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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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XYLOPHONE
The trace of the time
Non classifié
16
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15
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8
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2
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1
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9
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2
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2
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2
Saxophone Soprano et Piano
2
Flûte traversière et Piano
1
Clarinette Basse, Piano
1
+ 4 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor anglais, Piano
4
Trombone et Piano
4
Trompette
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Ensemble de Trompettes
1
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3
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
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Crtitères actifs :
The trace of the time
Partitions à imprimer
119 partitions trouvées
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51
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101
The trace of the time
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Juan Manuel Ruiz
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Juan Manuel Ruiz
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The trace of the time
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Juan Manuel Ruiz
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1359775 By Juan Manuel Ruiz. By Juan Manuel Ruiz. Arranged by Juan Manuel Ruiz. Classical,Contemporary,New Age. Score. 6 ...
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Piano Solo - Level 3 - SKU: A0.1359775 By Juan Manuel Ruiz. By Juan Manuel Ruiz. Arranged by Juan Manuel Ruiz. Classical,Contemporary,New Age. Score. 6 pages. Juan Manuel Ruiz #944253. Published by Juan Manuel Ruiz (A0.1359775). The trace of the time song belongs to the album Memories of the heartWe are all full of memories inside us that accompany us and that we often evoke accompanied by family or friends. Unforgettable and nostalgic moments that are part of our hearts
$3.00 ≈
$4.21
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 page...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95 ≈
$42.06
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
$18.24
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Lesl...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
$11.16
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00 ≈
$140.42
Singing Songs of Expectation
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Singing Songs of Expectation
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Hope Publishing - Digital
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SheetMusicPlus
Rowthorn - SKU: H1.8299DP Author Collections. General Worship. Hymn Collection. 54 pages. Hope Publishing - Digital #8299DP. Published by Hope Publishin...
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Rowthorn - SKU: H1.8299DP Author Collections. General Worship. Hymn Collection. 54 pages. Hope Publishing - Digital #8299DP. Published by Hope Publishing - Digital (H1.8299DP). Jeffery Rowthorn.A spiral-bound collection of 22 hymn texts written by Jeffery Rowthorn, including Notes about the hymns. Foreword by Brian Wren.
Song List
: A Vision Seen, a Call Obeyed As Towers Fall and Lives Are Lost At the Dawning of Creation At the Font We Start Our Journey Christ the King, Whose Hidden Glory Come, Holy Spirit, by Whose Grace Creating God, Your Fingers Trace Earth's Scattered Isles and Contoured Hills How Precious Is God's Gift of Speech Living Word of God Eternal Lord, You Give the Great Commission Now, as You Stand Beneath the Huppah Retell What Christ's Great Love Has Done Shepherd of All Who Inhabit the Earth Sing Today of Those Who Came Here Sing Today of Those Who Founded Taking Bread to Bless and Break It Tell of John, His Nets Extended Tell Us, Angels, Why You Sing The Whole Creation Is a Song These Hills Have Stood Since Time Began This Is a Day, Lord, Gladly Awaited
$11.95 ≈
$16.78
In the Beautiful Seaside Air
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Piano, Voix
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Walter Donaldson
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In the Beautiful Seaside Air
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.8342 Composed by Walter Donaldson. Couples, Beaches, Bathing suits, Courtship, Love, Leisure, Marriage proposals. Lester S. Le...
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Piano and voice - SKU: LV.8342 Composed by Walter Donaldson. Couples, Beaches, Bathing suits, Courtship, Love, Leisure, Marriage proposals. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8342). In the Beautiful Seaside Air. Words by Wm. Tracey. Music by Walter Donaldson. Published 1916 by Broadway Music Corporation, Will Von Tilzer, President, 145 West 45th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Beaches, Bathing suits, Courtship, Love, Leisure, Marriage proposals. First line reads Fellows, I want to advise you how to win your girl's heart.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.41
Some Fasnacht Fanfares (Historical Signals and Melodies from the Basler Fasnacht)
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Ensemble de Trompettes
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INTERMÉDIAIRE
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Trad
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Des McNutty
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Some Fasnacht Fanfares
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Des Press
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SheetMusicPlus
Trumpet Ensemble Trumpet - Level 3 - SKU: A0.1196323 Composed by Trad. Arranged by Des McNutty. Baroque,Holiday,March,Renaissance,Traditional. 40 pages....
