Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
John M
Non classifié
1 280
Piano & claviers
Piano seul
712
Piano, Voix
656
Piano, Voix et Guitare
233
Piano Facile
205
Instruments en Do
114
Orgue
22
Accordéon
17
Piano grosses notes
13
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Accompagnement Piano
3
Piano (partie séparée)
3
2 Pianos, 4 mains
3
Orgue, Trompette (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2 161
Guitare
203
Guitare notes et tablatures
133
Ukulele
30
Paroles et Accords
21
Basse electrique
20
Guitare (partie séparée)
5
Banjo
3
Dulcimer
2
2 Guitares (duo)
2
Basse électrique (partie séparée)
2
Ukulele Baryton
1
Guitare Pedal Steel
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
347
Pack Instrumental pour Chorale
108
Chorale 3 parties
105
Chorale TTBB
52
Chorale SSAA
31
Chorale 2 parties
26
Chorale Unison
13
Voix seule
8
Voix duo
7
Voix duo, Piano
5
Voix Baryton, Piano
3
Chorale
3
Voix haute
2
Voix Tenor, Piano
2
Voix Moyenne
1
Chorale SSAATB
1
Voix Tenor
1
Voix Alto, Piano
1
Voix basse, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
71
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
Saxophone
54
Quintette de Saxophone: 5 saxophones
52
Clarinette
50
Clarinette et Piano
44
Saxophone (partie séparée)
42
Flûte traversière
41
Hautbois, Piano (duo)
40
Quatuor de Saxophones: 4 saxophones
35
Saxophone Alto et Piano
30
Saxophone Tenor et Piano
28
2 Saxophones (duo)
27
Clarinette (partie séparée)
21
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Soprano et Piano
20
Saxophone Alto
20
Quatuor de Clarinettes: 4 clarinettes
18
2 Flûtes traversières (duo)
18
Saxophone Tenor
18
Ensemble de Clarinettes
16
Cor anglais, Piano
16
Flute (partie séparée)
16
Ensemble de saxophones
16
Saxophone Baryton, Piano
16
2 Clarinettes (duo)
14
Clarinette Basse, Piano
13
Hautbois (partie séparée)
12
Saxophone, Clarinette (duo)
9
2 Flûte à bec (duo)
9
Quatuor de Flûtes : 4 flûtes
9
Flûte, Clarinette (duo)
8
Clarinette, Violon (duo)
7
2 Hautbois (duo)
6
Ensemble de Flûtes
5
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Saxophone Soprano
5
Hautbois, Clarinette (duo)
5
Flûte, Violon
5
Hautbois
5
Clarinette, Trompette (duo)
4
Instruments en Mib
4
Quintette de Flûte : 5 flûtes
4
5 Flûtes à bec
3
Clarinette et Alto
3
Harmonica
3
Flûte, Saxophone (duo)
3
Hautbois, Basson (duo)
3
Hautbois, Flûte
3
3 Saxophones (trio)
3
Saxophone et Guitare
3
3 Clarinettes (trio)
2
Flûte, Alto (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Trompette (duo)
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
Flûte, Violon, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte traversière, Orchestre
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto et Violoncelle
1
Flûte à bec Soprano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Violon
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Violon (trio)
1
+ 69 instrumentations
Retracter
Cuivres
Trompette
55
Trompette (partie séparée)
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trombone
39
Trombone et Piano
36
Trompette, Piano
32
Trombone (partie séparée)
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Cor et Piano
22
Tuba et Piano
19
Euphonium, Piano (duo)
16
Cor anglais, Piano
16
Trompette, Saxophone (duo)
11
2 Trombones (duo)
10
Tuba (partie séparée)
9
2 Trompettes (duo)
7
Cor (partie séparée)
7
Ensemble de Trombones
6
Trompette, Trombone (duo)
6
Cor
5
Quatuor de Cuivres
4
Trio de Cuivres
4
Tuba
4
Ensemble de Trompettes
4
Bass Clef Instruments
3
Instruments en Sib
3
Trombone, Cor (duo)
3
Quatuor de cuivres: 4 cors
3
Cornet A Pistons
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors (duo)
2
Trompette, Cor (duo)
2
2 Euphoniums (duo)
1
Ensemble de Cors
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
Trompette, Violoncelle et Piano
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
55
Violon
44
Violon, Violoncelle (duo)
42
Violoncelle, Piano
41
Alto, Piano
38
Violoncelle
36
Alto seul
28
Trio à Cordes: violon, alto, violoncelle
27
Harpe
22
Violon, Alto (duo)
15
2 Violons (duo)
15
Trio à Cordes: 2 violons, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Violoncelles (duo)
9
Contrebasse, Piano (duo)
9
Violon (partie séparée)
8
Contre Basse
5
Ensemble de Violons
5
Ensemble d'Altos
5
Contrebasse (partie séparée)
5
Violoncelle (partie séparée)
4
2 Altos (duo)
4
Alto (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
Ensemble de Violoncelles
2
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
Violon, Tuba (duo)
1
Harpe, Orchestre
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
180
Ensemble Jazz
73
Orchestre
66
Fanfare
50
Orchestre à Cordes
38
Orchestre de chambre
22
Ensemble de cuivres
17
Percussion (partie séparée)
12
Jazz combo
11
Cloches
11
Timbales
9
Vibraphone
7
Batterie
7
Ensemble de Percussions
6
Batterie (partie séparée)
6
Timbales (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
Percussion
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
¥
¥
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
16
Librairie Musicale
0
Matériel de Musique
274
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
John M
Saxophone Baryton, Piano
Partitions à imprimer
16 partitions trouvées
<
1
I Write The Songs
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Barry Manilow
#
James M
#
I Write The Songs
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549336 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score a...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.549336 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486311. Published by jmsgu3 (A0.549336). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95 ≈
¥288.75
Don't Let The Sun Go Down On Me
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Piano. Duration: 5'27
#
Don't Let The Sun Go Down On M
