English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
38
Librairie
Musicale
57
Matériel
de Musique
1 047
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
38
PIANO & CLAVIERS
Piano seul
69
Piano, Voix
8
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
1
Instruments en Do
1
Orgue
1
Piano, Voix et Guitare
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
5
4 Guitares (Quatuor)
1
VOIX
Chorale SATB
9
Voix Soprano, Piano
3
Chorale SSAA
1
Chorale 3 parties
1
VENTS
Clarinette et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Alto et Piano
2
Flûte traversière et Piano
2
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette
1
3 Clarinettes (trio)
1
Flûte, Violon
1
Ensemble de Clarinettes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Soprano et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
2
Quatuor de cuivres: 4 trombones
1
Trombone
1
Ensemble de Trombones
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Cor et Piano
1
Ensemble de Trompettes
1
Trompette, Piano
1
2 Tubas (duo)
1
Trombone basse
1
2 Trompettes (duo)
1
Tuba et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violoncelle
6
Violoncelle, Piano
5
Violon
4
Violon et Piano
3
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
3
Alto, Piano
2
Contre Basse
1
Harpe
1
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
13
Orchestre de chambre
7
Orchestre à Cordes
3
Ensemble de cuivres
2
Marimba
1
Orchestre d'harmonie
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Modern classical
expert
Partitions à imprimer
38 partitions trouvées
<
1
26
Modern Dinosaur
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Downl…
(+)
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. 100 pages. Martin J. Van Klompenberg #877893. Published by Martin J. Van Klompenberg (A0.1286891). To be classified as a living fossil (or as I like to call it, a Modern Dinosaur), aspecies must have a clear ancestor in the fossil record that highly resembles ourmodern species. Often these species have few living relatives. (For example, theaardvark is currently the only living member of its genus.) People tend to think ofbirds and reptiles when they think of living fossils, but animals from any group canbe classified as such. In this piece, I have sought to explore these differences.Among these uniquely diverse group of animals are the African Lungfish, with itsability to breathe through special lungs, living in hardened clay burrows during thedry season, awaiting the coming rains; the Shoe-Billed Stork, the largest bird offlight with its icy stare and prehistoric appearance, with an aggressively unusualcall; the Alligator, unchanged for millennia, living side by side with it Kingfisherneighbors, not always peacefully; and the Aardvark, the great nocturnal excavatorof Africa.I have long been fascinated by fossils. The urge to learn as much as I could aboutprehistoric animals has never left me, like it does to most around the age of 10.Paired with my love of zoos, being interested in living fossils only makes sense.A portion of all proceeds from Modern Dinosaur will go to the Henry Doorly Zooand Aquarium in Omaha, Nebraska. This facility manages the Species SurvivalProgram (SSP) for Aardvarks for the Association of Zoos and Aquariums, theprimary accreditation organization for North America animal collections.
#
Martin J
#
Modern Dinosaur
#
Martin J. Van Klompenberg
#
SheetMusicPlus
Giovanni Giacomo Gastoldi & others, Il Primo Libro… for 2 Instruments, Modern Clefs
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956109 Composed by Giovanni …
(+)
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956109 Composed by Giovanni Giacomo Gastoldi, Giovanni Paolo Cima, and others. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaissance. 85 pages. Edition Prima Vista - Uri A. Dror #5722803. Published by edition Prima Vista - Uri A. Dror (A0.956109). These 20 bicinia by Gastoldi, the composer of so many fa la la madrigals, show he was no stranger to contrapuntal writing. 16 more duets by other composers (among them is Giovanni Paolo Cima) complete this edition, based on the original part books printed in Milan in 1598. Modern (G2 & F4) clefs, with the original indicated for each piece.
#
Giovanni Giacomo Gastoldi, Giovanni Paolo Cima, and others
#
Uri A
#
Giovanni Giacomo Gastoldi & others, Il Primo Libro… for 2 Instruments, Modern Clefs
#
edition Prima Vista - Uri A. Dror
#
SheetMusicPlus
Morely Th., The First Booke of Canzonets for two Voyces, Instrumental Fantasies, Modern Clefs
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956113 Composed by Thomas Mo…
(+)
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956113 Composed by Thomas Morley. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaissance. 16 pages. Edition Prima Vista - Uri A. Dror #5725801. Published by edition Prima Vista - Uri A. Dror (A0.956113). These lovely instrumental Fantasies were composed and printed alongside Morley’s vocal Canzonets, in London, during the reign of Queen Elizabeth I. They can be played on recorders, viola da gambas etc. Score (based on the original print part-books), modern (G) clefs.
