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--INSTRUMENTS--
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198 partitions trouvées
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176
Popular Music from the Age of Humanism 1430-1530 - - Score Only
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Adrian Willaert, Anonymous, Co
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Alastair Lodge
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Popular Music from the Age of
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1365464 Composed by Adrian Willaert, Anonymous, Conrad Paumann, Guglielmo Ebreo da Pesaro, Guillaume Dufay, Heinrich Isaac, Johannes O...
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Level 3 - SKU: A0.1365464 Composed by Adrian Willaert, Anonymous, Conrad Paumann, Guglielmo Ebreo da Pesaro, Guillaume Dufay, Heinrich Isaac, Johannes Ockeghem, John Bedyngham, Josquin Des Pres, Juan Roman, Magistro Rofino/Francesco Patavino, Robert Morton, and etc. Arranged by Alastair Lodge. Early Music,Historic,Medieval,Renaissance. 88 pages. Wold Meridian #949794. Published by Wold Meridian (A0.1365464). 26 Secular consort pieces and songs  in 2, 3 and 4 parts from late mediaeval and early renaissance sources in full score with lyrics.  The century between 1430 and 1530 was a revolutionary time for the arts in Europe, bridging the late Middle Ages and Early Renaissance.This selection of 26 pieces have been prepared in modern notation and familiar time signatures for those who wish to explore music popular secular music composed between these years .  There are songs and instrumental pieces that can be performed in a wide variety of ways, using modern  or period reproduction instruments.  Each piece has background historical notes, and there is an accompanying playlist on YouTube in which each of the pieces can be auditioned.  The pieces are presented in full score form, with lyrics provided.This book covers the transition in music between that featured in my volume Harmony of the Middle Ages, and the other two volumes Chording to the Dance Masters and Chording to the Consort.  Together they provide an invaluable companion to performers of Early Music, re-enactors or people who would like to extend their repertoire and get to know works of this period.
$15.00 ≈
¥109.29
The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet - SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804...
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Clarinet - SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99 ≈
¥14.50
CHOPSTICKS: The Celebrated Chop Stick Waltz for 13-note Bells and Boomwhackers (Color Coded Notes)
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Sharon Wilson
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Sharon Wilson Music
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CHOPSTICKS: The Celebrated Cho
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Sharon Wilson
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SheetMusicPlus
Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arrang...
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Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arranged by Sharon Wilson Music. 20th Century,Children,Folk,Instructional,March. 46 pages. Sharon Wilson #6616395. Published by Sharon Wilson (A0.569889). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For most of the song, the Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords.The first 31 measures progress through the melody one time and can be used as a stand-alone performance. This first part of the arrangement is perfect for introducing new players to Bells and Boomwhackers®. Beginning in measure 32, the arrangement becomes more challenging by embellishing the melody, adding eighth notes, and alternating the chopstick theme between the parts. This second section utilizes more advanced note-reading and rhythmic skills and helps develop the ringing and whacking techniques needed for more advanced songs. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. In addition, a complete set of scores for 4 ringers and 3 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 7 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Notes used for each instrument are as follows: Bells ~ C D E F G A B C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G B Note assignment suggestions are provided. Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, plastic tubes, elementary classroom music
$10.00 ≈
¥72.86
"Joyful, Joyful, We Adore Thee" for 8-note C major diatonic scale Tongue Drum
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Classique
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Sharon Wilson
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Sharon Wilson
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"Joyful, Joyful, We Adore
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Sharon Wilson
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SheetMusicPlus
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - SKU: A0.569908 By Sharon Wilson. By Ludwig van Beethoven. Arranged by Sharon Wilson. Baroque,C...
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - SKU: A0.569908 By Sharon Wilson. By Ludwig van Beethoven. Arranged by Sharon Wilson. Baroque,Classical,Holiday,Sacred,Traditional. Individual part. 10 pages. Sharon Wilson #6685593. Published by Sharon Wilson (A0.569908). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
¥29.07
"Break Thou the Bread of Life" for 8-note C major diatonic scale Tongue Drums
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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"Break Thou the Bread of
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Sharon Wilson
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SheetMusicPlus
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.657023 By Sharon Wilson. By Mary A. Lathbury and William F. Sherwin. Arranged by Sharo...
