@gmail.com.
$1.99 ≈
$2.78
April! The grace and smile that all beguile, for alto voice and guitar
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Voix duo
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Contemporain
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David Warin Solomons
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April! The grace and smile tha
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - SKU: A0.578450 Composed by David Warin Solomons. 20th Century. 3 pages. David Warin Solomons #4886903. Published by David Warin Solom...
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Voice Duet Voice - SKU: A0.578450 Composed by David Warin Solomons. 20th Century. 3 pages. David Warin Solomons #4886903. Published by David Warin Solomons (A0.578450). Setting for alto and guitar of the translation by S N Solomons of a poem by Rémi Belleau
$8.00 ≈
$11.17
Stoccato
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Cloches
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INTERMÉDIAIRE/AVANCÉ
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Fred Gramann
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Stoccato
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Chorister's Guild - Digital
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SheetMusicPlus
5, 6, or 7 octaves handbells - Level 4+ - SKU: C7.CGB812 On Alice Ralston. Composed by Fred Gramann. General. Master Ringer. With 5, 6, or 7 octa...
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5, 6, or 7 octaves handbells - Level 4+ - SKU: C7.CGB812 On Alice Ralston. Composed by Fred Gramann. General. Master Ringer. With 5, 6, or 7 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB812. Published by Chorister's Guild - Digital (C7.CGB812). UPC: 749193018286.The title Stoccato is a combination of staccato and toccata, both of which describe the piece with its quick motion (toccata) and use of mallets (staccato.) Commissioned in honor of the musical ministry of Alice Ralston at Fist United Methodist Church of Midland, the musical theme is base on a musical representation of the letters A-L-I-C-E-R-A-L-S-T-O-N. The opening three statements of her name provide moments of reflections and remembrance, to be savored as the memories of Alice's work are treasured by all. The remainder of the piece is pure celebration, to be rung joyously.
$4.95 ≈
$6.91
FFANFFER: 51° Gogledd, 3° Gorllewin (FANFARE: 51° North, 3° West) (Rob Bushnell) - Brass Quintet
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Rob Bushnell
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FFANFFER: 51° Gogledd, 3&d
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.1246889 Composed by Rob Bushnell. 21st Century,Classical,...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.1246889 Composed by Rob Bushnell. 21st Century,Classical,Contest,Festival,Traditional. 35 pages. RBMusic #841560. Published by RBMusic (A0.1246889). This fanfare was written to enter the Arts Active's Fanfare Competition, in celebration of St. David's Hall 40th Birthday. In writing this piece, I researched the musical history of St. David’s Hall. Unfortunately, it has proven very difficult to find specific songs/pieces from some of the key events (the only clip I could find was the Cory Band playing John Mile’s Music), so I focused on brass bands and Wales.The pieces incorporates Men of Harlech (Rhyfelgyrch Gwŷr Harlech), Land of My Fathers (Hen Wlad fy Nhadau) and Philip Sparke’s The Year of the Dragon. Growing up with brass band, I heard Men of Harlech a lot and it has always been my “go to†Welsh piece. Land of My Fathers is the unofficial anthem of Wales. As for The Year of the Dragon, it was used both times that St. David’s Hall has hosted the European Brass Band Championships: it was used as the set test pieces in 1986 for Desford Colliery Dowty Band’s historic victory (under Howard Snell) and as the own choice test piece in 1992 as part of Britannia Building Society (now Fodens) Band’s winning performances (again under Howard Snell). The Year of the Dragon is also a popular piece of music in the brass-band world and has much significance to me personally.The name of piece comes from the GPS location of St. David’s Hall (51.48022° N, 3.17653° W), rounded to the nearest integer: the actual location of 51° N, 3° W is just off of the A378 in North Curry in Taunton, Somerset, England. The competition stipulated that the fanfare was to be composed for a maximum of five standard brass band instruments and so was written for 2 Cornets, Tenor Horn, Trombone or Euphonium and Eb Bass. An additional score and parts have been provided for a more traditional brass quintet set up.
$12.99 ≈
$18.14
The First Noel - O primeiro natal - fase2
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Piano seul
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FACILE
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Noël
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Various
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Sérgio Matias da Cunha
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The First Noel - O primeiro na
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Sérgio Matias da Cunha
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1292898 By Various. By Harm John Steiner. Arranged by Sérgio Matias da Cunha. Christian,Christmas,Religious,Traditiona...
