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--INSTRUMENTS--
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Waves on the Sand
Non classifié
6
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8
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2
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2
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
Waves on the Sand
Partitions à imprimer
39 partitions trouvées
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1
26
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
$5.60
America The Beautiful
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Barbra Streisand
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Timothy Stapay
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America The Beautiful
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1254594 By Barbra Streisand. By Katherine Lee Bates, Samuel A. Ward. Arranged by Timothy Stapay. Film/TV,Historic,Holiday...
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Piano Solo - Level 4 - SKU: A0.1254594 By Barbra Streisand. By Katherine Lee Bates, Samuel A. Ward. Arranged by Timothy Stapay. Film/TV,Historic,Holiday,Patriotic,Singer/Songwriter. Score. 4 pages. Timothy Stapay #848195. Published by Timothy Stapay (A0.1254594). This is an arrangement of America The Beautiful, written for upper intermediate level piano. It contains an introduction using Battle Hymn Of The Republic.America the Beautiful is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met.In 1893, at the age of 33, Bates, an English professor at Wellesley College, had taken a train trip to Colorado Springs, Colorado, to teach at Colorado College. Several of the sights on her trip inspired her, and they found their way into her poem.Lyrics:O beautiful for spacious skiesFor amber waves of grainFor purple mountain majestiesAbove the fruited plain!America! America!God shed his grace on theeAnd crown thy good with brotherhoodFrom sea to shining sea!O beautiful for pilgrim feetWhose stern impassioned stressA thoroughfare of freedom beatAcross the wilderness!America! America!God mend thine every flawConfirm thy soul in self-controlThy liberty in law!O beautiful for heroes provedIn liberating strifeWho more than self their country lovedAnd mercy more than life!America! America!May God thy gold refineTill all success be noblenessAnd every gain divine! O beautiful for patriot dreamThat sees beyond the yearsThine alabaster cities gleamUndimmed by human tears!America! America!God shed his grace on theeAnd crown thy good with brotherhoodFrom sea to shining sea!O beautiful for halcyon skiesFor amber waves of grainFor purple mountain majestiesAbove the enameled plain!America! America!God shed his grace on theeTill souls wax fair as earth and airAnd music-hearted sea!O beautiful for pilgrims feetWhose stem impassioned stressA thoroughfare for freedom beatAcross the wilderness!America! America!God shed his grace on theeTill paths be wrought throughWilds of thoughtBy pilgrim foot and knee! O beautiful for glory-taleOf liberating strifeWhen once and twiceFor man's availMen lavished precious life!America! America!God shed his grace on theeTill selfish gain no longer stainThe banner of the free!O beautiful for patriot dreamThat sees beyond the yearsThine alabaster cities gleamUndimmed by human tears!America! America!God shed his grace on theeTill nobler men keep once againThy whiter jubilee!
$5.99 ≈
$8.41
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
$14.03
Ocean Sands
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Jordan D
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Ocean Sands
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Jordan Clement
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.989291 Composed by Jordan D. Clement. Contemporary. Score. 6 pages. Jordan Clement #2837541. Published by Jordan Clement ...
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Piano Solo - Level 3 - SKU: A0.989291 Composed by Jordan D. Clement. Contemporary. Score. 6 pages. Jordan Clement #2837541. Published by Jordan Clement (A0.989291). A flowing piece reminiscent of waves on the beach. Is good for practice on arpeggios and finger placement.
$3.99 ≈
$5.60
Sandcastle Dreams
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Suzanne Herman
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Sandcastle Dreams
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Suzanne Herman Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1358220 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 3 pages. Suzanne He...
