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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Move It On Over
Non classifié
241
Piano & claviers
Piano seul
119
Piano Facile
25
Piano, Voix et Guitare
17
Piano, Voix
11
Orgue
8
Instruments en Do
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
14
Paroles et Accords
6
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
4
Ukulele
4
2 Guitares (duo)
2
Mandoline
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Banjo
1
Cithare
1
Dulcimer
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
36
Chorale 3 parties
13
Chorale SSAA
8
Chorale TTBB
5
Chorale 2 parties
4
Voix Baryton, Piano
3
Voix Tenor, Piano
3
Voix haute
2
Voix basse, Piano
1
Voix Tenor
1
+ 5 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
26
2 Flûtes traversières, Piano
25
Ensemble de saxophones
25
Clarinette et Piano
15
2 Flûtes traversières (duo)
15
Quintette de Saxophone: 5 saxophones
14
Quatuor de Clarinettes: 4 clarinettes
13
Flûte traversière et Piano
13
Clarinette
12
Hautbois (partie séparée)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Hautbois, Piano (duo)
9
Saxophone Alto et Piano
8
2 Saxophones (duo)
8
Saxophone Tenor et Piano
8
Ensemble de Flûtes
6
Ensemble de Clarinettes
6
3 Saxophones (trio)
5
Flûte, Hautbois, Clarinette, Basson
5
Quintette de Flûte : 5 flûtes
4
Saxophone Soprano et Piano
4
Saxophone Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
3
Flûte et Guitare
2
2 Clarinettes (duo)
2
Flûte traversière
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Harpe (duo)
2
Quatuor de Flûtes à bec
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Harpe
2
Clarinette, Basson (duo)
2
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûte à bec (duo)
1
2 Hautbois (duo)
1
2 Clarinettes, Piano
1
Flute (partie séparée)
1
Clarinette Basse, Piano
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
Saxophone (partie séparée)
1
Hautbois, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Saxophone Tenor
1
Flûte à Bec
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Alto
1
Saxophone et Orgue
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres
10
Trombone et Piano
9
Ensemble de Trombones
7
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Euphonium, Piano (duo)
5
Ensemble de Trompettes
5
Cor et Piano
4
Trombone
4
Ensemble de Cors
4
Tuba
4
Cor anglais, Piano
3
Trompette
3
Trompette (partie séparée)
2
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
Trompette, Piano
1
2 Cors (duo)
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Alto, Piano
17
Trio à Cordes: violon, alto, violoncelle
12
Violon et Piano
11
2 Violons (duo)
10
Violoncelle, Piano
7
Violoncelle
7
Harpe, Flûte (duo)
6
Violon
6
Violon, Violoncelle (duo)
4
2 Altos (duo)
3
Harpe
3
2 Violoncelles (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contre Basse
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violon, Alto (duo)
1
Violon, Clarinette, Piano (trio)
1
4 Violoncelles
1
Ensemble de Violons
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 violins
1
Alto seul
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
103
Orchestre
47
Orchestre à Cordes
19
Orchestre de chambre
18
Ensemble Jazz
6
Ensemble de cuivres
5
Jazz combo
2
Fanfare
1
Cloches
1
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Xylophone
1
Batterie
1
+ 9 instrumentations
Retracter
Autres
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Crtitères actifs :
Move It On Over
Partitions à imprimer
241 partitions trouvées
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226
Move It On Over
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Country
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Buddy Alan, George Thorogood,
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Move It On Over
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Hal Leonard - Digital
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SheetMusicPlus
ChordBuddy Ukulele - SKU: HX.503328 By Buddy Alan, George Thorogood, Hank Williams, Hank Williams Jr., Travis Tritt, and Willie Nelson. This edition: sc...
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ChordBuddy Ukulele - SKU: HX.503328 By Buddy Alan, George Thorogood, Hank Williams, Hank Williams Jr., Travis Tritt, and Willie Nelson. This edition: scorch. Country. Score. 2 pages. Published by Hal Leonard - Digital (HX.503328).
