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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
BASS
Non classifié
46 050
Piano & claviers
Piano seul
1 814
Piano, Voix
1 367
Accordéon
819
Piano Facile
729
Piano, Voix et Guitare
516
Instruments en Do
406
Accompagnement Piano
300
Orgue
133
1 Piano, 4 mains
68
Piano (partie séparée)
37
Piano Quintette: piano, 2 violons, alto, violoncelle
25
2 Pianos, 4 mains
23
Piano Quatuor: piano, violon, alto, violoncelle
21
Piano Trio: piano, violon, violoncelle
19
Ensemble d'Accordéons
15
2 Accordéons
14
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Piano grosses notes
6
Orgue, Piano (duo)
6
Orgue, Trompette (duo)
5
1 Piano, 6 mains
5
Clavecin
3
Accordéon et Orchestre
2
2 Pianos, 8 mains
2
Fake Book
2
Clavier
2
Accordéon, Voix
1
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Trio: Instruments de chambre mixtes
1
Accordéon, Piano
1
+ 26 instrumentations
Retracter
Guitares
Basse electrique
13 344
Guitare notes et tablatures
703
Basse électrique (partie séparée)
415
Guitare
401
Ligne De Mélodie, (Paroles) et Accords
362
Piano, Guitare (duo)
81
Guitare (partie séparée)
79
Ukulele
48
Guitare Tab, Voix, Basse, Batterie
40
4 Guitares (Quatuor)
39
Mandoline, Piano (duo)
35
Ensemble de guitares
30
Paroles et Accords
29
2 Guitares (duo)
26
2 Dulcimers (duo)
18
Dulcimer
16
3 Guitares (trio)
9
Mandoline
9
Mandoline, Guitare (duo)
4
Guitare, Flûte, Clarinette
2
Ensemble de Ukulélés
2
Banjo
2
2 Ukuleles
1
Guitare, Orchestre
1
2 Mandolines (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
10 228
Pack Instrumental pour Chorale
4 624
Chorale 3 parties
2 916
Chorale TTBB
1 772
Chorale 2 parties
1 477
Chorale
1 413
Voix duo, Piano
862
Voix basse, Piano
605
Chorale SSAA
557
Voix seule
544
Voix duo
295
Chorale Unison
109
Chorale SATTB
85
Chorale SSATBB
72
Voix et basse continue
55
Voix basse
47
Voix Baryton, Piano
46
Voix haute
42
Soli, choeur mixte et accompagnement
22
Chorale SAATB A Cappella
20
Voix Soprano, Piano
19
Voix moyenne, Piano
18
Voix Alto, Piano
17
Chorale SSATB
11
Voix d'Enfants
11
Voix Tenor, Piano
10
Chorale SSAATTBB
10
Chorale SATTBB, Clavier
8
Voix Tenor
5
Chorale SSAB, Piano
3
Chorale SSATTB
3
Voix, Guitare
3
Voix Baryton
2
Voix Mezzo-Soprano, Piano
1
Chorale SATBB
1
+ 30 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7 384
Flûte, Hautbois, Clarinette, Basson
6 619
Clarinette (partie séparée)
2 831
Quatuor de Clarinettes: 4 clarinettes
2 570
Hautbois, Basson (duo)
1 067
Ensemble de Clarinettes
880
2 Clarinettes (duo)
856
Clarinette Basse, Piano
730
Flûte, Clarinette et Basson
712
Ensemble de Flûtes
676
Quintette de Clarinettes: 5 clarinettes
649
3 Clarinettes (trio)
610
Clarinette, Basson (duo)
583
Flûte, Hautbois, Basson
535
Hautbois, Clarinette, Basson (trio d'anches)
502
Quatuor de Flûtes : 4 flûtes
442
Hautbois, Piano (duo)
413
Clarinette Basse
410
Quintette de Saxophone: 5 saxophones
404
Ensemble de saxophones
398
Quatuor de Saxophones: 4 saxophones
314
Saxophone (partie séparée)
252
2 Flûte à bec (duo)
244
Flûte traversière et Piano
227
Clarinette
213
Quintette de Flûte : 5 flûtes
201
Quatuor de Flûtes à bec
199
2 Flûtes traversières (duo)
196
Clarinette et Piano
185
Flûte traversière
184
Saxophone Tenor et Piano
177
Flûte, Basson et Piano
175
Flûte à Bec, Piano
171
Saxophone Alto et Piano
165
2 Saxophones (duo)
154
Ensemble De Flûte à bec
129
Trio de Flûtes: 3 flûtes
124
2 Clarinettes, Basson
101
Flûte à Bec
93
3 Saxophones (trio)
91
3 Flûtes à bec (trio)
90
Clarinette, Basson, Piano (trio)
76
Flûte, Clarinette, Cor, Basson (Quartet)
73
Saxophone Soprano et Piano
63
Flûte à bec Alto, Basse continue
55
