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--INSTRUMENTS--
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513
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247
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151
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2 Pianos, 4 mains
9
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7
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+ 18 instrumentations
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3 Saxophones (trio)
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Clarinette Basse, Piano
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2 Flûtes traversières (duo)
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Flûte et Guitare
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Cor anglais, Piano
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3 Clarinettes (trio)
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Flûte à bec Alto
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Clarinette, Guitare (duo)
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Clarinette et Alto
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Ensemble de Hautbois
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2 Saxophones, Piano
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Flûte à bec Alto, Basse continue
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3 Flûtes à bec (trio)
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5 Flûtes à bec
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Saxophone et Guitare
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2 Hautbois (duo)
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70
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46
Trompette
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Trombone et Piano
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone
13
Ensemble de Trombones
11
Cor et Piano
10
Cor
7
Euphonium, Piano (duo)
6
Quatuor de Cuivres
6
Trompette, Piano
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Ensemble de Trompettes
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Tuba et Piano
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2 Trompettes (duo)
5
2 Trombones (duo)
5
Trombone (partie séparée)
4
Trompette (partie séparée)
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Cor anglais, Piano
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3
Tuba
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2 Cors (duo)
3
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Euphonium
1
3 Trombones (trio)
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Trompette, Cor (duo)
1
Cor (partie séparée)
1
Cor et Orgue
1
Cor, Violoncelle (duo)
1
Ensemble de Tubas
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
Clarinette, Cor (duo)
1
+ 30 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
98
Violon et Piano
40
Violoncelle, Piano
25
Violoncelle
22
Violon
19
Alto, Piano
19
Harpe
18
Trio à Cordes: violon, alto, violoncelle
11
2 Harpes (duo)
10
2 Violons (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violon, Violoncelle (duo)
8
Violon (partie séparée)
7
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Ensemble de Violons
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
3
Alto seul
3
Harpe, Voix
2
4 Violoncelles
2
Violon, Guitare (duo)
2
2 Altos (duo)
2
Alto (partie séparée)
2
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Contre Basse
1
Harpe, Violon (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 violins
1
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285
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79
Orchestre
75
Ensemble de cuivres
51
Orchestre de chambre
31
Jazz combo
18
Ensemble Jazz
18
Cloches
12
Ensemble de Percussions
6
Vibraphone
2
Batterie
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Xylophone
1
Orchestre, Violon
1
Piano et Orchestre
1
Marimba
1
Batterie (partie séparée)
1
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Hautbois, Piano (duo)
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16 partitions trouvées
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1
Bach: Wachet auf for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe &
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards...
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Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
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Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Sy Brandon
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Craters of the Moon for Oboe,
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Sy Brandon
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SheetMusicPlus
Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon ...
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99 ≈
¥108.65
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Hautbois, Piano (duo)
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AVANCÉ
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...
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Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00 ≈
¥144.96
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95 ≈
¥180.84
Trio for oboe, cello, piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Francis Kayali
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Trio for oboe, cello, piano
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Francis Kayali
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.973042 Composed by Francis Kayali. 20th Century,Concert. Score and parts....
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Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.973042 Composed by Francis Kayali. 20th Century,Concert. Score and parts. 15 pages. Francis Kayali #6066271. Published by Francis Kayali (A0.973042). With its plaintive oboe solo over sometimes dissonant harmonies, the autumnal slow first movement pays homage to Mahler, echoing for instance Das Lied von der Erde. In the second movement, the mood shifts to a java, a popular dance akin to a fast waltz that flourished in France between 1920 and 1960. Remaining in the minor, this movement’s circus-like levity also conveys the grittier side of mid-century Parisian nightlife. Rather inconspicuously, the java incorporates in the piano accompaniment four measures from Rachmaninoff’s Prelude in G minor (Op. 23 No. 5), ironically subverting the aristocratic march into the fold of the plebeian dance. Thus, the second movement also constitutes a nod to Mahler, who famously used klezmer music as a disruption in his First Symphony.