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Trumpet Ensemble Trumpet - Level 3 - SKU: A0.1196323 Composed by Trad. Arranged by Des McNutty. Baroque,Holiday,March,Renaissance,Traditional. 40 pages. Des Press #795476. Published by Des Press (A0.1196323). (Historical Signals and Melodies from the Basler Fasnacht) s'Läggerli (by Arthur Dury Schmid) Trio from Die alten Schweizermärsche Nr. 11 (Trad) Réveille Française pour Fifres (Trad) Pfeifer Retraite (Trad. From the Swiss Guards in 18th-Century Paris) Der Arabi Nr. 1 (Trad) Arranged by Des McNutty The Basler Fasnacht, known locally in Basel Stadt (CH) as Die drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017. Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique, with piccolos and side-drums made and played according to local custom. Some Fastnacht Fanfares contains historical melodies from the Cliques' repertoire arranged for Natural Trumpet Ensemble. The Signalkorps can have many players. The parts are in the low, principale register; ideal for newcomers and dilettantes. The ensemble parts require more skill and need only one player on each. s'Läggerli is used with kind permission from the Märtplatz-Clique Basel 1923. The similarity of the other melodies to trumpet calls may not be a total coincidence. Cavalry regiments, with their roots in armoured, mounted knights of even earlier times, were considered nobler; therefore they used royal trumpets and timpani for signalling and entertainment duties. So playing trumpet-style tunes on flutes adds a bit of class. Der Arabi Nr. 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe. Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A “standard†march is around 120 BPM. Vyyl Vergniege! (Enjoy!).
$14.99 ≈
$21.05
Sometimes I Feel Like a Motherless Child/Steal Away
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Piano seul
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INTERMÉDIAIRE
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Dillon's Music Group
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Sometimes I Feel Like a Mother
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Dillon's Music Group
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.918262 Arranged by Dillon's Music Group. African. Score. 3 pages. Dillon's Music Group #6013055. Published by Dillon's Mu...
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Piano Solo - Level 3 - SKU: A0.918262 Arranged by Dillon's Music Group. African. Score. 3 pages. Dillon's Music Group #6013055. Published by Dillon's Music Group (A0.918262). Sometimes I Feel Like a Motherless Child is traced back to the era of slavery. It's an expression of pain and despair as the lyrics describe the hopelessness of a child torn from its parents. Steal Away is a song with a coded message, not only about having faith in God, but messages about slaves running away to seek their freedom. Sung softly in the dark of night, it was a signal that the coast was clear and now was the time to escape their bondage. They sang hopefully: Steal away, steal away, Steal away to Jesus! Steal away, steal away home, I ain't got long to stay here. (included in Brenda Dillon's African American Collection)About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday. She also presented group piano and RMM sessions throughout the U.S. In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred listed on her website (www.brendadillon.com).
$3.00 ≈
$4.21
Dawn in the Room for alto and guitar (words by S N Solomons) (mp3)
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Contemporain
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David Warin Solomons
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Dawn in the Room for alto and
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Publi...
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Alto Voice,Guitar - SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Published by David Warin Solomons (A0.1059328). Score:https://www.sheetmusicplus.com/title/19984192?aff_id=175705Setting of the poem by S N Solomons based on Supervielle's L'Aube dans la chambre for alto and classical guitar. Performed by the composer ... The first light comes, touching the sleeping mind, stroking the head, confirming who it is. Colours prick through the window pane, with silent customary tread. Pale light from Palestine and Java leans over the bed and spreads. Grey light reluctant to leave China powders the glass deepens its image as you come close. Yellow light strokes the window pane, sombre light stains the human comedy sprawled on the bed. And then the watching soul immanent, anxious says All is still well. The substance of our days is whole. No greater pain exists than to feel pain no more, with the soul helpless before locked doors. Alas Time will arrive, and death deprive. Meanwhile take I delight flattering his form guessing his contour beneath the sheets; sensing his blood seeking complexity, feeling his hands fleeting, stirred by some dream; leaving no trace in Time or Space. Let me think no more thoughts for fear he may wake. Let me be quieter than the leaf that grows. Or the rose..
$2.00 ≈
$2.81
Return to the Distilled Gold for two guitars
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2 Guitares (duo)
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Contemporain
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Haydn Reeder
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Return to the Distilled Gold f
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Haydn Reeder
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - SKU: A0.953831 Composed by Haydn Reeder. 20th Century,Concert,Contemporary. Score and parts. 7 pages. Haydn...
