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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FLUTE A BEC
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FLUTE TRAVERSI…
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HARMONICA
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Mark S
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2 658
Piano & claviers
Piano seul
1 061
Piano Facile
453
Piano, Voix
418
Piano, Voix et Guitare
218
Piano (partie séparée)
164
Orgue
130
Instruments en Do
93
Accompagnement Piano
19
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
15
Accordéon
10
Piano grosses notes
10
Piano Quatuor: piano, violon, alto, violoncelle
7
2 Pianos, 4 mains
6
Orgue, Trompette (duo)
4
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Instrument seul et Orgue
1
2 Pianos, 8 mains
1
Fake Book
1
Ligne De Mélodie, Piano
1
2 Accordéons
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
338
2 Guitares (duo)
123
Guitare (partie séparée)
118
Guitare
90
Basse electrique
42
Ligne De Mélodie, (Paroles) et Accords
30
Ukulele
15
Paroles et Accords
10
Piano, Guitare (duo)
6
Dulcimer
6
Banjo
5
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Basse électrique (partie séparée)
4
Ensemble de guitares
2
Ensemble de Ukulélés
2
Mandoline
1
Ukulele Baryton
1
+ 13 instrumentations
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Voix
Chorale SATB
633
Chorale 3 parties
255
Chorale TTBB
154
Chorale Unison
127
Pack Instrumental pour Chorale
115
Chorale 2 parties
107
Chorale SSAA
59
Chorale
18
Voix haute
8
Voix Soprano, Piano
8
Voix duo
7
Voix duo, Piano
7
Voix moyenne, Piano
6
Voix seule
5
Voix Baryton, Piano
5
Voix Alto, Piano
4
Soli, choeur mixte et accompagnement
3
Voix Soprano
3
Voix basse, Piano
2
Voix Tenor
2
Chorale SSAATB
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
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1 732
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792
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312
Flûte et Guitare
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291
2 Saxophones (duo)
186
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
139
2 Flûtes traversières (duo)
123
2 Clarinettes (duo)
116
Saxophone Alto
108
Flûte traversière
100
Quatuor de Saxophones: 4 saxophones
91
Clarinette
87
Saxophone Tenor
87
Flûte traversière et Piano
81
Quintette de Saxophone: 5 saxophones
76
Flûte, Hautbois, Clarinette, Basson
76
Saxophone Alto et Piano
61
Quatuor de Clarinettes: 4 clarinettes
58
Clarinette et Piano
53
Hautbois, Piano (duo)
51
Saxophone Tenor et Piano
36
Ensemble de Clarinettes
32
Saxophone Soprano et Piano
28
Saxophone Baryton, Piano
19
2 Hautbois (duo)
16
3 Saxophones (trio)
16
3 Clarinettes (trio)
14
Quintette de Clarinettes: 5 clarinettes
13
Hautbois
12
Ensemble de Flûtes
11
Trio de Flûtes: 3 flûtes
11
Ensemble de saxophones
10
Clarinette Basse, Piano
9
Quintette de Flûte : 5 flûtes
9
Quatuor de Flûtes à bec
9
Saxophone
8
Quatuor de Flûtes : 4 flûtes
8
Flûte, Violon
7
3 Flûtes à bec (trio)
7
Flûte, Clarinette (duo)
7
Clarinette, Violon (duo)
7
Flûte à bec Soprano
7
Hautbois, Flûte
5
Cor anglais, Piano
5
Hautbois, Clarinette (duo)
5
5 Flûtes à bec
5
Clarinette, Trompette (duo)
5
Saxophone Baryton
5
Hautbois, Basson (duo)
5
2 Flûte à bec (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Trompette (duo)
4
Cor Anglais
4
Saxophone, Clarinette (duo)
4
Flûte, Alto (duo)
4
Saxophone Soprano
4
Hautbois, violon (duo)
3
Clarinette, Basson (duo)
3
Flûte, Clarinette et Basson
3
Piccolo
2
Clarinette, Guitare (duo)
2
Hautbois, Harpe
2
Saxophone et Guitare
2
Flûte, Saxophone (duo)
2
Ensemble De Flûte à bec
2
Saxophone et Harpe
2
Flûte à bec Alto
2
Clarinette, Harpe (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Clarinette, Trombone (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
Cornemuse
1
Flûte à Bec
1
Flûte à bec Tenor
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Basson
1
Clarinette, Alto et Piano (trio)
1
Flûte irlandaise
1
3 Hautbois
1
Cor anglais et Harpe (duo)
