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2
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Clarinette
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Trombone
1288
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684
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317
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266
Trombone et Piano
218
Ensemble de Trombones
152
Quatuor de cuivres: 4 trombones
138
Trompette
115
Tuba et Piano
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Quatuor de Cuivres
48
2 Trombones (duo)
39
Euphonium, Piano (duo)
34
Trompette, Piano
26
Tuba
24
Cor et Piano
23
Cor
22
Trombone basse
21
Trompette, Trombone (duo)
16
Trompette (partie séparée)
15
3 Trombones (trio)
14
Quatuor de cuivres: 4 cors
13
Trombone basse et Piano
12
2 Euphoniums et 2 Tubas
11
Ensemble de Trompettes
10
Trombone, Tuba (duo)
8
Cor (partie séparée)
8
Euphonium
8
Trombone, Orgue
7
4 Tubas
7
Ensemble de Cors
6
2 Cors (duo)
6
2 Trompettes (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone et orchestre
4
Trompette, Saxophone (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone, Cor (duo)
2
Trompette, Trombone, Piano
2
3 Euphoniums
2
Cor anglais, Piano
2
Cor Anglais
2
Instruments en Sib
2
Trio de Cuivres
1
Trombone, Violon (duo)
1
3 Tubas (trio)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Orgue
1
Trombone, Alto (duo)
1
Trompette, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
243
Violon et Piano
98
Violoncelle, Piano
71
Violon
52
Violoncelle
49
Harpe
34
Alto, Piano
32
Violon, Violoncelle (duo)
27
Trio à Cordes: violon, alto, violoncelle
25
Alto seul
23
2 Violons (duo)
16
Violon, Alto (duo)
13
Trio à Cordes: 2 violons, violoncelle
13
2 Violoncelles (duo)
13
Contrebasse, Piano (duo)
9
Contre Basse
9
Harpe, Violon (duo)
9
Harpe, Flûte (duo)
7
2 Altos (duo)
7
Alto, Violoncelle (duo)
6
Alto et Harpe
5
4 Violoncelles
4
Violoncelle , Guitare (duo)
4
Violoncelle, Contrebasse (duo)
4
Trio à cordes
3
Harpe, Violoncelle (duo)
3
Violon, Guitare (duo)
3
Ensemble de Violoncelles
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
2
Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Orgue
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Alto, Orgue
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
Violon (partie séparée)
1
4 Harpes
1
Harpe, Trombone (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
517
Orchestre
389
Ensemble Jazz
365
Ensemble de cuivres
197
Orchestre à Cordes
112
Orchestre de chambre
86
Batterie
71
Jazz combo
47
Fanfare
21
Ensemble de Percussions
18
Cloches
12
Marimba
9
Big band
8
Percussion
6
Percussion (partie séparée)
5
Vibraphone
4
Xylophone
3
Piano et Orchestre
3
Marimba et Orgue
1
Xylophone (partie séparée)
1
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Batterie (partie séparée)
1
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9976
"Us" for Jazz Trombone Quintet & Rhythm Section
Ensemble de Trombones
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Th…
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Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set of Parts. 45 pages. Published by Cherry Classics Music
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.<br> <br> David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals. <br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.<br> <br> David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals. <br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.
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Ensemble de Trombones
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Thad Jones
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Fletcher, David
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"Us" for Jazz Trombone Quintet & Rhythm Section
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Cherry Classics Music
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SheetMusicPlus
Three And One for Jazz Trombone Quintet and Rhythm Section
Ensemble de Trombones
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Th…
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Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Swing, Big Band. 105 pages. Published by Cherry Classics Music
Jones wrote this work in 1958 for a small group session with his two brothers Hank (piano) and Elvin (drums) and is in the album Keepin' Up With The Joneses. The title refers to the three brothers plus another Jones, Eddie, who was the bass player on the session...therefore Three and One.<br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 7-8 minutes in length and includes improvised jazz solos for Bass Trombone and 2nd Trombone and is appropriate for advanced performers.Jones wrote this work in 1958 for a small group session with his two brothers Hank (piano) and Elvin (drums) and is in the album Keepin' Up With The Joneses. The title refers to the three brothers plus another Jones, Eddie, who was the bass player on the session...therefore Three and One.<br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 7-8 minutes in length and includes improvised jazz solos for Bass Trombone and 2nd Trombone and is appropriate for advanced performers.