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Piano Solo - Level 4 - SKU: A0.1358220 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 3 pages. Suzanne Herman Music #942700. Published by Suzanne Herman Music (A0.1358220). Walking the beaches of Anna Maria Island, (a barrier island off the west coast of Florida), sandcastles will almost always be encountered. Some sandcastles are in the process of being created, others are in the process of washing away with incoming tides. Sandcastles come in all shapes and sizes. Some are true works of art with detials of exquisite design and excellence. Of equal significance are those sandcastles created by children while they laugh and play in the sunshine. The same can be said about hopes and dreams. Dreams can be big or small, consisting of different shapes and sizes. Many dreams are serious, detailing future endeavors, while other dreams are fun and involve play. Some dreams are in the process of being created, while other dreams never become reality, they get washed away with the waves. These sandcastles are the inspiration behind Sandcastle Dreams.Sandcastle Dreams is in 6/8 meter and immediately allows the right-hand melody to float above the sonorous laft-hand accompaniment. Powerful right-hand chords and left-hand arpeggiated patterns comprise the middle section. These passionate sounds then melt back into the original theme and its thought-provoking mood. Sandcastle Dreams, from the solo piano album and songbook A Seaside View, can be found worldwide on all major listening platforms including Spotify, Pandora, Apple Music, SoundCloud, etc.For more information about Suzanne Herman visit:WebsiteFacebookInstagramYouTube ChannelRegister for Newsletter
$5.50 ≈
$7.72
The Esplanade (Concert Band) - Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Michael Young
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The Esplanade
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Michael Young
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.934109 Composed by Michael Young. Contemporary. Score and parts. 41 pages. Michael Young #5210235. Published by Michael...
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Concert Band - Level 3 - SKU: A0.934109 Composed by Michael Young. Contemporary. Score and parts. 41 pages. Michael Young #5210235. Published by Michael Young (A0.934109). Please note that this is for the parts only, the score can be purchased separately.The Esplanade is a musical image of the St. Kilda Esplanade on a windy winter day in the middle of August. Throughout the music, I try to represent the movement of the water and the wind, and the turning of the tide. This piece utilises binary form to create two specific images from the day. The first part is driving along the esplanade observing the wind and the waves, as well as the occasional landmark (i.e.: Luna Park, the sea baths, and the St. Kilda beach). The particular memory that remains in mind is the significant number of jellyfish that had beached themselves on the shoreline: dying on the sand, completely helpless.
$25.00 ≈
$35.11
The Esplanade (Concert Band) - Score
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Michael Young
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The Esplanade
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Michael Young
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.934108 Composed by Michael Young. Contemporary. Score and parts. 22 pages. Michael Young #5210229. Published by Michael...
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Concert Band - Level 3 - SKU: A0.934108 Composed by Michael Young. Contemporary. Score and parts. 22 pages. Michael Young #5210229. Published by Michael Young (A0.934108). The Esplanade is a musical image of the St. Kilda Esplanade on a windy winter day in the middle of August. Throughout the music, I try to represent the movement of the water and the wind, and the turning of the tide. This piece utilises binary form to create two specific images from the day. The first part is driving along the esplanade observing the wind and the waves, as well as the occasional landmark (i.e.: Luna Park, the sea baths, and the St. Kilda beach). The particular memory that remains in mind is the significant number of jellyfish that had beached themselves on the shoreline: dying on the sand, completely helpless.
$15.00 ≈
$21.06
Walking On Sunshine
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Cloches
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Katrina & The Waves
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Sandra Eithun
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Walking On Sunshine
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Sandra Eithun
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SheetMusicPlus
Handbell - Level 4 - SKU: A0.1465088 By Katrina & The Waves. By Kimberley Rew. Arranged by Sandra Eithun. Pop,Rock. Score. 16 pages. Sandra Eithun #1043...
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Handbell - Level 4 - SKU: A0.1465088 By Katrina & The Waves. By Kimberley Rew. Arranged by Sandra Eithun. Pop,Rock. Score. 16 pages. Sandra Eithun #1043782. Published by Sandra Eithun (A0.1465088). Hey! It's here for handbells, the 1983 hit song Walking on Sunshine by Katrina and the Waves. The piece is scored here by Sandra Eithun for 4-6 octaves of handbells, optional 7 octaves of handchimes and optional tabourine. Add a drum set for a rockin' good time. The piece is rated level 3+.Purchase of this arrangement allow for enough copies to be made for one handbell ensemble.
