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CORDES
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Harpe
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Contre Basse
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Violon
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2 Violons (duo)
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102
Violoncelle (partie séparée)
95
Violon (partie séparée)
90
Violoncelle
80
Violoncelle, Piano
75
Alto seul
66
Violon, Alto (duo)
55
4 Violoncelles
47
Alto (partie séparée)
39
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38
Quatuor à cordes: 4 violons
36
2 Violoncelles (duo)
35
Ensemble de Violons
26
Alto, Piano
25
Ensemble d'Altos
21
Trio à Cordes: 3 violoncelles
21
Trio à Cordes: 2 violons, alto
19
2 Altos (duo)
18
Alto, Violoncelle (duo)
14
Quatuor à cordes : 4 altos
14
2 Harpes (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Trio à cordes: 3 altos
9
Violoncelle, Contrebasse (duo)
8
4 Contrebasses
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
2 Violons, Piano
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Harpe, Voix
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Harpe, Violon (duo)
4
2 Contrebasses (duo)
3
Ensemble de Violoncelles
3
Harpe, Flûte (duo)
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3 Contrebasses
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Violoncelle , Guitare (duo)
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Alto, Guitare (duo)
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4 Harpes
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Autoharp
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Piano Trio: Violon, Alto, Piano
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Violoncelle, Orchestre
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Alto et orchestre
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
1135
Orchestre
243
Orchestre d'harmonie
127
Orchestre de chambre
121
Ensemble Jazz
38
Percussion (partie séparée)
13
Ensemble de cuivres
13
Ensemble d'École
8
Batterie (partie séparée)
7
Ensemble de Percussions
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Instrumentation Flexible
5
Jazz combo
3
Cloches
3
Batterie
3
Vibraphone
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Fanfare
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Piano et Orchestre
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Xylophone
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9976
Your Favorite Thanksgiving and Harvest Hymns for Strings
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed b…
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Thanksgiving. Score, Set of Parts. 85 pages. Published by Colin Kirkpatrick Publications
Thisnew collection of Thanksgiving and Harvest hymns contains all your favorites,or at least, most of them. It’s probably all you’ll ever need for thanksgivingand harvest festivals and the arrangements can be used for virtually anycombination of stringed instruments. This is an essential title for any stringlibrary or for any string ensembles that are called upon to provide music forschools, Thanksgiving events or churches. <br> <br> Thearrangements can be used with string quartet, string quintet or string ensembleor performed as solo pieces. There’s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The piano parttoo means that you can use the arrangements as solos, duets or trios. Thesearrangements are intended either as stand-alone pieces that could be used asinterludes in a service, or they could be used to accompany solo, choral orcongregational singing. To make the music accessible to less experienced stringplayers, the range of the notes has been kept fairly low so that many of thearrangements can be played in first position. However, to produce a brighterand richer sound, a few of the more experienced violinists could play an octavehigher. You could also use the arrangements as flute or oboe solo pieces, with thewind instrument playing the 1st violin part. Each hymn has a four-staff scoreand parts are provided for Violin 1, Violin 2, Viola, Cello and optional Doublebass. The scores and all the parts are contained in a single PDF file. Becausestring-friendly keys are used, these arrangements are NOT compatible with thosein the wind collection of the same name.<br> <br> Thefollowing 25 hymns are included: AllCreatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise(Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringingin the Sheaves (Sowing in the Morning); Come Ye Thankful People Come (StGeorge’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your Hearts withJoy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For theFruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken(Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (AshGrove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nundanket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest(Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lordthe Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th);Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World(Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We GatherTogether (Kremser); We Plough the Fields and Scatter (Wir pflügen) and PraiseGod from whom all Blessings Flow (Old Hundredth)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Your Favorite Thanksgiving and Harvest Hymns for Strings
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Colin Kirkpatrick Publications
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SheetMusicPlus
Night on Bald Mountain for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.859936 Composed by Modest Pet…
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String Orchestra - Level 3 - Digital Download SKU: A0.859936 Composed by Modest Petrovich Mussorgsky. Arranged by Steven Kruse & Penny Thompson Kruse. Children,Film/TV,Halloween,Romantic Period,World. Score and parts. 249 pages. String Play for All #4793861. Published by String Play for All (A0.859936). Just in time for Halloween! One of the most beloved scary classical pieces, made even more famous by Fantasia 2. This arrangement is for multi-level string orchestra, allowing beginners to play with advanced players.Twinkle parts for violin, viola, and cello consist entirely of open strings and can be learned by rote. Other parts remain in first position with the exception of the optional Advanced Violin part, which goes into fifth position. Violin Book 1 part is designed for students working in Suzuki Violin School, Book 1. Many of the parts are challenging note-wise, with chromaticism and a wide variety of finger patterns. Your students will be challenged, but will find this arrangement both playable and exciting. All the main themes are present. Perfect for Halloween concerts. Piano part included for rehearsal purposes but may also be used in performance. Approximately 5:45 in length.