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Ensemble de Trombones
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Thad Jones
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Fletcher, David
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Three And One for Jazz Trombone Quintet and Rhythm Section
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Cherry Classics Music
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SheetMusicPlus
Twelve Duos for Trombones based on Armenian Folk Songs
2 Trombones (duo)
Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. …
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Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. 23 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.
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2 Trombones (duo)
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Petros Shoujounian
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Twelve Duos for Trombones based on Armenian Folk Songs
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Cherry Classics Music
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SheetMusicPlus
Galliard Battaglia for Trombone Quintet from i Tromboni
Ensemble de Trombones
Trombone Quintet - Advanced - Digital Download Composed by Samuel Scheidt (1587-1654)…
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Trombone Quintet - Advanced - Digital Download Composed by Samuel Scheidt (1587-1654). Arranged by Bennett, Neal. Baroque Period, Renaissance. 22 pages. Published by Cherry Classics Music
Samuel Scheidt's Galliard Battaglia composed around 1621, has become one of the most recognized works in the brass quintet repertoire. This secular work was originally written for five viols. The Galliard dance style, very popular at the time serves as a perfect "foil" for the music's echoing back-and-forth fanfares and brilliant scales.<br> <br> Neal Bennett of iTromboni has done a great job of arranging this music for Trombone quintet of 2 altos (possible on tenor also), 2 tenors & bass, playable by advanced performers. Length is about 2 minutes. <br> <br> The brilliant sound track sample is taken from a live performance by iTromboni.Samuel Scheidt's Galliard Battaglia composed around 1621, has become one of the most recognized works in the brass quintet repertoire. This secular work was originally written for five viols. The Galliard dance style, very popular at the time serves as a perfect "foil" for the music's echoing back-and-forth fanfares and brilliant scales.<br> <br> Neal Bennett of iTromboni has done a great job of arranging this music for Trombone quintet of 2 altos (possible on tenor also), 2 tenors & bass, playable by advanced performers. Length is about 2 minutes. <br> <br> The brilliant sound track sample is taken from a live performance by iTromboni.
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Ensemble de Trombones
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Samuel Scheidt (1587-1654)
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Bennett, Neal
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Galliard Battaglia for Trombone Quintet from i Tromboni
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Cherry Classics Music
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SheetMusicPlus
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
Ensemble de Trombones
Trombone Choir Ensemble - Advanced - Digital Download Composed by Charles Ives (1874-…
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Trombone Choir Ensemble - Advanced - Digital Download Composed by Charles Ives (1874-1954). Arranged by Ross Holcombe. 20th Century, Americana. Score, Set of Parts. 44 pages. Published by Cherry Classics Music
Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.<br> <br> Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven’s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process. <br> <br> The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.<br> <br> This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.<br> <br> Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven’s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process. <br> <br> The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.<br> <br> This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.