#
Thomas Morley
#
Uri A
#
Morely Th., The First Booke of Canzonets for two Voyces, Instrumental Fantasies, Modern Clefs
#
edition Prima Vista - Uri A. Dror
#
SheetMusicPlus
Prism: 14 Modern Jazz Etudes for Any Instrument
Instrumental Solo - Level 5 - Digital Download SKU: A0.486034 By Mark Nagy. By Mark…
(+)
Instrumental Solo - Level 5 - Digital Download SKU: A0.486034 By Mark Nagy. By Mark Nagy. Arranged by Mark Nagy. 20th Century,A Cappella,Classical,Contemporary,Jazz. Individual part. 29 pages. Mark Nagy #104554. Published by Mark Nagy (A0.486034). This is a collection of 14 etudes originally written for saxophone, but they can be played on any instrument. Each piece is intended to convey, by the character of the piece, a color. This music has many influences ranging from Bartok, Webern, and Wagner in the western European tradition as well as American composers such as Coltrane, Mingus, and Ellington. Please enjoy!
#
Mark Nagy
#
Mark Nagy
#
Prism: 14 Modern Jazz Etudes for Any Instrument
#
Mark Nagy
#
SheetMusicPlus
O DULCIS VIRGO
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1016063 Composed by Gunt…
(+)
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1016063 Composed by Gunter Scholler. Christian,Concert,Contemporary,Sacred. Octavo. 7 pages. Scholler #5286149. Published by Scholler (A0.1016063). Spiritual contemporary-classical Music creating unearthly sounds for professional mixed choir & stringsBig choir and String Orchestra Great music for Live-performancesmovement number 6 of R E I S E N D E D E S J A K O B S W E G E S 8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune), Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ? (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanish
#
Gunter Scholler
#
O DULCIS VIRGO
#
Scholler
#
SheetMusicPlus
Path
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.947230
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.947230 Composed by Nick Hunter. Contemporary. Score and parts. 16 pages. Nick Hunter #4984327. Published by Nick Hunter (A0.947230). Path for piano duet. An exciting, interesting and challenging new modern classical piece for piano duet. Approximately 3.5 mins long.
#
Nick Hunter
#
Path
#
Nick Hunter
#
SheetMusicPlus
with/alone
Small Ensemble High Voice,Piano Accompaniment,Violin - Level 5 - Digital Download SKU: …
(+)
Small Ensemble High Voice,Piano Accompaniment,Violin - Level 5 - Digital Download SKU: A0.947236 Composed by Nick Hunter. Contemporary. Score and parts. 35 pages. Nick Hunter #6065847. Published by Nick Hunter (A0.947236). A modern classical work for mezzo soprano, violin and piano. An evocative work comprising of a combination of solos and duets between the different parts and only beginning and ending with the complete trio. Approximately 10 minutes long. .
#
Nick Hunter
#
 
#
with/alone
#
Nick Hunter
#
SheetMusicPlus
Conversations trio
Instrumental Duet,Piano Cello,Horn,Instrumental Duet,Piano - Level 5 - Digital Download
(+)
Instrumental Duet,Piano Cello,Horn,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1023718 Composed by Laurie J. Kunzle. Contemporary. Score and parts. 41 pages. KunzleMusic #6700255. Published by KunzleMusic (A0.1023718). A modern classical style 3 movement suite for Horn, Cello, and Piano. Individual movements can be played alone. grade level: Medium-Advanced. Duration (3 mvts) 9:30.