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Orchestre à Cordes
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Modest Petrovich Mussorgsky
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Night on Bald Mountain for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Quatuor à cordes: 2 violons, alto, violoncelle
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hau…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
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Orchestre à Cordes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Slide Ride
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SheetMusicPlus
The Best Hymns of All Time (for Strings) Book 1
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed b…
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 60 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time<br> Arranged for Strings by Colin Kirkpatrick<br> <br> Book 1<br> <br> We’re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts but could be used with virtually any combination of stringed instruments from string quartet upwards. Book 1 includes full four-part instrumental scores plus parts for 1st violin, 2nd violin, viola and cello/double bass reading from the same part. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio sample.<br> <br> These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The score and all the parts are contained in a single 60-page PDF file.<br> <br> Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse).<br> <br> The audio samples include Abide with me (Eventide); All Through the Night (Ar Hyd y Nos); Nearer my God to Thee (Bethany), Soldiers of Christ, Arise (Diademata) and What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name.
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Worship, General Worship
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Pomp and Circumstance for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.859887 Composed by Edward Elg…
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String Orchestra - Level 3 - Digital Download SKU: A0.859887 Composed by Edward Elgar. Arranged by Steven Kruse. 20th Century,Graduation,Romantic Period,World. Score and parts. 73 pages. String Play for All #3423029. Published by String Play for All (A0.859887). This arrangement of Pomp and Circumstance contains both the opening march and the trio Graduation march. The Graduation March can be performed by itself as a stand-alone piece. The arrangement is designed to be played by a multi-level string ensemble, ranging from beginners through advanced players. The Twinkle violin, viola, and cello parts consist entirely of open strings. The repeated patterns allow the parts to be learned by rote. These parts are optional and may be excluded if beginning students are not involved in the performance. The Advanced Violin part extends to fourth position and involves advanced rhythms and bowings. While the performance is enhanced by using this part, it may be excluded if there are no players in the group on that level. The other string parts remain in first position, with a fourth-finger extension to c on the e string in the first violin part. While the parts include some difficult chromatics and rhythms,
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Orchestre à Cordes
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Edward Elgar
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Steven Kruse
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Pomp and Circumstance for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879701. Published by Colin Kirkpatrick Publications (A0.522219). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Ballets - Dances 268 and 273 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Crazy Little Thing Called Love
Trio à Cordes: 2 violons, violoncelle
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1094910 By Queen. By …
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1094910 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 14 pages. Sarah Cellobat Chaffee #698979. Published by Sarah Cellobat Chaffee (A0.1094910). *INSTRUMENTATION: TWO VIOLINS AND CELLO* One of Queen's most beloved classic songs, Crazy Little Thing Called Love was written in 1979 as a tribute to Elvis Presley -- and the song's rockabilly groove, doo-wop feel, and blues-inspired bass definitely make that clear! This version for your two-violin and cello string trio was originally written for a wedding reception, and it will also be perfect for ceremonies, vow renewals, cocktail parties, solo & ensemble contests or any other occasion you need to get your audience dancing! Featuring the beautiful layered harmonies, rhythmic interest, back-and-forth dialogue between the instruments, and even the guitar solo of the original, this arrangement is just as much fun to play as it is to listen to. There are a handful of somewhat tricky rhythms, but overall this chart will be playable for intermediate-level students and easily sightreadable for professionals. Have fun and swing those 8th notes! :) Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
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Trio à Cordes: 2 violons, violoncelle
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Queen
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Sarah Cellobat Chaffee
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Crazy Little Thing Called Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet No. 3: Among Friends
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert M