$49.00 ≈
$68.81
Walking On Sunshine
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Katrina & The Waves
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Jim Farley
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Europe
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Walking On Sunshine
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1312815 By Katrina & The Waves. By Kimberley Rew. Arranged by Jim Farley. Pop,Rock. Score. 10 pages. Jim Fa...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1312815 By Katrina & The Waves. By Kimberley Rew. Arranged by Jim Farley. Pop,Rock. Score. 10 pages. Jim Farley arrangementsone.com #901650. Published by Jim Farley arrangementsone.com (A0.1312815). ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Cruise Ship, Broadway and Las Vegas performers as well as dozens of classic rock horn bands in the U.S., Canada & Europe. If you have any arranging needs, please contact Jim at farleyjc@gmail.com and visi his website at ARRANGEMENTS ON E!
$4.99 ≈
$7.01
Walking On Sunshine
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Rock
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Katrina & The Waves
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Jim Farley
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Walking On Sunshine
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Jim Farley arrangementsone.com
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SheetMusicPlus
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1312809 By Katrina & The Waves. By Kimberley R...
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Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1312809 By Katrina & The Waves. By Kimberley Rew. Arranged by Jim Farley. Pop,Rock. 41 pages. Jim Farley arrangementsone.com #901639. Published by Jim Farley arrangementsone.com (A0.1312809). Aqrranged for 7-8 piece horn band, including: Directors Score, Piano/Vocal/Chords, Leadsheet, Guitar (rythm & chords only), Bass Guitar, Drums, Alto Sax, Tenor Sax (identical to Alto), Trumpets 1 & 2 and Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in hist catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Cruise Ship, Broadway and Las Vegas performers as well as arranging for dozens of classic rock horn bands throughout the U.S., Canada and Europe. If you have any additional arranging needs, contact Jim at farleyjc@gmail.com and visit his website at ARANGEMENTS ON E!Â
$49.99 ≈
$70.20
The Seas of Kirk Swarf
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Orchestre à Cordes
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Sir Peter Maxwell Davies
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The Seas of Kirk Swarf
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Schott Music - Digital
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SheetMusicPlus
Bass clarinet and string orchestra - SKU: S9.Q19841 For bass clarinet and strings. Composed by Sir Peter Maxwell Davies. This edition: study scor...
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Bass clarinet and string orchestra - SKU: S9.Q19841 For bass clarinet and strings. Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 281. Duration 15 minutes. Schott Music - Digital #Q19841. Published by Schott Music - Digital (S9.Q19841). Commissioned by the St Magnus Festival and first performed there in 2007, The Seas of Kirk Swarf, like many of the composer’s works, draws inspiration from the Orkney Isles where Maxwell Davies lives. Kirk Swarf is a stretch of sea off the Holms of Ire, two small uninhabited islands off Sanday, Orkney and as the name suggests, on shore is a ruined chapel. The composer explains that two kinds of sea meet and interact here at this point - the wilder sea from Westray to the west, and a calmer sea, resulting in huge waves suddenly rearing up, even on calm days, with extraordinary dramatic effect.
$19.99 ≈
$28.07
Five Songs for Soprano - Song-Cycle, Op. 14
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Piano, Voix
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INTERMÉDIAIRE
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William Kersten
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Five Songs for Soprano - Song-
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William Kersten
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Pu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99 ≈
$9.82
Dissolved
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Chorale 3 parties
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INTERMÉDIAIRE
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Contemporain
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Sally Whitwell
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Dissolved
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.873045 Composed by Sally Whitwell. Contemporary. Octavo. 10 pages. Sally Whitwell #5197447. Published by Sally Wh...