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Instrumental Duet Guitar,Instrumental Duet - SKU: A0.953831 Composed by Haydn Reeder. 20th Century,Concert,Contemporary. Score and parts. 7 pages. Haydn Reeder #3448243. Published by Haydn Reeder (A0.953831). Suitable as an exciting inclusion in a concert setting, this guitar duo lasts about 5 minutes. At times there are a few extended techniques required, all confined to playing on the strings, such as raised pitches, glissandi, harmonics and pizzicato.To explain the title: there are several distinct gestures or textures which circulate through the piece. However, only one is heard in its original form on its return. It features an intermittently repeated low chord on one guitar while the other traces a slow high two-part shape. After being introduced, it is contemplated for quite a long time and during this initial phase is returned to several times. Here, the composer is like an alchemist who is reflecting on the results of a successful experiment. At its later return this central idea is only briefly referred to. The final section could be described as a thumping toccata.
$4.99 ≈
$7.01
Two children, one piece of chocolate
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Piano, Voix
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FACILE
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DaCapo Primary Music
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Elliott Kendall
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Two children, one piece of cho
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DaCapo Primary Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1456636 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Elliott Kendall. Children,C...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1456636 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Elliott Kendall. Children,Classical,Contemporary,Instructional. Score. 23 pages. DaCapo Primary Music #1035711. Published by DaCapo Primary Music (A0.1456636). The Chocolate collection of songs was written by John Ashton Thomas, DaCapo’s composer-in-residence until his untimely death in 2021. John worked as a composer, arranger, orchestrator, conductor, pianist and teacher in the UK and USA. Words are by Tracey Mathias. Tracey wrote the lyrics for most of John’s DaCapo projects as well as several songbooks. She writes novels for children and young adults, and is the author of the fantasy series Assalay for readers aged 10-14 and of Silence is also a Lie, a love story and political thriller for young adults.There are five songs in the collection including:Chocolate’s mystical god QEthical issues in Two children, one piece of chocolateThe Chocolate MagicianSome fun with a scatterbrained Granny and her chocolate fountain called Granny’s Chocolate FloodA reggae feel with Hot chocolate DreamsThey can be purchased (and performed) individually or as a collection.You can find more DaCapo pieces for piano and children's chorus at DaCapo Music Shop
$4.99 ≈
$7.01
The Chocolate Magician
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Piano, Voix
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FACILE
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DaCapo Primary Music
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Elliott Kendall
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The Chocolate Magician
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DaCapo Primary Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1456643 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Elliott Kendall. Children,C...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1456643 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Elliott Kendall. Children,Classical,Contemporary,Instructional. Score. 19 pages. DaCapo Primary Music #1035713. Published by DaCapo Primary Music (A0.1456643). The Chocolate collection of songs was written by John Ashton Thomas, DaCapo’s composer-in-residence until his untimely death in 2021. John worked as a composer, arranger, orchestrator, conductor, pianist and teacher in the UK and USA. Words are by Tracey Mathias. Tracey wrote the lyrics for most of John’s DaCapo projects as well as several songbooks. She writes novels for children and young adults, and is the author of the fantasy series Assalay for readers aged 10-14 and of Silence is also a Lie, a love story and political thriller for young adults.There are five songs in the collection including:Chocolate’s mystical god QEthical issues in Two children, one piece of chocolateThe Chocolate MagicianSome fun with a scatterbrained Granny and her chocolate fountain called Granny’s Chocolate FloodA reggae feel with Hot chocolate DreamsThey can be purchased (and performed) individually or as a collection.You can find more DaCapo pieces for piano and children's chorus at DaCapo Music Shop
$4.99 ≈
$7.01
Salome Tanz (Dance of the Seven Veils)
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Flûte traversière et Piano
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AVANCÉ
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred...
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Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99 ≈
$42.11
Easter Song Hear The Bells Ringing
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Piano seul
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AVANCÉ
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Musique Sacrée
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2nd Chapter Of Acts
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Tracey Phillips
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Easter Song Hear The Bells Rin
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Tracey L Phillips
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1205290 By 2nd Chapter Of Acts. By Anne Herring. Arranged by Tracey Phillips. Christian,Easter,Praise & Worship,Religious...