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.657023 By Sharon Wilson. By Mary A. Lathbury and William F. Sherwin. Arranged by Sharon Wilson. Easter,Praise & Worship,Sacred. Individual part. 10 pages. Sharon Wilson #266111. Published by Sharon Wilson (A0.657023). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Faith for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
¥29.07
"Take the Name of Jesus with You" for 8-note C major diatonic scale Tongue Drum
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Sharon Wilson
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Sharon Wilson
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"Take the Name of Jesus w
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Sharon Wilson
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SheetMusicPlus
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.659352 By Sharon Wilson. By Lydia Baxter and William H. Doane. Arranged by Sharon Wils...
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.659352 By Sharon Wilson. By Lydia Baxter and William H. Doane. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred. Individual part. 11 pages. Sharon Wilson #267149. Published by Sharon Wilson (A0.659352). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Faith for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
¥29.07
"Nothing But the Blood" for 8-note C major diatonic scale Tongue Drum
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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"Nothing But the Blood&qu
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Sharon Wilson
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SheetMusicPlus
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569922 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Children,Easter,P...
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569922 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Children,Easter,Praise & Worship,Sacred,Traditional. Individual part. 10 pages. Sharon Wilson #6642197. Published by Sharon Wilson (A0.569922). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymn Meditations for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
¥29.07
"Worthy, Worthy Is the Lamb" for 8-note C major diatonic scale Tongue Drum
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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"Worthy, Worthy Is the La
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Sharon Wilson
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SheetMusicPlus
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569910 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Easter,Folk,Praise...
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569910 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Easter,Folk,Praise & Worship,Sacred,Traditional. Individual part. 10 pages. Sharon Wilson #6685597. Published by Sharon Wilson (A0.569910). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
¥29.07
"Blessed Be the Name" for 8-note C major diatonic scale Tongue Drum
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Sharon Wilson
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"Blessed Be the Name"
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Sharon Wilson
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SheetMusicPlus
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569902 By Sharon Wilson. By William Clark. Arranged by Sharon Wilson and Sharon Wilson...
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569902 By Sharon Wilson. By William Clark. Arranged by Sharon Wilson and Sharon Wilson Music. Folk,Holiday,Praise & Worship,Romantic Period,Sacred. Individual part. 10 pages. Sharon Wilson #6685579. Published by Sharon Wilson (A0.569902). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets). Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
¥29.07
Four for Five
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Roma Cafolla
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Four for Five
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Forton Music - Digital
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SheetMusicPlus
2tpt. Hn. Tbn. tba - Intermediate-Advanced - SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #F...
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2tpt. Hn. Tbn. tba - Intermediate-Advanced - SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #FM481. Published by Forton Music - Digital (F2.FM481). ISBN 9790570483808.Brass 4 All This piece was inspired by the brass section of the WNO, the importance of 'Music For All', and the need to make it accessible to children. A stately introduction opens the piece, with all the instruments passing the theme between them. This leads into a the main body of the piece, a bold, driving tune that contrasts with a more lyrical middle section before bursting out into fanfares of repeated notes to bring the music to a thrilling finish. Brass Neck The tuba is featured prominently in ths piece. The repeated motif drives the rhythm forward: 'Cry the tears for the freezing years. Just walk away' ... as the other players finally do. Marked Andantino and in Bb major the central section changes to Bb minor, where the horn and trombone carry the melody. This is then taken up be the second trumpet and the players stand as the music modulates back to Bb major. As each player finishes they sit down until the tuba is left to finish alone. Autumn Breeze A sultry September evening and a gentle breeze fans the last of the fading flowers. The family are gathered informally, and the music begins.... Marked Andante and with flowing descending quavers, the opening has interest for every player. The horn and then the trombone pick up the central theme, and this is then embellished by the trumpets. A gentle phrase marks the ending. Bankers Notes A letter drops on the mat. A final demand and the thought of the 'green paper rotting in their clutch' assails my mind. I write notes of a differnt kind! The opening is marked Vivace and is rather punchy, but soon settles into the main theme with driving rhythms throughout. The extended ending climaxes in rising staccato semiquavers for all.
