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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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VIBRAPHONE
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XYLOPHONE
Cello, Piano Quartet
Non classifié
1 046
Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle
550
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476
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148
Piano seul
38
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16
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16
Piano Facile
13
Piano, Voix et Guitare
10
Piano, Voix
7
1 Piano, 4 mains
2
+ 5 instrumentations
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Guitares
Guitare
2
2 Guitares (duo)
1
Voix
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17
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2
Chorale TTBB
1
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1
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1
Soli, choeur mixte et accompagnement
1
Voix seule
1
+ 2 instrumentations
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Vents
Flûte, Hautbois, Clarinette, Basson
47
Quatuor de Saxophones: 4 saxophones
23
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22
Flûte traversière et Piano
13
Quatuor de Clarinettes: 4 clarinettes
12
Clarinette et Piano
7
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5
Hautbois, Piano (duo)
5
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4
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4
Quatuor de Flûtes : 4 flûtes
4
2 Flûtes traversières (duo)
2
Flute, harpe et violon
2
Saxophone Alto et Piano
2
Saxophone Tenor et Piano
1
Flûte et Trio à cordes
1
Flûte et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette Basse, Piano
1
Saxophone Soprano et Piano
1
2 Clarinettes (duo)
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Saxophone Baryton, Piano
1
Clarinette, Guitare (duo)
1
+ 24 instrumentations
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Cuivres
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Piano
2
Trombone et Piano
2
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Cor et Piano
1
Trompette
1
+ 5 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 331
Violoncelle, Piano
74
Violon et Piano
66
Quintette à cordes: 2 violons, alto, violoncelle, basse
45
4 Violoncelles
41
Violoncelle
31
Trio à Cordes: violon, alto, violoncelle
18
Violon
12
Alto, Piano
8
Violon, Violoncelle (duo)
7
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: 3 violoncelles
3
Violon (partie séparée)
3
2 Violoncelles (duo)
3
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
2
Contrebasse, Piano (duo)
2
Harpe, Violoncelle (duo)
1
Alto seul
1
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Ensemble de Violoncelles
1
+ 21 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
47
Orchestre de chambre
42
Orchestre
15
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
9
Ensemble de cuivres
4
Orchestre d'harmonie
3
Ensemble de Percussions
3
Ensemble Jazz
2
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1
Orchestre, Violon
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Cello, Piano Quartet
Clarinette Basse, Piano
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
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