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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
BASSE
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Make Your Own Kind Of Music
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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Crtitères actifs :
Make Your Own Kind Of Music
Partitions à imprimer
21 partitions trouvées
<
1
Make Your Own Kind of Music
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Linda Spevacek
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Make Your Own Kind of Music
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Heritage Music Press
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SheetMusicPlus
By Linda Spevacek. For Two-part Any Combination of Voices. Educational Octavo. Sing Out Series. Published by Heritage Music Press ...
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By Linda Spevacek. For Two-part Any Combination of Voices. Educational Octavo. Sing Out Series. Published by Heritage Music Press
$2.50 ≈
¥18.11
Make Your Own Kind Of Music
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Pop musique
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Mama Cass Elliot
#
Mark Harrison
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Make Your Own Kind Of Music
#
Mark Harrison
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1373419 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by Mark Harrison. Pop. Brass Band. 20 pages. Mark Harrison #957785. Published by Mark Harrison (A0.1373419). Make Your Own Kind Of Music Made famous by Mama Cass, and also Paloma Faith, this arrangement gives the bulk of the melody to the part 2 people! 2nd Cornets hurrah! I have also made a simple beginner part for use in wider ops/young learners to play alongside. - 8 Part Ensemble - additional parts available on request - Bass Clef parts available on request.
$24.99 ≈
¥181.01
Make Your Own Kind Of Music
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Mama Cass Elliot
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Mike Lyons
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Make Your Own Kind Of Music
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Lyons Music Services
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1293410 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by Mike Lyons. 20th Century,Film/TV,Pop,Rock. Brass Band. 28 pages. Lyons Music Services #883942. Published by Lyons Music Services (A0.1293410). An arrangement for brass band of the well-known Mama Cass song. As we're having Barbie Fever at the moment, this song features prominently in the film Barbie - unlike the song Barbie Girl, which very much takes a back seat.Arrangement is for full British Brass Band.
$35.00 ≈
¥253.51
Make Your Own Kind Of Music
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Contemporain
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Mama Cass Elliot
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EDDY CLEMENT
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Make Your Own Kind Of Music
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Eddy Clement
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drum Set,Flute,String Synthesizer,Trombone,Trumpet - Level 4 - SKU: A0.927811 By M...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drum Set,Flute,String Synthesizer,Trombone,Trumpet - Level 4 - SKU: A0.927811 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by EDDY CLEMENT. Contemporary. Score and parts. 43 pages. Eddy Clement #4715735. Published by Eddy Clement (A0.927811). Add this Band to the FUN NEW arrangement of the 1969 Mama Cass Elliot hit song for SATB Chorus with Piano and you'll have a HIT on your hands.
$40.00 ≈
¥289.73
Make Your Own Kind Of Music
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Mama Cass Elliot
#
Lauren Kahn
#
Make Your Own Kind Of Music
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Lauren Kahn
#
SheetMusicPlus
Small Ensemble Alto Voice,Soprano voice - Level 2 - SKU: A0.1499079 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by Lauren Kahn. A Capp...
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Small Ensemble Alto Voice,Soprano voice - Level 2 - SKU: A0.1499079 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by Lauren Kahn. A Cappella,Barbershop,Pop. 5 pages. Lauren Kahn #1075126. Published by Lauren Kahn (A0.1499079). This song is arranged in the barbershop style.Voices in the bass clef sing one octave higher than the notes written, as indicated by the octave bass clef.NOTE: A single purchase entitles you to 4 copies of the arrangement. If you would like 40 copies, enter 10 for the quantity.
$12.99 ≈
¥94.09
Make Your Own Kind Of Music
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Film/TV
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Rock
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Mama Cass Elliot
#
J
#
Make Your Own Kind Of Music
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J. Randolph Hall
#
SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1026878 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged ...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1026878 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by J. Randolph Hall. This edition: Interactive Download. Film/TV,Pop,Rock. Score and parts. 11 pages. Duration 270. J. Randolph Hall #6BeTtnGL9FTzY8mY7uUqir. Published by J. Randolph Hall (A0.1026878). Key: Bb major.First recorded by Cass Elliot the same year that It's Getting Better came out.