#
Laurie J
#
Conversations trio
#
KunzleMusic
#
SheetMusicPlus
Cadenzas
Trumpet - advanced - Digital Download SKU: S9.Q586880 To the Concerto for Trumpe…
(+)
Trumpet - advanced - Digital Download SKU: S9.Q586880 To the Concerto for Trumpet and Orchestra Eb major by Joseph Haydn. Composed by Krzysztof Penderecki. Cadenza. Downloadable, Solo part. Op. 1. Duration 4 minutes. Schott Music - Digital #Q586880. Published by Schott Music - Digital (S9.Q586880). Key: E flat major.In the late classical period composers began to want to determine every note in the cadenzas of solo concertos, rather than leaving this as a matter for the soloist?s virtuoso inspiration. Penderecki?s cadenzas for Haydn?s celebrated trumpet concerto are written in this tradition, but the creative will of the modern composer makes them far wider in scope. Penderecki?s stylistic methods leave the soloist every opportunity to display their virtuoso skills. The original notes of Haydn?s concerto movements remain present as an underlying framework. Having the horn parts worked into the cadenzas produces a highly structured form that shows the trumpet concerto of the Classical period reflected in the light of modern composition techniques.
#
Krzysztof Penderecki
#
Cadenzas
#
Schott Music - Digital
#
SheetMusicPlus
Al Circo (To the Circus) for Trombone and Harp
Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Se…
(+)
Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.<br> <br> David Stout writes about his work:<br> <br> "I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says “hand in bell” he had a problem. With a bass trombone he couldn’t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can’t see him. He then plays that passage. ‘Is that the sound you want?’ he asks. ‘Yeah that’s it. Perfect!’ I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ‘con sardino.’<br> <br> Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp<br> <br> This fine work is appropriate for advanced performers and is about 7 minutes in length.
#
Stout, David
#
Setzer, Louis
#
Al Circo
#
Cherry Classics Music
#
SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Divertimento a7
Small Ensemble Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.1005650 C…
(+)
Small Ensemble Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.1005650 Composed by Rudy Volkmann. 20th Century,Concert,Contemporary. Score and parts. 146 pages. Rudy Volkmann #6114339. Published by Rudy Volkmann (A0.1005650). This is a highly accessible piece for audiences and advanced players alike, A classical Divertimento with classical forms, listenable melodies, and modern harmonic structures. With seven players and seven movements, each one member of the ensemble has one movement in which they are featured. The divertimento, nachtmusik, or cassation (all the same form) was one of the main formats of the Enlightenment (classical period). It was the perfect party piece for roving musicians - a march by which to enter, an allegro as entertainment, a minuet for the guests to dance, a slow movement to catch their breaths and find another partner for the next piece, another minuet, one more piece to listen to for entertainment, and a final march by which to leave. Removing the outside movements (the marches) and one of the minuets gave us the classical sonata form for symphonies.
#
Rudy Volkmann
#
Divertimento a7
#
Rudy Volkmann
#
SheetMusicPlus
Funny Band
Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1450940 By Antonio…
(+)
Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1450940 By Antonio Monteiro. By Antonio Monteiro. Arranged by Antonio Monteiro. Classical,Comedy,Film/TV,March. Full Performance. Duration 99. Antonio Quixada #1030390. Published by Antonio Quixada (A0.1450940). A funny march-band song for woodwind instruments, classical arrangement, with rich contrapunctual and melodic texture. It has a kinda ironic mood, borrowing harmonic and melodic styles from classic to modern politonal music.
#
Antonio Monteiro
#
Antonio Monteiro
#
Funny Band
#
Antonio Quixada
#
SheetMusicPlus
Seven Haiku - for Flute (or Alto Flute) and Harp - score and parts
Level 5 - Digital Download SKU: A0.1487978 Composed by Lior Navok. 20th Century,21s…
(+)
Level 5 - Digital Download SKU: A0.1487978 Composed by Lior Navok. 20th Century,21st Century,Chamber,Classical,Contemporary. 33 pages. Lior Navok Music #1064884. Published by Lior Navok Music (A0.1487978). Seven Haiku for Flute and Harp is a captivating and evocative composition that adds a unique and fresh addition to the repertoire for flute and harp. Written by a contemporary music composer Lior Navok, this piece offers a new and innovative approach to combining these two instruments in a mesmerizing and enchanting way. Whether performed on flute or alto flute, the hauntingly beautiful melodies and intricate harmonies will transport audiences to new and unexplored musical landscapes. This composition is a must-have for any flutist or harpist looking to expand their repertoire with modern and compelling works from contemporary composers.
