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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Focus
Non classifié
536
Piano & claviers
Piano seul
399
Piano Facile
249
Piano, Voix
101
Piano, Voix et Guitare
59
Instruments en Do
34
1 Piano, 4 mains
22
Orgue
18
Piano Trio: piano, violon, violoncelle
10
Piano (partie séparée)
4
2 Pianos, 4 mains
3
Accompagnement Piano
3
Orgue, Trompette (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
61
Guitare notes et tablatures
28
Basse electrique
16
Ukulele
10
Ligne De Mélodie, (Paroles) et Accords
8
Ensemble de guitares
8
Piano, Guitare (duo)
7
Guitare (partie séparée)
7
Banjo
6
Mandoline
3
Paroles et Accords
2
Dulcimer
1
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
+ 9 instrumentations
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Voix
Chorale SATB
260
Chorale 3 parties
66
Chorale 2 parties
36
Chorale TTBB
33
Chorale Unison
28
Chorale SSAA
17
Voix duo, Piano
10
Voix haute
6
Voix Soprano, Piano
6
Voix duo
5
Voix seule
3
Chorale SSAATTBB
2
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor
1
Chorale SSATTB
1
Voix Tenor, Piano
1
Chorale SSATB
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
103
Clarinette et Piano
59
Flûte traversière
54
Hautbois, Piano (duo)
53
Clarinette
47
Saxophone Alto et Piano
33
Saxophone Tenor et Piano
29
Saxophone (partie séparée)
23
Hautbois (partie séparée)
22
Saxophone Alto
21
Saxophone Soprano et Piano
17
Saxophone Baryton, Piano
16
Saxophone Tenor
16
Flûte, Hautbois, Clarinette, Basson
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette Basse, Piano
13
2 Flûtes traversières (duo)
12
Hautbois
10
Ensemble de Flûtes
8
Quatuor de Saxophones: 4 saxophones
8
Hautbois, Flûte
8
Cor anglais, Piano
8
Clarinette Basse
7
Quatuor de Flûtes : 4 flûtes
6
Flûte, Violoncelle
5
Ensemble de Clarinettes
5
Piccolo, Piano
4
Ensemble de saxophones
4
Flûte, Clarinette et Basson
4
Clarinette, Violoncelle (duo)
4
2 Clarinettes (duo)
4
Flûte, Clarinette (duo)
4
Clarinette (partie séparée)
4
3 Saxophones (trio)
4
Hautbois, Violoncelle
4
Harmonica
3
Flûte à bec Soprano
3
Hautbois, Basson (duo)
3
Saxophone Baryton
2
Flûte et Guitare
2
Flûte, Hautbois (duo)
2
2 Saxophones (duo)
2
Saxophone et Orgue
2
Clarinette, Violon (duo)
2
Saxophone Soprano
2
Flûte traversière, Orgue (duo)
2
Flûte à bec Tenor
1
Instruments en Mib
1
Hautbois et alto (duo)
1
Clarinette, Basson (duo)
1
Flûte à Bec
1
Hautbois, violon (duo)
1
Quintette de Flûte : 5 flûtes
1
Trio de Flûtes: 3 flûtes
1
Ensemble De Flûte à bec
1
Flûte à bec Alto
1
Flûte, Alto (duo)
1
Flute (partie séparée)
1
Saxophone, Tuba (duo)
1
Clarinette et Alto
1
Flûte, Violon
1
Clarinette, Orgue
1
+ 58 instrumentations
Retracter
Cuivres
Cor et Piano
55
Cor
53
Trombone
47
Trompette
47
Trombone et Piano
46
Trompette, Piano
41
Tuba
33
Tuba et Piano
23
Euphonium, Piano (duo)
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone (partie séparée)
12
Trompette (partie séparée)
12
Cor anglais, Piano
8
Euphonium
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor, Violoncelle (duo)
4
2 Trompettes (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Cors (duo)
4
Cor (partie séparée)
3
Trombone basse
2
Trio de Cuivres
2
Euphonium, Tuba (duo)
2
Cor et Basson (duo)
1
Quatuor de cuivres: 4 trompettes
1
Bass Clef Instruments
1
Ensemble de Trombones
1
Trombone, Orgue
1
2 Trombones (duo)
1
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
Instruments en Sib
1
2 Tubas (duo)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
108
Violon et Piano
83
Alto, Piano
61
Violon
60
Violoncelle, Piano
60
Violoncelle
57
Contre Basse
39
Contrebasse, Piano (duo)
36
Alto seul
36
Harpe
33
Violon, Violoncelle (duo)
23
2 Violons (duo)
13
Violon, Alto (duo)
11
Violon (partie séparée)
10
Alto (partie séparée)
8
Violoncelle, Contrebasse (duo)
8
Contrebasse (partie séparée)
7
2 Violoncelles (duo)
7
Violon, Basson (duo)
5
Alto, Violoncelle (duo)
5
Alto et Basson
4
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
2
Piano Trio: Violon, Alto, Piano
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Orchestre
1
Violoncelle, Orgue
1
Harpe et mandoline
1
Violoncelle (partie séparée)
1
4 Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Orgue
1
Alto et Harpe