$5.00 ≈
¥36.22
Make Your Own Kind Of Music
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Pop musique
#
Mama Cass Elliot
#
P Welsh
#
Make Your Own Kind Of Music
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Accubass
#
SheetMusicPlus
Rhythm Section Voice - Level 3 - SKU: A0.1288608 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by P Welsh. Pop. 17 pages. Accubass #8795...
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Rhythm Section Voice - Level 3 - SKU: A0.1288608 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by P Welsh. Pop. 17 pages. Accubass #879565. Published by Accubass (A0.1288608). From the Paloma Faith version. Parts for 4 piece group. Includes guitar tab and matches karaokeversion.co.uk click track for structure.
$24.99 ≈
¥181.01
Make Your Own Kind Of Music
#
Folk Rock
#
Rock
#
Mama Cass Elliot
#
Henry Von Ruprecht
#
Make Your Own Kind Of Music
#
Henry Von Ruprecht
#
SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.555265 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by Henry Von Ruprecht. Folk,Pop,Rock...
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Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.555265 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by Henry Von Ruprecht. Folk,Pop,Rock. 16 pages. Henry Von Ruprecht #164874. Published by Henry Von Ruprecht (A0.555265).
$20.00 ≈
¥144.87
Beautiful Melodies from Around the World - Music for Two Violins Selected Cello Parts
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Intermediate
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Beautiful Melodies from Around
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Violin - Beginning; Intermediate; Advanced - SKU: M0.30859EB Wedding. World Music. E-book. 69 pages. Mel Bay Publications - Digital Sheet Music #30859EB...
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Violin - Beginning; Intermediate; Advanced - SKU: M0.30859EB Wedding. World Music. E-book. 69 pages. Mel Bay Publications - Digital Sheet Music #30859EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30859EB). ISBN 9781513455310. 8.75x11.75 inches.Imagine a campfire! Envision sitting around the bright flames with your friends and family singing songs out in the great expanse. Imagine that those melodies you sing stir up joy, hope, and belief in the great wonders of the world. Melodies have connected different kinds of people for many, many years. Music brings us closer, and music makes any occasion more festive and memorable. This book was written to promote the love of old folk melodies, provide processional music for special celebrations, and to include players of all levels. Music educators will find that there are many possibilities and combinations for practice and performance. Includes a 16-page section of twelve selected pieces for an optional cello part.It is my great hope that music students, families, and educators will all enjoy this very special collection of Beautiful Melodies from Around the World.Â
$17.99 ≈
¥130.31
Sir Digby Chicken Caesar: some kind of waltz
#
Roger Lowe
#
Sir Digby Chicken Caesar: some
#
Roger Lowe Music
#
SheetMusicPlus
Small Ensemble Piano,Saxophone,Trombone - Level 5 - SKU: A0.894092 Composed by Roger Lowe. Contemporary,Jazz,Standards. Score and parts. 21 pages. Roger...
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Small Ensemble Piano,Saxophone,Trombone - Level 5 - SKU: A0.894092 Composed by Roger Lowe. Contemporary,Jazz,Standards. Score and parts. 21 pages. Roger Lowe Music #17289. Published by Roger Lowe Music (A0.894092). This is a fun, off-kilter jazz-influenced waltz mostly in 5/4 time for those who can't dance, like cows and chickens (the trombone and saxophone). This makes for a fun concert piece your audience will enjoy. It is in rondo form and is interesting to play and listen to repeatedly.
$4.99 ≈
¥36.14
Superwoman MP3 Accompaniment track
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Deborah Johnson
#
Barnes &
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Superwoman MP3 Accompaniment t
#
Deborah Johnson
#
SheetMusicPlus
Bass Guitar,Drum Set,Keyboard - Level 3 - SKU: A0.1404285 By Deborah Johnson. By Deborah Johnson. Broadway,Comedy,Contemporary,Jazz,Musical/Show,Singer/...