$2.99 ≈
¥21.66
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
¥470.52
Dare You To Move
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Rock
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Switchfoot
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Keith McCauley
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PIANO score
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Dare You To Move
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Cantus Youth Choirs Publishing
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SheetMusicPlus
Small Ensemble Bass Guitar,Cello,Double Bass,Drums,Viola,Violin - Level 3 - SKU: A0.832775 By Switchfoot. By Jonathan Foreman. Arranged by Keith McCaule...
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Small Ensemble Bass Guitar,Cello,Double Bass,Drums,Viola,Violin - Level 3 - SKU: A0.832775 By Switchfoot. By Jonathan Foreman. Arranged by Keith McCauley. Rock. Score and parts. 36 pages. Cantus Youth Choirs Publishing #4792761. Published by Cantus Youth Choirs Publishing (A0.832775). From the Cantus Youth Choirs Pop Series, comes an arrangement of SWITCHFOOT'S anthem, Dare You To Move. This arrangement is for male lead and three-part mens ensemble, TBB. This download includes Director's Score, Violin 1 and 2, Viola, Cello, Double Bass, Electric Guitar, Electric Bass, and Drum Set. Please see H0.622693-SC001256082 for the VOCALS & PIANO score. The ranges for basses and baritone are very comfortable for the most part. There are several opportunities where basses and baritones are written to reinforce the tenor melody. This is a great opportunity to work on a unified bass/baritone falsetto sound and getting lower voices to pop over into a falsetto on the high stuff in a we're all going for it sort of way.
$14.99 ≈
¥108.59
Heidenröslein: Variations on a Theme by Franz Schubert
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Classique
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00 ≈
¥144.89
It Is Well With My Soul (When Peace Like a River)
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Horatio Spafford
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Michael E
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It Is Well With My Soul
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Michael E. Ropp
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SheetMusicPlus
Small Ensemble Horn,Trumpet,Tuba - Level 3 - SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp....
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Small Ensemble Horn,Trumpet,Tuba - Level 3 - SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul. This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn. The piece opens with sounding of the horn of Spafford’s ship as she passes over the point at which Spafford's four daughters were lost. The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus. The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the cross… The horn gets the melody, evoking the sound of Spafford’s own voice, and the other instruments vividly paint the hammering of the nails. However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spafford’s grief overwhelms him; his faith wavers as he tries to believe what he is writing. Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well. The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spafford’s soul at peace. This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.
$5.99 ≈
¥43.39
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
¥72.37
Kommos (Lamentation) / "When the World Moved On" - Timpani
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥25.36
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
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Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00 ≈
¥543.32
Variations on O Come O Come Emmanuel for solo violin (mp3)
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Daniel Mihai
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David Warin Solomons
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Variations on O Come O Come Em
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David Warin Solomons
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SheetMusicPlus
Violin - Level 4 - SKU: A0.1469152 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. D...
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Violin - Level 4 - SKU: A0.1469152 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 203. David Warin Solomons #1047174. Published by David Warin Solomons (A0.1469152). Variations for solo violin on O come o come Emmanuel based on the French Franciscan Processional from the 15th century.It begins in the original minor, moves over to a major version, back to minor and finally slows down to a restful 6/4 time.
$4.50 ≈
¥32.60
Swinging Over Skyline Drive
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Jim Bosse
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Swinging Over Skyline Drive
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Jim Bosse
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SheetMusicPlus
Small Ensemble Guitar - Level 1 - SKU: A0.954981 Composed by Jim Bosse. Concert,Contemporary,Jazz. Score and parts. 13 pages. Jim Bosse #4592827. Publis...
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Small Ensemble Guitar - Level 1 - SKU: A0.954981 Composed by Jim Bosse. Concert,Contemporary,Jazz. Score and parts. 13 pages. Jim Bosse #4592827. Published by Jim Bosse (A0.954981). This is the final movement of Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Around Cañon City. Originally scored for 5 parts, this version is for classical guitar trio. My idea was to write a set of short pieces (each part to fit on one or two pages) for beginner guitar ensemble, with a gradual increase in demand, but always accessable for a beginner ensemble. This, being the finale, is the most challenging and has a section for improvisation in a jazz style. It has been my experince that even in a beginner classical guitar ensemble, there is usually a member with rock band experience who could handle this part. Performance time is 3 minutes and 17 seconds. Videos of live performances of all six pieces can be viewed on Jim's YouTube channel: jimbosseguitar His web site is www.facebook.com/jimbosseguitar .
