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Tri et filtres :
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ACCORDEON
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22
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7
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61
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54
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51
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44
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43
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39
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37
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33
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25
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24
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23
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20
2 Tubas (duo)
19
2 Cors (duo)
18
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14
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10
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9
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9
Tuba (partie séparée)
9
Euphonium
9
Cor
8
Quatuor de cuivres: 4 cors
5
2 Euphoniums et 2 Tubas
5
4 Tubas
4
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3
Trompette, Saxophone (duo)
3
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3
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2
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2
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1
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Cornet et orchestre
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3 Trompettes (trio)
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128
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83
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58
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Violon
33
2 Violoncelles (duo)
24
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20
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18
2 Contrebasses (duo)
17
2 Altos (duo)
16
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15
2 Violons (duo)
15
Harpe, Violon (duo)
15
Harpe, Violoncelle (duo)
14
Harpe, Flûte (duo)
14
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Trio à Cordes: 3 violoncelles
7
Alto seul
4
Alto (partie séparée)
2
Harpe
2
Harpe, Voix
2
Harpe, Trombone (duo)
2
4 Violoncelles
2
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Orchestre d'harmonie
1102
Ensemble Jazz
1093
Orchestre
682
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563
Jazz combo
313
Fanfare
116
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65
Ensemble de Percussions
31
Batterie (partie séparée)
21
Batterie
17
Orchestre à Cordes
14
Big band
11
Piano et Orchestre
10
Xylophone, Piano
10
Cloches
7
Ensemble d'École
5
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4
Instrumentation Flexible
1
Vibraphone
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Marimba
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for Bass Trombone and
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9976
Four Rags for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811196 C…
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811196 Composed by Scott Joplin. Arranged by Ralph Sauer. Blues,Jazz,Ragtime. Score and individual part. 24 pages. Gordon Cherry #6118435. Published by Gordon Cherry (A0.811196). Ralph Sauer has brilliantly arranged Four Rags for BassTrombone and Piano by the great American King of Ragtime, Scott Joplin. They are:1. The Entertainer, 2. Reflection Rag, 3. Pleasant Moments, and 4. The CascadesThese works are so pleasant to perform and to listen to. They are appropriate for advanced performers and include about 15 minutes of music.
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Trombone basse et Piano
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Scott Joplin
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Ralph Sauer
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Four Rags for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Romanza and Scherzo for solo Bass Trombone and Piano
Trombone basse et Piano
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed b…
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Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
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Trombone basse et Piano
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Pierce, Alan
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Romanza and Scherzo for solo Bass Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Valor (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
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Trombone
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
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SheetMusicPlus
Adages II for Bass Trombone and Piano
Trombone et Piano
Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - Digital Download SKU: A0.755280 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 47 pages. Sy Brandon #4886103. Published by Sy Brandon (A0.755280). Adages II is the second in a series of compositions based on familiar sayings. It is composed for Dr. Joseph Murrell and is for bass trombone and piano. There are five movements in this composition. 1. Strike while the iron is hot – This movement is in a fast tempo with a lot of syncopation and irregular meter change. The piano frequently plays two loud chords that indicate the striking. 2. Opposites attract – The opposites in this movement are a swing style and a classical style. Each has its moments to shine and yet one clearly influences the other. 3. Stop and Smell the roses – This movement is lyrical representing the beauty of smelling roses. A motif that contains rests is a reminder to stop and take time for the beautiful things in life. A contrapuntal middle section with steady sixteenth notes builds in intensity as another reminder that one needs to take time from the hectic pace of life to enjoy beauty. 4. Curiosity killed the cat – This movement is mostly soft, staccato, and furtive representing the curiosity of the cat. A loud chord or succession of chords indicates the cat getting into trouble. This happens a total of nine times representing the cat’s nine lives before the cat is finally doomed. 5. Look before you leap – As the adage implies, there are a lot of melodic leaps in this movement. Any scalar material or repeated note figures serve as a warning to look before one leaps.