Saxophone, Basson (duo)
49
Saxophone Alto
48
Flûte, Violon, Piano
43
2 Hautbois (duo)
42
Flute (partie séparée)
41
Flûte, Clarinette (duo)
41
Flûte traversière, Basse continue
38
2 Clarinettes, Piano
37
Saxophone Baryton, Piano
35
Saxophone Tenor
34
5 Flûtes à bec
34
Hautbois, Basson et Piano
32
Flûte et Guitare
28
Hautbois (partie séparée)
23
Hautbois
17
Flûte, Hautbois, Clarinette (trio)
16
Clarinette, Contrebasse (duo)
16
Ensemble à vent
14
Flûte à bec Soprano
14
Clarinette, Violon (duo)
13
Saxophone, Clarinette (duo)
13
Saxophone
12
Clarinette, Violoncelle (duo)
11
Flûte à bec Soprano, Basse continue
11
3 Hautbois
10
Clarinette, Guitare (duo)
10
4 Hautbois
9
Cor anglais, Piano
9
2 Hautbois et Basson
9
Flûte, Violon
9
Flûte, Violoncelle
8
Hautbois, Clarinette (duo)
8
Clarinette, Trompette (duo)
8
Saxophone Soprano
7
Piccolo
7
Cor Anglais
7
Flûte à bec Tenor
7
Hautbois, Flûte
7
Clarinette et Alto
6
Hautbois, Violoncelle
6
Flûte, Violon et Violoncelle
6
Saxophone Baryton
6
2 Flûtes, Basse continue
6
Clarinette, Harpe (duo)
5
Flûte, Saxophone (duo)
5
Flûte à bec Alto, Piano
5
Saxophone et Guitare
5
Instruments en Mib
5
Flûte, Trombone (duo)
5
Flûte à bec Alto
4
Flûte, Trompette (duo)
4
Cor anglais, Guitare (duo)
4
Hautbois, Harpe
4
Saxophone et Orchestre
3
Hautbois, Clarinette, Basson et Piano
3
Saxophone et Harpe
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Trombone (duo)
2
Flûte, Alto (duo)
2
Flûte traversière, Orgue (duo)
2
Ensemble de Hautbois
2
Flûte, Clarinette, Violon (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Hautbois (duo)
2
Clarinette, Orchestre
2
2 clarinettes, 2 bassons
2
Piccolo, Piano
2
Harmonica
2
2 Cors Anglais Et Pianoforte
2
Cornemuse
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Saxophone et Piano
1
Flûte, Harpe et Violoncelle
1
Flûte traversière, Orchestre
1
Clarinette, Tuba
1
2 Flûtes traversières, Piano
1
2 Saxophones, Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Flûtes à bec, Guitare
1
Hautbois et Orchestre
1
+ 124 instrumentations
Retracter
Cuivres
Bass Clef Instruments
1 823
Trombone (partie séparée)
611
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
550
Quatuor de cuivres: 4 trombones
446
Trombone et Piano
319
Trombone basse et Piano
281
Quatuor de Cuivres : 2 trompettes, trombone, tuba
232
Trompette (partie séparée)
178
Trombone
175
Tuba et Piano
173
Ensemble de Trombones
173
2 Trombones (duo)
140
Trombone basse
123
Trompette, Basson (duo)
119
Euphonium, Piano (duo)
95
Trompette, Piano
94
Cor et Piano
89
Trompette
73
Tuba
60
3 Trombones (trio)
58
Euphonium
52
Quatuor de cuivres: 4 cors
50
Cor et Basson (duo)
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Quatuor de Cuivres
47
Tuba (partie séparée)
46
2 Cors (duo)
46
Cor (partie séparée)
46
2 Euphoniums et 2 Tubas
45
Trompette, Trombone (duo)
41
2 Trompettes (duo)
40
Cor
38
2 Tubas (duo)
34
Trio de Cuivres
32
Euphonium, Tuba (duo)
27
Trombone, Tuba (duo)
26
2 Euphoniums (duo)
14
4 Tubas
12
Tuba et Orgue
12
Trompette, Saxophone (duo)
11
Ensemble de Cors
10
Cor anglais, Piano
9
3 Trompettes (trio)
8
Cor Anglais
7
Ensemble de Trompettes
6
Trompette, Harpe
5
Cor et Harpe
5
3 Cors (trio)
5
Quatuor de cuivres: 4 trompettes
5
3 Tubas (trio)
4
Cor anglais, Guitare (duo)
4
Cor, Violoncelle (duo)
3
Trombone, Orgue
3
Trompette, Tuba (duo)
3
Trombone, Cor (duo)
3
Trombone et orchestre
3
Trompette, Euphonium (duo)
3
Instruments en Sib
3
Trompette, Cor (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Bugle
2
2 Cors Anglais Et Pianoforte
2
Cor, Trompette, Trombone (trio)
1
Euphonium (partie séparée)
1
Trompette, violon (duo)
1
Trompette et Guitare
1
Cor anglais et Harpe (duo)
1