$1.99 ≈
¥14.42
Swinging Over Skyline Drive
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Jim Bosse
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Swinging Over Skyline Drive
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Jim Bosse
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SheetMusicPlus
Guitar Ensemble Guitar - Level 1 - SKU: A0.954989 Composed by Jim Bosse. Concert,Contemporary,Jazz. Score and parts. 12 pages. Jim Bosse #4592919. Publi...
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Guitar Ensemble Guitar - Level 1 - SKU: A0.954989 Composed by Jim Bosse. Concert,Contemporary,Jazz. Score and parts. 12 pages. Jim Bosse #4592919. Published by Jim Bosse (A0.954989). This is the final movement of Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Around Cañon City. Originally scored for 5 parts, this version is for classical guitar ensemble with four parts. My idea was to write a set of short pieces (each part to fit on one or two pages) for beginner guitar ensemble, with a gradual increase in demand, but always accessable for a beginner ensemble. This, being the finale, is the most challenging and has a section for improvisation in a jazz style. It has been my experince that even in a beginner classical guitar ensemble, there is usually a member with rock band experience who could handle this part. Performance time is 3 minutes and 17 seconds. Videos of live performances of all six pieces can be viewed on Jim's YouTube channel: jimbosseguitar His web site is www.facebook.com/jimbosseguitar .
$1.99 ≈
¥14.42
Swinging Over Skyline Drive
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Jim Bosse
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Swinging Over Skyline Drive
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Jim Bosse
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SheetMusicPlus
Guitar Ensemble Guitar - Level 1 - SKU: A0.954996 Composed by Jim Bosse. Concert,Contemporary,Jazz. Score and parts. 14 pages. Jim Bosse #4592949. Publi...
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Guitar Ensemble Guitar - Level 1 - SKU: A0.954996 Composed by Jim Bosse. Concert,Contemporary,Jazz. Score and parts. 14 pages. Jim Bosse #4592949. Published by Jim Bosse (A0.954996). This is the final movement of Six Easy Guitar Ensemble Pieces - Inspired by Historic Locations Around Cañon City, scored for 5 parts. My idea was to write a set of short pieces (each part to fit on one or two pages) for beginner guitar ensemble, with a gradual increase in demand, but always accessable for a beginner ensemble. This, being the finale, is the most challenging and has a section for improvisation in a jazz style. It has been my experince that even in a beginner classical guitar ensemble, there is usually a member with rock band experience who could handle this part. Performance time is 3 minutes and 17 seconds. Videos of live performances of all six pieces can be viewed on Jim's YouTube channel: jimbosseguitar His web site is www.facebook.com/jimbosseguitar .
$1.99 ≈
¥14.42
Goin' Over Home
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Musique Sacrée
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Evelyn R Larter
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Evelyn R Larter
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Goin' Over Home
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Evelyn R Larter
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SheetMusicPlus
Flute,High Voice,Piano,Violin - Level 4 - SKU: A0.1174166 By Evelyn R Larter. By Traditional. Arranged by Evelyn R Larter. Christian,Folk,Religious,Sacr...
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Flute,High Voice,Piano,Violin - Level 4 - SKU: A0.1174166 By Evelyn R Larter. By Traditional. Arranged by Evelyn R Larter. Christian,Folk,Religious,Sacred,Spiritual. 19 pages. Evelyn R Larter #774329. Published by Evelyn R Larter (A0.1174166). The American folk hymn Wayfarin’ Stranger and the African American Spiritual Soonah Will Be Done are here combined into a medley on the shared theme of journeying through life towards heaven. A brief quote from the slow movement of Dvorak's New World Symphony (Goin' Home) connects the two songs. For more advanced performers, it is suitable as a church prelude or offertory and also at recitals and memorial services. For more information on my music please visit www.evelynlartermusic.com or my Facebook page for Evelyyn Larter Music.