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Trombone et Piano
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Sy Brandon
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Adages II for Bass Trombone and Piano
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Sy Brandon
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SheetMusicPlus
Four Elements for Trumpet and Trombone
Trompette, Trombone (duo)
Brass Ensemble - Level 5 - Digital Download SKU: A0.792575 Composed by Elizabeth Ra…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792575 Composed by Elizabeth Raum. 20th Century,Contemporary. Score and parts. 26 pages. Gordon Cherry #5008631. Published by Gordon Cherry (A0.792575). Four Elements was originally composed for Violin and Bass Trombone and was written as a Christmas present for the composer's sister, Priscilla, and her husband, Bass Trombonist, Gordon Hallberg who performed with the Boston Symphony Orchestra. Raum was experimenting with tone rows at the time and the row is first stated in the first six notes in the Trombone part followed by the next six in the Violin part. The titles of the movements, from the Four Elements, are descriptive of the moods of each movement. Water has the lines of the instruments flowing, as in a river with swirls and eddies. Earth has Jazz influences which are intended to give an Earthy quality to the second movement. Air, with mutes, glissandos, and quasi unmeasured rhythm, seeks to float; The finale Fire is crackling with excitement. Trombonist, David William Brubeck, asked Raum if she had anything written for trumpet and trombone as he frequently performs in a duo so she adapted the violin part in Four Elements for trumpet. The work can be performed by advanced performers. Two scores are provided, including one for C Trumpet and the other for B-flat Trumpet. The Trombone part can be performed with an f-attachment Tenor Trombone or Bass Trombone
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Trompette, Trombone (duo)
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Elizabeth Raum
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Four Elements for Trumpet and Trombone
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Gordon Cherry
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Blue Bells of Scotland for Bass Trombone and Piano
Trombone et Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792671 C…
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792671 Composed by Arthur Willard Pryor. Arranged by Bill Reichenbach. 20th Century,Folk,Romantic Period. Score and individual part. 11 pages. Gordon Cherry #5360307. Published by Gordon Cherry (A0.792671). Arthur Pryor's classic solo Blue Bells of Scotland is now available in an outstanding arrangement for Bass Trombone and Piano by Bill Reichenbach. Appropriate for advanced performers. The Concert Band reduction version is also available.
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Trombone et Piano
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Arthur Willard Pryor
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Bill Reichenbach
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Blue Bells of Scotland for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Whitewater for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Piano - Level 5 - Digital Download SKU: A0.1448286 By George B Chave.…
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Bass Trombone,Piano - Level 5 - Digital Download SKU: A0.1448286 By George B Chave. By George B Chave. Arranged by George B Chave. 21st Century,Chamber,Classical,Contemporary. Score and part. 13 pages. BrassMagicMusic.com #1028226. Published by BrassMagicMusic.com (A0.1448286). Commissioned by Dennis Bubert, Bass Trombonist, Mr. and Mrs. Lee M. Bass Chair,Fort Worth Symphony Orchestra, and premiered at the 2024 International Trombone Festival. Whitewater is an exciting work featuring changing meters and driving rhythms. Brief program notes: What can compare to whitewater rafting on one of the many fast rivers in the United States? Whether in Georgia, Alaska, Colorado, Washington, or Texas, each river offers a unique experience of fast water excitement interspersed with moments of extraordinary calm, unparalleled scenery, and wildlife encounters. Whitewater for bass trombone and piano attempts to capture some of the essence of that experience. Whirling eddies and rapids along with calmer waters may all be imagined. The listener is invited to don their personal flotation device, wedge their foot in place, grab a paddle and come along for the ride.
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Trombone basse et Piano
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George B Chave
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George B Chave
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Whitewater for Bass Trombone and Piano
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BrassMagicMusic.com
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SheetMusicPlus
The Secret of Ben Søgen for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.1130164 …
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.1130164 Composed by Elizabeth Raum. Contemporary. Score and individual part. 17 pages. Gordon Cherry #730529. Published by Gordon Cherry (A0.1130164). Here is a brief description of this very fine new work, The Secret of Ben Søgen for Bass Trombone and Piano by the composer, Elizabeth Raum: I’ve always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for bass trombone, I found myself drawn to the Danish mythical character, Ben Søgen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Søgen is that he doesn’t exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn’t evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Søgen. The Hero Bass Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers. This work has been edited for bass trombone by Gordon Cherry.