$7.00 ≈
¥50.74
Bach: Bist du bei mir BWV 508 for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score an...
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Oboe,Piano - Level 2 - SKU: A0.549226 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468314. Published by jmsgu3 (A0.549226). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95 ≈
¥238.83
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,...
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Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
¥144.60
Gabriel: His Eye Is On The Sparrow for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Gabriel
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James M
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Gabriel: His Eye Is On The Spa
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548766 Composed by Gabriel. Arranged by James M. Guthrie, ASCAP. Easter,Standards. Score and part. 7 pages. Jmsgu3 #34163...
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Oboe,Piano - Level 1 - SKU: A0.548766 Composed by Gabriel. Arranged by James M. Guthrie, ASCAP. Easter,Standards. Score and part. 7 pages. Jmsgu3 #3416331. Published by jmsgu3 (A0.548766). Score: 4 pg. solo part: 1 pg, Piano part: 2 pg. Duration: 2:18, 57 measures in 6/8, 3 verses. The voice-leading in the first 2 verses is modified and improved from the original. The 3rd verse modulates up a semi-tone then features a descant that simulates bird calls.
$24.95 ≈
¥180.84
Rag Trade (oboe, bassoon and piano)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Colin Kirkpatrick
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Rag Trade
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Colin Kirkpatrick Publications
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SheetMusicPlus
Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.522269 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic,Ragtime...
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Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.522269 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic,Ragtime. Score and parts. 16 pages. Colin Kirkpatrick Publications #6443651. Published by Colin Kirkpatrick Publications (A0.522269). Ragtime is a form of African-American music which emerged during the late nineteenth century. The ragtime style pre-dates jazz music and was at its most popular between the 1890s until the end of the First World War. It’s related musically to the military band marches of the day; to European salon music and to the popular music of the African-American communities in cities such as St. Louis.
$9.99 ≈
¥72.41
Mystery - beginner Oboe solo with piano accompaniment
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Hautbois, Piano (duo)
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DÉBUTANT
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Stella ter Hart
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Mystery - beginner Oboe solo w
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Stella terHart
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.890656 Composed by Stella ter Hart. Blues,Concert,Contemporary,Instructional,Standards. Score and part. 4 pages. Stella t...
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Oboe,Piano - Level 1 - SKU: A0.890656 Composed by Stella ter Hart. Blues,Concert,Contemporary,Instructional,Standards. Score and part. 4 pages. Stella terHart #3478453. Published by Stella terHart (A0.890656). Mystery is an excellent first solo for beginning oboists. Manageable one octave range ensures no notes too low or too high. Much needed rests ( common but often overlooked for young players) are musically placed so as not to disturb the flowing phrases. Mystery features many dynamic expressions and tone contrasts (interesting shifts from minor to major with a surprise at the end!). The piano accompaniment provides a flowing undercurrent to support the easy melody line which features basic rhythms. Superb solo to really showcase any beginning oboe player!Duration: 1'25Key: d minorTempo: allegretto (not fast)Time Signature: 4/4Mood: secretive, mysterious, exoticcomposer contact: www.stellaterhart.com.
$3.99 ≈
¥28.92
A Dark Matter (for alto flute, oboe, clarinet in A, and piano)
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Hautbois, Piano (duo)
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AVANCÉ
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Gilad Cohen
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A Dark Matter
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Gilad Cohen
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SheetMusicPlus
A Clarinet,Alto Flute,Oboe,Piano - Level 5 - SKU: A0.1205115 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 129 pages. Gilad Cohen #803302. Pu...
