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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can Can Swing
Non classifié
442
Piano & claviers
Instruments en Do
209
Piano seul
170
Piano Facile
60
Piano, Voix et Guitare
50
Accordéon
48
Piano, Voix
47
Piano (partie séparée)
14
Piano grosses notes
11
1 Piano, 4 mains
11
Accompagnement Piano
5
2 Pianos, 4 mains
4
Orgue
4
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
+ 9 instrumentations
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Guitares
Guitare (partie séparée)
31
Guitare
29
Ligne De Mélodie, (Paroles) et Accords
25
Basse electrique
23
Guitare notes et tablatures
20
Mandoline
4
Ukulele
3
Dulcimer
2
Banjo
2
Piano, Guitare (duo)
2
Dobro
1
3 Guitares (trio)
1
+ 7 instrumentations
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Voix
Chorale SATB
93
Chorale 3 parties
34
Chorale TTBB
20
Chorale 2 parties
13
Chorale SSAA
10
Chorale Unison
6
Voix Baryton, Piano
2
Chorale
1
Voix haute
1
Voix duo, Piano
1
+ 5 instrumentations
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Vents
2 Saxophones (duo)
109
Saxophone (partie séparée)
90
Saxophone, Clarinette (duo)
58
Saxophone
57
2 Clarinettes (duo)
57
Clarinette, Violon (duo)
40
Clarinette
37
Clarinette, Trompette (duo)
37
2 Flûtes traversières (duo)
37
Flûte traversière
35
Quatuor de Clarinettes: 4 clarinettes
26
Quatuor de Saxophones: 4 saxophones
25
Hautbois, Basson (duo)
22
Flûte, Clarinette (duo)
22
Clarinette et Alto
21
Flûte, Saxophone (duo)
21
2 Hautbois (duo)
20
Flûte, Violon
20
Flûte, Alto (duo)
19
Hautbois, Clarinette (duo)
18
Flûte traversière et Piano
17
Clarinette et Piano
17
Saxophone Alto
16
Saxophone Tenor
16
Flûte, Trompette (duo)
15
Hautbois, Flûte
15
3 Saxophones (trio)
12
Saxophone Alto et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Tenor et Piano
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quintette de Saxophone: 5 saxophones
10
Flute (partie séparée)
10
3 Clarinettes (trio)
10
Quatuor de Flûtes : 4 flûtes
9
Ensemble de saxophones
6
Cor anglais, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, Piano (duo)
5
Clarinette (partie séparée)
4
Saxophone Soprano
4
Hautbois (partie séparée)
4
Flûte à bec Soprano, Piano
4
Flûte à bec Soprano
4
Ensemble de Clarinettes
3
Saxophone Baryton, Piano
3
Saxophone Soprano et Piano
3
Ensemble de Flûtes
3
Trio de Flûtes: 3 flûtes
2
Flûte à Bec
2
Clarinette Basse, Piano
2
3 Flûtes à bec (trio)
1
Flûte à Bec, Piano
1
Saxophone, Violon (duo)
1
2 Clarinettes, Piano
1
Ocarina
1
Flûte, Trombone (duo)
1
Flûte, Violoncelle
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto
1
Quintette de Flûte : 5 flûtes
1
2 Flûte à bec (duo)
1
Flûte et Guitare
1
Cor Anglais
1
Clarinette, Basson (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
Instruments en Mib
1
+ 67 instrumentations
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Cuivres
Trombone (partie séparée)
75
Trompette (partie séparée)
56
Trompette, Saxophone (duo)
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trompette
33
Trombone
32
2 Trombones (duo)
30
Quatuor de cuivres: 4 trombones
27
Trompette, Trombone (duo)
25
2 Trompettes (duo)
22
Trompette, Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone et Piano
11
Cor (partie séparée)
10
Tuba (partie séparée)
10
Ensemble de Trombones
9
2 Tubas (duo)
7
Quatuor de Cuivres
6
2 Euphoniums et 2 Tubas
6
Cor anglais, Piano
5
Tuba
5
Cor
3
Euphonium, Tuba (duo)
2
4 Tubas
2
2 Cors (duo)
2
Cor et Piano
2
Trio de Cuivres
1
Bass Clef Instruments
1
Trompette, violon (duo)
1
Instruments en Sib
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
3 Trombones (trio)
1
Trombone basse et Piano
1
Tuba et Piano
1
Trompette, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor Anglais
1
2 Euphoniums (duo)
1
+ 35 instrumentations
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Cordes
Harpe
86
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon, Violoncelle (duo)
28
Violon
24
2 Violoncelles (duo)
23
Violon, Alto (duo)
22
Violon et Piano
20
2 Altos (duo)
20
2 Violons (duo)
19
Contrebasse (partie séparée)
18
Violoncelle, Piano
13
Violoncelle
12
Alto, Piano
6
Alto seul
5
Violon, Guitare (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Trio à Cordes: 2 violons, violoncelle
3
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violoncelles