Cornet et orchestre
1
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
+ 65 instrumentations
Retracter
Cordes
Contrebasse (partie séparée)
5 084
Contre Basse
2 420
Quintette à cordes: 2 violons, alto, violoncelle, basse
2 039
Quatuor à cordes: 2 violons, alto, violoncelle
1 981
Contrebasse, Piano (duo)
1 792
2 Contrebasses (duo)
354
Violon
331
Violoncelle, Contrebasse (duo)
327
Trio à Cordes: violon, alto, violoncelle
269
Violon et Piano
265
Violoncelle, Piano
264
Violon, Basson (duo)
257
Violon, Violoncelle (duo)
246
Alto, Piano
175
Violoncelle
170
Alto et Basson
167
2 Violoncelles (duo)
152
Harpe
129
Violon (partie séparée)
95
4 Contrebasses
66
Violon, Alto (duo)
66
Trio à cordes
62
Flûte, Contrebasse (duo)
60
Violon, Basse continue
55
2 Violons (duo)
54
Quintette à cordes : 2 violons, alto et 2 violoncelles
52
Trio à Cordes: 2 violons, violoncelle
52
Alto seul
50
2 Altos (duo)
49
3 Contrebasses
43
Violoncelle (partie séparée)
43
4 Violoncelles
41
Violoncelle, Basse continue
41
2 Violons et Basse continue
39
Quintette à cordes: 2 violons, 2 altos, violoncelle
36
Alto (partie séparée)
36
Harpe, Flûte (duo)
27
Trio à Cordes: 3 violoncelles
25
Harpe, Violon (duo)
21
Alto, Violoncelle (duo)
21
2 Harpes (duo)
20
Alto et Harpe
19
Trio à cordes: 3 violins
18
Harpe, Violoncelle (duo)
17
Violon, Contrebasse (duo)
16
Trio à cordes: 3 altos
15
Violoncelle , Guitare (duo)
10
Violon, Guitare (duo)
8
Violoncelle, Orchestre
5
Harpe, Voix
4
Ensemble de Violoncelles
4
Quatuor à cordes: 4 violons
4
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 2 violons, alto
3
Ensemble de Contre basses
3
Harpe, Violon, Violoncelle
2
Ensemble d'Altos
2
Harpe, Trombone (duo)
2
Quatuor à cordes : 4 altos
2
Ensemble de Violons
2
2 Violoncelles, Piano
1
3 Harpes
1
Alto, Guitare (duo)
1
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orgue
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
9 032
Ensemble Jazz
3 712
Orchestre à Cordes
3 062
Fanfare
2 501
Orchestre
2 495
Ensemble de cuivres
892
Jazz combo
814
Orchestre de chambre
588
Batterie
399
Cloches
297
Ensemble de Percussions
219
Batterie (partie séparée)
201
Percussion
71
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Percussion (partie séparée)
48
Timbales
23
Caisse Claire
17
Marimba
16
Piano et Orchestre
14
Xylophone, Piano
14
Big band
12
Ensemble d'École
11
Instrumentation Flexible
8
Timbales (partie séparée)
8
Quintette à Vent
5
Vibraphone
5
Orchestre, Violon
4
3 Marimbas
2
Vibraphone et Marimba
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Voix et Orchestre
1
+ 27 instrumentations
Retracter
Autres
Papeterie
5
Théorie de la musique
4
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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BASS
2 Pianos, 4 mains
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1
Sonata Hymnica No. 6
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00 ≈
¥71.54
Chorale Prelude Op.67 N.49 for Piano Duet (2 Pianos)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Max Reger
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Cristiano Vecchi
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L
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Chorale Prelude Op.67 N.49 for
