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Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
5 partitions trouvées
<
1
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
¥361.80
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Guillame de Machaut, 1300-1377
#
James M
#
Machaut: Le Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
¥542.88
Recuerdos de mi tierra - Cuarteto para Clarinetes
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Everardo GarcÃa Vargas
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Recuerdos de mi tierra - Cuart
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Everardo GarcÃa Vargas
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1230360 Composed by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditiona...
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Clarinet Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1230360 Composed by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 19 pages. Everardo GarcÃa Vargas #826069. Published by Everardo GarcÃa Vargas (A0.1230360). Recuerdos de mi tierra - Cuarteto para ClarinetesEsta pieza evoca recuerdos de los años 90 cuando formaba parte de la Banda BASTLAM en la comunidad Mixe de Tlahuitoltepec, Oaxaca, México. Practicábamos el estilo Zapateado-Vals con solos y acompañamiento de banda. Cada instrumento tenÃa solos y tuttis únicos. En ese entonces, era innovador tocar como solista en un pueblo rico en cultura pero aislado y con limitado acceso a información y conocimientos formales de música. Prácticamente no existÃan bandas infantiles ni juveniles, por lo que la creación de la Banda Infantil-Juvenil-Bastlam fue uno de los primeros grandes proyectos impulsados por las autoridades municipales. Posteriormente, adoptaron el proyecto y continuaron formando bandas infantiles escalonadamente en dicha comunidad replicándose en otros pueblos y regiones de Oaxaca.El origen del zapateado es incierto. Se cree que proviene de las sevillanas, fandanguillos, bulerÃas y peteneras españolas, las cuales se fusionaron con elementos africanos. Sin embargo, fue en México donde este tipo de zapateado instrumental se arraigó y enriqueció en las bandas filarmónicas tradicionales de los pueblos oaxaqueños. El zapateado representa una fusión global entre culturas y sus representaciones. No existe ningún baile o forma musical completamente puro; todos son producto de mestizajes.
$44.50 ≈
¥322.33
Bach: Partita No. 1 BWV 825 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 1 BWV 825 fo
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435016 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435016 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 45 pages. Jmsgu3 #1015109. Published by jmsgu3 (A0.1435016). BACH: Partita No. 1 BWV 825. Contents: Praeludium, Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue. Johann Sebastian Bach's Partita No. 1 in B-flat Major, BWV 825, is a highly significant and influential work for several reasons: It is part of Bach's monumental Clavier-Übung (Keyboard Practice), a collection of some of his greatest keyboard works published in 1731. The Partitas were groundbreaking compositions demonstrating Bach's mastery of counterpoint, harmony, and keyboard technique. Bach referred to the Partitas as his Opus 1, indicating their importance as his first major published keyboard work aimed at refreshing the spirits of music lovers. The Partita No. 1 was the first of the set, published in 1726 and dedicated to a newborn prince. The work expanded the traditional Baroque Partita form by adding a Prelude and two Minuets, showcasing Bach's innovative compositional approach. Each dance movement is a masterful example of its style, from the virtuosic Praeludium and Gigue to the expressive Sarabande. It profoundly influenced subsequent composers and established Bach as a keyboard music pioneer. The Partitas' technical demands and musical depth set new standards for the genre. So, Bach's Partita No. 1 is a seminal work that exemplifies his genius as a composer, innovator, and keyboard master, making it one of the most important compositions in the Baroque era and the history of Western music.
$42.95 ≈
¥311.10
Fusión Mixe - Cuarteto para Clarinetes
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Everardo GarcÃa Vargas
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Fusión Mixe - Cuarteto
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Everardo GarcÃa Vargas
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 5 - SKU: A0.1240945 Composed by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditiona...
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Clarinet Quartet,Woodwind Ensemble - Level 5 - SKU: A0.1240945 Composed by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 43 pages. Everardo GarcÃa Vargas #836339. Published by Everardo GarcÃa Vargas (A0.1240945). Fusión Mixe - Cuarteto para ClarinetesLa obra “Fusión Mixe†es una creación única e innovadora que combina elementos de la música tradicional de la región mixe con ritmos, armonÃas y melodÃas contrapuntÃsticas contemporáneas y prehispánicas. Esta fusión se inspira en los motivos rÃtmicos y melódicos de la pieza musical ceremonial “Sones y Jarabes Mixes†del reconocido compositor Rito Marcelino Rovirosa. En “Fusión Mixe†se reflejan las ricas tradiciones y costumbres de la región mixe, incluyendo ceremonias y ritos en honor a la madre naturaleza y al rey “Konk ëy†(rey bueno). También se plasman experiencias vividas en el pueblo y en la región mixe, donde aún se conserva y se habla la lengua mixe con mucho orgullo. Haber nacido en la comunidad de Tlahuitoltepec Mixe, Oaxaca, México, es un privilegio que me permite una conexión profunda con estas raÃces culturales.La obra musical ceremonial “Sones y Jarabes Mixesâ€, compuesta por Rito Marcelino Rovirosa, es ampliamente reconocida como uno de los himnos representativos de la región Mixe. Además de ser una pieza musical, también es un baile que forma parte integral de la cultura Mixe del estado de Oaxaca, México. El mismo autor también compuso un himno especÃfico para la región titulado “Himno Mixeâ€. En la tradición y costumbres de esta región, se realizan ceremonias y ritos para agradecer o pedir a las potencias naturales como el rayo, el viento, el agua, el sol, la montaña, la madre tierra y al rey “Konk ëy†(rey bueno), quien representa el vÃnculo con lo sagrado. Estas ceremonias pueden tener como objetivo tener una buena cosecha, alejar un mal sobrenatural, mejorar las condiciones de vida, tener abundancia económica o un buen año. Durante estas ceremonias se ofrendan bebidas como tepache y mezcal, alimentos y música, incluyendo sones y jarabes para bailar.
$50.00 ≈
¥362.16
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