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Three East Tales
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Three East Tales
Violon, Guitare (duo)
By Atanas Ourkouzounov (1970-). For guitar and violin. Level 4. 18 pages. Published by Les…
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By Atanas Ourkouzounov (1970-). For guitar and violin. Level 4. 18 pages. Published by Les Editions Doberman-Yppan (digital)
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Violon, Guitare (duo)
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Atanas Ourkouzounov
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Three East Tales
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Les Editions Doberman-Yppan
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SheetMusicPlus
84 Nursery Rhymes from Around the World (Easy Piano Solo)
Piano Facile
Piano Solo, Easy Piano - Easy/Beginner - Digital Download Arranged by Bobby Cyr - Pia…
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Piano Solo, Easy Piano - Easy/Beginner - Digital Download Arranged by Bobby Cyr - Piano Notion. Children's Music, Children's Musicals, Fairy Tales, Anniversary, Birthday. Individual Part, Piano Reduction. 95 pages. Published by Piano Notion
Simplified Nursery Rhymes for piano solo that your kid can play.<br> The best way to learn how to read music.<br> Arranged by Bobby Cyr - Piano Notion<br> <br> 84 Nursery Rhymes from Around the World<br> <br> À la claire fontaine<br> <br> À la volette<br> <br> A Tisket A Tasket<br> <br> Ah ! Mon beau château<br> <br> Aiken Drum<br> <br> Alouette<br> <br> Arroz con leche<br> <br> Au clair de la lune<br> <br> BINGO<br> <br> Bye, Baby Bunting<br> <br> C’est la mère Michel<br> <br> Cadet Rousselle<br> <br> Cerné oci jdete spat<br> <br> Cinco pollitos<br> <br> Dans la forêt lointaine<br> <br> Dansons la capucine<br> <br> Debajo de un botón<br> <br> Dodo l'enfant do<br> <br> Dodo ti pitit manman<br> <br> Donkey, I Beg You<br> <br> El elefante trompita<br> <br> Fais dodo<br> <br> Frère Jacques<br> <br> Good King Wenceslas<br> <br> Hänschen klein<br> <br> Happy Birthday<br> <br> Hickory Dickory Dock<br> <br> Hot Cross Buns<br> <br> Hush Little Baby<br> <br> Il pleut, il pleut bergère<br> <br> I'm a Little Teapot<br> <br> Itsy Bitsy Spider<br> <br> J'ai du bon tabac<br> <br> Jimmy Crack Corn<br> <br> Kuckuck<br> <br> Lavender’s Blue Dilly Dilly<br> <br> Le bon roi Dagobert<br> <br> Little Robin Redbreast<br> <br> London Bridge<br> <br> Los pollitos dicen pío pío<br> <br> Lundi matin<br> <br> Mariposita<br> <br> Mary Had A Little Lamb<br> <br> Meunier tu dors<br> <br> Mi barba tiene tres pelos<br> <br> Michael Finnegan<br> <br> Michael Row the Boat Ashore<br> <br> Miss Polly Had A Dolly<br> <br> Oats Peas Beans and...<br> <br> Oh du lieber Augustin<br> <br> Old MacDonald<br> <br> Open Shut<br> <br> Oranges and Lemons<br> <br> Osito de peluche<br> <br> Pat-a-Cake<br> <br> Patico patico color de café<br> <br> Pirouette cacahuète<br> <br> Pop Goes The Weasel<br> <br> Pretty Little Dutch Girl<br> <br> Rain Rain Go Away<br> <br> Rock-a-Bye Baby<br> <br> Row, Row, Row Your Boat<br> <br> Saco una manito<br> <br> Sakura Sakura<br> <br> Savez-vous planter les choux ?<br> <br> Shortnin’ Bread<br> <br> Skip to My Lou<br> <br> Sur le pont d'Avignon<br> <br> Tengo una muñeca vestida de azul<br> <br> The Farmer in the Dell<br> <br> The Muffin Man<br> <br> The Noble Duke of York<br> <br> This Old Man<br> <br> Three Blind Mice<br> <br> Tommy Thumb's Song<br> <br> Tres gatitos<br> <br> Twinkle Twinkle Little Star<br> <br> Un, deux, trois nous irons au bois<br> <br> Un elefante se balanceaba<br> <br> Un éléphant ça trompe<br> <br> Una vez pesqué un pececito<br> <br> V’là l'bon vent<br> <br> Wheels On The Bus<br> <br> Yankee DoodleSimplified Nursery Rhymes for piano solo that your kid can play.<br> The best way to learn how to read music.<br> Arranged by Bobby Cyr - Piano Notion<br> <br> 84 Nursery Rhymes from Around the World<br> <br> À la claire fontaine<br> <br> À la volette<br> <br> A Tisket A Tasket<br> <br> Ah ! Mon beau château<br> <br> Aiken Drum<br> <br> Alouette<br> <br> Arroz con leche<br> <br> Au clair de la lune<br> <br> BINGO<br> <br> Bye, Baby Bunting<br> <br> C’est la mère Michel<br> <br> Cadet Rousselle<br> <br> Cerné oci jdete spat<br> <br> Cinco pollitos<br> <br> Dans la forêt lointaine<br> <br> Dansons la capucine<br> <br> Debajo de un botón<br> <br> Dodo l'enfant do<br> <br> Dodo ti pitit manman<br> <br> Donkey, I Beg You<br> <br> El elefante trompita<br> <br> Fais dodo<br> <br> Frère Jacques<br> <br> Good King Wenceslas<br> <br> Hänschen klein<br> <br> Happy Birthday<br> <br> Hickory Dickory Dock<br> <br> Hot Cross Buns<br> <br> Hush Little Baby<br> <br> Il pleut, il pleut bergère<br> <br> I'm a Little Teapot<br> <br> Itsy Bitsy Spider<br> <br> J'ai du bon tabac<br> <br> Jimmy Crack Corn<br> <br> Kuckuck<br> <br> Lavender’s Blue Dilly Dilly<br> <br> Le bon roi Dagobert<br> <br> Little Robin Redbreast<br> <br> London Bridge<br> <br> Los pollitos dicen pío pío<br> <br> Lundi matin<br> <br> Mariposita<br> <br> Mary Had A Little Lamb<br> <br> Meunier tu dors<br> <br> Mi barba tiene tres pelos<br> <br> Michael Finnegan<br> <br> Michael Row the Boat Ashore<br> <br> Miss Polly Had A Dolly<br> <br> Oats Peas Beans and...