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Trombone basse et Piano
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Elizabeth Raum
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The Secret of Ben Søgen for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Fantasia for Bass Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.755043 Composed by Sy Brandon. …
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Piano,Trombone - Level 4 - Digital Download SKU: A0.755043 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 18 pages. Sy Brandon #3249481. Published by Sy Brandon (A0.755043). This work was composed for Tom Everett. It is in free form as the piece develops two main themes. The first is an expansive line in an allegro tempo. The second is a rhythmic idea in 5/8. A lento middle section provides contrast to the outer sections.This work is recorded by Justin Clark on the Emeritus label Trombonarama
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Trombone et Piano
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Sy Brandon
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Fantasia for Bass Trombone and Piano
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Sy Brandon
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SheetMusicPlus
Grandma Got Run Over By A Reindeer
Trombone, Tuba (duo)
Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 3 - Digital Download SKU: A0.759460 Composed by Randy Brooks. Arranged by Tim Olt. Contemporary. Score and parts. 4 pages. Olt Music #6672233. Published by Olt Music (A0.759460). This quirky little holiday tune works well for bass trombone and tuba. Optional foot tambourine!
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Trombone, Tuba (duo)
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Randy Brooks
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Tim Olt
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Grandma Got Run Over By A Reindeer
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Olt Music
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SheetMusicPlus
Eine Alpensinfonie - Excerpts for 8-part Trombone Ensemble
Ensemble de Trombones
Trombone Ensemble Choir - Advanced - Digital Download Composed by Richard Strauss (18…
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Trombone Ensemble Choir - Advanced - Digital Download Composed by Richard Strauss (1864-1949). Arranged by Randall Malmstrom. 20th Century. Score, Set of Parts. 14 pages. Published by Cherry Classics Music
Eine Alpensinfonie is Strauss's final and largest scale tone poem. Composed in 1915 (during WWI) Strauss puts into music his feelings of joy and mystery about the glory of nature, especially the mountains. He so loved the mountains that he built a home in the Bavarian Alps with stunning views.<br> <br> The original work is scored for an enormous orchestra of at least 125 musicians and is about 50 minutes in length. This fantastic 6-minute arrangement by Randall Malmstrom, appropriate for advanced performers is for an 8-part Trombone Ensemble (1 alto, 5 tenors, and 2 bass trombones) and features excerpts from the work that highlight the trombone section's glorious chorals.
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Ensemble de Trombones
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Richard Strauss (1864-1949)
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Randall Malmstrom
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Eine Alpensinfonie - Excerpts for 8-part Trombone Ensemble
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Cherry Classics Music
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SheetMusicPlus
Illusion for Trumpet, Trombone and Piano
Trombone et Piano
Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Dow…
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Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 pages. Gordon Cherry #804638. Published by Gordon Cherry (A0.1206435). Below are the program notes for Illusion for Trumpet, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the saxophone is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. The original version was written for Alto Sax and Bass TromboneThe work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.This work can be performed on a Trombone with an f-attachment and is appropriate for advanced performers.
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Trombone et Piano
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Elizabeth Raum
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Illusion for Trumpet, Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Music for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811032 C…
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811032 Composed by Wolking, Henry. 20th Century,Contemporary,Romantic Period. Score and individual part. 25 pages. Gordon Cherry #4728693. Published by Gordon Cherry (A0.811032). Bass Trombone Music by Henry Wolking is a four-movement Sonata for Bass Trombone & Piano written in 2007 for Professor Donn Schaefer of the University of Utah. The work was premiered at the 2008 Eastern Trombone Workshop by Professor Schaefer.The 1st movement entitled Roger is about Roger Miller the country singer.Movement II is after Lou Harrison a mystic classical composer. Mr. Wolking's English Setter Simon is the star of movement III and Thelonius Monk's Blue Monk legendary jazz composition is the inspiration for movement IV.This work is written for virtuoso performers and can be a main work on a recital or concert. Professor Wolking's Sonata is a brilliant piece of music and should become a standard of the repertoire over the course of time.
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Trombone basse et Piano
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Wolking, Henry
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Music for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Sospiri (Sighs) for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811238 C…
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811238 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and individual part. 5 pages. Gordon Cherry #6404889. Published by Gordon Cherry (A0.811238). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Bass Trombone and Piano as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.