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Piano Solo - Level 2 - SKU: A0.1292898 By Various. By Harm John Steiner. Arranged by Sérgio Matias da Cunha. Christian,Christmas,Religious,Traditional. Score. 1 pages. Sérgio Matias da Cunha #883494. Published by Sérgio Matias da Cunha (A0.1292898). Arranjo claro, objetivo, conciso e acessÃvel apresentando marcações de cifra, sinais de repetição e figuras rÃtmicas maiores que a semicolcheia, buscando o melhor efeito com simplicidade e equilÃbrio. Acompanhamento não padronizado e trabalhado em contraponto à melodia de forma elaborada com base nas notas formadoras dos respectivos acordes em estado fundamental ou invertidos. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99 ≈
$6.97
White Christmas
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Piano seul
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FACILE
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Noël
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Bing Crosby
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Sérgio Matias da Cunha
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White Christmas
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Sérgio Matias da Cunha
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1292906 By Bing Crosby. By Irving Berlin. Arranged by Sérgio Matias da Cunha. 20th Century,Children,Christian,Christma...
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Piano Solo - Level 2 - SKU: A0.1292906 By Bing Crosby. By Irving Berlin. Arranged by Sérgio Matias da Cunha. 20th Century,Children,Christian,Christmas,Film/TV. Score. 1 pages. Sérgio Matias da Cunha #883504. Published by Sérgio Matias da Cunha (A0.1292906). Arranjo claro, objetivo, conciso e acessÃvel apresentando marcações de cifra, sinais de repetição e figuras rÃtmicas menores que a colcheia, buscando o melhor efeito com simplicidade e equilÃbrio. Acompanhamento não padronizado e trabalhado em contraponto à melodia de forma elaborada com base nas notas formadoras dos respectivos acordes em estado fundamental ou invertidos. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99 ≈
$6.97
Sommarhagen Suite - Three Frosoblomster for Concert Band
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Wilhelm Olof Peterson-Berger
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Ted R
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Sommarhagen Suite - Three Fros
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.840489 Composed by Wilhelm Olof Peterson-Berger. Arranged by Ted R. Marcus. 20th Century,Classical,Romantic Period. Sco...
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Concert Band - Level 5 - SKU: A0.840489 Composed by Wilhelm Olof Peterson-Berger. Arranged by Ted R. Marcus. 20th Century,Classical,Romantic Period. Score and Parts. 156 pages. Ted R. Marcus #4268661. Published by Ted R. Marcus (A0.840489). Wilhelm Peterson-Berger (1867-1942) was a Swedish composer and music critic. He spent his summers exploring the countryside, and fell in love with Frösö, an island in Lake Storsjön in northern Sweden. He built a summer house there, which he called Sommarhagen (Summer Refuge).
$50.00 ≈
$69.81
Que me coma el tigre. Paseaíto (1968) por: Eugenio Garcia Cueto
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Piano seul
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AVANCÉ
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Eugenio Garcia Cueto
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Juan Carlos Cortés A
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Que me coma el tigre. Pasea&ia
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.958738 Composed by Eugenio Garcia Cueto. Arranged by Juan Carlos Cortés A. Concert,Holiday,Latin,Standards,World. Scor...
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Piano Solo - Level 5 - SKU: A0.958738 Composed by Eugenio Garcia Cueto. Arranged by Juan Carlos Cortés A. Concert,Holiday,Latin,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6118173. Published by Juan Carlos Cortés Aguirre (A0.958738). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en el PaseÃto del año 1968 con autorÃa del Señor Eugenio GarcÃaGrabado por el Combo de Duque Palomino con el saxofonista Nelson DÃaz, el cantante Gustavo Barros González, y el violÃn del maestro antioqueño Luis Hernando Posada, en los estudios de Discos Tropical en la ciudad de Barranquila, en febrero de 1968, (antes de los carnavales de Barranquilla). Fue interpretado luego por destacados artistas internacionales como Lola Flores, Rolando Laserie y Johnny Ventura, entre otros.Que me coma el tigre.PaseÃto (1968)Por: Eugenio Garcia Cueto.Introducción:Tu lo que quieres, que me coma el tigre, que me coma el tigre, que me coma el tigre, Mi carne morena.Tu lo que quieres, que me coma el tigre, que me coma el tigre, que me coma el tigre, Mi carne está buena.Tu lo que quieres, que me coma el tigre, que me coma el tigre, que me coma el tigre, Mi carne sabrosa.Tu lo que quieres, que me coma el tigre, que me coma el tigre, que me coma el tigre, Dejate de cosas.Entonces, me subo en el árbol, me subo en la loma, me tiro en el rÃo.El tigre, se sube en el árbol, se sube en la loma, se tira en el rÃo.Entonces, me salgo del rÃo, me meto en tu casa, donde no me vea.El tigre, se sale del rÃo, se mete en tu casa, la cosa está fea.Interludio:Entonces, me subo en el árbol, me subo en la loma, me tiro en el rÃo.El tigre, se sube en el árbol, se sube a la loma, se tira en el rÃo.Entonces, me salgo del rÃo, me meto en tu casa, donde no me vea.El tigre, se sale del rÃo, se mete en tu casa, la cosa está fea.Coda.