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.547800 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.547800 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053393. Published by jmsgu3 (A0.547800). Elton John: Don't Let The Sun Go Down On Me arranged for Baritone Sax & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95 ≈
¥389.94
Goodbye Yellow Brick Road
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Goodbye Yellow Brick Road
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 8 pages. Jmsgu3 #3073391. Published by jmsgu3 (A0.547876). BARITONE SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of tonal harmony. The verses are syllabic, arranged in 8 regular phrases. The last phrase is elided with a melismatic bridge that suddenly modulates to the lowered mediant, causing a chromatic mediant relation. Further drama is introduced by the voice leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. -jmsgu3
$53.95 ≈
¥389.94
Sullivan: The Lost Chord for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
#
James M
#
Sullivan: The Lost Chord for B
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
(+)
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥194.79
Rocket Man (I Think It's Gonna Be A Long Long Time)
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Rocket Man
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548132 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.548132 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214119. Published by jmsgu3 (A0.548132). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95 ≈
¥389.94
Blessed
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Blessed
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548071 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie. Pop,Rock. Score and pa...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.548071 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie. Pop,Rock. Score and part. 9 pages. Jmsgu3 #3130353. Published by jmsgu3 (A0.548071). Score:7 pages.
$49.95 ≈
¥361.03
Imagine
#
Saxophone Baryton, Piano
#
FACILE
#
Rock
#
John Lennon And The Plastic On
#
James M
#
Imagine
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548548 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by James M. Guthrie, ASCAP. Rock. ...
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.548548 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 5 pages. Jmsgu3 #3396951. Published by jmsgu3 (A0.548548). Duration: 2:49 Score: 4 pg, part: 1 pg
$53.95 ≈
¥389.94
Bach: Sheep May Safely Graze for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Sheep May Safely Graze f
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,We...
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95 ≈
¥238.16
Yesterday
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
James M
#
Yesterday
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.547779 By The Beatles. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. Rock. Score and par...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.547779 By The Beatles. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. Rock. Score and part. 3 pages. Jmsgu3 #3048367. Published by jmsgu3 (A0.547779). The Beatles: Yesterday arranged for Baritone Sax & Piano. Includes performance part. This 1965 melancholy rock ballad by Paul McCartney was inducted into the Grammy Hall of Fame in 1997, voted best song of the 20th century in a 1999 BBC Radio poll, and voted No. 1 pop song of all time by MTV and Rolling Stone magazine in 2000.
$53.95 ≈
¥389.94
(Everything I Do) I Do It For You
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Rock
#
Bryan Adams
#
James M
#
(Everything I Do) I Do It For
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548298 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guth...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.548298 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233895. Published by jmsgu3 (A0.548298). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.
$57.95 ≈
¥418.85
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Sc...
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
¥238.16
All My Loving
#
Saxophone Baryton, Piano
#
FACILE
#
Rock
#
The Hollyridge Strings
#
James M
#
All My Loving
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.547901 By The Hollyridge Strings. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. Rock. Sc...
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.547901 By The Hollyridge Strings. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. Rock. Score and part. 6 pages. Jmsgu3 #3074353. Published by jmsgu3 (A0.547901). Score: 5 pages, Part: 1 page, Duration: 3:10 at quarter note= 144. Length: 44 measures
$59.95 ≈
¥433.31
Bach-Gounod: Ave Maria for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Bar
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding....
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
¥238.16
100 Years
#
Saxophone Baryton, Piano
#
FACILE
#
Pop musique
#
Five for Fighting
#
James M
#
100 Years
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548108 By Five for Fighting. By John Ondrasik. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 14...
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.548108 By Five for Fighting. By John Ondrasik. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 14 pages. Jmsgu3 #3130853. Published by jmsgu3 (A0.548108). Score: 11 pages. Part: 3 pages. Duration: 3'57
$59.95 ≈
¥433.31
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wed...
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
¥238.16
O Holy Night for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
DÉBUTANT
#
Noël
#
Adam
#
James M
#
O Holy Night for Baritone Sax
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages...
(+)
Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
¥180.33
<
1
John M
