The dance is introduced in 6/8 against 2/4 time, before the exposition of a festive theme that alternates bouncing light passages with percussive chords. A more lyrical central episode precedes the recapitulation. The Basque fandango ends always with another dance step: 'Arin Arin' in 2/4, which is here .characterized by scales, continuing the piece's joyful and vivacious character.

ISBN 9780193544536.

Georgi Mushel's Toccata, edited for publication by Noel Rawsthorne, is very much in the spirit and style of a Ukrainian Cossack dance; the feel is improvisatory, with contrasting sections allowing different dancers to express themselves, before typically culminating in a fast and furious finish.

Song List: My Hope Is Built On Nothing Less In Christ There Is No East Or West There's A Wideness In God's Mercy A Mighty Fortress Is Our God

Song List: I Danced In The Morning Joyful Joyful We Adore Thee Loving Spirit My Lord What A Morning Praise My Soul THe King Of Heaven Sing Praise to God Who Reigns Above King Of Love My Shepherd Is The Toccata For A Joyful Day

Song List: Prelude on an American Folk Melody Meditation on Arlington Prelude on Guidance Prelude on Heinlein Steal Away Fantasia on Old Hundredth Blessed Assurance Jesus Is Mine Bread Of Heaven On Thee We Feed Variations on a Hymn for Lent

Song List: Mountains Shall Sing The Let The Earth Rejoice Song In The Night Trumpeting A With Timbrel And Dance In This Moment Of Remembrance Good Shepherd The I Lift Up My Eyes To The Hills

Song List: Finale Festive Processional Bb Trumpet Part Pastoral Air Bb Trumpet Part Finale Bb Trumpet Part Festive Processional Pastoral Air

The choralepreludes in this volume combine traditional classical form with stilistic elementsof Celtic folk music such as dance rhythms, syncopation, and ornamental figuresthat give them a certain lightness.

Almost allchorals, almost all of which are ecumenical, were composed for practical use. Therefore,they are mostly kept quite short (about 1 min.) and quote the chorale melodycompletely as cantus firmus in the approximate singing tempo. Some preludes have a quasi baroque design, but most also have a certain Celtic flavor. Indications aboutstops have been omitted, the indications SW (Swell) and HW(Great) just indicatewhere the c. f. is to be emphasized. The preludes arefollowed by accompanying movements. Listen to the youtube video which lets you hear all movements: www.youtube.com/watch?v=lqlqjKo3xGg&t=506s