<br> <br> Oh du lieber Augustin<br> <br> Old MacDonald<br> <br> Open Shut<br> <br> Oranges and Lemons<br> <br> Osito de peluche<br> <br> Pat-a-Cake<br> <br> Patico patico color de café<br> <br> Pirouette cacahuète<br> <br> Pop Goes The Weasel<br> <br> Pretty Little Dutch Girl<br> <br> Rain Rain Go Away<br> <br> Rock-a-Bye Baby<br> <br> Row, Row, Row Your Boat<br> <br> Saco una manito<br> <br> Sakura Sakura<br> <br> Savez-vous planter les choux ?<br> <br> Shortnin’ Bread<br> <br> Skip to My Lou<br> <br> Sur le pont d'Avignon<br> <br> Tengo una muñeca vestida de azul<br> <br> The Farmer in the Dell<br> <br> The Muffin Man<br> <br> The Noble Duke of York<br> <br> This Old Man<br> <br> Three Blind Mice<br> <br> Tommy Thumb's Song<br> <br> Tres gatitos<br> <br> Twinkle Twinkle Little Star<br> <br> Un, deux, trois nous irons au bois<br> <br> Un elefante se balanceaba<br> <br> Un éléphant ça trompe<br> <br> Una vez pesqué un pececito<br> <br> V’là l'bon vent<br> <br> Wheels On The Bus<br> <br> Yankee Doodle
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Piano Facile
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Bobby Cyr - Piano Notion
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84 Nursery Rhymes from Around the World
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Piano Notion
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SheetMusicPlus
Of Roses and Lilies
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.800323 Composed by Sarah Wall…
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String Orchestra - Level 5 - Digital Download SKU: A0.800323 Composed by Sarah Wallin Huff. 20th Century,Contemporary,Spiritual. Score and Parts. 88 pages. Novel Soundtrax #2035933. Published by Novel Soundtrax (A0.800323). Completed in 2013, this work is A Romantic Expression Based on King Solomon's Song of Songs. Flirting with musical and dramatic elements from Medieval Europe to the ancient Middle East and Ancient Greek Theatre, Of Roses and Lilies features the solo soprano in the role of The Woman; she expresses her love, devotion, and delight toward her Lover while the Daughters of Jerusalem - as with that of the collective commentary of a Greek chorus - listen and engage with The Woman in her tales touting the glories of her Beloved. The work is in three major sections after the expressive and fluid introduction: the first in A Minor, introducing the characters and their vivd emotions; the second in A Major, during which The Woman shares a tale of her Lover calling her to escape with him into the night... For the winter is past and the rain gone... -when for a moment she hesitates, she wonders if she is too late, only to find that he is still there waiting for her, encouraging her with the sweet words of his continued adoration toward her; the third section returns to the original themes in A Minor, yet gains an expression of great power and fervency as The Woman's love for her Beloved utterly transforms her.
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Orchestre à Cordes
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Sarah Wallin Huff
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Of Roses and Lilies
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Novel Soundtrax
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
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Saxophone Soprano et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
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Alto, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
#
Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Re-flect
Percussion Ensemble Bells,Bongos,Crotales,Drum Set,Multi-Percussion - Level 4 - Digital Do…
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Percussion Ensemble Bells,Bongos,Crotales,Drum Set,Multi-Percussion - Level 4 - Digital Download SKU: A0.782930 By Carlos Pellicer. By Carlos Pellicer. Contemporary,Contest,Festival,Instructional,Multicultural,World. Score and parts. 67 pages. Carlos Pellicer #390338. Published by Carlos Pellicer (A0.782930). RE-FLECT, for quartet percussion Full set (score+parts) Duration | 10:45 Level | advanced Re-flect is a proposal for four percussionists in which the acoustic and spatial factor is very important. The title of the work is the key to understanding these aspects and also how most of the musical discourse is fed. Re-flect means reflection, and in this sense the work is built from an axis of symmetry on which the first two percussionists reflect on the third and fourth respectively in terms of rhythms and sounds. Also, taking the title as a reference, the importance of the only tuned sound in the entire work is very evident: the RE note. From this sound, and only with this sound of a certain height, a sound game with different heights is created that is intended to envelop the stage. Last but not least, the two letters RE, have an important personal meaning for the author: the work is dedicated to Esaú Borredá (Madrid Symphony Orchestra soloist) and Raúl Benavent (RTVE Orchestra soloist), friends of the author. The game with the two initials of their names (RE) is evident. Subtlety, precision and strength are the three qualities of these great musicians that they try to reflect in the work.
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Carlos Pellicer
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Re-flect
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Carlos Pellicer
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SheetMusicPlus
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