1
Clarinette et Alto
1
Hautbois, Guitare (duo)
1
+ 89 instrumentations
Retracter
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Trompette (partie séparée)
1 387
Trombone (partie séparée)
1 327
Cor (partie séparée)
308
Tuba (partie séparée)
223
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
126
2 Trompettes (duo)
125
Trompette
105
Trombone
100
Quatuor de Cuivres : 2 trompettes, trombone, tuba
91
Trompette, Piano
46
Trombone et Piano
40
Cor
36
Euphonium (partie séparée)
29
Tuba
29
Cor et Piano
24
Tuba et Piano
22
2 Trombones (duo)
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Quatuor de Cuivres
16
Ensemble de Trombones
15
2 Cors (duo)
11
Trompette, Trombone (duo)
11
Euphonium, Piano (duo)
11
Euphonium
9
Quatuor de cuivres: 4 trombones
7
Trio de Cuivres
7
Ensemble de Trompettes
6
Cor anglais, Piano
5
2 Tubas (duo)
5
Trombone basse
5
Cor Anglais
4
Quatuor de cuivres: 4 cors
4
Trompette, Saxophone (duo)
4
Trompette, violon (duo)
3
Bass Clef Instruments
3
Trombone, violoncelle (duo)
2
Trompette, Harpe
2
Tuba et Orgue
2
Cor et Harpe
2
2 Euphoniums et 2 Tubas
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Ensemble de Cors
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Trombone basse et Piano
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
4 Tubas
1
+ 45 instrumentations
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Contrebasse (partie séparée)
343
Quatuor à cordes: 2 violons, alto, violoncelle
337
Violon (partie séparée)
277
2 Violons (duo)
140
Harpe
121
Violon et Piano
111
Violon
109
Violoncelle (partie séparée)
108
Violoncelle
103
2 Harpes (duo)
89
Alto (partie séparée)
85
Violoncelle, Piano
68
Alto, Piano
57
Trio à Cordes: violon, alto, violoncelle
49
Alto seul
47
Violon, Violoncelle (duo)
41
Contre Basse
30
2 Violoncelles (duo)
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Violon, Alto (duo)
23
Contrebasse, Piano (duo)
16
2 Altos (duo)
16
Trio à Cordes: 2 violons, violoncelle
10
Ensemble de Violons
7
Trio à cordes: 3 violins
7
Ensemble d'Altos
6
Violon, Guitare (duo)
6
Harpe (partie séparée)
6
2 Contrebasses (duo)
4
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
Violoncelle , Guitare (duo)
4
4 Violoncelles
4
Violoncelle, Contrebasse (duo)
3
Alto et Harpe
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
Alto, Violoncelle (duo)
2
Ensemble de Violoncelles
1
Alto et Basson
1
3 Harpes
1
Quatuor à cordes : 4 altos
1
Harpe, Trombone (duo)
1
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Alto et orchestre
1
Alto, Guitare (duo)
1
+ 45 instrumentations
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Orchestre d'harmonie
420
Percussion (partie séparée)
254
Orchestre à Cordes
206
Ensemble Jazz
193
Orchestre
168
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164
Timbales (partie séparée)
107
Ensemble de cuivres
58
Cloches
57
Fanfare
50
Orchestre de chambre
48
Batterie
26
Ensemble de Percussions
16
Jazz combo
16
Vibraphone (partie séparée)
12
Vibraphone
7
Xylophone
4
Percussion
4
Xylophone (partie séparée)
3
Marimba
3
Piano et Orchestre
2
2 Marimbas
1
Xylophone, Piano
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
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Voix Baryton, Piano
Partitions à imprimer
5 partitions trouvées
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1
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
#
Gioachino Rossini
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Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
¥64.83
The Torn Fields
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Voix Baryton, Piano
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Contemporain
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Mark- Anthony Turnage
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The Torn Fields
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Schott Music - Digital
#
SheetMusicPlus
Baritone and ensemble - difficult - For baritone and large ensemble. Composed by Mark- Anthony Turnage (1960-). This edition: vocal/piano score. Down...