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Choral Choir (SSA) - Level 3 - SKU: A0.873045 Composed by Sally Whitwell. Contemporary. Octavo. 10 pages. Sally Whitwell #5197447. Published by Sally Whitwell (A0.873045). I composed Dissolved over the stiflingly hot and humid Sydney summer of 2018-2019. It’s all about finding relief from the heat by plunging your body into the sea at twilight. I went with some friends to Sydney’s Coogee Beach one late afternoon, just as the sun was setting. We parked in a side street and walked barefoot across the road, still warm from a full day of blazing sunlight, over the prickly grass, down the concrete steps onto the soft sand and into the ocean. The feeling of being cleansed by this salt water was so strong, I felt compelled to write a song about it. Sally Whitwell Long shadows stretch into still summer nights The atmosphere lays heavy, liquefied Warmth rising from the asphalt, once alight From the sun, now disappearing Drawn to dark water, we become amphibian Bare toes swallowed by waves on wet sand Deionisation, we hold it in our hands And the fever’s disappearing We are dissolved The water absolving us We are evolving On the ever revolving earth Ever evolving, revolving, dissolving Water abating and we’re dissipating As the world turns and our hearts burn With love
$1.99 ≈
$2.79
WEDDING FOR RECEPTIONS FOR STRING TRIO
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Various including Bach, Handel
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Sherry Lewis Publishing
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WEDDING FOR RECEPTIONS FOR STR
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Sherry Lewis Publishing
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521462 Composed by Various including Bach, Handel, Vivaldi, etc. Arranged by Sherry L...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521462 Composed by Various including Bach, Handel, Vivaldi, etc. Arranged by Sherry Lewis Publishing. Baroque,Classical,Romantic Period,Wedding. Score and parts. 107 pages. Sherry Lewis Publishing #6092709. Published by Sherry Lewis Publishing (A0.521462). 'Cocktails Anyone?' is a set of 12 highly recognizable and enjoyed songs for the cocktail time. Intermediate Level String TRIO for 2 violins and cello or violin, viola and cello AUDIO: I randomly chose the first selection as an audio sample parts: 103 pages time: Approx. 90 minutes Songs included in this set: Autumn, allegro movement - Vivaldi Barcarolle - Offenbach Concerto in D for 2 violins and lute, allegro - Vivaldi Eine Kleine Nacht Music, 1st Mov. - Mozart Intermezzo sinfonico - Mascagni La Cinquantaine - Gabriel-Marie Orientale - Cui Rhapsody on a Theme of Paganini - Rachmaninoff Serenade - Schubert Spring, danza pastorale from the Four Seasons - Vivaldi The Swan - Saint Saëns Waves of the Danube (Anniversary Waltz) - Ivanovici  MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$29.99 ≈
$42.11
STRING QUARTET WEDDING MUSIC - FOR STRING QUARTET 12 SELECTIONS FOR RECEPTIONS AND COCKTAIL TIME
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Vivaldi, Offenbach, Mozart, Ma
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Sherry Lewis
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STRING QUARTET WEDDING MUSIC -
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Sherry Lewis Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.521461 Composed by Vivaldi, Offenbach, Mozart, Mascagni, Gabriel-Marie, Cui, Rachma...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.521461 Composed by Vivaldi, Offenbach, Mozart, Mascagni, Gabriel-Marie, Cui, Rachmaninoff, Schubert. Arranged by Sherry Lewis. Baroque,Classical,Romantic Period,Wedding. 115 pages. Sherry Lewis Publishing #6092413. Published by Sherry Lewis Publishing (A0.521461). 'Cocktails Anyone?' is a set of 12 highly recognizable and enjoyed songs for the cocktail time. Intermediate Level String Quartet AUDIO: I randomly chose the first selection as an audio sample parts: 110+ pages time: Approx. 90 minutes Songs included in this set: Autumn, allegro movement - Vivaldi Barcarolle - Offenbach Concerto in D for 2 violins and lute, allegro - Vivaldi Eine Kleine Nacht Music, 1st Mov. - Mozart Intermezzo sinfonico - Mascagni La Cinquantaine - Gabriel-Marie Orientale - Cui Rhapsody on a Theme of Paganini - Rachmaninoff Serenade - Schubert Spring, danza pastorale from the Four Seasons - Vivaldi The Swan - Saint Saëns Waves of the Danube (Anniversary Waltz) - Ivanovici  MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$29.99 ≈
$42.11
Lake Michigan Sunset
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Dean Gilbert
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Lake Michigan Sunset
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Dean Gilbert
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1397338 By Dean Gilbert. By Dean Gilbert. 21st Century,Contemporary,Pop,Singer/Songwriter. Score. 4 pages. Dean Gilbert #...