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String Quartet No. 3: Among Friends
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Robert M. Greenberg
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SheetMusicPlus
Eleanor Rigby - String Quartet - Beatles arr. Cellobat - Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download By The Beatles. Arranged by Sarah Cell…
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String Quartet - Intermediate - Digital Download By The Beatles. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 15 pages. Published by Sarah Chaffee
Everyone loves the Beatles - and since we all get Beatles requests so often, the more in your repertoire the better! This arrangement of "Eleanor Rigby" for string quartet is one of the first charts I ever wrote, so it has a special place in my heart. Taking a Phil Spector/"Wall of Sound" type approach, this is unlike any version of Eleanor Rigby you've ever heard before; it's packed with layers of exciting harmonies, countermelodies, and melodic tradeoffs between the parts. This arrangement is as fun to play as it is to listen to, and it will be great for pop concerts, weddings, receptions, cocktail parties, solo and ensemble contests, and any other event that needs some vintage rock and roll! Intermediate-level arrangement with a handful of tied notes and first-position double stops. Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "Eleanor Rigby." Crowd pleasing guaranteed. Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Beatles
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Sarah Cellobat Chaffee
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Eleanor Rigby - String Quartet - Beatles arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
Danse Macabre for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.859860 Composed by Camille Sa…
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String Orchestra - Level 1 - Digital Download SKU: A0.859860 Composed by Camille Saint-Saens. Arranged by Steven Kruse. Halloween,Romantic Period,Standards,World. Score and parts. 20 pages. String Play for All #2929171. Published by String Play for All (A0.859860). String Play for All offers arrangements of the great classics for violin and string ensembles of mixed levels and abilities. Your students will love this short, fun arrangement, which introduces scordatura, and contains fun lyrics as well. A Halloween favorite, this piece highlights the tritone. Beginning violin parts tune the e string down to e-flat, involving only open strings. The optional advanced violin includes an optional sul g fingering to challenge your more advanced students. There are five violin parts, viola, cello, bass (optional), twinkle beginning parts for violin, viola, and cello, and an optional piano part. This arrangement can be learned in one 45-minute group class, so have fun with your students!
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Orchestre à Cordes
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Camille Saint-Saens
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Steven Kruse
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Danse Macabre for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Funeral March Suite for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.859892 Composed by Frederic Chopin, Guo…
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String Orchestra - Digital Download SKU: A0.859892 Composed by Frederic Chopin, Guonod, and Ludwig van Beethoven. Arranged by Steven Kruse. Halloween,Romantic Period. Score and parts. 28 pages. String Play for All #3604261. Published by String Play for All (A0.859892). Contains the most famous funeral marches, including Chopin, Guonod, Beethoven, and the Dies Irae. Perfect for Halloween. This arrangement for violin ensemble contains five parts: advanced violin, requiring knowledge of third position (optional), violin I, violin II, violin III, viola, cello, bass and twinkle parts for violin, viola and cello, designed for beginning students and consisting solely of open strings. Allows students of all skill levels to play together.
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Orchestre à Cordes
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Frederic Chopin, Guonod, and Ludwig van Beethoven
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Steven Kruse
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Funeral March Suite for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Witches' Sabbath from Symphonie Fantastique for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.859938 Composed by Hector Ber…
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String Orchestra - Level 3 - Digital Download SKU: A0.859938 Composed by Hector Berlioz. Arranged by Steven Kruse & Penny Thompson Kruse. Children,Contemporary,Halloween,Romantic Period,World. Score and parts. 134 pages. String Play for All #4798741. Published by String Play for All (A0.859938). Just in time for Halloween. Your students will enjoy one of the most popular classical pieces for Halloween, with the scary Dies Irae theme. This arrangement is accessible for most high school groups, with open string parts allowing beginning players to participate and enjoy. Contains full score, 6 Advanced Violin parts, 6 Violin I parts, 6 Violin II parts, 4 Violin III (Viola Treble) parts, 6 Violin Book 1 level parts, 6 Viola parts, 6 Cello parts, 4 Double Bass parts, 6 Twinkle parts each for violin, viola, and cello, and piano part. The arrangement contains all the exciting and scary sections and is about 3 1/2 minutes in length.