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Ensemble de Trombones
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Charles Ives (1874-1954)
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Ross Holcombe
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The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
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Cherry Classics Music
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SheetMusicPlus
Chaccone for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet Ensemble - Advanced - Digital Download Composed by Johann Pachelbel …
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Trombone Quartet Ensemble - Advanced - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Mark LaFratta. Classical Period, Baroque Period, Renaissance. Score, Set of Parts. 25 pages. Published by Cherry Classics Music
Ciacona (original key of F minor for organ) has been beautifully arranged for trombone quartet in C minor by Mark LaFratta. It is probably Pachelbel’s second most famous work, after the Kanon in D. As is typical for a Ciacona (Chaconne), there is a short simple tune in triple meter over a repeating bass ostinato that provides a vehicle for variation, ornamentation, and melodic invention. It is somewhat similar to a passacaglia. There is a passage or two that even have hints of Bach's great Passacaglia, which didn't appear for many years in the future.<br> <br> <br> <br> Pachelbel's Ciacona states an opening theme followed by 22 variations, the last of which is an almost exact repeat of the opening theme.<br> <br> <br> <br> This fantastic 8-minute arrangement is appropriate for advanced performers and is scored for: alto trombone, 2 tenor trombones, and a bass tromboneCiacona (original key of F minor for organ) has been beautifully arranged for trombone quartet in C minor by Mark LaFratta. It is probably Pachelbel’s second most famous work, after the Kanon in D. As is typical for a Ciacona (Chaconne), there is a short simple tune in triple meter over a repeating bass ostinato that provides a vehicle for variation, ornamentation, and melodic invention. It is somewhat similar to a passacaglia. There is a passage or two that even have hints of Bach's great Passacaglia, which didn't appear for many years in the future.<br> <br> <br> <br> Pachelbel's Ciacona states an opening theme followed by 22 variations, the last of which is an almost exact repeat of the opening theme.<br> <br> <br> <br> This fantastic 8-minute arrangement is appropriate for advanced performers and is scored for: alto trombone, 2 tenor trombones, and a bass trombone
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Quatuor de cuivres: 4 trombones
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Johann Pachelbel (1653-1706)
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Mark LaFratta
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Chaccone for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
Earth Summoner for Unaccompanied Bass Trombone
Trombone basse
Bass Trombone solo unaccompanied - Advanced - Digital Download Composed by Jason Begh…
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Bass Trombone solo unaccompanied - Advanced - Digital Download Composed by Jason Beghtol. 21st Century, Contemporary Classical, Modern. Solo Part. 3 pages. Published by Cherry Classics Music
Earth Summoner for Unaccompanied Bass Trombone by Jason Beghtol is a 7-minute work for moderately advanced performers in one complete movement in seven contrasting sections of alternating slow and fast.<br> <br> This work is a very good vehicle for learning rhythmic solidity in the fast sections and developing an expressive singing legato in the slow sections.Earth Summoner for Unaccompanied Bass Trombone by Jason Beghtol is a 7-minute work for moderately advanced performers in one complete movement in seven contrasting sections of alternating slow and fast.<br> <br> This work is a very good vehicle for learning rhythmic solidity in the fast sections and developing an expressive singing legato in the slow sections.
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Trombone basse
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Jason Beghtol
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Earth Summoner for Unaccompanied Bass Trombone
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Cherry Classics Music
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SheetMusicPlus
Scherzo from Op. 18 No. 4 for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download Composed by Ludwig van Beethoven (1770…
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Trombone Quartet - Advanced - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by Kevin Kombrowski. Romantic Period, Classical Period. Score, Set of Parts. 20 pages. Published by Cherry Classics Music
Beethoven's great chamber music is second to none, however, there are very few instances where the Trombone as an instrument can fit into the style of the music. With the Scherzo from String Quartet, Op. 18, No. 4, arranger Kevin Dombrowski has found the perfect fit. A quartet of trombonists at the advanced level will love performing this wonderful five minutes of music.Beethoven's great chamber music is second to none, however, there are very few instances where the Trombone as an instrument can fit into the style of the music. With the Scherzo from String Quartet, Op. 18, No. 4, arranger Kevin Dombrowski has found the perfect fit. A quartet of trombonists at the advanced level will love performing this wonderful five minutes of music.