$7.99 ≈
$11.16
Bay-View Park Galop
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Piano seul
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P
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Bay-View Park Galop
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.14707 Composed by P.R. Nicholls. Horse racing, Bodies of water, Steamships, Mountains, Commercial buildings, Racetracks, Carriages & coa...
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Piano - SKU: LV.14707 Composed by P.R. Nicholls. Horse racing, Bodies of water, Steamships, Mountains, Commercial buildings, Racetracks, Carriages & coaches, Carts & wagons. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14707). Bay-View Park Galop. Composed by P.R. Nicholls, San Francisco. Published [n.d.] by n.p. in n.p. Composition of sectional with piano instrumentation. Subject headings for this piece include Horse racing, Bodies of water, Steamshs, Mountains, Commercial buildings, Racetracks, Carriages & coaches, Carts & wagons. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.36
Flute and Clarinet 64 easy duets - 16 Traditional tunes scored in four keys (volume 2)
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Flûte, Clarinette (duo)
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DÉBUTANT
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Folklorique/Traditionel
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Daniel Alomia Robles, Daniel
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Francesco Leone
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Flute and Clarinet 64 easy due
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Glissato Edizioni Musicali
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SheetMusicPlus
Composed by Daniel Alomia Robles, Daniel E. Kelley, Filipino Traditional, Italian Traditional, Jamaican traditional, Korean Traditional, Newfoundland ...
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Composed by Daniel Alomia Robles, Daniel E. Kelley, Filipino Traditional, Italian Traditional, Jamaican traditional, Korean Traditional, Newfoundland traditional, Peruvian traditional, and Spanish Traditional. Arranged by Francesco Leone. Instructional,Multicultural,Tr aditional,World. 67 pages. Glissato Edizioni Musicali #819578. Published by Glissato Edizioni Musicali
(64 duets - Volume 2) This beautiful and unique collection of 16 easy melodies offers a wonderful way to explore the traditional and popular music of different parts of the world. Featuring a C flute and Bb clarinet duet, these songs are both familiar and simple to listen to and can help create vivid images of landscapes, characters, and emotions. Transposed in four different tones, you can customize each piece to fit your needs and explore the instrument's range. With this collection, you can create a medley of your favorite songs with endless possibilities and combinations, making it perfect for your next recital. Enjoy your journey through traditional and popular music with this amazing duets collection!
one title per page
wide notation
easy keys
comfortable range
time signatures 4/4 3/4 6/8
Contents Titles:
Arirang
Bella Ciao
Day-O
El Cndor Pasa
El vito
Furusato
Home on the range
I?se the B?y That Builds the Boat
Manang Biday
Oak and the Ash, the
Raggle Taggle Gypsy,the
Santa Lucia
Siil a Rn
Star of the County Down
Waltzing Matilda
When Johnny Comes Marching Home
$13.99 ≈
$19.53
Fifth Street Quick Step
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Piano seul
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R
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Fifth Street Quick Step
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.11651 Composed by R. Frank Cardella. Music stores, Music publishing industry, Carriages & coaches, Buses, City & town life, Commercial b...