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Cristiano Vecchi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Per...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Sacred. Score. 16 pages. Cristiano Vecchi #6589577. Published by Cristiano Vecchi (A0.963576). Werde munter mein Gemüte (Be alert, my soul):a warm chorale prelude with a rhythmic diminutio in the way of the ancient fantasia and an interesting dynamic bass part, originally composed for Organ by Max Reger in five real parts. Arrangement for two Pianos. Since the 1st Piano Part is easier, this arrangement can be played by pupil and teacher, in a recital or for a sight-reading exercitation. Added extra parts to replace the 1st Piano with two instruments, like a Piano Trio: R.H. Fl. Ob. Vl. Vla. Cl.Bb Sopr.Sax Cl. Eb; L.H. Bass Fl. Engl. or French Horn Cl.Bb Bsn. Vlc. Vla. Bass Cl. Tenor Sax Alto Sax.Duration: 1'35.Also available for Woodwind Quintet, String Quintet (in D Major like this one).SCORE and PARTS. MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$3.99 ≈
¥28.55
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥143.09
Mozart: Concerto for Two Pianos K.365 for string ensemble and piano
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Sahun Hong
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Mozart: Concerto for Two Piano
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Sahun Hong
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SheetMusicPlus
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 5 - SKU: A0.1017629 Composed by Wolfgang Amadeus Mozart. Arranged by Sahun Hong. Classical....
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String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 5 - SKU: A0.1017629 Composed by Wolfgang Amadeus Mozart. Arranged by Sahun Hong. Classical. Score and parts. 105 pages. Sahun Hong #6209261. Published by Sahun Hong (A0.1017629). Mozart, arr. Sahun Hong: Concerto for Two PIanos, K.365version for string ensemble (two violins, viola, cello, bass) and two pianosDownloadable PDF - score and parts
$69.99 ≈
¥500.73
Summer In The City
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2 Pianos, 4 mains
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DÉBUTANT
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Bobby Ljunggren, Eva Lindblad,
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Warren & Debby
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Summer In The City
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World Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.829557 Composed by Bobby Ljunggren, Eva Lindblad, Haken Almqvist, Jakke Erixson, Justin Drew Tanter, Mik...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.829557 Composed by Bobby Ljunggren, Eva Lindblad, Haken Almqvist, Jakke Erixson, Justin Drew Tanter, Mika Guillory, and Nadir Khayat. Arranged by Warren & Debby. Children,Contemporary,Pop. Score. 2 pages. World Music #436369. Published by World Music (A0.829557). Easy Piano for 2 pianos!! An easy piano arrangement where beginning students can play beautiful music by reading sheet music! In this arrangement, piano student 1 divides the melody into the two clefs with both hands and piano 2 student plays the chords in the treble clef and the bass in the bass clef accompanying piano 1.
$5.99 ≈
¥42.85
Morceaux(6)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Reinhold Moritzovich Gliere
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KVN klavar
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Morceaux(6)
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Joop van Zoelen
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1406104 Composed by Reinhold Moritzovich Gliere. Arranged by KVN klavar. 20th Century. Score. 3 pages. J...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1406104 Composed by Reinhold Moritzovich Gliere. Arranged by KVN klavar. 20th Century. Score. 3 pages. Joop van Zoelen #989195. Published by Joop van Zoelen (A0.1406104). Opus 41 no.4 Basso OstinatoArrangement in klavar notation.
$4.99 ≈
¥35.70
Concerto in C minor for Oboe and Violin (BWV 1060) - 3rd Movt - - 2 pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Concerto in C minor for Oboe a
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.501361 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score. 25 pa...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.501361 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score. 25 pages. Published by Pietro Prugna (A0.501361). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99 ≈
¥14.24
Concerto in C minor for Oboe and Violin (BWV 1060) - 2nd Movt - - 2 pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Concerto in C minor for Oboe a
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.501267 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. S...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.501267 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.501267). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). The Oboe and Violin Solos (right hands) are played 1 octave higher (as indicated in the clefs). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99 ≈
¥14.24
Concerto in C minor for Oboe and Violin (BWV 1060) - 1st Movt - - 2 pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Concerto in C minor for Oboe a
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.500758 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Instructio...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.500758 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Instructional. Score. 31 pages. Published by Pietro Prugna (A0.500758). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99 ≈
¥14.24
Double Violin Concerto in D minor (BWV 1043) - 1st Movt - - 2 pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Double Violin Concerto in D mi
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.502000 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score. 27 pa...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.502000 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score. 27 pages. Published by Pietro Prugna (A0.502000). This was originally for Double Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Violin I Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin II Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99 ≈
¥14.24
Double Violin Concerto in D minor (BWV 1043) - 2nd Movt - - 2 pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Double Violin Concerto in D mi
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.497954 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. S...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.497954 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.497954). This was originally for Double Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Violin I Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin II Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99 ≈
¥14.24
Double Violin Concerto in D minor (BWV 1043) - 3rd Movt - - 2 pianos
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2 Pianos, 4 mains
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Double Violin Concerto in D mi
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.503131 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Contest,Festival,Instructio...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.503131 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Contest,Festival,Instructional. Score. 31 pages. Published by Pietro Prugna (A0.503131). This was originally for Double Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Violin I Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin II Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99 ≈
¥14.24
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥143.09
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥143.09
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥143.09
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥143.09
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥143.09
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥143.09
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Piano Concerto No. 4 "The
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25 ≈
¥59.02
A Good Night
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2 Pianos, 4 mains
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FACILE
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Michael Drake
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Michael Drake
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A Good Night
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Michael Gene Drake
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1347922 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Contemporary,Wedding. Score. 27 p...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1347922 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Contemporary,Wedding. Score. 27 pages. Michael Gene Drake #932736. Published by Michael Gene Drake (A0.1347922). A Good Night a 5 piece composition for rhythm or multiple pianos. Melody, Harmony, Piano, Motive and Bass. www.drakemusic.com michaeldrakemusic@outlook.com.
$15.00 ≈
¥107.31
Piano Concerto No. 6, Two Pianos/Four Hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 6, Two Pian
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James Nathaniel Holland #910236. Published by James Nathaniel Holland (A0.1321769). 2 PIANOS/4 HANDS (Piano 2, Reduced Orchestra)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.25 ≈
¥94.79
Amethyst Sunset - 2 Pianos & Percussion - PDF score and parts
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Jennifer Bellor
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Amethyst Sunset - 2 Pianos &am
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Bellor
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1000137 Composed by Jennifer Bellor. 20th Century,Concert,Contemporary. Score. 92 pages. Bellor #6491589...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1000137 Composed by Jennifer Bellor. 20th Century,Concert,Contemporary. Score. 92 pages. Bellor #6491589. Published by Bellor (A0.1000137). 2 pianos and percussion (2 players) Duration: 9:00Percussion 1 (Vibraphone, Triangle, Gong)Percussion 2 (Triangle, Tam-tam, Suspended Cymbal, Bass Drum)Parts include: Part for 2 pianos, individual part for each piano, 2 percussion parts For more information about the music, please visit www.jenniferbellor.com.
$25.00 ≈
¥178.86
Piano Concerto No. 5, for Full Orchestra and Piano Soloist, Two Pianos/Four Hands
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 5, for Full
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1287203 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score. 72 pages. James Nathaniel...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1287203 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score. 72 pages. James Nathaniel Holland #878214. Published by James Nathaniel Holland (A0.1287203). TWO PIANOS/FOUR HANDS (Piano 2 is Orchestral Reduction)  The fifth of 21st century, Moonlight on the Seas, American composer James Nathaniel Holland’s Piano Concertos.  This colorful piece evokes moonlight and the sea. Movement one evokes a tempestuous storm with crashing and churning waves against the rocky coast.  Movement is maritime serenity and three returns to tempestuous emotions. (License or permission to perform may apply.)Instrumentation:  Fl 1.2., Ob, EH, Cl Bb 1.2., Bsn 1.2., Hrn 1.2.3., Tpt 1.2.3., Trom 1.2., Tba, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal,Snare, Bass Drum, Glockenspiel ) PIANO SOLOIST, Hrp., StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.99 ≈
¥100.09
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