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Brett A
Saxophone Tenor et Piano
Partitions à imprimer
5 partitions trouvées
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Making the Darkness Conscious
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Saxophone Tenor et Piano
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AVANCÉ
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the end of the piece, the solo
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Brett L
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Making the Darkness Conscious
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 3...
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95 ≈
¥108.29
Excelsior
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Necke, Hermann
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Nick M Lacanski
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Excelsior
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theupperstaff
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1142174 Composed by Necke, Hermann. Arranged by Nick M Lacanski. Romantic Period. Score and part. 12 pages. Th...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1142174 Composed by Necke, Hermann. Arranged by Nick M Lacanski. Romantic Period. Score and part. 12 pages. Theupperstaff #742553. Published by theupperstaff (A0.1142174). Excelsior originally was a vocal piece and was dedicated to Count Zeppelin. The librettist was Carl Ruhle and was written in German.
$2.99 ≈
¥21.66
Queen of the Night - From the Magic Flute - Tenor Sax and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Queen of the Night - From the
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Piano,Tenor Saxophone - Level 3 - SKU: A0.760213 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Fe...
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Chamber Orchestra Piano,Tenor Saxophone - Level 3 - SKU: A0.760213 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and part. 19 pages. Raymond Fenech #3520097. Published by Raymond Fenech (A0.760213). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.
$3.99 ≈
¥28.90
O Mio Babbino Caro - G.Puccini - Tenor Sax and Piano
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Saxophone Tenor et Piano
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FACILE
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G
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Raymond Fenech
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O Mio Babbino Caro - G.Puccini
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Raymond Fenech
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1073257 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Sco...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1073257 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 11 pages. Raymond Fenech #677520. Published by Raymond Fenech (A0.1073257). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$3.99 ≈
¥28.90
Intermezzo (Cavalleria Rusticana) - FREE Mp3 Playback + PDF Solo and Piano Parts
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Intermezzo
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1266637 By Fabio Eduardo de Oliveira. By Pietro Mascagni. Arranged by Fabio Eduardo de Oliveira. 20th Century,...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1266637 By Fabio Eduardo de Oliveira. By Pietro Mascagni. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Opera,Wedding. Score and part. 5 pages. Fabio Eduardo #859312. Published by Fabio Eduardo (A0.1266637). FREE Download Backing TrackCavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called Cav/Pag double-bill with Pagliacci by Ruggero Leoncavallo.
$1.99 ≈
¥14.41
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Brett A