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Orchestre à Cordes
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Hector Berlioz
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Witches' Sabbath from Symphonie Fantastique for Multi-Level String Orchestra
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String Play for All
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Hanukkah Medley for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download Composed by Traditional. Arranged by…
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String Quartet - Intermediate - Digital Download Composed by Traditional. Arranged by Steven Kruse. Romantic Period, Jewish, Israeli, Klezmer, Hanukkah. Score, Set of Parts. 22 pages. Published by String Play for All
Add varietyto your holiday program with this new arrangement for string quartet of well-knownsongs of the "Festival of Lights," including "HanukkahBlessing," "Oh Hanukkah," "Dreydl Song,""Sevivo," "Hanukkah, Hanukkah," "Rock of Ages."This arrangement has a modern “flair” but maintains the traditional characterof the original melodies. It is on an intermediate level, challenging for ahigh school string quartet, containing challenging material for each part, suitablefor professional groups. Violin I part requires knowledge of third position. Just in time for the holidays!<br> <br> 2018Holiday Contest Entry
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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Steven Kruse
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Hanukkah Medley for String Quartet
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String Play for All
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SheetMusicPlus
The Best Hymns of All Time (for Strings) Book 2
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet, String Orchestra, Playable by any size string ensemble - Early Inter…
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String Quartet, String Orchestra, Playable by any size string ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 59 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time<br> Arranged for strings by Colin Kirkpatrick<br> <br> Book 2<br> <br> We’re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The double bass part is optional because it doubles the cello part an octave lower. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.<br> <br> These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The scores and all the parts of Book 2 are contained in a single 59-page PDF file.<br> <br> Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland)<br> Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim).<br> <br> The audio samples include Angels we have Heard on High (Gloria); Be Thou my Vision (Slane) and Onward, Christian Soldiers (St. Gertrude). The music has been set in string-friendly keys so most of them are not compatible with the brass collection of the same name.
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Worship, General Worship
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Wellerman - - Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1436705 By Pick 'n' Mix Strin…
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String Orchestra - Level 2 - Digital Download SKU: A0.1436705 By Pick 'n' Mix Strings. By Traditional. Arranged by Sarah McLellan. Folk,Multicultural,Traditional,World. 113 pages. Sarah McLellan #1016845. Published by Sarah McLellan (A0.1436705). We're sure that this new arrangement of the famous New Zealand Sea Shanty will be enjoyed by string players of all levels. As with all Pick n' Mix arrangements, there are multiple part options to suit all playing levels- whether advanced players, complete beginners and all those in-between. The melodic interest of the Verses is passed between instrument sections and develops musically throughout the arrangement, whilst the catchy, repeated Chorus section provides a great hook for everyone to join together throughout the piece. The concept of all Pick 'n' Mix Strings arrangements is that you just choose the parts which are most suited to your players. We are absolutely NOT suggesting that you try to cover every single possible part! If you don't have any players on the more advanced parts, this doesn't matter at all. Alternatively, experienced ensembles might want all players on advanced parts. You may well use a mixture of some advanced parts and other simpler parts- or you could even have a very early beginner ensemble just using the parts for open strings and first fingers, with a teacher playing the main tune on piano for instance. In addition to the regular score and parts, there are also optional versions of each part with the: STRING FINGERING written in; LETTER NAMES written in; an EXTENSION SCORE; a REDUCED SCORE; an optional PIANO ACCOMPANIMENT and an optional PIANO REDUCTION. There are tried and tested suggested BOWINGS included in all string parts. However, should any music directors wish to use alternative bowings to those printed, we can happily provide versions of the score and parts without bowing on request. There are also Play Along videos available on YouTube @PicknMixStrings for all the Open String parts, in case these are helpful for practising along with!