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Trombone basse et Piano
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Edward Elgar
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Ralph Sauer
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Sospiri
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Gordon Cherry
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SheetMusicPlus
Sonata No. 1 for Bass Trombone and Piano
Trombone et Piano
Bass Trombone,Piano - Level 4 - Digital Download SKU: A0.1259263 Composed by P. F. …
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Bass Trombone,Piano - Level 4 - Digital Download SKU: A0.1259263 Composed by P. F. Strohm. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 40 pages. Pete Strohm Music #852535. Published by Pete Strohm Music (A0.1259263). Sonata No. 1 for Bass Trombone and Piano from American composer P. F. Strohm is in three movements and tonal throughout, using various modes to weave familiar yet unpredictable lines and harmonies.The first movement, in F, is a brisk and energetic sonata form, using various major and minor modes. The second movement is a Larghetto in simple ABA song form. The somber, reflective opening section is in f minor. The lush middle section builds through major keys, cascading back to the original f minor theme to close. The third movement opens with a solo statement that leads into a dance-like 6/8 rondo in F, alternating its energetic themes between minor and major. Dedicated to trombonist Eric Wallace, it's difficulty level is medium-advanced. Sonata No. 1 for Bass Trombone and Piano is perfect for bass trombone recital or contest. Total performance time is 13:35.  Member, ASCAP.
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Trombone et Piano
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P
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Sonata No. 1 for Bass Trombone and Piano
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Pete Strohm Music
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SheetMusicPlus
BARUMBA for Trombone Quintet from iTromboni
Ensemble de Trombones
Trombone Quintet - Advanced Intermediate - Digital Download Composed by Pearce, Kenne…
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Trombone Quintet - Advanced Intermediate - Digital Download Composed by Pearce, Kenneth. Arranged by iTromboni. Jazz, Blues, Latin Jazz, Bossa Nova. Score, Set of Parts. 19 pages. Published by Cherry Classics Music
Barumba is an original composition by former iTromboni Bass Trombonist Kenneth Pearce. It was the very first original composition written for the ensemble. <br> <br> Barumba is a light hearted, playful Bossa Nova which attempts to capture a bit of the droll humour of its composer!<br> <br> This 3-minute composition is scored for 4 Tenor Trombones, 1 Bass Trombone and is suitable for medium-advanced performers. Trombone 1 contains a repeated 16 bar improvised solo and Trombone 3 contains a high D!<br> <br> This work is featured on the iTromboni album There Goes the Neighbourhood
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Ensemble de Trombones
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Pearce, Kenneth
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iTromboni
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BARUMBA for Trombone Quintet from iTromboni
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Cherry Classics Music
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SheetMusicPlus
Nimrod from Enigma Variations for 8-part Trombone Ensemble
Ensemble de Trombones
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792184 Composed by Edw…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792184 Composed by Edward Elgar. Arranged by Malmstrom, Randall. 20th Century,Romantic Period. Score and parts. 12 pages. Gordon Cherry #4301463. Published by Gordon Cherry (A0.792184). Nimrod, the ninth variation from Elgar's masterpiece Op. 36, Enigma Variations (1898-99) is one of the most recognized works in the classical repertoire. There are so many adjectives to describe this piece of genius: stately, majestic, serious, solemn, moving, noble, languid, stoic, enduring and sublime. There are few works in the repertoire that bring forth such strong emotions as this music, which is often performed for funerals and for Memorial Day / Remembrance Day services. Mr. Malmstrom's beautifully lush arrangement is scored for 2 alto trombones (optional), 3 tenor trombones, 2 bass trombones and 1 contrabass trombone (optional). This arrangement of 3-4 minutes in length is appropriate for advanced performers.
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Ensemble de Trombones
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Edward Elgar
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Malmstrom, Randall
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Nimrod from Enigma Variations for 8-part Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
Chopin: Prelude Op. 28 No. 6 for Bass Trombone & Piano
Trombone basse et Piano
Bass Trombone,Piano - Level 3 - Digital Download SKU: A0.1476138 Composed by Freder…
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Bass Trombone,Piano - Level 3 - Digital Download SKU: A0.1476138 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053662. Published by jmsgu3 (A0.1476138). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
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Trombone basse et Piano
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Frederic Chopin
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James M
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Chopin: Prelude Op. 28 No. 6 for Bass Trombone & Piano
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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jmsgu3
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SheetMusicPlus
Morceau Symphonique for Bass Trombone and Piano
Trombone basse et Piano
Composed by Felix Alexandre Guilmant (1837-1911). Arranged by Wade Goodwin. 20th Centu…
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Composed by Felix Alexandre Guilmant (1837-1911). Arranged by Wade Goodwin. 20th Century, Romantic Period. Score and part. 13 pages. Gordon Cherry #790716. Published by Gordon Cherry
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Trombone basse et Piano
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Felix Alexandre Guilmant
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Morceau Symphonique for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
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