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
2 Violons, Piano
1
+ 23 instrumentations
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Orchestre & Percussions
Ensemble Jazz
173
Orchestre d'harmonie
97
Batterie
33
Jazz combo
31
Orchestre à Cordes
30
Cloches
16
Batterie (partie séparée)
16
Ensemble de cuivres
13
Orchestre
11
Orchestre de chambre
6
Ensemble de Percussions
5
Marimba
3
Fanfare
3
Vibraphone
2
Percussion (partie séparée)
1
Xylophone
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Vous avez sélectionné:
Can Can Swing
Tuba
Partitions à imprimer
5 partitions trouvées
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SWING LOW, SWEET CHARIOT
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Tuba
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DÉBUTANT
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Spiritual
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Alex Nunes Rodrigues
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SWING LOW, SWEET CHARIOT
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Alex Rodrigues
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SheetMusicPlus
Tuba Solo - Level 1 - SKU: A0.1197270 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. Individual part. 1 pages. Alex Rod...
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Tuba Solo - Level 1 - SKU: A0.1197270 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. Individual part. 1 pages. Alex Rodrigues #796434. Published by Alex Rodrigues (A0.1197270). Swing Low, Sweet Chariot is a traditional African American spiritual hymn that dates back to the 19th century. The song is known for its beautiful and emotional melody, and its touching lyrics that evoke images of hope and liberation.Swing Low, Sweet Chariot has been performed by countless artists over the years, and its timeless message of faith and perseverance continues to resonate with audiences today. Whether you're a musician looking to add a classic spiritual hymn to your repertoire or simply a fan of beautiful music, the sheet music for Swing Low, Sweet Chariot is an essential item.
$1.99 ≈
¥14.16
Ping-Pong for Tuba Solo
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dosia McKay
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Ping-Pong for Tuba Solo
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Gavia Music
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0...
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Tuba Solo - Level 4 - SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0.876676). When I originally spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1’25, suitable for advanced players.
$20.00 ≈
¥142.32
Alone Together
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Arthur Schwartz
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Roger Wallace
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Alone Together
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Roger Wallace
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.512989 Composed by Arthur Schwartz. Arranged by Roger Wallace. Jazz,Standards. Individual part. 9 pages. Roger Wallace #63...
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Tuba Solo - Level 4 - SKU: A0.512989 Composed by Arthur Schwartz. Arranged by Roger Wallace. Jazz,Standards. Individual part. 9 pages. Roger Wallace #6360617. Published by Roger Wallace (A0.512989). Bass Trombone Solo with Piano Accompaniment. Easy Swing. Can also be performed by Tuba. A String Bass Solo part (in the appropriate range) is included in the set.The audio sample represents a Tuba.A full length audio version (representing Bass Trombone) can be heard in the YouTube video.Also available for Trombone Quartet, Trombone Quintet and Brass Quintet.Look for more arrangements by Roger Wallace.
$4.99 ≈
¥35.51
Unaccompanied Tuba Suite #2 in B-flat Major
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Jason Allie
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Unaccompanied Tuba Suite #2 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #310...
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Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99 ≈
¥113.78
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
¥35.58
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Can Can Swing 