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
153
Orchestre à Cordes
85
Orchestre
43
Cloches
32
Fanfare
22
Ensemble de cuivres
19
Ensemble Jazz
14
Batterie
14
Orchestre de chambre
13
Ensemble de Percussions
13
Batterie (partie séparée)
6
Xylophone, Piano
3
Marimba
3
Xylophone
2
Percussion
2
Vibraphone
2
Percussion (partie séparée)
1
+ 12 instrumentations
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Autres
Formation musicale - Solfège
2
Théorie de la musique
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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13 partitions trouvées
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1
Orchestraining No. 2 [Orchestra]
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan Maria Solare
#
Orchestraining No. 2 [Orchestr
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18...
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Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00 ≈
¥35.62
Orchestraining No. 4 [Orchestra]
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan Maria Solare
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Juan Maria Solare
#
Orchestraining No. 4 [Orchestr
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Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contempo...
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Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00 ≈
¥35.62
Fields Of Gold
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Orchestre de chambre
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INTERMÉDIAIRE
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Sting
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Gerhard Guter
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Fields Of Gold
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Gerhard Guter
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.844233 By Sting. By Sting. Arranged by Gerhard Guter. Contemporary,Pop. Score and parts. 25 pages. Gerhard Guter #...
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Chamber Orchestra - Level 3 - SKU: A0.844233 By Sting. By Sting. Arranged by Gerhard Guter. Contemporary,Pop. Score and parts. 25 pages. Gerhard Guter #3244463. Published by Gerhard Guter (A0.844233). Looking for a beautiful piece with a poignant lyric to be sung with a string quartet at a wedding or other celebration of life? Look no further. Fields of Gold is a beautiful ballad treatment of this song from Sting's classic Ten Summoner's Tales album. Though the demo recording features a female voice, this arrangement be performed effectively by a male vocalist as well. Optional multiple-stops are notated so that beginning string players can focus on single note lines exclusively.
$29.99 ≈
¥213.67
The Platypus
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Orchestre de chambre
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DÉBUTANT
#
Sue Moore
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The Platypus
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Susie Moore
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. ...
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Chamber Orchestra - Level 1 - SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. Published by Susie Moore (A0.1008342). An instructional Chamber Orchestra work written for beginning strings and early intermediate winds. This work is in 6/4 time. The string parts (depicting the bubbles that are seen as the Platypus are submerged) have been written where they are either using the open strings or the patterns are repeated over several bars so that beginning students are able to focus on the challenges of the 6/4 time. Mapping which beat each string part falls on is helpful when starting to teach this piece. Platypus are shy in nature and do not normally cohabit in the same location in large numbers. This piece was written as the composer observed an unusually large number of Platypus in one location. The wind parts depict the Platypus as they surfaced and descended in the billabong where they lived and as they happened to meet another Platypus or come up where she was sitting they quickly retreated with a loud splash. This is heard throughout the piece. Parts are available.