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Piano - SKU: LV.11651 Composed by R. Frank Cardella. Music stores, Music publishing industry, Carriages & coaches, Buses, City & town life, Commercial buildings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11651). Fifth Street Quick Step. Composed and arranged by R. Frank Cardella. Published [n.d.] by Compton and Doan, 204 N. Fifth St. in St. Louis, MO. Composition of sectional with piano instrumentation. Subject headings for this piece include Music stores, Music publishing industry, Carriages & coaches, Buses, City & town life, Commercial buildings. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.36
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
$5.51
Jacques Leguerney: Élégie for medium voice and piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musik Fabrik Music Publishing
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Jacques Leguerney: Él&e
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.533321 Composed by Musik Fabrik Music Publishing. 20th Century,Concert,Standards. Score. 5 pages. Musik Fabrik Mus...
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Piano,Vocal,Voice - Level 4 - SKU: A0.533321 Composed by Musik Fabrik Music Publishing. 20th Century,Concert,Standards. Score. 5 pages. Musik Fabrik Music Publishing #2343119. Published by Musik Fabrik Music Publishing (A0.533321). A setting by Leguerney of a poem by Marceline Desbordes-Valmore. The range is Csharp3-Fsharp4Peut-être un jour sa voix tendre et voilée M'appellera sous de jeunes cyprès : Cachée alors au fond de la vallée, Plus heureuse que lui, j'entendrai ses regrets. Lentement, des coteaux je le verrai descendre ; Quand il croira ses pas et ses vœux superflus, Il pleurera ! ses pleurs rafraîchiront ma cendre; Enchaînée à ses pieds, je ne le fuirai plus. Je ne le fuirai plus ! je l'entendrai; mon âme, Brûlante autour de lui, voudra sécher ses pleurs ; Et ce timide accent, qui trahissait ma flamme, Il le reconnaîtra dans le doux bruit des fleurs. Oh ! qu'il trouve un rosier mourant et solitaire ! Qu'il y cherche mon souffle et l'attire en son sein ! Qu'il dise : « C'est pour moi qu'il a quitté la terre ; « Ses parfums sont à moi, ce n'est plus un larcin. » Qu'il dise : « Un jour à peine il a bordé la rive ; « Son vert tendre égayait le limpide miroir; « Et ses feuilles déjà , dans l'onde fugitive, « Tombent. Faible rosier, tu n'as pas vu le soir ! » Alors, peut-être, alors l'hirondelle endormie, À la voix d'un amant qui pleure son amie, S'échappera du sein des parfums précieux, Emportant sa prière et ses larmes aux cieux. Alors, rêvant aux biens que ce monde nous donne, il laissera tomber sur le froid monument Les rameaux affligés dont la gloire environne Son front triste et charmant. Alors je resterai seule, mais consolée, Les vents respecteront l'empreinte de ses pas. Déjà je voudrais être au fond de la vallée; Déjà je l'attendrais... Dieu ! s'il n'y venait pas !
$9.10 ≈
$12.71
PRN
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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PRN
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Brandon Nelson
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.912904 Composed by Brandon Nelson. Concert,Contemporary. Score and parts...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.912904 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 13 pages. Brandon Nelson #1954831. Published by Brandon Nelson (A0.912904). PRN, in this case, has numerous meanings. P, R, and N refer to types of harmonic progression within Hugo Riemann’s theoretical system. Starting from a given triad, P moves to the parallel major/minor triad, R goes to the relative major/minor triad, and N, if the previous chord was major goes to the minor subdominant and, if minor, goes to the major dominant. These relationships are exploited as the fundamental harmonic and melodic building blocks of the piece. Rhythmically, the PRN is regarded alphabetically. P is the 16th letter of the alphabet, R the 18th, and N the 14th letter. The distance from P to R is two letters and the distance from R to N is five letters. Taken with the difference between the two relationships (three), these are used to determine rhythm metric and proportional fashions. PRN also refers to the medical term pro re nata, or take as needed. As a nurse, PRN medications are a common encounter and serves in this case as a nod to my other professional vocation and my passion for healing. Learn more about me at: bnelsonmusic.wordpress.com.
$9.99 ≈
$13.95
''Ivresse'' for violin and piano --- Full score and violin part --- JCM 2010
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Violon et Piano
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Contemporain
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Jean-Christophe Masson
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''Ivresse'' for violin and pia
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Jean-Christophe Masson
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SheetMusicPlus
Piano,Violin - SKU: A0.878725 Composed by Jean-Christophe Masson. Contemporary. 17 pages. Jean-Christophe Masson #3056431. Published by Jean-Christophe ...