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Bass Guitar,Drum Set,Keyboard - Level 3 - SKU: A0.1404285 By Deborah Johnson. By Deborah Johnson. Broadway,Comedy,Contemporary,Jazz,Musical/Show,Singer/Songwriter. Accompaniment. Duration 128. Deborah Johnson #987388. Published by Deborah Johnson (A0.1404285). Deborah Johnson's Superwoman is a vibrant tribute to the incredible strength of women worldwide. This is the MP3 accompaniment track without the lead vocal--it includes the backgrounds. This upbeat and energetic song celebrates the everyday feats of ordinary yet extraordinary women. Drawing from her own experiences, Deborah navigates the complexities of managing a household, navigating career changes, raising three children, maintaining a marriage, and all the challenges life throws her way. Through Superwoman, Deborah captures the resilience and determination required to juggle multiple roles and responsibilities, resonating with listeners who understand the struggle of holding everything together. Purchase the single MP3 here: https://amzn.to/3PvNCHK The piano/vocal sheet music with vocal lead sheet is also available for download Note from Deborah: Are you embracing your inner superheroine? I get it—navigating life's hurdles while donning our invisible capes can feel like a whirlwind circus act. To claim the title of Superwoman, you've got to juggle the whole shebang: home life, career acrobatics, kid wrangling, spouse wrangling (or partner wrangling, let's keep it inclusive), and just the general chaos of existence. It's the kind of balancing act that'd make a Cirque du Soleil performer jealous! Speaking from the trenches myself, I've done my fair share of plate-spinning: managing a household, enduring the rollercoaster ride of a career (complete with loop-de-loops), wrangling three sons who seem to have synchronized their mischief, keeping a marriage afloat through the stormy seas and dealing with the curveballs life tosses our way. And let's not forget society's laundry list of expectations: staying fit, maintaining a Pinterest-worthy home, being the rock for our loved ones... and that's not even touching on the culinary escapades! And let's raise a toast to the single moms out there, pulling off the ultimate juggling act—balancing multiple jobs, raising the next generation of superheroes, and keeping the household shipshape. They're the Superwomen on turbocharged overdrive! It's no wonder that the song Superwoman resonates with us—it's our anthem, our battle cry, and our reminder that we're all superheroes in our own right! Written, arranged and performed by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released bookshave garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Backgrounds by Deborah and David Johnson. Additional production, guitars and bass by Michael Ferenci. Recorded at Ferenci Studios, Silverlake, CA. https://DJWorksMusic.com For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/YUOvivxjlsw?si=AGohZrZl1ErdkQTD
$8.99 ≈
¥65.12
Nocturne for Left Hand Alone (Opus 9 Number 2)
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Classique
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Stephen R Dalrymple
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Nocturne for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Design...
