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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That National
Non classifié
331
Piano & claviers
Piano seul
110
Piano, Voix
38
Piano Facile
18
Orgue
15
Piano, Voix et Guitare
14
Instruments en Do
6
2 Pianos, 4 mains
5
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
+ 9 instrumentations
Retracter
Guitares
Guitare
7
Guitare notes et tablatures
5
4 Guitares (Quatuor)
2
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
71
Voix Baryton, Piano
27
Voix Alto, Piano
27
Voix Tenor, Piano
26
Voix Soprano, Piano
26
Chorale 2 parties
23
Chorale 3 parties
19
Voix duo, Piano
7
Chorale Unison
7
Chorale TTBB
6
Chorale SSAA
4
Voix moyenne, Piano
2
Voix duo
2
Voix haute
1
Chorale SSAATTBB
1
Voix Tenor
1
+ 11 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
62
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
53
Flûte traversière et Piano
32
Clarinette et Piano
25
2 Saxophones (duo)
21
Saxophone Alto et Piano
19
Quatuor de Saxophones: 4 saxophones
18
Saxophone Soprano et Piano
15
Hautbois, Piano (duo)
15
Saxophone Tenor et Piano
12
Ensemble de Clarinettes
11
Flûte, Hautbois, Clarinette, Basson
11
Ensemble de saxophones
10
Clarinette
9
Saxophone Baryton, Piano
9
3 Saxophones (trio)
8
Flûte traversière
8
Quintette de Flûte : 5 flûtes
7
Quatuor de Clarinettes: 4 clarinettes
7
2 Clarinettes (duo)
7
Cor anglais, Piano
7
Clarinette Basse, Piano
6
Ensemble de Flûtes
6
Flûte, Clarinette (duo)
5
Saxophone Alto
4
2 Flûtes traversières (duo)
4
Saxophone, Clarinette (duo)
3
Saxophone Tenor
3
Hautbois (partie séparée)
3
Saxophone (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette, Basson (duo)
2
Clarinette, Violon (duo)
2
Trio de Flûtes: 3 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois
2
Quatuor de Flûtes à bec
2
Ocarina
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto
2
Saxophone et Guitare
1
3 Flûtes à bec (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Violoncelle
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cornemuse
1
Flûte, Violon
1
Flûte, Trompette (duo)
1
Flûte, Alto (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec
1
5 Flûtes à bec
1
Hautbois, Flûte
1
Piccolo, Piano
1
Saxophone et Orgue
1
Harmonica
1
2 Flûte à bec (duo)
1
2 Hautbois (duo)
1
Clarinette et Alto
1
Flûte à bec Soprano
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trompette, Piano
17
Cor et Piano
14
Trombone et Piano
14
Trompette
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
8
Tuba et Piano
8
Euphonium, Piano (duo)
7
2 Trombones (duo)
7
Ensemble de Trompettes
7
Cor anglais, Piano
7
2 Trompettes (duo)
5
Trombone
4
Cor
4
2 Cors (duo)
3
Tuba
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Trio de Cuivres
2
Trompette, Trombone (duo)
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
+ 25 instrumentations
Retracter
Cordes
Violon et Piano
32
Quatuor à cordes: 2 violons, alto, violoncelle
26
Alto, Piano
23
Violoncelle, Piano
20
Violon
11
Violoncelle
8
Ensemble de Violons
7
Alto seul
7
Violon, Violoncelle (duo)
7
2 Violoncelles (duo)
6
2 Violons (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble d'Altos
5
Violon, Alto (duo)
3
2 Altos (duo)
3
4 Violoncelles
3
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
2
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
2
Quatuor à cordes: 4 violons
2
Harpe
2
Quatuor à cordes : 4 altos
2
Harpe, Flûte (duo)
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
71
Orchestre
41
Orchestre à Cordes
30
Ensemble de cuivres
15
Ensemble Jazz
13
Orchestre de chambre
6
Cloches
3
Jazz combo
2
Ensemble de Percussions
2
Fanfare
1
Orchestre, Violon
1
Marimba
1
+ 7 instrumentations
Retracter
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Instruments
ACCORDEON
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BANJO
BASSE
BASSON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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1
Paregamutiun [cello solo] (suite of 4 pieces)
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa So…