$17.95 ≈
¥130.78
The Saddest Noise
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separation’s sorceryÂ
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Christopher Tin and Emily Dick
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Lisa Ochoco
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The Saddest Noise
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Lisa L Ochoco
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1171219 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contempora...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1171219 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771557. Published by Lisa L Ochoco (A0.1171219). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief. The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful. This arrangement is scored for flute choir – 4 C, alto, bass, and contrabass.  There is an optional cello part that doubles the contrabass.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00 ≈
¥116.57
The Saddest Noise
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separation’s sorceryÂ
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Christopher Tin and Emily Dick
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Lisa Ochoco
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The Saddest Noise
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Lisa L Ochoco
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1171245 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Co...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1171245 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771583. Published by Lisa L Ochoco (A0.1171245). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief.   The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful.This arrangement is scored for clarinet choir – 4 Bb, alto, bass, and contrabass.  There is an optional Eb part to play in addition to, or in lieu of, the 1st Bb part.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00 ≈
¥116.57
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Saxophone Qui
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Baritone Sax
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Prelude & Fugue No.4 in C#
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Stephen Davies
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.891940 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Score and parts. 28 pages. S...
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Small Ensemble - Level 4 - SKU: A0.891940 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Score and parts. 28 pages. Stephen Davies #5370255. Published by Stephen Davies (A0.891940). The original key of C# Minor has been altered to get the best out of the Saxophones range, and is scored for 2 Alto Saxes, 2 Tenor Saxes & Baritone Sax. Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satisfying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists many technical and interpretive challenges! Also available here in Clarinet Quintet & Wind Quintet Flavours!
$14.99 ≈
¥109.22
Field Notes
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Howard Skempton
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Field Notes
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Oxford University Press Digital
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SheetMusicPlus
Oboe, violin, viola, and cello - SKU: OX.9780193200753 Composed by Howard Skempton. Score. 12 pages. Oxford University Press Digital #9780193200753. Pub...
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Oboe, violin, viola, and cello - SKU: OX.9780193200753 Composed by Howard Skempton. Score. 12 pages. Oxford University Press Digital #9780193200753. Published by Oxford University Press Digital (OX.9780193200753). ISBN 9780193200753.Field Notes is a compact, one-movement piece of chamber music scored for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally between the parts.
$32.50 ≈
¥236.79
Field Notes
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Howard Skempton
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Field Notes
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Oxford University Press Digital
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SheetMusicPlus
Oboe, violin, viola, and cello - SKU: OX.9780193201620 Composed by Howard Skempton. Score. 15 pages. Oxford University Press Digital #9780193201620. Pub...
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Oboe, violin, viola, and cello - SKU: OX.9780193201620 Composed by Howard Skempton. Score. 15 pages. Oxford University Press Digital #9780193201620. Published by Oxford University Press Digital (OX.9780193201620). ISBN 9780193201620.Field Notes is a compact, one-movement chamber work for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally between the parts.
$22.25 ≈
¥162.11
Jazz Guitar Lines
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Jazz
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publica...
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Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99 ≈
¥167.50
A Night With The Aristocrats
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Apostolos Paraskevas
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A Night With The Aristocrats
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Silver Sickle Publications
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 - SKU: A0.942105 Composed by Apostolos Paraskevas. 20th Centur...
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Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 - SKU: A0.942105 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 122 pages. Silver Sickle Publications #6332819. Published by Silver Sickle Publications (A0.942105). A Night with The Aristocrats (a concertante work of plucking, blowing and bowing)Versions for Clarinet/SopranoSax/Violin with Guitar and Strings The guitar part came inspirational first to me as one of my 24 Studies that I wrote few years ago. For a while though I wondered if a melodic part should be added to this part and form eventually a duo. A request from my dear colleague Corey Whitehead, for a duo plus strings led me to orchestrate it in this version.The work starts with a meditative introduction before the main part unfolds a dance idea between the two instruments and the string orchestra, almost humoresque which hands over a pensive thought in the soprano sax/clarinet/solo violin that repeats itself almost as an unanswered question. Could please anyone answers? The Strings do play an important part in terms of balance and the one of an extra third corresponding force.My composition language is sometimes folklorist around my Greek heritage, sometimes around tonal centers, and sometimes simple within a few key notes, evolves around programmatic ideas that I get from every day living. Apostolos Paraskevas
$45.00 ≈
¥327.86
The Londonderry Air
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Traditional/Frank Bridge
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Robert Rainford
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The Londonderry Air
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Forton Music - Digital
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SheetMusicPlus
Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - SKU: F2.FM605 Composed by Traditional/Frank Bridge. Arranged by Robert Rainford. An arrangement of t...