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Orchestre à Cordes
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Pick 'n' Mix Strings
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Sarah McLellan
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LETTER NAMES written in
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The Wellerman - - Multi-Level String Orchestra
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Sarah McLellan
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SheetMusicPlus
Bach: Wachet auf for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Trio
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jmsgu3
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SheetMusicPlus
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous.…
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String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 20 pages. Colin Kirkpatrick Publications #3915085. Published by Colin Kirkpatrick Publications (A0.522223). Les Courantes are two well-known dances from Terpsichore by Michael Praetorius. They have been arranged for strings, keyboard, optional guitar, recorder or any C-pitched instruments and simple percussion. In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
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Orchestre à Cordes
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Anonymous
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Colin Kirkpatrick
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Les Courantes - Dances 183 and 188 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
alt.Callahans Reel
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Cel…
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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
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Piano seul
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
You Really Got Me
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.526265 By The Kinks. By Ray Davies. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 16 pages. Sarah Cellobat Chaffee #6260161. Published by Sarah Cellobat Chaffee (A0.526265). You Really Got Me was released in 1964 as the third single by British rock band The Kinks. The song became the band's breakthrough hit, reaching number one on the UK singles chart and establishing them as one of the top British Invasion bands of the 60's. The song's style ended up being very influential for generations of rock and punk musicians afterward, and the song has lived on in the cultural canon and is still beloved to this day. This Cellobat arrangement of You Really Got Me for string quartet is true to the original Kinks recording, with its driving beat, punk-rock feel, and epic solo -- which violin 1 and 2 get to share! This chart will be readable for professionals and playable for advanced-intermediate students; overall it's more of an intermediate level, with fairly straightforward rhythms and almost entirely in 1st position, but it goes by pretty fast and it might be worth it for V2 to look at the guitar solo beforehand :) and most of all, have fun! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Kinks
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Sarah Cellobat Chaffee
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You Really Got Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
Dance of the Sugar Plum Fairy • String Quartet sheet music
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1272023 Composed by Peter Ilyich Tchaikovsky. Arranged by Benzaiten Editions. Classical,Opera,Romantic Period,Wedding. 6 pages. Benzaiten Editions #862763. Published by Benzaiten Editions (A0.1272023). Hey! Are you a strings player who wants to learn how to play Dance of the Sugar Plum Fairy by Tchaikovsky? It's your lucky day! 🎵Dance of the Sugar Plum Fairy - String Quartet Sheet MusicInstruments:• Violin• Viola• Cello / Violoncello The Benzaiten Editions String Quartet Arrangement Step into the enchanting world of Tchaikovsky's Dance of the Sugar Plum Fairy from the beloved ballet The Nutcracker with our mesmerizing string quartet sheet music! This iconic piece, filled with magical melodies and whimsical charm, is a perfect showcase for the expressive capabilities of a string quartet.Our arrangement of Dance of the Sugar Plum Fairy allows you to recreate the delicate and ethereal atmosphere of the original composition. The interplay of violins, viola, and cello brings the enchanting melodies to life, transporting both players and listeners to a realm of wonder and delight.Perfect for string quartets looking to expand their repertoire or simply revel in the beauty of classical music, our sheet music strikes a balance between accessibility and musicality. About Dance of the Sugar Plum Fairy Dance of the Sugar Plum Fairy is a mesmerizing musical gem from Tchaikovsky's timeless masterpiece, The Nutcracker. The delicate and mysterious melody of the Sugar Plum Fairy's dance has become an iconic symbol of the holiday season, filling hearts with joy and nostalgia.As you play this enchanting piece with your string quartet, you'll evoke the magic of the ballet, whisking audiences away to a land of dancing sweets and wondrous adventures. The unique timbres of the violin, viola, and cello blend harmoniously, infusing the music with a special kind of allure that only a string quartet can achieve.Whether you're a seasoned performer or an aspiring quartet seeking to captivate your audience, Dance of the Sugar Plum Fairy offers a timeless musical experience that will leave a lasting impression.Step into the world of Tchaikovsky's Dance of the Sugar Plum Fairy with our captivating string quartet sheet music and immerse yourself in the magic and beauty of this cherished classical masterpiece. Get ready to charm and delight your audience with the spellbinding melodies of The Nutcracker like never before!
