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Emil Kronke (1865-1938), a composer of the German late Romantic era, has unjustly fallen into oblivion until today. As a pianist and piano teacher, he primarily composed works for his principal instrument. In addition, he wrote several works for flute which look back on a rich tradition in Dresden, his adopted home town and sphere of activity for many years. Apart from virtuoso salon music, he also composed easier pieces like Kolibris Op. 201 from 1931.
The six appealing miniatures with easy piano accompaniment are little didactic pieces which can be used even by young flutists of today to develop their technique and their style. Furthermore, they sound so beautiful as to certainly bring a good mood into the classroom, yet are also suitable for pupils' concerts and competitions. May the Kolibris continue to fly in the following generations and be played by young musicians with joy and imagination.
This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.

The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Anton�n Dvor�k. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzov� in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubel�k played the melody from 1908 onwards with the title 'Po�me', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.