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Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - SKU: F2.FM605 Composed by Traditional/Frank Bridge. Arranged by Robert Rainford. An arrangement of this well known melody for wind quintet. Score and parts. 31 pages. Forton Music - Digital #FM605. Published by Forton Music - Digital (F2.FM605). ISBN 9790570485048.Frank Bridge arranged this well known Irish air for string quartet, here presented in a version for wind quintet. Unusually, Bridge starts the arrangement with an extended fantasy upon the main theme, never stating it completely. A series of stabbing chords begin the music, and help to mark out the start of each section. Elements of the tune then weave in and out of the music, and are passed equally between all five players. The first four notes of the theme in rhythmic diminution are transformed into a delicate arpeggio that permeate the music, all accompanied with the lush chords of early 20th century English music. After about one hundred bars the music reaches an impassioned climax before the tune is finally stated in its full form, with each instrument in turn taking a solo phrase accompanied by the others. A final, peaceful coda using the delicate arpeggio of the first sections brings the piece to a close.
$12.95 ≈
¥94.35
Kommos (Lamentation) / "When the World Moved On" - Timpani
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥25.50
Break Forth, O Beauteous, Heavenly Light
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Break Forth, O Beauteous, Heav
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Chri...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Instructional. Score and parts. 8 pages. Luis Anjos Teixeira #3692949. Published by Luis Anjos Teixeira (A0.889423). The clarinet quartet arrangement of Break Forth, O Beauteous, Heavenly Light, was made for the 2018 Holiday Contest Entry. Martin Luther developed the Lutheran chorale, a religious hymn sung in four-part harmony by the congregation as part of the service. Break Forth, O Beauteous, Heavenly Light was written by Johann Rist and Johann Schop in the mid-17th century, so that by 1734, when Bach included it in his Christmas Oratorio, it was well known to congregations. The harmonization, however, is Bach ‘s own. The arrangement remains faithful to the original facsimile of Bach. It is transposed for a modern clarinet quartet. Variations in loudness and the duration of musical notes are the basic elements to musical expression. A few interpretation symbols where added to shorten some of the notes. Breathing between music phrases is notated. and the final was stretched with one more bar for a ralentando effect. This details are only suggestions for an interpretation. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! I wish you a Merry Christmas! „Brich an, o schönes Morgenlicht „Brich an, o schönes Morgenlicht, und lass den Himmel tagen! Du Hirtenvolk, erschrecke nicht, weil dir die Engel sagen: Dass dieses schwache Knäbelein soll unser Trost und Freude sein, Dazu den Satan zwingen und letzlich Frieden bringen. Words: Johann Rist (1607-1677), 1641; Verse 1 translated from German to English by John Troutbeck, circa 1885, et. al. Verse 2 translated by Arthur Tozer Russell, 1806-1874. Music: Ermuntre Dich or Schop, Johann Schop (1590-1667), 1641; Harmony by Johann Sebastian Bach, 1734. 1. Break forth, O beauteous heavenly light, And usher in the morning; O shepherds, shrink not with afright, But hear the angel's warning. This Child, now weak in infancy, Our confidence and joy shall be, The power of Satan breaking, Our peace eternal making. All blessing, thanks and praise to thee, Lord Jesus Christ, be given; Thou hast our brother deigned to be, Our foes in sunder riven. O grant us through our day of grace With constant praise to seek Thy face; Grant us ere long in glory With praises to adore thee. Thanks to Claudia Eppelt for the wonderful illustration, the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for my Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.95 ≈
¥72.49
Those Magnificent Men In Their Flying Machines
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Ron Goodwin
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Derek Hasted
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Those Magnificent Men In Their
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797771 Composed by Ron Goodwin. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 16 pages. De...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797771 Composed by Ron Goodwin. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 16 pages. Derek Hasted #5311943. Published by Derek Hasted (A0.797771). THOSE MAGNIFICENT MEN - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes 'Those Magnificent Men In Their Flying Machines' is the theme music to the film of the same name and was composed by Ron Goodwin.This arrangement stays faithful to much of the original but there are some tiny little changes that make this version fit a guitar ensemble more comfortably...The key is more guitar-friendly.You can choose between 3 different 2-bar introductions.The more complex vocal alliterations in the original are slimmed down to avoid the guitar parts sounding too fussy.Some of the original features (sliding trombone notes, snare drums and tricky decorations) have been removed or offered as alternative. The full score and parts explain where there are choices that can be made.This arrangement will suit a large ensemble as well as a quartet, and it's been proven in concert on more than one occasion before it was published.I hope you enjoy playing it as much as my two ensembles (and their audiences!)