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Quatuor de cuivres: 4 trombones
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Ludwig van Beethoven
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Kevin Kombrowski
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Scherzo from Op. 18 No. 4 for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
Fantasy for Trombone and Brass Band
Trombone et orchestre
Trombone solo and Brass Band - Advanced - Digital Download Composed by Elizabeth Raum …
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Trombone solo and Brass Band - Advanced - Digital Download Composed by Elizabeth Raum (1945-). Arranged by Dorothy Gates. 21st Century, 20th Century, Post-Romantic. Score, Set of Parts, Solo Part. 69 pages. Published by Cherry Classics Music
Fantasy for Trombone was written in 1981 as a Christmas present for Richard Raum while he and Elizabeth Raum were performing with the Regina Symphony. Ms. Raum is a highly respected Canadian composer with a catalog of outstanding compositions, many featuring brass instrument solos. Fantasy for Trombone and Brass Band was arranged by Dorothy Gates in 2007.<br> <br> The beautiful performance is by UK Trombonist Nick Hudson.<br> <br> Fantasy is dramatic, lyrical and very expressive, making it an ideal choice to feature your brass band's trombone soloist.<br> <br> The work has gained immense popularity since its debut, having been performed and recorded by major artists worldwide. It is 6 1/2 minutes in length and appropriate for advanced performers.<br> <br> The instrumentation is for: Solo Trombone, Soprano Cornet, 4 Cornets, Flugelhorn, 3 Horns in E-flat, 2 Baritones, 3 Trombones, Euphonium, E-flat Bass Tuba, B-flat Bass Tuba.Fantasy for Trombone was written in 1981 as a Christmas present for Richard Raum while he and Elizabeth Raum were performing with the Regina Symphony. Ms. Raum is a highly respected Canadian composer with a catalog of outstanding compositions, many featuring brass instrument solos. Fantasy for Trombone and Brass Band was arranged by Dorothy Gates in 2007.<br> <br> The beautiful performance is by UK Trombonist Nick Hudson.<br> <br> Fantasy is dramatic, lyrical and very expressive, making it an ideal choice to feature your brass band's trombone soloist.<br> <br> The work has gained immense popularity since its debut, having been performed and recorded by major artists worldwide. It is 6 1/2 minutes in length and appropriate for advanced performers.<br> <br> The instrumentation is for: Solo Trombone, Soprano Cornet, 4 Cornets, Flugelhorn, 3 Horns in E-flat, 2 Baritones, 3 Trombones, Euphonium, E-flat Bass Tuba, B-flat Bass Tuba.
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Trombone et orchestre
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Elizabeth Raum (1945-)
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Dorothy Gates
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Fantasy for Trombone and Brass Band
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Cherry Classics Music
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SheetMusicPlus
Diversions for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download Composed by Elizabeth Raum (1945-). 21st …
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Trombone Quartet - Advanced - Digital Download Composed by Elizabeth Raum (1945-). 21st Century, 20th Century, Contemporary Classical, Modern, Neo- Classical. Score, Set of Parts. 22 pages. Published by Cherry Classics Music
Diversions is a work by Canadian composer Elizabeth Raum for Trombone quartet written in 1998 for the Aurora Trombone Quartet. Elizabeth Raum's writing is influenced by the school of the tone poem in that her music seems often to tell a story. Diversions consists of several sections, each with its own personality. It opens with a signal call from the first trombone that is answered in turn by each of the others. This leads to the first rather contrapuntal theme combining the Baroque with the Romantic; then a bridge consisting of variations on the signal brings us to the second theme of three muted trombones playing a lively dance-like accompaniment to the open sound of the first trombone. The continuity of the dance is interrupted by occasional asides or "diversions." Finally, all four instruments, unmuted, join together bringing the piece to a rousing finish. This work of about 6 1/2 minutes in length is appropriate for advanced performers.Diversions is a work by Canadian composer Elizabeth Raum for Trombone quartet written in 1998 for the Aurora Trombone Quartet. Elizabeth Raum's writing is influenced by the school of the tone poem in that her music seems often to tell a story.