#
Lior Navok
#
Seven Haiku - for Flute
#
Lior Navok Music
#
SheetMusicPlus
The First Noel
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472379 Composed …
(+)
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472379 Composed by Traditional Old English Carol/17th Century English Carol. Arranged by Tommy Setiawan. Children,Christian,Classical,Contest,Festival,Religious. 15 pages. Tommy Setiawan #1050084. Published by Tommy Setiawan (A0.1472379). The First Noel was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both were edited by William Sandys.The song also was arranged,edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God.Originally the First Noel melody consists of one musical phrase repeated twide,followed by a refrain which is a variation on that phrase.Also,the First Nowell is usually performed in a 4-part hymn arrangement by the English composer John Stainer.first published in his Carols,New and Old in 1871.Today,this public domain work type of musical arrangement makes possible to include 9 repeated but uniquely different among each other of variations in total in the whole song with the difficulty level and intensity increased as the number of variation is passed over one by one.The song format now is offered for Singing in Indonesian.
#
Traditional Old English Carol/17th Century English Carol
#
Tommy Setiawan
#
The First Noel
#
Tommy Setiawan
#
SheetMusicPlus
The First Noel
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472380 Composed …
(+)
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472380 Composed by Traditional Old English Carol/17th Century English Carol. Arranged by Tommy Setiawan. Children,Christian,Classical,Contest,Festival,Religious. 13 pages. Tommy Setiawan #1050085. Published by Tommy Setiawan (A0.1472380). The First Noel was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both were edited by William Sandys.The song also was arranged,edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God.Originally the First Noel melody consists of one musical phrase repeated twide,followed by a refrain which is a variation on that phrase.Also,the First Nowell is usually performed in a 4-part hymn arrangement by the English composer John Stainer.first published in his Carols,New and Old in 1871.Today,this public domain work type of musical arrangement makes possible to include 9 repeated but uniquely different among each other of variations in total in the whole song with the difficulty level and intensity increased as the number of variation is passed over one by one.The song format now is offered for Singing in Chinese (中文).
#
Traditional Old English Carol/17th Century English Carol
#
Tommy Setiawan
#
The First Noel
#
Tommy Setiawan
#
SheetMusicPlus
The First Noel
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472375 Composed …
(+)
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472375 Composed by Traditional Old English Carol/17th Century English Carol. Arranged by Tommy Setiawan. Children,Christian,Classical,Contest,Festival,Religious. 15 pages. Tommy Setiawan #1050080. Published by Tommy Setiawan (A0.1472375). The First Noel was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both were edited by William Sandys.The song also was arranged,edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God.Originally the First Noel melody consists of one musical phrase repeated twide,followed by a refrain which is a variation on that phrase.Also,the First Nowell is usually performed in a 4-part hymn arrangement by the English composer John Stainer.first published in his Carols,New and Old in 1871.Today,this public domain work type of musical arrangement makes possible to include 9 repeated but uniquely different among each other of variations in total in the whole song with the difficulty level and intensity increased as the number of variation is passed over one by one.The song format now is offered for Singing in English.
#
Traditional Old English Carol/17th Century English Carol
#
Tommy Setiawan
#
The First Noel
#
Tommy Setiawan
#
SheetMusicPlus
Family HIstory - a chamber opera - Score Only
Level 5 - Digital Download SKU: A0.1463866 Composed by Patrick Brown. 21st Century,…
(+)
Level 5 - Digital Download SKU: A0.1463866 Composed by Patrick Brown. 21st Century,Chamber,Classical,Contemporary,Opera. 44 pages. Patrick Brown #1042589. Published by Patrick Brown (A0.1463866). Family History - a chamber opera4 vocalists, flute, clarinet, piano, and percussionapproximately 20 minutesA humorous peak into any modern family life during a power outage. Until they decide to get out...the time machine (batteries).
#
Patrick Brown
#
Family HIstory - a chamber opera - Score Only
#
Patrick Brown
#
SheetMusicPlus
Debussy: Prélude à l'après-midi d'un faune - symphonic wind
Bassoon,Clarinet,Double Bass,Flute,Oboe/English Horn - Level 5 - Digital Download SKU: …
(+)
Bassoon,Clarinet,Double Bass,Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1377677 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Chamber,Classical. 62 pages. RayThompsonMusic #962154. Published by RayThompsonMusic (A0.1377677). Prélude à l'après-midi d'un faune arranged wind decet/dectet (double wind quintet/bass)Additional flute 3/cor anglais.(They are not essential and can be omitted)Prélude à l'après-midi d'un faune (L. 86), known in English as Prelude to the Afternoon of a Faun, is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret.The flute solo was played by Georges Barrère.The composition was inspired by the poem L'après-midi d'un faune by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of Western art music as well as a masterpiece of Impressionist composition. Pierre Boulez considered the score to be the beginning of modern music, observing that the flute of the faun brought new breath to the art of music.Debussy's work later provided the basis for the ballet Afternoon of a Faun choreographed by Vaslav Nijinsky and a later version by Jerome Robbins.