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Piano Solo - Level 5 - SKU: A0.1205290 By 2nd Chapter Of Acts. By Anne Herring. Arranged by Tracey Phillips. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 5 pages. Tracey L Phillips #803462. Published by Tracey L Phillips (A0.1205290). Easter Medley for advanced piano. Easter Hymn Llanfair, Easter Song, Joy To The World, He Lives. Key of C, 2 min 45 seconds. Creative arrangement that includes part of a Christmas tune in an Easter arrangement. In the beginning, chimes ring out Christ the Lord is Risen Today! Hear the Bells Ringing, they're singing that Christ is risen from the dead! The time signature changes often, but rarely is slow. This arrangement is peppy, but also haunting and soft in the minor parts that build dynamically and chordally to He Is Risen! I end with a triumphant portion of He Lives, ending with the Easter Song again. This is a powerful, dramatic, fun, interesting arrangement for advanced piano soloists that is just right for Easter Sunday offertory, special solo, prelude, or postlude. Time signatures used are 4/4, 3/4 in 3, 3/4 in 1, and 2/4, with several tempo changes, arpeggions, two octave gliss into Joy To The World.If you want to celebrate on Easter Sunday, take a look at this piece. I included an mp3, and a video of me playing for you to hear what it sounds like. Thank you for considering this piece.
$12.99 ≈
$18.24
Jesus on the Mainline, Gospel Song for Clarinet and Piano
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Clarinette et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Jesus on the Mainline, Gospel
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.592838 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score ...
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Clarinet,Piano - Level 2 - SKU: A0.592838 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413169. Published by David McKeown (A0.592838). Jesus on the Mainline is a beautiful spiritual arranged here for Solo Clarinet and Piano.Jesus on the Mainline is a nineteenth century spiritual, though details of its exact origins are impossible to trace. In recent times the song has been much recorded, with a particularly well-known version by Ry Cooder.
$2.49 ≈
$3.50
Jesus on the Mainline, Gospel Song for Alto Recorder and Piano
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Musique Sacrée
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Traditional
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David McKeown
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Jesus on the Mainline, Gospel
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David McKeown
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SheetMusicPlus
Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 2 - SKU: A0.592846 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacr...
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Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 2 - SKU: A0.592846 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Individual part. 4 pages. David McKeown #6413185. Published by David McKeown (A0.592846). Jesus on the Mainline is a beautiful spiritual arranged here for Solo Alto Recorder and Piano.Jesus on the Mainline is a nineteenth century spiritual, though details of its exact origins are impossible to trace. In recent times the song has been much recorded, with a particularly well-known version by Ry Cooder.
$2.49 ≈
$3.50
Jesus on the Mainline, Gospel Song for Soprano Recorder and Piano
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Musique Sacrée
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Traditional
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David McKeown
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Jesus on the Mainline, Gospel
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David McKeown
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SheetMusicPlus
Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.592848 Composed by Traditional. Arranged by David McKeown. Praise & Worship,S...
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Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.592848 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Individual part. 4 pages. David McKeown #6413189. Published by David McKeown (A0.592848). Jesus on the Mainline is a beautiful spiritual arranged here for Solo Soprano Recorder and Piano.Jesus on the Mainline is a nineteenth century spiritual, though details of its exact origins are impossible to trace. In recent times the song has been much recorded, with a particularly well-known version by Ry Cooder.
$2.49 ≈
$3.50
Jesus on the Mainline, Gospel Song for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Jesus on the Mainline, Gospel
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.592839 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sc...
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English Horn,Piano - Level 2 - SKU: A0.592839 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413171. Published by David McKeown (A0.592839). Jesus on the Mainline is a beautiful spiritual arranged here for Solo Cor Anglais and Piano.Jesus on the Mainline is a nineteenth century spiritual, though details of its exact origins are impossible to trace. In recent times the song has been much recorded, with a particularly well-known version by Ry Cooder.
$2.49 ≈
$3.50
Jesus on the Mainline, Gospel Song for Bassoon and Piano
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Basson, Piano (duo)
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Jesus on the Mainline, Gospel
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David McKeown
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.592836 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score a...
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Bassoon,Piano - Level 2 - SKU: A0.592836 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413165. Published by David McKeown (A0.592836). Jesus on the Mainline is a beautiful spiritual arranged here for Solo Bassoon and Piano.Jesus on the Mainline is a nineteenth century spiritual, though details of its exact origins are impossible to trace. In recent times the song has been much recorded, with a particularly well-known version by Ry Cooder.
$2.49 ≈
$3.50
Jesus on the Mainline, Gospel Song for Alto Clarinet and Piano
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Clarinette et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Jesus on the Mainline, Gospel
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.592837 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.592837 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413167. Published by David McKeown (A0.592837). Jesus on the Mainline is a beautiful spiritual arranged here for Solo Alto Clarinet and Piano.Jesus on the Mainline is a nineteenth century spiritual, though details of its exact origins are impossible to trace. In recent times the song has been much recorded, with a particularly well-known version by Ry Cooder.
$2.49 ≈
$3.50
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