$4.99 ≈
¥35.55
PIE JESU (from 'Requiem in D minor', Op. 48) FULL SCORE AND PARTS REEDITED
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Gabriel Faure
#
Flavio Regis Cunha
#
PIE JESU
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.597295 Composed by Gabriel Faure. Arranged by Flavio Regis Cunha. Concert,Contemporary,Easter,Romantic Period,Sacr...
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Chamber Orchestra - Level 3 - SKU: A0.597295 Composed by Gabriel Faure. Arranged by Flavio Regis Cunha. Concert,Contemporary,Easter,Romantic Period,Sacred. Score and parts. 28 pages. Flavio Regis Cunha #5222165. Published by Flavio Regis Cunha (A0.597295). Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.
$9.99 ≈
¥71.18
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95 ≈
¥277.51
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
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Orchestre de chambre
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DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49 ≈
¥138.86
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Orchestre de chambre
#
DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49 ≈
¥138.86
One Day
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Hans Zimmer
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Petr BeÄvář
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One Day
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Petr Becvar
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1192085 Composed by Hans Zimmer. Arranged by Petr BeÄvář. Film/TV. Score and parts. 20 pages. Petr Becva...
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Chamber Orchestra - Level 3 - SKU: A0.1192085 Composed by Hans Zimmer. Arranged by Petr BeÄvář. Film/TV. Score and parts. 20 pages. Petr Becvar #791270. Published by Petr Becvar (A0.1192085). An arrangement for a chamber orchestra focusing on the precision of music. Including score and parts.
$49.99 ≈
¥356.17
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95 ≈
¥184.89
"On the beaches of Tijuana"
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Luis Carlos Diaz
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Luis Carlos Diaz
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"On the beaches of Tijuan
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azdi
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and p...
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Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00 ≈
¥156.74
Serenade in D Minor, 1st Movement (Score & Parts)
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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AntoniÌn Dvořák
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Steven Klaus
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Serenade in D Minor, 1st Movem
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NiceChart
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.931991 Composed by AntoniÌn Dvořák. Arranged by Steven Klaus. Romantic Period. Score and parts. 55 pages...
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Chamber Orchestra - Level 3 - SKU: A0.931991 Composed by AntoniÌn Dvořák. Arranged by Steven Klaus. Romantic Period. Score and parts. 55 pages. NiceChart #4764581. Published by NiceChart (A0.931991). This piece, also known as ‘Serenade for wind instruments, cello, and double bass’, has a strong old-world Slavonic styling. This serenade was written as a dedication to composer and music critic Louis Ehlert, whose positive reviews of Dvořák’s works, helped boost his career in Germany. This arrangement focuses on the first of the four movement work which was labeled as Moderato, quasi marcia. The orchestration alone makes this piece unique and requires many of the instruments found in an orchestra. It is a great choice for ensembles that have players that double on other instruments and as a way to showcase chamber work without excluding too many musicians.To add options to this arrangement, supplemental parts have been included for Piano, Guitar, Timpani, Marimba, Snare Drum, Drum Set, Cymbals and Triangle/Bass Drum.
$50.00 ≈
¥356.24
Chamber Music No. 6
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Orchestre de chambre
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Paul Hindemith
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Chamber Music No. 6
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, Horn (in F), 2 Trompeten (in C, zweite Trompete ad libitum), Posaune, ...
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Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, Horn (in F), 2 Trompeten (in C, zweite Trompete ad libitum), Posaune, 3 Violoncelli, 2 Kontrabässe viola d'amore and chamber orchestra - SKU: S9.Q21080 For viola d'amore and chamber orchestra. Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 46/1. Ernst Eulenburg & Co. GmbH - Digital #Q21080. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21080). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of Chamber Music No. 1, the audience even demanded a repetition of the third and fourth movements. But the title is misleading: The individual pieces rather bear concertante and soloistic markings than bow to chamber music traditions. Chamber Music No. 6 focuses on the viola d'amore which, despite its virtuoso handling, is challenged by a few individual instruments separated from the orchestral setting. The scores are based on Volume IV/3 (PHA 403) of the Hindemith Complete Edition edited by Giselher Schubert.
$16.99 ≈
¥121.05
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