Diversions consists of several sections, each with its own personality. It opens with a signal call from the first trombone that is answered in turn by each of the others. This leads to the first rather contrapuntal theme combining the Baroque with the Romantic; then a bridge consisting of variations on the signal brings us to the second theme of three muted trombones playing a lively dance-like accompaniment to the open sound of the first trombone. The continuity of the dance is interrupted by occasional asides or "diversions."
Finally, all four instruments, unmuted, join together bringing the piece to a rousing finish. This work of about 6 1/2 minutes in length is appropriate for advanced performers.
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Quatuor de cuivres: 4 trombones
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Elizabeth Raum (1945-)
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Diversions for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
Fanfare from La Peri for Trombone Quintet
Ensemble de Trombones
Trombone Quintet - Advanced - Digital Download Composed by Paul Dukas (1865- 1935). Ar…
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Trombone Quintet - Advanced - Digital Download Composed by Paul Dukas (1865- 1935). Arranged by Andrew Poirier. 20th Century, Romantic Period, Opera. Score, Set of Parts. 13 pages. Published by Cherry Classics Music
La Peri is a ballet in one act by Paul Dukas, written in 1912 and first performed in Paris. The Fanfare was originally scored for full brass ensemble, however this great arrangement for Trombone Quintet by Andrew Poirier is one of the favorites of the Canadian Trombone Ensemble iTromboni.<br> <br> For advanced performers, the work is about 2 minutes in length.La Peri is a ballet in one act by Paul Dukas, written in 1912 and first performed in Paris. The Fanfare was originally scored for full brass ensemble, however this great arrangement for Trombone Quintet by Andrew Poirier is one of the favorites of the Canadian Trombone Ensemble iTromboni.<br> <br> For advanced performers, the work is about 2 minutes in length.
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Ensemble de Trombones
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Paul Dukas
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Andrew Poirier
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Fanfare from La Peri for Trombone Quintet
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Cherry Classics Music
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SheetMusicPlus
Romanza and Scherzo for solo Bass Trombone and Piano
Trombone basse et Piano
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed b…
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Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
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Trombone basse et Piano
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Pierce, Alan
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Romanza and Scherzo for solo Bass Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Prelude Op. 3 No. 2 for 8-part Trombone Ensemble
Ensemble de Trombones
Trombone Choir Ensemble Octet - Advanced - Digital Download Composed by Sergei Rachma…
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Trombone Choir Ensemble Octet - Advanced - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Kevin R. Dombrowski. 20th Century, Romantic Period. Score, Set of Parts. 14 pages. Published by Cherry Classics Music
Sergei Rachmaninoff's Prelude Op. 3, No. 2 is one of the composer's most famous compositions and is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes. (Wikipedia).<br> <br> This fantastic arrangement in C minor (the original is in C#) by Kevin Dombrowski for 8-part Trombone Ensemble certainly retains the immense gravity and solemnity of the piano version if not more, with the rich and dramatic sounds of the trombones.<br> <br> The 4-minute arrangement is appropriate for advanced performers.Sergei Rachmaninoff's Prelude Op. 3, No. 2 is one of the composer's most famous compositions and is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes. (Wikipedia).<br> <br> This fantastic arrangement in C minor (the original is in C#) by Kevin Dombrowski for 8-part Trombone Ensemble certainly retains the immense gravity and solemnity of the piano version if not more, with the rich and dramatic sounds of the trombones.<br> <br> The 4-minute arrangement is appropriate for advanced performers.