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Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Individual part. 14 pages. Stephen R Dalrymple #722236. Published by Stephen R Dalrymple (A0.1121045). Nocturne for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (Opus 9 Number 2) Classical Music for Tablet Series ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. ♫ Nocturne for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
¥28.90
Farewell My Lovely
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David Shire
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Farewell My Lovely
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1090895 Composed by David Shire. Arranged by Uwe Roessler Rössler Rassl...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1090895 Composed by David Shire. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Film/TV,Jazz,Standards. Score and parts. 12 pages. Uwe Roessler #695035. Published by Uwe Roessler (A0.1090895). The opening title of the soundtrack from the movie â€Farewell, My Lovely†(1975), with the great Robert Mitchum. Aka “Marlowe´s Themeâ€. As Leif “Smoke Rings†Anderson said about this piece: “It tells a sadly story about a lonely man walking away in the night, going nowhere.†The relaxed tempo makes it an ideal piece for after-hours. And the jazzy chords are just marvellous! Piano voice is written out - with additional chord symbols for your own voicings. As for the title, the name of the piece: I am not entirely sure, whether “Marlowe´s Theme†is correct. The music of the opening scene has no name, as far as I´ve been able to determine, and on Davis Shire´s own piano solo version there´s a combination of this piece with “Marlowe´s Themeâ€. But, there you go … . It´s fantastic music, anyway. This very effective arrangement follows the form of the original soundtrack (hence the youtube link). Original key (Bb minor). The form is: Piano intro (with the original piano pattern), theme in violin, cello plays half the theme, joined by tutti, piano plays half the theme as outro. Duration: approx 02.10 min. For Piano Trio / Quartet / Quintet. Minimal instrumentation: violin1, cello, piano. Optional voices for violin2, and bass included. Professional sheet material. Comes with full score, and complete individual parts. Level: intermediate/advanced. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$20.00 ≈
¥144.87
Pura Alegria for Trumpet Sextet and Keyboard
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Eddie Lewis
Spice up yo
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Eddie Lewis
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Pura Alegria for Trumpet Sexte
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Tiger Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and part...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and parts. 35 pages. Tiger Music #6635933. Published by Tiger Music (A0.750374). Pura Alegria Brass Sextet and Keyboard 3 Trumpets, 3 Trombones and Keyboard Composed for the Stirling High School Brass Ensemble, in East London, South Africa MBR 3430 By Eddie Lewis Spice up your brass program with this Latin tinged composition for three trumpets, three trombones and keyboard. Pura Alegria is one of Eddie Lewis’ en clave compositions, where every rhythm from every phrase in the piece is derived from the clave. The clave is a rhythm from west Africa that came to the tropical islands with the slaves. From there, hundreds of years later, the rhythm became the underlying groove for a number of modern Latin dance music styles. Eddie Lewis was exposed to the clave rhythms during a period of twenty years when he was making his living primarily as a salsa trumpet player. While Eddie’s compositions are not salsa, his writing has been forever influenced by that music and the people. And that influence is not limited to only the rhythms. We are only emphasizing the rhythms here because of the prominence of the clave in Pura Alegria. Stirling High School, East London, South Africa Eddie composed Pura Alegria for the students in the brass ensemble at Stirling High School in East London, South Africa. The students prepared it as part of a presentation and Eddie was honored to contribute something for them to work on and perform. The request came from Eddie’s good friend, Leonard Brandt. Leonard is a professional trumpet player in South Africa and also teaches applied brass at the high school. When Eddie was in South Africa for the jazz festival in Grahamstown (2016), Leonard arranged a personal performance of Pura Alegria for him in one of the empty classrooms. The composition was a smashing success and the students and the audience all enjoyed it! Skill Level When Eddie does a commission, he goes to great lengths to map out the skills of the individual players. Often times, his method’s skill levels don’t apply. Please keep in mind that skill levels in published music are not about how good the students are. Students will always have mixed skill sets. That’s part of what it means to be human. We are good at some things and bad at others. So the skills of the individual parts in Pura Alegria are varied, not only from part to part, but from skill to skill. That said, the highest note in the first trumpet part is written high C, and the rhythms are syncopated (because of the clave influence). We would put most of that first part in our Trumpet Pro skill level. The highest note in the second part is written A above the staff. The highest note in the third trumpet part is top line F. Practice Recommendations Pay special attention to the articulations, which can feel a little awkward, but really make the piece. Sometimes the eighth-notes are long and the quarter-notes are short. Other times the quarter-notes are long and the eighth-notes are short. Also be careful with the dynamics. There will be a tendency to play the entire piece too loud. Because it feels like that kind of piece. However, if you play it that way, it will ruin some of the compositional effects. This is especially true for the keyboard. If you are performing with a keyboard, not an acoustic piano, then what’s the amplification that it doesn’t bury the rest of the ensemble. You cannot have the keyboard set to the same volume as you would for a full jazz ensemble class. Other than that, have fun with this piece. The name, Pura Alegria, in English means Pure Joy! The rhythms are delightful and the melodies are infectious.