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Baritone and ensemble - difficult - For baritone and large ensemble. Composed by Mark- Anthony Turnage (1960-). This edition: vocal/piano score. Downloadable. Duration 26 minutes. Schott Music - Digital #Q5954. Published by Schott Music - Digital
English.
Emotions from intense anger to morbid despair are conveyed through this powerful vocal work depicting the viewpoints of poets from the Great War. . Mark-Anthony Turnage's 'The Torn Fields' sets the words of Rudyard Kipling, Wilfred Owen, Isaac Rosenberg and Charles Sorley. the latter two of whom were killed in the trenches. .Despite the dark nature of the work, it concludes with a symbol of humanity and hope, the music from the prologue returns with the poem Everyone Sang to creating a unified transcendence away from the fears and desolation of the torn fields.
$33.99 ≈
¥246.20
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
¥122.77
Angels
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Larry A
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Angels
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Larry A. Schacher
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1003858 Composed by Larry A. Schacher. Christian. 8 pages. Larry A. Schacher #3106839. Published b...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1003858 Composed by Larry A. Schacher. Christian. 8 pages. Larry A. Schacher #3106839. Published by Larry A. Schacher (A0.1003858). 2017 Choral Contest entry. A sweet lullaby for children of all ages. Tinkling piano,and soaring vocal line, with beautiful lyrics. Performing rights: August Wine Publishing,B.M.I.Larry Schacher on FacebookLarry Schacher is a multi-instrumentalist, vocalist, arranger and composer. Larry is fluent on piano, sax, clarinet, flute, guitar and bass. While in college, Larry also learned the violin, viola, trumpet, trombone, and bassoon.Larry taught public school music, and gifted classes in music for high schoolers at Eastern Oregon University, and Montana State; Larry also taught adult classical and folk guitar classes at Mt. Hood Community College. Larry also developed a rock and roll boot camp for middle schoolers that ran for several years during spring breaks at the Overlake School in Redmond, Wa. Larry was commissioned to to write the Overlake School anthem. Larry’s students have earned scholarships to the Berkeley School of music; attended the Thornton School of music; New York University and many others. Larry is a recording studio musician and besides the 5 albums he has published on CDbaby, he has appeared on many other albums, produced jingles for commercials that received air play in the Seattle market, and was the pianist for a syndicated gospel TV show. Larry has performed from Hawaii to New York city. One of Larry’s fondest memories is writing and conducting an arrangement of our national anthem that was sung by Seattle Opera at a Sonics/Sun basketball game. https://store.cdbaby.com/cd/larryschacher2http://fandalism.com/mystro1020
$5.00 ≈
¥36.22
Fünf Gedichte von Paul Celan
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Voix Baryton, Piano
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AVANCÉ
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Aribert Reimann
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Fünf Gedichte von Paul Ce
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Schott Music - Digital
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SheetMusicPlus
Baritone Voice and Piano - advanced to difficult - SKU: S9.Q40377 Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 15 minu...
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Baritone Voice and Piano - advanced to difficult - SKU: S9.Q40377 Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q40377. Published by Schott Music - Digital (S9.Q40377). German.Reimann's early musical setting of five poems by Paul Celan has meanwhile become well-established in the competition and concert repertoire. In contrast to many other songs by Reimann, the piano part is not very difficult so that these pieces are of great appeal to many singers and pianists. The dynamic markings and ossia variants in the vocal part of our new edition have been taken from the personal copy of the composer and were thoroughly prepared by Reimann during his concert activities as accompanist of Dietrich Fischer-Dieskau.
$23.99 ≈
¥173.77
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Mark S