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Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 pages. Juan Maria Solare #3088085. Published by Juan Maria Solare (A0.596489). Paregamutiún (Friendship): Four melodies of Armenian connotations for cello solo.I am not Armenian, but these melodies could be: it is an invented folklore. Nevertheless, I never wanted to compose an imitation of real Armenian music; for that I should live in Armenia a few years, learn the language, soak in a couple of millennia of culture and impregnate myself with the current problems. And yet it would be doubtful that the result would sound authentic. Neither I was interested in composing some sounding touristic postcards. These melodies reflect, yes, how a thankful being sees the Armenian from outside. And this is what grants them legitimacy.About the titles:The general title of the piece, Paregamutiún, is translatable as friendship. Sometimes it is transliterated Baregamutyun (as a certain station of the subway in Yerevan). The single titles of each piece refers to a lake, a mountain, a mythical patriarch and a tree of Armenia:1) Sevanavank: Monastery of the Black Lake, founded in 874. The name Sevan means literally Black Van, referring to a lake called Van. It is said that long ago the Armenians came from areas next to the lake Van towards the lake Sevan, they noticed that its waters were dark, almost black, but they reminded them of the lake Van, and therefore called it black Van: Sevan.2) Hayk is the patriarch of the foundational myth of the Armenian nation, and the original name of the country (Hayastán: land of the Armenians); some sources affirm that he was great great grandson or great-great-great grandson of Noah.3) Dziranà Dzar: apricot tree, the Armenian national fruit. Dzar is tree and dzirán is apricot, the obvious phonetic similitude seems to underline a strong semantic proximity between both concepts. The letter Dz is a complex phoneme similar to a smooth th.4) Masis is the Armenian name of mount Ararat, where -according to the Bible- ended up Noah's Arch after the Flood (Genesis 8:4).www.JuanMariaSolare.com
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Violoncelle
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Juan MarÃa Solare
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Paregamutiun [cello solo]
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Juan Maria Solare
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SheetMusicPlus
Meditation on Ink Painting《水墨畫之冥想》
Violoncelle
Cello Solo - Digital Download SKU: A0.961997 Composed by Ma Shui Long 馬水…
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Cello Solo - Digital Download SKU: A0.961997 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Individual part. 17 pages. SpringAutumnmusic #2341883. Published by SpringAutumnmusic (A0.961997). 《水墨畫之冥想》（ä¹æ”¯å¤§æç´å®¤å…§æ¨‚曲） 1994å¹´ 作曲者自幼喜愛繪畫與音樂。爾後，雖然é¸æ“‡äº†éŸ³æ¨‚為終身志æ¥ï¼Œä½†å°ç¹ªç•«çš„興趣與狂熱，始終有增無減。在已完æˆçš„音樂作å“ä¸ï¼Œå¹¾é¦–å‡èˆ‡ç¹ªç•«æœ‰å¯†åˆ‡çš„關係。作曲者èªç‚ºï¼Œæ‰€æœ‰çš„è—è¡“å‰µä½œï¼Œé›–ç„¶å› å…¶ä½¿ç”¨çš„ç´ æä¸åŒæˆ–表ç¾çš„技法相異，但最後所è¦å‘ˆç¾çš„è—術本質，應是殊途åŒæ¸ï¼ŒéŸ³æ¨‚與繪畫更是ä¸ä¾‹å¤–。 本曲創作的動機，來自於傳統水墨畫ä¸çš„「虛實相生ã€è§€å¿µã€‚å¤äººç¬ªé‡å…‰ã€Œç•«çŒã€äº‘ï¼šå¯¦è™•ä¹‹å¦™ï¼Œçš†å› è™›è™•è€Œç”Ÿï¼Œä¹Ÿå°±æ˜¯ç„¡è™›ä¸æ˜“顯實，無空ä¸èƒ½å˜è™›ã€‚ç„¡ç–ä¸èƒ½æˆå¯†ï¼Œç„¡å¯†ä¸èƒ½è¦‹ç–，是以虛實相生，ç–密相用。作曲者試圖以æ¤ç¹ªç•«æ‰‹æ³•ï¼Œå‘ˆç¾åœ¨æ¤é¦–樂曲çµæ§‹ä¸ï¼Œå¦‚時間與空間的å°æ¯”，織度與密度的互æ›ï¼Œå¯¦é«”與空éˆçš„轉變ç‰ï¼Œä»¥æ±‚音畫之æ„境。 ※本曲由文建會委託創作，首演於1995å¹´11月25日於國家演å¥å»³ï¼Œç”±è²¡åœ˜æ³•äººé‚±å†èˆˆæ–‡æ•™åŸºé‡‘會主辦之「春秋樂集95秋 · 室內樂之夜ã€ã€‚ç”±æ¶‚æƒ æ°‘æ“”ä»»æŒ‡æ®ï¼Œå¤§æç´æ¼”å¥å®¶ç‚ºå«ç¬çŽ²ã€é»ƒæ™ºç‘›ã€é„佩玲ã€æ›¾å²å¦ƒã€æ´ªå©‰å®¹ã€é»ƒéŸ»å®‡ã€åŠ‰å§å«¥ã€è˜‡åƒèŠ³ã€çŽ‹ä½©ç‘œã€‚ 《Meditation on Ink Painting》for Nine Cellos （1994） Music and painting are two beloved arts for Professor Ma since he was a kid. Even he finally decided devoted to music composing for his life, he always had the passion for painting. Several Professor Ma’s compositions were highly inspired from the concepts and techniques of painting. Professor Ma believed that all the arts, although they present differently on the usages of materials or techniques, the essence and highest acheivement of all arts must be the same, including both music and painting. Meditation on Paintings in Ink was directly inspired by the techniques of Chinese traditional ink painting and the concept of the mutuality in virtuality and reality. The composer attempted to transform the philosophy that derive from the virtuality-reality relationship into the composition, presented it as the contrast between time and space, the alternation of texture and density, or, the changing of emptiness and fullness, etc., in order to establish an artistic atmosphere of musical painting. Meditation on Paintings in Ink was commissioned by the Council for Cultural Affairs, premiered in the National Concert Hall, on 25th of November 1995. It was programed in the Euterpe: Spring and Autumn concert series Autumn 1995: A Night of Chamber Music, held by the Chew’s Culture Foundation. The world premiere was conducted by Hwei-Ming Twu and the nine cellists were Wan-Ling Sun, Jyh-Ing Huang, Pei-Ling Cheng (Yi-Chin Cheng) , Shih-Fei Tseng, Wan-Rong Hung, Yun-Yu Huang, Chu-Chuan Liu, Monica C.F. Su and Pei-Yu Wang.