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Piano Solo - Level 4 - SKU: A0.1397338 By Dean Gilbert. By Dean Gilbert. 21st Century,Contemporary,Pop,Singer/Songwriter. Score. 4 pages. Dean Gilbert #980654. Published by Dean Gilbert (A0.1397338). Many Michiganders have enjoyed a beautiful sunset over Lake Michigan. Â A few years ago, Jill and I rented a condo for a week in Petoskey. Â The condo was right next to the state park. Â Every night we would walk to the beach in the state park and watch the sunset over Lake Michigan. Â This music reflects that sunset ritual. Â The opening begins with the waves gently crashing on the beach churning up the sand. Â The first theme begins as the sun sits low in the sky creating a great sparkle across the water. Â An interlude descends down the piano as the sun dips lower in the sky. Â The main theme is heard again an octave lower as the sun sits even lower in the sky. Â The music begins to build excitement as the sun begins its final descent to the water. Â When the bottom of the sun connects with the water, the crowd begins to cheer. Â With every crash of waves, the sun sinks into the water of Lake Michigan. Â The sun disappears and we once again hear the main theme another octave lower as daylight disappears. Â The dark sets in and we can only hear the gentle crashing of the waves on the beach.
$5.00 ≈
$7.02
Stardust Sonata
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Piano Facile
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FACILE
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Universe Waves
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Alexander Mastelyak
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Stardust Sonata
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Alexander Mastelyak
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1413720 By Universe Waves. By Alexander Mastelyak. Arranged by Alexander Mastelyak. 21st Century,Classical,Contemporary,M...
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Easy Piano - Level 2 - SKU: A0.1413720 By Universe Waves. By Alexander Mastelyak. Arranged by Alexander Mastelyak. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Score. 6 pages. Alexander Mastelyak #995505. Published by Alexander Mastelyak (A0.1413720). As the sun sinks low on the horizon, casting a warm, golden light over the sandy shores, the tranquil melody of crashing waves fills the air. Against this serene backdrop stands a grand piano, its polished wood gleaming in the fading light. Seated at the piano is a woman whose ethereal beauty captivates all who behold her. With each graceful movement of her fingers, she breathes life into the instrument, conjuring melodies that mirror the rhythm of the ocean waves. In this idyllic setting, she becomes one with the natural world, her music blending seamlessly with the soothing sounds of the beach at sunset.
$2.50 ≈
$3.51
Three Painters (score)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99 ≈
$14.03
Three Painters (parts)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99 ≈
$14.03
This I Know
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Aaron Shust
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Christopher R
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This I Know
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747292 By Aaron Shust. By Aaron Shust, Andrew Pruis, and Matthew West. Arranged by Christopher R. Brown. Contemp...
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Choral Choir (SATB) - Level 3 - SKU: A0.747292 By Aaron Shust. By Aaron Shust, Andrew Pruis, and Matthew West. Arranged by Christopher R. Brown. Contemporary. Octavo. 7 pages. Christopher Brown #5324397. Published by Christopher Brown (A0.747292). This anthem is arranged for tenor soloist, SATB choir, piano & optional worship band (rhythm chart). The lyrics direct us to be assured of what we know is true according to the Word of God during times of uncertainty, anxiety, and doubt. Lyrics below.This is the vocal part for the arrangement which includes the soloist and choral parts. The piano accompaniment and rhythm chart is available separately on SheetMusicPlus.Please Note:Performance of this music requires one copy of the vocal score purchased for each singer.Lyrics:When I'm surrounded by uncertaintyAnd my fear tries to steal controlThere's one thing that is no mysteryJesus loves me this I knowWhen I'm flooded with anxietyWaves of doubt won't drown my soulThere's a peace that rests inside of meJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowWhen my sin says I'm unreachablePast the point where grace can goWhen I feel anything but loveableJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowJesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I know
$1.99 ≈
$2.79
Las Lajas
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Piano seul
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INTERMÉDIAIRE
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Latin/Musique du monde
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Jazz
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Louis Landon
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Las Lajas
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.761913 Composed by Louis Landon. Concert,Instructional,Jazz,Latin,Standards. Score. 4 pages. Landon Creative, Inc. #63261...