$4.99 ≈
¥36.36
The Moose: Theme and Variations for Bassoon and Double Bass
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Deborah Wicks La Puma
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The Moose: Theme and Variation
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Crunchynotes.com
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.992126 Composed by Deborah Wicks La Puma. Contemporary,Instructional,Standards. 11 pages. Crunchynotes.com #623660...
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Woodwind Ensemble - Level 3 - SKU: A0.992126 Composed by Deborah Wicks La Puma. Contemporary,Instructional,Standards. 11 pages. Crunchynotes.com #6236605. Published by Crunchynotes.com (A0.992126). This playful duet for two supporting players of the orchestra gives each a chance to shine by highlighting the unique colors and qualities of the bassoon and double bass. Easily repurposed as a duet between alternate tenor & bass instruments. .
$4.99 ≈
¥36.36
In the Still and the Quiet--harp solo
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Beka Wilson
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In the Still and the Quiet--ha
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Beka Wilson
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SheetMusicPlus
Celtic Harp,Folk Harp,Instrumental Solo,Lever Harp - Level 3 - SKU: A0.1493978 By Beka Wilson. By Beka Wilson. Contemporary,Folk,Multicultural,World. In...
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Celtic Harp,Folk Harp,Instrumental Solo,Lever Harp - Level 3 - SKU: A0.1493978 By Beka Wilson. By Beka Wilson. Contemporary,Folk,Multicultural,World. Individual part. 3 pages. Beka Wilson #1070588. Published by Beka Wilson (A0.1493978). I started writing this song in 2020, around when I began playing the harp more often and when I first started writing my own original pieces. It went through several iterations, but what started out as an experiment in mixolydian mode turned out to be a calming piece that celebrates just being still. So often we pack our schedules to the brim, and burn out trying to do all the things. Lately I've come to appreciate the value of just stopping to breathe, to pray, to just be in the moment. Sometimes the best music happens in the space between notes. Length: approximately 3.5 minutes, 3 pagesLevel: late intermediate as written, early intermediate if you edit out the mordents and other ornamentations
$7.99 ≈
¥58.21
Bach's Air & co - music for funeral ceremony & Auferstehungsmesse
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Classique
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Johann Sebastian Bach
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Sophia Johanna
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Bach's Air & co - music fo
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Sophia Transistor
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 2 - SKU: A0.851116 Composed by...