#
Claude Debussy
#
Ray Thompson
#
Debussy: Prélude à l'après-midi d'un faune - symphonic wind
#
RayThompsonMusic
#
SheetMusicPlus
Ten Studies (Revised Edition)
Flute - Level 5-8 - Digital Download SKU: F2.FM1126 Composed by Geoff Warren. Incor…
(+)
Flute - Level 5-8 - Digital Download SKU: F2.FM1126 Composed by Geoff Warren. Incorporating elements of modern musical language into a tonal environment. Classical. Score. 18 pages. Forton Music - Digital #FM1126. Published by Forton Music - Digital (F2.FM1126). ISBN 9790570790258. 8.25 x 11.75 inches.
#
Geoff Warren
#
Ten Studies
#
Forton Music - Digital
#
SheetMusicPlus
Sonata a 3 (d moll)
Small Ensemble Basso Continuo,Trombone,Violin - Level 5 - Digital Download SKU: A0.8824…
(+)
Small Ensemble Basso Continuo,Trombone,Violin - Level 5 - Digital Download SKU: A0.882466 Composed by Antonio Bertali. Arranged by Matthijs van der Moolen. Baroque,Classical,Renaissance. Score and parts. 16 pages. Matthijs van der Moolen #439613. Published by Matthijs van der Moolen (A0.882466). This is a beautiful early-baroque sonata by the Italian composer Antonio Bertali. The 'alto' part is often played by a trombone, but it is also historically correct to play it on another instrument with the same range, like a viola da gamba. All parts are very virtuosic, and all have their own solo part within the piece. This edition is taken from the manuscript in the Düben collection. There is also a version available on this website with modern clefs.
#
Antonio Bertali
#
Matthijs van der Moolen
#
Sonata a 3
#
Matthijs van der Moolen
#
SheetMusicPlus
Diehnelt: Stile Antico for 5-voice cello ensemble
String Ensemble,String Quintet Cello - Level 5 - Digital Download SKU: A0.809059 Co…
(+)
String Ensemble,String Quintet Cello - Level 5 - Digital Download SKU: A0.809059 Composed by Kim Diehnelt. Baroque,Concert,Contemporary. Score and parts. 10 pages. Kim Diehnelt #4350647. Published by Kim Diehnelt (A0.809059). Stile Antico: On a theme of Palestrina (2012) for 5-voice cello ensemble The title Stile Antico refers a style of musical composition from the 16th century which was often employed in church music, because it allowed the words (sacred text) of each singer to be clearly heard. This pre-classical polyphony was many-voiced and without instrumental accompaniment. Inspired by a theme from a mass by Giovanni Pierluigi da Palestrina (c. 1525 – 1594) ‘Praestet hoc nati genitor, I present a modern cello ensemble rendition of this ‘ancient style.’ Most conspicuous of the work’s attributes is the use of time. Rather than moving the musical ideas and themes towards a goal or through structural development and a sense of progress, the music (and time) unfolds perhaps as the natural swing of a pendulum; neither clinging to a past, nor anticipating a future. The listener beholds one moment continuously being reshaped through sound. Also, the concepts of melody and harmony as we assume them today are blurred. Of the five players, no one has the melody, no one has the harmony, yet together the ensemble combines to create a continuous flux of melodic-harmony (or harmonic-melody). This idea is of another type of ‘stile antico.’ Within the ideas of alchemy, which richly influenced the music of the 16th century and beyond, exists the concept that one plus one equals three. That is, two objects also create a ‘between-ness.’ So too with musical voices; the combination of two voices creates a new between-ness. Through out this work the individual cellists create a continuously shifting canvas of ‘between-ness.’ The music and the performers ask for a renewed perception of the many between-nesses of our present moment. www.kimdiehnelt.com(c) 2012 (ASCAP)
#
Kim Diehnelt
#
Diehnelt: Stile Antico for 5-voice cello ensemble
#
Kim Diehnelt
#
SheetMusicPlus
Morely Th., The First Booke of Canzonets for two Voyces, Instrumental Fantasies, Original Clefs
Large Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder,Viola da gamba,Violin - Level…
(+)
Large Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder,Viola da gamba,Violin - Level 5 - Digital Download SKU: A0.956115 Composed by Thomas Morley. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaissance. Score and parts. 16 pages. Edition Prima Vista - Uri A. Dror #5725787. Published by edition Prima Vista - Uri A. Dror (A0.956115). These lovely instrumental Fantasies were composed and printed alongside Morley’s vocal Canzonets, in London, during the reign of Queen Elizabeth I. They can be played on recorders, viola da gambas etc. Score (based on the original print part-books), modern (G) clefs.