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A Clarinet,Alto Flute,Oboe,Piano - Level 5 - SKU: A0.1205115 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 129 pages. Gilad Cohen #803302. Published by Gilad Cohen (A0.1205115). Dark matter is one of the most elusive phenomena in the world. While Physicists estimate that dark matter accounts for 85% of the matter in the universe, it has not been proved yet that it actually exists. I find it fascinating that a concept that may have such a foundational role in the construction of the universe remains that mysterious as of today. My piece A Dark Matter explores the notion that our mind also sometimes circles around an intangible “dark matter.†An indefinable worry, regret, or fear can occupy us for a long time and color everything else in dark shades. At the core of this piece is such musical “dark matter.†The first three movements begin almost identically with a claustrophobic web of three melodic threads that crawl, tangle and repeat without any sense of resolution. In each movement, a different one of these threads develops into its own small melancholic universe. In the fourth and last movement, out of the gloom grows a simple melody in the alto flute that offers some hope and comfort, despite the return of the “dark matter†threads at the very end of the piece.
$17.50 ≈
¥126.84
Debussy: Arabesque 2 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Oboe
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.551642 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic ...
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Oboe,Piano - Level 3 - SKU: A0.551642 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5327827. Published by jmsgu3 (A0.551642). Claude Debussy: Arabesque No. 2. Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95 ≈
¥238.83
Debussy: Arabesque 1 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Oboe
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.551627 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic ...
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Oboe,Piano - Level 3 - SKU: A0.551627 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325593. Published by jmsgu3 (A0.551627). Claude Debussy: Arabesque 1, Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95 ≈
¥238.83
O Come All Ye Faithful for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #33881...
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Oboe,Piano - Level 1 - SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388123. Published by jmsgu3 (A0.548513). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
¥180.84
Sextet for Oboes and Piano
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Paul SanGregory
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Sextet for Oboes and Piano
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Distant Engraver Music
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SheetMusicPlus
Small Ensemble Oboe,Piano - Level 5 - SKU: A0.977043 Composed by Paul SanGregory. Contemporary. Score and parts. 45 pages. Distant Engraver Music #35446...
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Small Ensemble Oboe,Piano - Level 5 - SKU: A0.977043 Composed by Paul SanGregory. Contemporary. Score and parts. 45 pages. Distant Engraver Music #3544695. Published by Distant Engraver Music (A0.977043). (The score and all parts are contained in one PDF download)Each movement of this lighthearted piece has its own special character and texture, and each requires careful attention be paid to a different ensemble technique. The first movement has sharply articulated chords played by piano, with oboes sustaining some of the notes as long quiet reverberations. Then, performers take turns playing melodic phrases in and around that atmosphere of changing harmonic colors. The second movement is called Chant because the lyrical melody seems somewhat austere, perhaps like a ritualistic chant, and because it is performed by two voices in a quasi organum-like style. Unlike a religious ceremony, though, the accompaniment for this melody is a brightly busy texture of chattering oboes with warmly articulated piano chords and occasional sparkles added. It uses a process technique borrowed from minimalist music, but a strong melodic and harmonic sweep gently carries it through to its delicate ending.
$10.00 ≈
¥72.48
Memories
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Flávio Régis C
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Memories
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Flavio Regis Cunha
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SheetMusicPlus
Piano Duet, Oboe - Advanced Intermediate - Digital Download Composed by Flávio Regis Cunha. 21st Century, Minimalism. Score, Set of Parts. 9 p...
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Piano Duet, Oboe - Advanced Intermediate - Digital Download Composed by Flávio Regis Cunha. 21st Century, Minimalism. Score, Set of Parts. 9 pages. Published by Flavio Regis Cunha
?Memories? was originally composedfor a film score called ?The Simontons Diary?. This short film participated inShort Film Corner (Cannes 2007); 30th Guarnic Festival (So Lus do Maranho)and was selected for the 21st So Paulo Audiovisual Show. The firstcompositional idea for ?Memories? was for oboe and piano. This piece is simplein its construction but very lyric and espressive. In its compositional therms I used a soloist instrumentto conduct the main melody with a very minimalist piano accompaniment. Thispiece is for intermediate students.
$4.99 ≈
¥36.17
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