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Ensemble de Trombones
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Sergei Rachmaninoff
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Kevin R
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Prelude Op. 3 No. 2 for 8-part Trombone Ensemble
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SheetMusicPlus
Eine Alpensinfonie - Excerpts for 8-part Trombone Ensemble
Ensemble de Trombones
Trombone Ensemble Choir - Advanced - Digital Download Composed by Richard Strauss (18…
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Trombone Ensemble Choir - Advanced - Digital Download Composed by Richard Strauss (1864-1949). Arranged by Randall Malmstrom. 20th Century. Score, Set of Parts. 14 pages. Published by Cherry Classics Music
Eine Alpensinfonie is Strauss's final and largest scale tone poem. Composed in 1915 (during WWI) Strauss puts into music his feelings of joy and mystery about the glory of nature, especially the mountains. He so loved the mountains that he built a home in the Bavarian Alps with stunning views.<br> <br> The original work is scored for an enormous orchestra of at least 125 musicians and is about 50 minutes in length. This fantastic 6-minute arrangement by Randall Malmstrom, appropriate for advanced performers is for an 8-part Trombone Ensemble (1 alto, 5 tenors, and 2 bass trombones) and features excerpts from the work that highlight the trombone section's glorious chorals.Eine Alpensinfonie is Strauss's final and largest scale tone poem. Composed in 1915 (during WWI) Strauss puts into music his feelings of joy and mystery about the glory of nature, especially the mountains. He so loved the mountains that he built a home in the Bavarian Alps with stunning views.<br> <br> The original work is scored for an enormous orchestra of at least 125 musicians and is about 50 minutes in length. This fantastic 6-minute arrangement by Randall Malmstrom, appropriate for advanced performers is for an 8-part Trombone Ensemble (1 alto, 5 tenors, and 2 bass trombones) and features excerpts from the work that highlight the trombone section's glorious chorals.
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Ensemble de Trombones
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Richard Strauss (1864-1949)
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Randall Malmstrom
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Eine Alpensinfonie - Excerpts for 8-part Trombone Ensemble
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Cherry Classics Music
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SheetMusicPlus
Xenomorphic Blues for 10-part Trombone Ensemble
Ensemble de Trombones
Trombone Ensemble Choir - Advanced - Digital Download Composed by Alistair Kay. Jazz,…
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Trombone Ensemble Choir - Advanced - Digital Download Composed by Alistair Kay. Jazz, Blues, Swing, Funk Jazz, Rock. Score, Set of Parts. 33 pages. Published by Cherry Classics Music
A rip-roaring down & out blues chart for 10 bones. An original composition by Canadian Trombone Superstar Al Kay. All 10 parts get a thorough workout with parts 1 & 2 having some great improvised solo choruses. For advanced performers, this work will add a new dimension to a recital or concertA rip-roaring down & out blues chart for 10 bones. An original composition by Canadian Trombone Superstar Al Kay. All 10 parts get a thorough workout with parts 1 & 2 having some great improvised solo choruses. For advanced performers, this work will add a new dimension to a recital or concert
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Ensemble de Trombones
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Alistair Kay
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Xenomorphic Blues for 10-part Trombone Ensemble
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Cherry Classics Music
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SheetMusicPlus
Can't Take My Eyes Off You - trombone quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download By Frankie Valli. Arranged by Austin R…
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Trombone Quartet - Advanced - Digital Download By Frankie Valli. Arranged by Austin Ralphson. Score, Set of Parts. 15 pages. Published by Austin Ralphson
An arrangement of this popular song which has been covered countless times. It is a favourite to play and to listen to, particularly at weddings. Everyone sings along!An arrangement of this popular song which has been covered countless times. It is a favourite to play and to listen to, particularly at weddings. Everyone sings along!