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Quatuor à cordes: 2 violons, alto, violoncelle
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Peter Ilyich Tchaikovsky
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Benzaiten Editions
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Dance of the Sugar Plum Fairy • String Quartet sheet music
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Benzaiten Editions
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SheetMusicPlus
Dance of the Sugar Plum Fairy • String Quartet sheet music with piano accompaniment
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU…
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1283787 Composed by Peter Ilyich Tchaikovsky. Arranged by Benzaiten Editions. 19th Century,Classical,Opera,Romantic Period,Wedding. 7 pages. Benzaiten Editions #874977. Published by Benzaiten Editions (A0.1283787). Hey! Are you a strings player who wants to learn how to play Dance of the Sugar Plum Fairy by Tchaikovsky? It's your lucky day! 🎵Dance of the Sugar Plum Fairy - String Quartet Sheet Music with piano accompanimentInstruments:• Violin• Viola• Cello / Violoncello• Piano The Benzaiten Editions String Quartet Arrangement Step into the enchanting world of Tchaikovsky's Dance of the Sugar Plum Fairy from the beloved ballet The Nutcracker with our mesmerizing string quartet sheet music! This iconic piece, filled with magical melodies and whimsical charm, is a perfect showcase for the expressive capabilities of a string quartet.Our arrangement of Dance of the Sugar Plum Fairy allows you to recreate the delicate and ethereal atmosphere of the original composition. The interplay of violins, viola, and cello brings the enchanting melodies to life, transporting both players and listeners to a realm of wonder and delight.Perfect for string quartets looking to expand their repertoire or simply revel in the beauty of classical music, our sheet music strikes a balance between accessibility and musicality. About Dance of the Sugar Plum Fairy Dance of the Sugar Plum Fairy is a mesmerizing musical gem from Tchaikovsky's timeless masterpiece, The Nutcracker. The delicate and mysterious melody of the Sugar Plum Fairy's dance has become an iconic symbol of the holiday season, filling hearts with joy and nostalgia.As you play this enchanting piece with your string quartet, you'll evoke the magic of the ballet, whisking audiences away to a land of dancing sweets and wondrous adventures. The unique timbres of the violin, viola, and cello blend harmoniously, infusing the music with a special kind of allure that only a string quartet can achieve.Whether you're a seasoned performer or an aspiring quartet seeking to captivate your audience, Dance of the Sugar Plum Fairy offers a timeless musical experience that will leave a lasting impression.Step into the world of Tchaikovsky's Dance of the Sugar Plum Fairy with our captivating string quartet sheet music and immerse yourself in the magic and beauty of this cherished classical masterpiece. Get ready to charm and delight your audience with the spellbinding melodies of The Nutcracker like never before!
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Quatuor à cordes: 2 violons, alto, violoncelle
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Peter Ilyich Tchaikovsky
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Benzaiten Editions
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Dance of the Sugar Plum Fairy • String Quartet sheet music with piano accompaniment
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Benzaiten Editions
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SheetMusicPlus
High Hopes - String Quartet - Panic! At The Disco arr. Cellobat -- Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download By Panic! At the Disco. Arranged by …
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String Quartet - Intermediate - Digital Download By Panic! At the Disco. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 21 pages. Published by Sarah Chaffee
"High Hopes" was released by Panic! At The Disco in 2018 as a single from their sixth studio album, "Pray For The Wicked." This upbeat, catchy song soon became a smash hit, reaching number 4 on the Billboard charts and becoming their highest-charting single of all time. This arrangement for string quartet has the exuberant energy, rich harmonic layers, driving beat, and dynamic impact of the original, and it's absolutely as much fun to play as it is to listen to! Great for parties, corporate events, solo & ensemble contests, or even weddings and receptions, it's a guaranteed crowd pleaser and you're sure to get your audience singing along. This arrangement is dedicated to a good friend of mine who was in P!ATD's string section on their "Pray For The Wicked" tour -- Kiara, it was so much fun watching you play this song with them! Rated intermediate, this chart will be playable for students and easily sightreadable for professionals. There is nothing above first position in the V2, viola, and cello parts, and only a few notes higher than that in V1. There are a few tied rhythms in but nothing too complicated.<br> <br> Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "High Hopes." Crowd pleasing guaranteed.<br> <br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
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Quatuor à cordes: 2 violons, alto, violoncelle
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Panic! At the Disco
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Sarah Cellobat Chaffee
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High Hopes - String Quartet - Panic! At The Disco arr. Cellobat -- Recording Available!
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Sarah Chaffee
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SheetMusicPlus
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