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Large Ensemble Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 2 - SKU: A0.851116 Composed by Johann Sebastian Bach. Arranged by Sophia Johanna. Christian,Classical,Contemporary,World. Score and parts. 13 pages. Sophia Transistor #3511437. Published by Sophia Transistor (A0.851116). English description:Originally I played this arrangement on trombone together with my little brother who played violin at the funeral ceremony of our grandma Ruth (see live recording).Core-theme is from the orchestral suite #3 in D Major, BWV 1068 Air by Johann Sebastian Bach. This arrangement is presented as a duet between two solo instruments. Both instruments have leading parts.3 different movements are included in this arrangement.They can be combined ad lib and can also played as stand alone pieces.Total playtime with all movements and all repetitions: 5 min 33 sMovement 1 as stand alone: 42 secondsMovement 2 as stand alone: 1 min 14 secondsAir Movement as stand alone: 3 min 37 secIncluded Key Notations of the piece:- treble clef and bass clef in C- both voices as treble clef in C- both voices as treble clef in Bb- treble clef in Bb and treble clef in C- treble clef in Bb and bass clef in C- both voices as bass clef in CFollowing Instruments can be covered by this:Violin, Cello, Trombone, Trumpet, Clarinet, Vocal, Flute, Tenorsaxophone, Tenorhorn, BassWhen playing the notes as if it was written in Eb or F, both players should have the same instrument with the same clef tune notation.Playalong Youtube-Video can be watched here:https://youtu.be/Iiy48Yik2FwGerman description:Dieses Arrangement habe ich zusammen mit meinem kleinen Bruder auf der Auferstehungsmesse für unsere Oma Ruth gespielt. Er spielte Geige und ich die Posaune.Kernmelodie ist die berühmte Suite Air, Aria oder Ayre von Johann Sebastian Bach. Dieses Arrangement ist ein Duett für zwei Soloinstrumente. Beide Instrumente haben Melodiestellen.Dieses Stück umfasst 3 verschiedene Einheiten.Die können alle hintereinander oder alleine für sich gespielt werden oder frei kombiniert werden.Spielzeit insgesamt mit allen 3 Movements mit allen Wiederholungen: 5 Minuten 33 SekundenMovement 1 als Einzelstück: 41 SekundenMovement 2 als Einzelstück: 1 Minute 14 SekundenMovement 3 als Einzelstück: 3 Minuten 37 SekundenFolgende Notationsformen und Schlüssel sind in den Noten mit enthalten:- Violinschlüssel und Bassschlüssel in C- Beide Stimmen als Violinschlüssel in C- Beide Stimmen als Violinschlüssel in Bb- Violinschlüssel in Bb und Violinschlüssel in C- Violinschlüssel in Bb und Bassschlüssel in C- Beide Stimmen als Bassschlüssel in CDamit können folgende Instrumente abgedeckt werden:Geige, Cello, Posaune, Trompete, Klarinette, Querflöte, Tenorsaxofon, Tenorhorn, BassRein theoretisch könnten auch F und Eb-Instumente das spielen, dann sollten bloß beide Spieler ein Instrument der selben Stimmung spielen.####Have fun and leave a comment, so that I can improve!Visit my publisher page: https://www.sheetmusicplus.com/publishers/sophia-johanna/7814My YouTube Channel with contact information: https://www.youtube.com/channel/UCm10wB_bmSJHgf4cEnHNtQQ/about
$5.00 ≈
¥36.43
William Tell Theme - Bassoon/Tenoroon Trio/Ensemble
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Gioachino Rossini
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Kathy Hirche
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William Tell Theme - Bassoon/T
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Kathy Hirche
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.820033 Composed by Gioachino Rossini. Arranged by Kathy Hirche. Romantic Period,Standards. Score and parts. 11 pages....
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Small Ensemble - Level 3 - SKU: A0.820033 Composed by Gioachino Rossini. Arranged by Kathy Hirche. Romantic Period,Standards. Score and parts. 11 pages. Kathy Hirche #5032427. Published by Kathy Hirche (A0.820033). This popular theme (from the Overture to the opera William Tell) has been used for several films, including A Clockwork Orange and Brassed Off. It’s galloping character made it perfectly suited for use in the Lone Ranger television series. This arrangement is for Intermediate Level performers and for use as instructional repertoire. The melody is shared between Part 1 and Part 2. It is scored for 3 Bassoons and/or Tenoroons, but is also suitable for a larger ensemble of bassoon/tenoroon players. In the case of a mixed ensemble of Bassoons and Tenoroons where there is more than one player per part, it is preferable to have at least one Bassoon on Part 3. Elementary Level Bassoon players could be included in the ensemble by playing Part 3, as this only requires the first 5 notes learned on the Bassoon (Bb, C, D, Eb, F). Parts in this set: Bassoon 1, Tenoroon 1, Bassoon 2, Tenoroon 2, Bassoon 3, Tenoroon 3. ISMN 979-0-7201-803-7-3 kathysprintmusic.com
$7.99 ≈
¥58.21
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Between The Notes - Piano