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123
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9
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1
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11
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Crtitères actifs :
All By Myself
2 Violons (duo)
Partitions à imprimer
2 partitions trouvées
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1
Négyesy's Gallery
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2 Violons (duo)
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AVANCÉ
#
Contemporain
#
Drake Mabry
#
Négyesy's Gallery
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Drake Mabry
#
SheetMusicPlus
Violin Duet Violin - Level 5 - SKU: A0.799489 Composed by Drake Mabry. Contemporary. 57 pages. Drake Mabry #3241901. Published by Drake Mabry (A0.799489...
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Violin Duet Violin - Level 5 - SKU: A0.799489 Composed by Drake Mabry. Contemporary. 57 pages. Drake Mabry #3241901. Published by Drake Mabry (A0.799489). Négysey's Gallery (2001) for two violins is based on computer paintings created by the violin virtuoso János Négysey. During a return visit to my Alma Mater, the University of California, San Diego I heard the sounds of a far-off violin and followed them, finding myself in front of the door of János Négysey, the violin professor at the university. We hadn't seen each other in over 20 years. While catching up on our lives since my graduation, János took out several stunning computer paintings he had recently completed. I immediately suggested that I do a new work for two violins based on his art. I asked to see more and soon when I left his office I had a collection of paintings from which to choose. A year later the piece was completed and he programmed it for a recital at the University. They were premiered on April 10, 2001 by János and Päivikki Nykter, also a virtuoso violinist. The images were projected on several screens across the width of the stage. Afterwards, János and I would meet on Skype to keep up to date and there was always a healthy amount of laughter. When he passed away suddenly in 2013 I was shocked and saddened. I still miss his insights, sense of humor and encyclopedic knowledge. The duration is approximately 33 minutes and there are 12 color paintings included with the score. Many thanks to Päivikki for giving me permission to include the paintings.Négyesy's Gallery was premiered by János Négyesy and Päivikki Nykter at the University of California, San Diego on April 10, 2001
$9.99 ≈
¥72.32
Highlands [2 violins]
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2 Violons (duo)
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FACILE
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
#
SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Ir...
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Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00 ≈
¥14.48
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All By Myself