#
Thomas Morley
#
Uri A
#
Morely Th., The First Booke of Canzonets for two Voyces, Instrumental Fantasies, Original Clefs
#
edition Prima Vista - Uri A. Dror
#
SheetMusicPlus
Canzon per Sonar Primi Toni a 8 for 8-part Brass Ensemble Octet
B-Flat Trumpet,Bass Trombone,Horn,Tenor Trombone,Tuba - Level 5 - Digital Download SKU:…
(+)
B-Flat Trumpet,Bass Trombone,Horn,Tenor Trombone,Tuba - Level 5 - Digital Download SKU: A0.811184 Composed by Giovanni Gabrieli. Arranged by Damiano Drei. Baroque,Classical,Renaissance. 37 pages. Gordon Cherry #5969647. Published by Gordon Cherry (A0.811184). Giovanni Gabrieli's Canzon per sonar primi toni à 8 (Ch. 170) is an instrumental work in 8 parts (2 choirs) composed in 1597 as part of a collection of 45 motets titled Sacrae Symphoniae. These works were performed in St. Marks Basilica after Gabrieli returned to Venice to become the principal organist there and propelled him to become recognized as one of Europe's leading composers. The instrumental works of the Sacrae Symphoniae have been cherished by brass performers for many years now. This new arrangement by Damiano Drei has been carefully edited for modern instruments with minimal changes and includes substitute parts to allow performance of this glorious work by 8 or more advanced performers. Instrumentation is: 4 Trumpets in B-flat (2 may use piccolo), Horn in F, 3 Trombones. Alternate parts are written for Horns in F, Trombone and Tuba (down an octave).
#
Giovanni Gabrieli
#
Damiano Drei
#
Canzon per Sonar Primi Toni a 8 for 8-part Brass Ensemble Octet
#
Gordon Cherry
#
SheetMusicPlus
Canzon per Sonar Duodecimi Toni a 8 for 8-part Brass Ensemble
B-Flat Trumpet,Bass Trombone,Euphonium,Horn,Tenor Trombone,Tuba - Level 5 - Digital Downlo…
(+)
B-Flat Trumpet,Bass Trombone,Euphonium,Horn,Tenor Trombone,Tuba - Level 5 - Digital Download SKU: A0.792730 Composed by Giovanni Gabrieli. Arranged by Damiano Drei. Baroque,Classical,Renaissance. 27 pages. Gordon Cherry #6092697. Published by Gordon Cherry (A0.792730). Giovanni Gabrieli's Canzon per sonar duodecimi toni à 8 (Ch. 174) is an instrumental work in 8 parts (2 choirs antiphonal) composed in 1597 as part of a collection of 45 motets titled Sacrae Symphoniae. These works were performed in St. Marks Basilica after Gabrieli returned to Venice to become the principal organist there and propelled him to become recognized as one of Europe's leading composers.The instrumental works of the Sacrae Symphoniae have been cherished by brass performers for many years now. This new arrangement by Damiano Drei has been carefully edited for modern instruments with minimal changes and includes substitute parts to allow the performance of this glorious work by 8 or more advanced performers.Instrumentation is for: 4 Trumpets in B-flat (2 may use piccolo), Horn in F, 2 Trombones and Tuba. Alternate parts are written for Horns in F and Trombone).
#
Giovanni Gabrieli
#
Damiano Drei
#
Canzon per Sonar Duodecimi Toni a 8 for 8-part Brass Ensemble
#
Gordon Cherry
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale