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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
SAXOPHONE
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PIANO & CLAVIERS
Piano (partie séparée)
107
Piano seul
35
Accompagnement Piano
30
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22
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16
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13
Orgue
12
Piano Facile
11
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Guitare (partie séparée)
219
Guitare
12
Guitare notes et tablatures
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Mandoline
1
Banjo
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Basse electrique
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Chorale SATB
58
Chorale 3 parties
13
Voix Tenor, Piano
7
Voix Soprano, Piano
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Chorale Unison
4
Chorale TTBB
3
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Voix haute
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540
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88
Flute (partie séparée)
70
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68
Hautbois, Piano (duo)
58
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57
Clarinette et Piano
54
Flûte, Hautbois, Clarinette, Basson
47
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28
Saxophone Baryton, Piano
22
Hautbois (partie séparée)
19
2 Clarinettes (duo)
18
Clarinette Basse, Piano
18
Clarinette
17
Saxophone Alto
11
Saxophone Tenor
9
Flûte traversière
6
2 Saxophones (duo)
4
Quatuor de Clarinettes: 4 clarinettes
3
2 Hautbois (duo)
2
Saxophone Soprano et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Piccolo
2
Quintette de Saxophone: 5 saxophones
2
Quatuor de Saxophones: 4 saxophones
2
Cor Anglais
2
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Trombone (duo)
1
Ensemble de Clarinettes
1
2 Saxophones, Piano
1
Cor anglais, Piano
1
2 Flûtes traversières (duo)
1
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1
Piccolo, Piano
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CUIVRES
Trombone
5643
Trombone et Piano
1908
Trombone (partie séparée)
1812
Trompette (partie séparée)
359
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
307
Quatuor de Cuivres : 2 trompettes, trombone, tuba
289
Bass Clef Instruments
277
2 Trombones (duo)
82
Cor et Piano
70
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68
Cor (partie séparée)
67
Tuba (partie séparée)
61
Ensemble de Trombones
60
Trombone basse
52
Tuba et Piano
47
Trompette, Piano
47
Trompette, Trombone (duo)
39
Trompette
39
Trombone basse et Piano
38
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Tuba
29
3 Trombones (trio)
26
Euphonium, Piano (duo)
24
Cor
24
Trombone, Orgue
22
Quatuor de Cuivres
21
2 Cors (duo)
18
Cor, Trompette, Trombone (trio)
17
Euphonium
16
2 Tubas (duo)
15
Euphonium, Tuba (duo)
8
Trio de Cuivres
8
Trombone et orchestre
7
2 Trompettes (duo)
5
Tuba et Orgue
4
Ensemble de Trompettes
3
Ensemble de Cors
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trombone, Cor (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trompette, Saxophone (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
2 Euphoniums et 2 Tubas
2
Cor Anglais
2
Cor anglais, Piano
1
2 Trombones, Piano
1
Cor et Orgue
1
Quatuor de cuivres: 4 cors
1
Cornet et orchestre
1
Trompette, Cor (duo)
1
4 Tubas
1
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CORDES
Contrebasse (partie séparée)
115
Violoncelle, Piano
76
Alto, Piano
69
Violon et Piano
61
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violoncelle
23
Violon
18
2 Contrebasses (duo)
16
Contrebasse, Piano (duo)
16
Harpe, Violon (duo)
15
Alto et Harpe
15
Harpe, Violoncelle (duo)
13
Harpe, Flûte (duo)
13
Contre Basse
12
Alto seul
8
2 Violoncelles (duo)
8
Trio à cordes: 3 altos
6
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
5
Alto (partie séparée)
4
Harpe, Voix
2
2 Violons (duo)
2
Violon (partie séparée)
2
Violoncelle (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Trombone (duo)
1
2 Altos (duo)
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
1053
Orchestre d'harmonie
404
Ensemble de cuivres
157
Orchestre
157
Batterie (partie séparée)
109
Jazz combo
87
Orchestre de chambre
30
Fanfare
21
Ensemble de Percussions
21
Percussion (partie séparée)
8
Orchestre à Cordes
7
Ensemble d'École
5
Batterie
5
Cloches
4
Big band
3
Piano et Orchestre
2
Vibraphone
1
Xylophone, Piano
1
Marimba
1
Timbales (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Trombone Solo Part
Violon
Partitions à imprimer
18 partitions trouvées
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1
When I Survey the Wondrous Cross--violin solo
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.786551 Composed by Isaac Watts, Lo…
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Violin Solo - Level 2 - Digital Download SKU: A0.786551 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 4 pages. Beka Wilson #6253759. Published by Beka Wilson (A0.786551). When I Survey the Wondrous Cross has long been a favorite hymn to celebrate Easter and Christ’s sacrifice, and this arrangement for early intermediate instrumental solo is perfect for a prelude, offertory, or other special music piece for Easter Sunday, communion, or any other church service. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, and harp/cello. A vocal version of this arrangement will be made available soon. Key: Concert GLength: approximately 3 minutes 4 pages (includes score and separate solo part)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
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Violon
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Isaac Watts, Lowell Mason
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Beka Wilson
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When I Survey the Wondrous Cross--violin solo
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Beka Wilson
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SheetMusicPlus
In the Bleak Midwinter--violin solo
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.786868 Composed by Gustav Holst. A…
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Violin Solo - Level 3 - Digital Download SKU: A0.786868 Composed by Gustav Holst. Arranged by Beka Wilson. Christian,Christmas,Sacred. 5 pages. Beka Wilson #6628889. Published by Beka Wilson (A0.786868). This arrangement of In the Bleak Midwinter for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 2.5 minutes (suggested 70 bpm)Level: intermediate for most instruments (no lever changes for harp)5 pages (includes score and separate solo part)This arrangement is available as a solo for piano, harp, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
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Violon
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Gustav Holst
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Beka Wilson
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In the Bleak Midwinter--violin solo
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Beka Wilson
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SheetMusicPlus
In dulci jubilo - Solo with easy Piano acc. (key F)
Violon
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Piano,Sopra…
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Piano,Soprano Recorder,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Digital Download SKU: A0.848257 Composed by Traditional Christmas Carol. Arranged by Francesco Leone. Christian,Christmas,Concert. Score and parts. 8 pages. Glissato Edizioni Musicali #6560741. Published by Glissato Edizioni Musicali (A0.848257). In dulci jubilo (In sweet rejoicing) - traditional Christmas carol (key : F major).Solo Instrument with Easy Piano Accompaniment. Included parts for C - Bb - Eb - F and Bass Clef Instruments.
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Violon
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Traditional Christmas Carol
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Francesco Leone
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In dulci jubilo - Solo with easy Piano acc.
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Glissato Edizioni Musicali
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SheetMusicPlus
Three Psalms (Movement 1) Psalm 1 Congratulations
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.818258 By Stephen R Dalrymple. By …
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Violin Solo - Level 4 - Digital Download SKU: A0.818258 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical,Contemporary. 69 pages. Stephen R Dalrymple #3628753. Published by Stephen R Dalrymple (A0.818258). Three Psalms (Movement 1) Psalm 1 Congratulations!♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording â„— 2020 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ sequenced by the composer ♫ “Blessed are / Blessed is†is actually a congratulatory formula in the Bible. We could paraphrase, “Congratulations belong to the one who … or “Consider the person blessed who …†But these congratulations reveal a subtle twist. These congratulations come to unlikely individuals. Many of the “Blessed are†unexpectedly run counter to the opinions of the world at large both in Bible times and our times. Our culture congratulates the wicked, not the righteous. It is deemed a compliment in our culture to be called a bad ass. “I’m not a saint!†“I’m not a prude†are common phrases used to distance oneself from the “Eagle Scout†or the “puritanical.â€Â ♫ The movements of the tone poem “Three Psalms†are written using contemporary classical music composition techniques.♫ The theme representing the one who loves God’s law is set in Dorian Mode and restated in the Aeolian Mode. The theme reflecting the lawbreaker is set in the Lokrian Mode with polytonality.♫ This .pdf file includes 14 score choices • Letter size score for Violin & piano • Letter size solo parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), & Cello • 10 inch tablet size score for violin & piano • 10 inch tablet size score for the same solo parts. ♫ (Tell your computer which pages you want to print. Programs online that will allow you to split pdf files so that you can choose which pages to print.)
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Violon
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Stephen R Dalrymple
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Three Psalms
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Stephen R Dalrymple
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. …
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Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Violon
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
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Slide Ride
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Violin I
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018914 Composed by Benjamin Harry…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018914 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064785. Published by Benjamin Sajo (A0.1018914). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Violon
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Violin I
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Violin II
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018916 Composed by Benjamin Harry…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018916 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064791. Published by Benjamin Sajo (A0.1018916). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Violon
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Violin II
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Violon
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Violon
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
The Song of Moses and of Miriam at the Red Sea-Violin
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.969563 Composed by Zachary Damm. C…
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Violin Solo - Level 2 - Digital Download SKU: A0.969563 Composed by Zachary Damm. Christian,Sacred,Spiritual. 3 pages. Digital Print Publishing #3015661. Published by Digital Print Publishing (A0.969563). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the violin part: see also all the individual instrumental parts under the same title.
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Violon
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Zachary Damm
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The Song of Moses and of Miriam at the Red Sea-Violin
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Digital Print Publishing
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violin II
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Violon
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violin I
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo.…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Violon
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Benjamin Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Mix & Match Ensembles - Volume IV - Quartets
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.968630 Composed by Lawrence H. Und…
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Violin Solo - Level 3 - Digital Download SKU: A0.968630 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. 86 pages. Lawrence H Underwood #6667117. Published by Lawrence H Underwood (A0.968630). Eight original quartets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions.All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass.Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
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Violon
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Lawrence H
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Mix & Match Ensembles - Volume IV - Quartets
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Lawrence H Underwood
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SheetMusicPlus
Mix & Match Ensembles - Volume III - Trios
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.968614 Composed by Lawrence H. Und…
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Violin Solo - Level 3 - Digital Download SKU: A0.968614 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. 60 pages. Lawrence H Underwood #6666645. Published by Lawrence H Underwood (A0.968614). Eight original trios – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
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Violon
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Lawrence H
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Mix & Match Ensembles - Volume III - Trios
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Lawrence H Underwood
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SheetMusicPlus
Mix & Match Ensembles - Volume II - Duets
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.968594 Composed by Lawrence H. Und…
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Violin Solo - Level 3 - Digital Download SKU: A0.968594 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. 44 pages. Lawrence H Underwood #6666599. Published by Lawrence H Underwood (A0.968594). 8 all-new,original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
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Violon
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Lawrence H
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Mix & Match Ensembles - Volume II - Duets
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Lawrence H Underwood
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SheetMusicPlus
Mix & Match Ensembles - Volume I - Duets
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.968576 Composed by Lawrence H. Und…
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Violin Solo - Level 3 - Digital Download SKU: A0.968576 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. 36 pages. Lawrence H Underwood #6666559. Published by Lawrence H Underwood (A0.968576). 8 original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
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Violon
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Lawrence H
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Mix & Match Ensembles - Volume I - Duets
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Lawrence H Underwood
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SheetMusicPlus
A Guide to Non-Jazz Improvisation: Fiddle Edition
Violon
Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 120 pag…
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Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 120 pages. Mel Bay Publications - Digital Sheet Music #20830BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652438.<br> <br> The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;* Blues* Country* American folk * Latin-American* World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures)* New Age* Classical * Folk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz. Includes access to online audio.ISBN 9781610652438.<br> <br> The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;* Blues* Country* American folk * Latin-American* World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures)* New Age* Classical * Folk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz. Includes access to online audio.
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Violon
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Dick Weissman
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A Guide to Non-Jazz Improvisation: Fiddle Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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