$8.99 ≈
¥65.13
Mendelssohn: the Hebrides Overture for Piano Quintet
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: the Hebrides Over
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jmsgu3
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SheetMusicPlus
Strings Piano - Level 5 - SKU: A0.550013 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,St...
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Strings Piano - Level 5 - SKU: A0.550013 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,Standards,World. 89 pages. Jmsgu3 #4574575. Published by jmsgu3 (A0.550013). The Hebrides Overture, also known as Fingal's Cave, is a concert overture composed by Felix Mendelssohn in 1830, revised in 1832, and published the following year as Mendelssohn's Op. 26. It is a standalone composition in a form familiar to the Romantic period and is not drawn from a stage work or opera. The overture consists of two primary themes, with the opening notes stating the theme Mendelssohn wrote while visiting Fingal's Cave and the second theme depicting movement at sea and rolling waves.Mendelssohn was inspired to compose this piece after visiting the Scottish island of Staffa and its famous Fingal's Cave, which made a deep impression on him due to its echoing acoustics and the sound of waves crashing against rocks. The intense and rolling melodies within the music perfectly capture the sense of drama and awe of the Scottish landscape. The Hebrides Overture, also known as Fingal's Cave, has been used in popular culture in various ways. It has been performed by orchestras worldwide and has become part of the standard orchestral repertoire, retaining its position to the present day. The overture has also inspired literary works like Virginia Woolf's novel. Additionally, Mendelssohn's visit to the Hebrides and the composition of the overture have contributed to the popularity of Fingal's Cave as a tourist destination. Furthermore, the overture has been featured in recordings and concerts, contributing to its enduring presence in the musical landscape.
$52.95 ≈
¥383.59
Cover the World with Love
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Jerry Estes
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Recorded Acc. Available
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Cover the World with Love
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0002859 Cover the World with Love - 3-Part Mixed (with Sign Language). Composed by Jerry Estes. Secular Choral. 11 pages. ...
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Chorus - SKU: AX.00-PO-0002859 Cover the World with Love - 3-Part Mixed (with Sign Language). Composed by Jerry Estes. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0002859. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002859). UPC: 038081157443.This speaks to everyone! One heart loving another, two hands reaching out, we can cover the world with love... Whether you perform this with or without the sign language (included on the back page), the simple, universal message of this song will warm the hearts of all who hear it! Genuinely beautiful.Movement and Staging; Recorded Acc. Available; Sign Language.
$2.25 ≈
¥16.30
BACH: Air on a G String for Alto Clarinet & Harp
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Classique
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Johann Sebastian Bach
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James M
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BACH: Air on a G String for Al
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - SKU: A0.552188 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Contemporary. 8 pages...
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E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - SKU: A0.552188 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Contemporary. 8 pages. Jmsgu3 #6264449. Published by jmsgu3 (A0.552188). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95 ≈
¥238.70
Bach: Air on a G String for French Horn & Harp
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Classique
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Fr
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jmsgu3
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SheetMusicPlus
Harp,Horn,Instrumental Duet - Level 2 - SKU: A0.1277153 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festiva...
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Harp,Horn,Instrumental Duet - Level 2 - SKU: A0.1277153 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868841. Published by jmsgu3 (A0.1277153). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95 ≈
¥238.70
Bach: Air on a G String for Soprano Sax & Harp
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Classique
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for So
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jmsgu3
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SheetMusicPlus
Harp,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1277167 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Co...
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Harp,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1277167 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868862. Published by jmsgu3 (A0.1277167). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95 ≈
¥238.70
Bach: Air on a G String for Alto Sax & Harp
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Classique
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Al
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Harp,Instrumental Duet - Level 2 - SKU: A0.1277157 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Conte...
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Alto Saxophone,Harp,Instrumental Duet - Level 2 - SKU: A0.1277157 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868848. Published by jmsgu3 (A0.1277157). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95 ≈
¥238.70
Bach: Air on a G String for Oboe d'Amore & Harp
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Classique
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Ob
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jmsgu3
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SheetMusicPlus
Harp,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1277138 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest...