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Piano,Violin - SKU: A0.878725 Composed by Jean-Christophe Masson. Contemporary. 17 pages. Jean-Christophe Masson #3056431. Published by Jean-Christophe Masson (A0.878725). A neo-tonale piece for violin and piano by Jean-Christophe Masson (2010), Dedicated to Alexia Fouilloux.created July 20, 2010 at the castle of Gevrey - Chambertin (France), by Alexia Fouilloux violin and Livia Naas piano.©Jean-Christophe Masson N° de membre SACEM 00623 9409 sound reproduction rights reserved www.jcmasson.comUne pièce néo-tonale pour violon et piano de Jean-Christophe Masson (2010), dédicacée à Alexia Fouilloux.Création le 20 juillet 2010 au Château de Gevrey-Chambertin (France), par Alexia Fouilloux au violon et Livia Naas au piano. ©Jean-Christophe Masson N° de membre SACEM 00623 9409 Droits de reproduction sonore réservés www.jcmasson.com
$9.99 ≈
$13.95
Nevermore for alto and classical guitar (mp3)
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Contemporain
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András Csáki
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Nevermore for alto and classic
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Perf...
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Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore  Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$6.00 ≈
$8.38
Nevermore for alto and classical guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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David Warin Solomons
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Nevermore for alto and classic
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #958551. Published by David Warin Solomons (A0.1373984). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat major The pdf contains score and separate guitar partThe poem and English translation are as follows:Nevermore Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$11.00 ≈
$15.36
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
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Chorale SATB
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FACILE
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David Warin Solomons
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The Centipede - der Hundertf&u
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solo...
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Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
$2.99 ≈
$4.17
Violin Friends Violin Method Book 3: 54 progressive pieces and fun exercises
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Violon et Piano
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INTERMÉDIAIRE
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Traditional
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Lauri Hamalainen
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Violin Friends Violin Method B
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Suomi Music
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1318336 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Ed...
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Piano,Violin - Level 3 - SKU: A0.1318336 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Educational Method. 76 pages. Suomi Music #906999. Published by Suomi Music (A0.1318336). Violin Friends Violin Method Book 3: 54 progressive pieces and fun exercises for advanced violin studentsLet’s play, together!Violin Friends Method Book Volume 3 is a fun and colorful collection of great music for the advanced violin player presenting music from J.S.Bach, G.Tartini, H.Purcell, R.Glinka, E.Elgar, F.Gossec, G.F.Handel, W.A.Mozart, L.van Beethoven, A.Dvorak, P.Tchaikovsky, and N.Baklanova.Violin Friends 3 is the third part of the Violin Friends family of music books. The repertoire and exercises in volume 3 use shifting and playing music in the 3rd position, scales on one string, etudes by F.Wohlfart, bowing exercises by O.Sevcik, and double-stops from J. Trott and J.S.Bach.Every method book uses QR codes to open play-along videos on the Violin Friends Youtube channelViolin Friends method book 3 contains:12 scales14 duos19 short pieces4 technical exercisesConcertino in G Major Op. 11 by F. KüchlerConcerto in B minor Op. 35 by O. RiedingConcerto in G Major Op. 34 by O. RiedingConcerto in D Major Op. 15 by F. KüchlerAll Violin Friends music is easily learnable with the help of simplified piano parts, Youtube play-along videos on the Violin Friends Youtube channel, and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.Fun music for motivation, growth and improvement.The Violin Friends series of music books aims to inspire beginning string players and to give them much joy through music. Play, Together, Joy!Do to want your students to practice more, learn faster, and get better grades at examinations?Violin Friends and Viola Friends method books have a proven track record of taking teaching to the next level with innovative ways of engaging students since 2016.The books will inspire students to learn music independently at home and make the teachers' jobs easy. Violin Friends combines the most effective ways to build up the playing technique and enables students to use these skills immediately. Every new scale is followed by engaging duos and carefully selected pieces by the most influential classical composers. Students will learn the music faster with the help of play-along videos on Youtube and mp3 backing tracks on SoundCloud. Students who have studied the books are known to have made faster progress, performed more often, and got better grades at examinations.Benefits for teachers include one book combining warming-up exercises, repertoire, scales, etudes, great music that inspires students, and a time-saving teaching method that makes teaching easy and more fun.Students will be motivated to play music with their friends right from the beginning of their studies. They will be happy to use a colorful and fun music book with a magnificent repertoire, lots of play-along videos on Youtube, and free mp3 backing tracks on SoundCloud.
$29.90 ≈
$41.75
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