François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

Early-intermediate for big and small harps. The song was written by Simon and Garfunkel in 1964, but it's become a meme in recent years, so it?s still very relevant today! Christy-Lyn?s intermediate arrangement is reminiscent of the finger-picking guitar in the original version of the song, with broken chords and some harmonies in the left hand and a right hand melody that's been adapted to sound best on the harp. If you learn this piece from the Video Course, you?ll get essential practice tips on how to make the piece flow and sound musical, much faster than learning on your own!..........DIFFICULTY LEVEL and SKILLS REQUIRED: Early-intermediate. This piece has a simple melody in the right hand, with a left hand accompaniment that is a step up in complexity and variation from late-beginner pieces. There are parts of the piece where the two hands play the same notes straight after each other, which can be a challenge for placing without buzzing. There is quite a lot of syncopation ? a rhythmic challenge! The left hand jumps around a fair bit, and the right hand has to place some tricky 4 finger chords. ..........TYPE OF HARP: Big and small harps, including 22 string (C to C) and bigger. ..........RANGE: Lowest note is C an octave below middle C, highest note is B almost 2 octaves above middle C...........LEVERS/PEDALS: It is in the key of G major, with no lever changes. Harps without levers can tune their F strings to F sharps. ..........WHAT'S INCLUDED: PDF download of 4 pages. Fingering and bracketing are included.

This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

This is a set of three concert pieces for Classical Harp. The music is evocative of several historical styles, the Prelude harks to the Baroque, the Sarabande to the Renaissance, and the Variations to some of today's minimalistic music.
While tuneful and lyrical, this music also has enough intellectual substance to reveal new facets on every successive hearing. The author hopes to contribute more music for the Harp in the near future.

5 Hymns arranged for 12 String Harp

1. To God Be The Glory
2. All things bright and beautiful
3. Christ the Lord Is Risen Today
4. I Have Decided To Follow Jesus
5. I Surrender All.

SÉRÉNADE / composée pour la / HARPE / et dédiée à son Élève / madame la comtesse / ESTERHAZYby Parish AlvarsThe outstanding characteristic of the Serenade is its extensive use of harmonics.The transition to the coda is brought about by a descending chromatic scale produced by sliding the metallic part of the tuning key on the fourth octave A string, an effect invented by Parish Alavars and almost always (and inexplicably) dispensed with today. This scale terminates in a trill and an ascending scale fragment that ends with a pedal slide. Berlioz? impression of Parish Alvars? playing ? ?This is the music of another world? ? can hardly be illustrated better than by this passage. An outstanding solo piece composed as all the Souvenir de Neaples in one of the happiest time of Parish Alvars life.

5 Hymns arranged for 15 String Harp (range from Middle C) (intermediate version)

1. To God Be The Glory
2. All things bright and beautiful
3. Christ the Lord Is Risen Today
4. I Have Decided To Follow Jesus
5. I Surrender All

This book is for a 12 string lever harp range from F4 - C6. Also for 15-47 strings lever/pedal harp. It contains 24 songs. Every song has an easy version with fingering and a full version. Easy version is for beginners. Full version is for advanced players. Please read Corinna's note before you play. 103 pages. 16MB.

Song list:
A charge to keep I have
And can it be that I should gain
Arise, my soul, arise!
Blow ye the trumpet, blow!
Christ the Lord is risen today
Christ, whose glory fills the skies
Come, Holy Ghost
Come, let us anew
Come, let us with our Lord arise
Come, thou long-expected Jesus
Depth of mercy! Can there be
Forth in Thy name, O lord, I go
Hail the day that sees Him rise
Jesus, lover of my soul
Jesus, Thine all victorious love
Life
Lo, He comes with clouds descending
Love divine, All loves excelling
O for a heart to Praise my God
O for a thousand tongues to sing
O love divine, how sweet thou art
Rejoice, the Lord is King!
Thou hidden source of calm repose

Sample of videos are on Youtube channel @ babyharp x corinna. All corinna's 30 mins non stop harp music videos are samples of these hymns.