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Harp,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1277138 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Wedding. 8 pages. Jmsgu3 #868826. Published by jmsgu3 (A0.1277138). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95 ≈
¥238.70
Bach: Wachet auf for Bass Flute & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flut
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
¥180.75
Bach: Wachet auf for Oboe d'Amore & Piano
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Oboe d'Am
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
¥180.75
Impressions of Yellowstone
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Daniel Baldwin
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Impressions of Yellowstone
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Imagine Music - Digital
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SheetMusicPlus
Piano and Double Reeds - SKU: IZ.CMW211 Composed by Daniel Baldwin. Score and Parts. 86 pages. Imagine Music - Digital #CMW211. Published by Imagine Mus...
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Piano and Double Reeds - SKU: IZ.CMW211 Composed by Daniel Baldwin. Score and Parts. 86 pages. Imagine Music - Digital #CMW211. Published by Imagine Music - Digital (IZ.CMW211). 9 x 12 inches.My wife and I love to travel together. We are always looking for places to go together, as well as excuses to include each other in our own individual travels. One of my personal favorite travel opportunities is the International Double Reed Society conference. It is an opportunity to catch up with friends, make new friends and contacts, and make beautiful music. A number of years ago, I started the All Star Double Reed Band that has now premiered over a dozen new pieces for large double reed ensemble, and has recorded an album of those works. As a combined labor of love, I wrote Impressions of Yellowstone for my wife, a concert pianist, to perform with this group.The first movement, “Little Grand Canyon opens with a chorale in the piano illustrating the simple majesty of the great and wondrous park that my wife and I visit annually with her parents. From there, the music exemplifies my impression of this wondrous landscape; beautiful, powerful. A deep valley with a waterfall on one end, it is one of the more beautiful sites to see in Yellowstone.The second movement, Grand Prismatic, is a musical impression of the different perspectives of this very famous Yellowstone landmark. From the overlook, you see a stunning pond with steam emanating from it and surrounded by color. However, if you are to go down and stand next to the hotspot, your perspective changes greatly. Sulfur smells, danger from the soft crust (with boiling sulfuric liquid just below the surface), and a hot, steamy fog of mist permeate the area.In the finale, Old Faithful, tone painting is brought out in full force as the opening piano solo material brings about the image of the geyser bubbling and building below the surface. Then, at the point of explosion, you hear the water falling and the delight of all of the dozens of onlookers who visit this most famous site at Yellowstone every day.The original version, for double reeds, is dedicated the All Star Double Reed Band and my wife, Tammy Miller, who recorded it on the Co-Op Press label.The version for piano and string orchestra is dedicated to Tammy and the National Composers Orchestra who recorded it on the Baldwin Records label.
$60.00 ≈
¥434.66
Fanfares
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David Woodcock
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Fanfares
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David Woodcock
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1394362 Composed by David Woodcock. 21st Century,Celtic,Classical,Contest,Festival,Irish,Medieval. Brass Band. 178 pages. David Woodcock #977843. Published by David Woodcock (A0.1394362). This is an heroic piece for Brass Band in three movements. It was the set piece for C Grade in the New Zealand National Band Contest in 2022. Programme Notes: From a young age, I was always interested in castles and history, and have visited many castles in my home country of Wales, which is sometimes called the “castle capital of the worldâ€. At one time Wales had about 600 castles, of which over 100 are still standing, either as ruins or restored buildings. The remainder have been reduced to ditches, mounds and earthworks. Visiting these amazing historically significant buildings has allowed me to reflect on their importance and purpose. In their day they were the centres of thriving communities and it is through their value as the focus of the community, that the three movements have developed their individual characteristics. The first movement depicts a large formidable castle, towering over the neighbouring lands, exuding power, authority and law, complete with noblemen and knights; the second movement describes the pastoral scenes around the castle, and the commoners going about their ordinary lives; the third demonstrates the military function of the castle which was to protect: when coming under siege, the people eventually triumph, the enemy defeated.
$100.00 ≈
¥724.43
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