$31.34 ≈
¥227.00
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
¥181.08
Everlong
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Foo Fighters
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Brian Streckfus
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Everlong
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2 pages. Brian St...
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Guitar - Level 2 - SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2 pages. Brian Streckfus #1063740. Published by Brian Streckfus (A0.1486675). Key: B minorPages: 2The aim of this version was not historical accuracy. The aim was to create a great solo unplugged coffee-house version with no page turns, though it could still be really useful for any situation. The melody is left intact, some liberties with the harmonies were taken when there is singing. I'm very proud and happy with how it turned out, sometimes you get lucky and the sections fall perfectly into place (which is suprising since there are some odd 3 measure phrases in here). Features:1. Beginner friendly. The chords are so accurate to what the sheet music is doing, that you don't even really need to read sheet music to play this!2. Harmonies that take difficulty, style, voice leading, and melody into consideration3. Condensed lead sheet version that fits on 2 pages to avoid a page turn; yet it is packed with details and naunces.4. Beautifully engraved sections that visually make sense on the page.Tips:1. Measures 8-16 I named that chords as if both guitars were taken into consideration. I'm guilty of sometimes saying, Oh it's just a rock song with power chords, but then you look into the details, and the chords are actually quite jazzy.2. Maybe She sang needs a fermata?3. If a song is in B minor and never changes key, fret 1 will never happens! Be in position 2 for this song! That's why I didn't put fingerings in, they would have been as helpful as confusing.4. Maybe it's a given, but I recommend forcing melody notes on to the chord in one way or another. Sometimes I go on spurts of notating many complex chords to account for the melody, other times I just show one chord per measure but kind of assume that you'll make the guitar work more fancy with the melody notes. Maybe this is overthinking the arrangement, but there is great voicings I'm doing that I want to get across, but sometimes I won't do it because the score will get too busy looking. Just food for thought, depends on your agenda I suppose.
$2.99 ≈
¥21.66
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Perio...
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Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95 ≈
¥50.34
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. ...
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Low Voice,Vocal Solo - Level 5 - SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95 ≈
¥50.34
Mary and Simeon
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Musique Sacrée
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Sheldon Curry
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Choral Worship Cantata
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Mary and Simeon
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-35059 Composed by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Worship Cantata; Large...
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Choir Sacred Instrumental Ensemble - SKU: JX.00-35059 Composed by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Worship Cantata; Larger Works; Performance Music Ensemble; Worship Resources. Christmas; Sacred; Winter. Part(s). 62 pages. Jubilate Music Group - Digital #00-35059. Published by Jubilate Music Group - Digital (JX.00-35059). English.Looking for something out of the ordinary for Advent/Christmas? Imagine Mary, the mother of Jesus, as a young Kentucky woman singing her praise song to God (Magnificat) in an Appalachian setting. Then picture Simeon as an elderly West Virginia coal miner/preacher voicing his grateful joy (Nunc Dimittis) at viewing the baby boy Jesus in the temple -- an event that he has waited for his whole life. Translate the traditional Latin of the Magnificat and Nunc Dimittis into present-day language. Both these events combine to form the refreshingly different extended anthem Mary & Simeon. Written in a natural, unpretentious style for violin (fiddle), cello, and bluegrass instruments, this one-of-a-kind setting of time-honored words promises to bring unexpected joy to worship during this holy season. It includes the congregation in a Gloria that ends both pieces. Extensive performance notes are included in the anthem. Use the anthems together in one service, as part of an Appalachian-themed Advent service, or use them separately on their individual liturgical special days. Whatever use you make of them, these memorable, worshipful offerings surprise and energize worship for your choir and congregation. InstruPax includes parts for piano, bass, acoustic guitars (and optional mandolin), fiddle (violin), cello, and optional drums.
$40.00 ≈
¥289.73
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Make Your Own Kind Of Music