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Piano Solo - Level 3 - SKU: A0.761913 Composed by Louis Landon. Concert,Instructional,Jazz,Latin,Standards. Score. 4 pages. Landon Creative, Inc. #6326193. Published by Landon Creative, Inc. (A0.761913). Las Lajas is a single from Panama Piano album. It was our second beach experience on our amazing Panamanian road trip. We took a five minute walk to the beach from our little B&B casita and were blown away by the fact that we were the only ones on the beach for as far as we could see in either direction! We saw living sand dollars and some baby sea snakes when the waves would wash in. It was a fantastic experience and super relaxing. We were filled with openhearted gratitude. The Panama Piano album was released on July 10, 2020.
$5.25 ≈
$7.37
Carson Cooman: Sonata for Solo Violin (2005)
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Violon
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Carson Cooman
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Carson Cooman: Sonata for Solo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Violin Solo - SKU: A0.533610 Composed by Carson Cooman. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #3030921. Published by M...
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Violin Solo - SKU: A0.533610 Composed by Carson Cooman. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #3030921. Published by Musik Fabrik Music Publishing (A0.533610). Sonata for Solo Violin (2005) was composed for and is dedicated to David Fulmer. It is in twomovements.The first movement, Logos, was inspired by a paradoxical contrast present at Cisco Beach onNantucket Island, Massachusetts, USA. On one side of the sandy beach are the powerfulpounding waves of the unbounded Atlantic ocean. On the other side sits one of Nantucket's mosttranquil freshwater ponds. Within one field of vision exists this contrast. It is a lyrical movement which contrasts slow melodic gestures with very fast running passages. The outer two sections explore the development of a series of melodic cells that are unfolded at the start of the work. The middle section features a long-breathed lyrical melody with lower register decorations and interruptions.The second movement, Synodos, is a journey. The Greek title is built from the Greek words for with [sun] and road/way[hodos] and refers to a fellow traveller on a journey. It is a personal journey -- between performer and violin.It ismystical in conception with two extended slow sections framing a dramatic and jagged one in the center. The musical material and gestures are gradually transformed over time -- as periods of motion are contrasted with periods of extreme stillness and resonant inactivity.A resonant acoustic is preferred for a performance of the work.
$11.95 ≈
$16.78
Waves on the Sand
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Piano seul
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FACILE
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Pei-Ying Pan
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Pei-Ying Pan
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Waves on the Sand
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Pei-Ying Pan
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1422447 By Pei-Ying Pan. By Pei-Ying Pan. Arranged by Pei-Ying Pan. 21st Century,Broadway,Film/TV,Multicultural,Musical/S...
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Piano Solo - Level 2 - SKU: A0.1422447 By Pei-Ying Pan. By Pei-Ying Pan. Arranged by Pei-Ying Pan. 21st Century,Broadway,Film/TV,Multicultural,Musical/Show,Spiritual,World. Score. 2 pages. Pei-Ying Pan #1003786. Published by Pei-Ying Pan (A0.1422447). Soothing flowy music using a simple motif making this intermediate-friendly, suitable for grade 3+.
$7.99 ≈
$11.22
Miserere
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Thierry Pecou
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Miserere
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Schott Music - Digital
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SheetMusicPlus
3 sopranos, 2 violins, viola, cello, bass-lute and organ - difficult - SKU: S9.Q22040 For 3 sopranos and baroque instruments. Composed by Thierry...
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3 sopranos, 2 violins, viola, cello, bass-lute and organ - difficult - SKU: S9.Q22040 For 3 sopranos and baroque instruments. Composed by Thierry Pecou. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q22040. Published by Schott Music - Digital (S9.Q22040). Latin.For me, as someone who considers myself far removed from Christian spirituality and closer to the concept of Immanence than to any form of Transcendence, it was obvious to me that I would not compose a Miserere comparable to Alesandro Scarlatti’s Lamentazioni. It was also my wish to theatricalise the subject matter, following pagan rituals which appear to have been retained in the monastic Tenebrae services up to Renaissance times. In the series of sequences in which silence plays a prominent role, a path leads to strange rites in which the listeners are invited to stamp their feet on the ground, creating waves of thundering sound, or accompany the chanting of texts. Three sopranos take on an instrumental role, deploying a broad range of vocal sounds from aspirations to screams. Thierry Pécou.
$55.99 ≈
$78.62
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Waves on the Sand