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Violoncelle
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Ma Shui Long 馬水é¾
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Meditation on Ink Painting《水墨畫之冥想》
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SpringAutumnmusic
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SheetMusicPlus
The Last Rose of Summer - Cello
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.1494238 Composed by Thomas Moore. A…
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Cello Solo - Level 1 - Digital Download SKU: A0.1494238 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Individual part. 1 pages. Alex Rodrigues #1070839. Published by Alex Rodrigues (A0.1494238). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
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Violoncelle
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Cello
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Alex Rodrigues
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SheetMusicPlus
The Last Rose of Summer - Cello with chords
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.1494223 Composed by Thomas Moore. A…
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Cello Solo - Level 1 - Digital Download SKU: A0.1494223 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Individual part. 1 pages. Alex Rodrigues #1070836. Published by Alex Rodrigues (A0.1494223). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
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Violoncelle
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Cello with chords
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Alex Rodrigues
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SheetMusicPlus
Symphony No.9, Op.95 (IV. Allegro con fuoco)
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.901162 Composed by Antonn Leopold D…
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Cello Solo - Level 4 - Digital Download SKU: A0.901162 Composed by Antonn Leopold Dvorak. Arranged by Fillipe Mendel. Romantic Period. Individual part. 32 pages. Mendel Music Work #3422491. Published by Mendel Music Work (A0.901162). New arrangement for sextet of cellos. The Symphony No. 9 in E minor, From the New World, Op. 95, B. 17, popularly known as the New World Symphony, was composed by Antonin Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It is by far his most popular symphony, and one of the most popular of all symphonies. Neil Armstrong took a recording of the New World Symphony to the Moon during the Apollo 11 mission, the first Moon landing, in 1969. The symphony was completed in the building that now houses the Bily Clocks Museum.
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Violoncelle
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Antonn Leopold Dvorak
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Fillipe Mendel
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Symphony No.9, Op.95
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Mendel Music Work
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SheetMusicPlus
THE STAR-SPANGLED BANNER
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.1213025 Composed by Francis Scott K…
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Cello Solo - Level 1 - Digital Download SKU: A0.1213025 Composed by Francis Scott Key and John Stafford Smith. Arranged by Alex Nunes Rodrigues. Patriotic,Traditional. Individual part. 1 pages. Alex Rodrigues #810205. Published by Alex Rodrigues (A0.1213025). The sheet music for The Star-Spangled Banner is a musical composition that became the national anthem of the United States of America. The music was written by Francis Scott Key in 1814, during the War of 1812, when he witnessed the Battle of Fort McHenry in Baltimore, Maryland. The music is known for its catchy melody and patriotic lyrics, which celebrate the bravery and resilience of the American people during times of war. The sheet music of The Star-Spangled Banner is an iconic symbol of the American nation.
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Violoncelle
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Francis Scott Key and John Stafford Smith
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Alex Nunes Rodrigues
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THE STAR-SPANGLED BANNER
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Alex Rodrigues
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SheetMusicPlus
THE STAR-SPANGLED BANNER
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.1213024 Composed by Francis Scott K…
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Cello Solo - Level 1 - Digital Download SKU: A0.1213024 Composed by Francis Scott Key and John Stafford Smith. Arranged by Alex Nunes Rodrigues. Patriotic,Traditional. Individual part. 1 pages. Alex Rodrigues #810204. Published by Alex Rodrigues (A0.1213024). The sheet music for The Star-Spangled Banner is a musical composition that became the national anthem of the United States of America. The music was written by Francis Scott Key in 1814, during the War of 1812, when he witnessed the Battle of Fort McHenry in Baltimore, Maryland. The music is known for its catchy melody and patriotic lyrics, which celebrate the bravery and resilience of the American people during times of war. The sheet music of The Star-Spangled Banner is an iconic symbol of the American nation.
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Violoncelle
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Francis Scott Key and John Stafford Smith
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Alex Nunes Rodrigues
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THE STAR-SPANGLED BANNER
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Alex Rodrigues
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
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