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--INSTRUMENTS--
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Ain't It Fun
Non classifié
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50
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31
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15
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15
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4
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1
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17
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9
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Tuba
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Alto (partie séparée)
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Violon (partie séparée)
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Contrebasse, Piano (duo)
1
5 Harpes
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Alto seul
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Violoncelle (partie séparée)
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Violoncelle, Contrebasse (duo)
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Cloches
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1
Xylophone, Piano
1
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Crtitères actifs :
Ain't It Fun
Chorale TTBB
Partitions à imprimer
6 partitions trouvées
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1
Ain't It A Beauty
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Chorale TTBB
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FACILE
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Cliff Ferre and Mark Mcintyre
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Kevin Keller
#
Made famous on Dr
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Ain't It A Beauty
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Kevin Keller
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.816175 Composed by Cliff Ferre and Mark Mcintyre. Arranged by Kevin Keller. A Cappella,Barbershop,Comedy. Octavo...
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Choral Choir (TTBB) - Level 2 - SKU: A0.816175 Composed by Cliff Ferre and Mark Mcintyre. Arranged by Kevin Keller. A Cappella,Barbershop,Comedy. Octavo. 6 pages. Kevin Keller #5017015. Published by Kevin Keller (A0.816175). Fun TTBB (Barbershop) arrangement of a bawdy song that has a twist at the end. Made famous on Dr. Demento back in the 1970's.
$2.99 ≈
¥21.68
Ain't It De Truth
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Harold Arlen
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Kevin Keller
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Fun song and chart!
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Ain't It De Truth
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Kevin Keller
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.816122 Composed by Harold Arlen. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Octavo. 8 pages. ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.816122 Composed by Harold Arlen. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Octavo. 8 pages. Kevin Keller #3928847. Published by Kevin Keller (A0.816122). Men's TTBB Arrangement with melody in T2 (barbershop). Fun song and chart!
$2.99 ≈
¥21.68
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
¥28.93
Words From an Artist's Pallette for TTBB, a cappella, divisi with Tenor & Bass solos
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Chorale TTBB
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AVANCÉ
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Judith Cloud
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Words From an Artist's Pallett
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Judith Cloud
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.981230 Composed by Judith Cloud. A Cappella,Contemporary. Octavo. 30 pages. Judith Cloud #6690583. Published by ...
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Choral Choir (TTBB) - Level 5 - SKU: A0.981230 Composed by Judith Cloud. A Cappella,Contemporary. Octavo. 30 pages. Judith Cloud #6690583. Published by Judith Cloud (A0.981230). Words From An Artist’s PaletteJudith Cloudfor the men of the Santa Fe Desert Chorale Michelangelo (1475-1564)Ad caelum scalas anima non invenit mea nisi per terrae pulchritudinem (My soul can find no staircase to Heaven unless it be through Earth's loveliness.) Leonardo da Vinci (1452-1519)La funzione dei moscoli è di tirare non di spingere, eccetto nel caso dei genitali e della lingua. (The function of muscle is to pull and not to push, except in the case of the genitals and the tongue.) Salvador Dali (1904-1989)Dejad que mis enemigos se devoren entre ellos. (Let my enemies devour each other. ) Camille Pissarro (1830-1903)Bénis sont ils qui voient de belles choses dans les endroits humbles où d'autres ne voient rien. (Blessed are they who see beautiful things in humble places where other people see nothing.) Georgia O'Keefe (1887-1986)I hate flowers - I paint them because they're cheaper than models and they don't move.
$4.99 ≈
¥36.18
Make You Feel My Love
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Chorale TTBB
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DÉBUTANT
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Bob Dylan
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Alexander Koller
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Make You Feel My Love
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Alexander Koller
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Kol...
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Choral Choir (TTBB) - Level 1 - SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Koller #6905687. Published by Alexander Koller (A0.1035850). This is a four-part a cappella arrangement in the barbershop style (for male voices). The arrangement follows the Adele version more closely than the Bob Dylan version, but leaves out some of her stylizations. It should be fine for barbershop contests.There are already several barbershop arrangements of the song. My goal was to write one that is accessible for beginning barbershoppers, but still has some fun moments and a musical development that supports the story. I have tried to maintain the quiet and introspective mood of the original, while still giving you the opportunity for some musical contrasts.The back half (which you can't see in the preview) has the third verse as a lead solo and the fourth verse as a lead-tenor duet, with the other parts singing doo-doo accompaniment. The second bridge (the storms are raging) has a higher tessitura and musical intensity than the first one.The arrangement is for male voices. It should also work for a mixed quartet with a male bass. If you want to sing it with four high voices, please get in touch and I'll see if I can make it more accessible to you.If you choose to sing this arrangement, I would love to hear about your experiences at akoller@gmail.com; your feedback will make me a better arranger.
$1.99 ≈
¥14.43
Windy
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Association
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Larry Wright
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Windy
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1372357 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barbershop. 3 pages...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1372357 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barbershop. 3 pages. Larry Wright #956650. Published by Larry Wright (A0.1372357). A MEN'S 4-part, high energy, fun barbershop PARTIAL arrangement of this clever tune. NOTE:Â AGAIN, this is NOT an arrangement of the complete song!!!! For an explanation, please email <larry@larrywrightmusic.com>.Excellent 4-part, part-predominant, vocal learning trax are available <www.larrywrightmusic.com>. Check out SMP's short 30-second audio sample... as well as my website's FREE 1 minute audio sample... and finally, my website's $2 full-length audio demo <www.larrywrightmusic.com>.IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price..., NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!! Of course, you'll still need to pay SMP (or the publisher who controls the song licensing) the song per-copy fees for your second COMBO.NOTE: If the SMP per-copy is anything more than $1.99, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase for all choral arrangements...to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangment making good use of the EXCELLENT part-predominant, vocal learning trax <www.larrywrightmusic.com>.
$1.99 ≈
¥14.43
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