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Quatuor de cuivres: 4 trombones
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Frankie Valli
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Austin Ralphson
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Can't Take My Eyes Off You - trombone quartet
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SheetMusicPlus
Three Wesendonck Lieder for Solo Trombone and 5-part Trombone Ensemble
Ensemble de Trombones
Trombone solo with Trombone ensemble - Advanced - Digital Download Composed by Richar…
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Trombone solo with Trombone ensemble - Advanced - Digital Download Composed by Richard Wagner (1813-1883). Arranged by Bob Burnham. Romantic Period, Classical Period, Opera. Score, Set of Parts. 34 pages. Published by Cherry Classics Music
Wagner composed five songs or lieder for voice and piano in 1857-58 based on poems by Mathilde Wesendonck, the wife of one of his patrons, and have thus been known as the Wesendonck Lieder over time. Three of them: Der Engel (The Angel), Schmerzen (Sorrows), and Träume (Dreams) have been beautifully arranged for solo Trombone (may be performed on Tenor or Bass Trombone) and 5-part Trombone Ensemble by Bob Burnham. They are very beautiful to listen to!<br> <br> Of musical interest....Wagner inscribed the movement Träume as being a "study for Tristan and Isolde".<br> <br> The three movements are about 9-minutes in length and this arrangement is appropriate for moderately advanced to advanced performers and will add a great deal of musical depth to your recital or concert.Wagner composed five songs or lieder for voice and piano in 1857-58 based on poems by Mathilde Wesendonck, the wife of one of his patrons, and have thus been known as the Wesendonck Lieder over time. Three of them: Der Engel (The Angel), Schmerzen (Sorrows), and Träume (Dreams) have been beautifully arranged for solo Trombone (may be performed on Tenor or Bass Trombone) and 5-part Trombone Ensemble by Bob Burnham. They are very beautiful to listen to!<br> <br> Of musical interest....Wagner inscribed the movement Träume as being a "study for Tristan and Isolde".<br> <br> The three movements are about 9-minutes in length and this arrangement is appropriate for moderately advanced to advanced performers and will add a great deal of musical depth to your recital or concert.
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Ensemble de Trombones
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Richard Wagner (1813-1883)
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Bob Burnham
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Three Wesendonck Lieder for Solo Trombone and 5-part Trombone Ensemble
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Cherry Classics Music
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SheetMusicPlus
Die Frau ohne Schatten - Excerpts from the opera for 8-part Trombone Ensemble
Ensemble de Trombones
Trombone Ensemble Choir - Advanced - Digital Download Composed by Richard Strauss (18…
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Trombone Ensemble Choir - Advanced - Digital Download Composed by Richard Strauss (1864-1949). Arranged by Randall Malmstrom. 20th Century, Romantic Period, Opera. Score, Set of Parts. 12 pages. Published by Cherry Classics Music
Richard Strauss's opera Die Frau ohne Schatten (The Woman Without a Shadow) was written between 1911 and 1917. He regarded it as one of his most important works. After an unenthusiastic opening night, it has now become part of the standard operatic repertoire.<br> <br> Randall Malmstrom has brilliantly arranged some of the most outstanding parts of the opera for an 8-part Trombone Ensemble appropriate for advanced performers.Richard Strauss's opera Die Frau ohne Schatten (The Woman Without a Shadow) was written between 1911 and 1917. He regarded it as one of his most important works. After an unenthusiastic opening night, it has now become part of the standard operatic repertoire.<br> <br> Randall Malmstrom has brilliantly arranged some of the most outstanding parts of the opera for an 8-part Trombone Ensemble appropriate for advanced performers.
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Ensemble de Trombones
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Richard Strauss (1864-1949)
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Randall Malmstrom
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Die Frau ohne Schatten - Excerpts from the opera for 8-part Trombone Ensemble
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Cherry Classics Music
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SheetMusicPlus
Three Studies for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download Composed by Vladislav Blazhevich (1881…
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Trombone Quartet - Advanced - Digital Download Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exercises, Technique Training. Score, Set of Parts. 39 pages. Published by Cherry Classics Music
The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.<br> <br> Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.<br> <br> Here is a description of the Three Studies by arranger Karl Lynden:<br> <br> "The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich’s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement “Five Etude”.<br> <br> Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.<br> <br> No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.<br> <br> Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.<br> <br> Here is a description of the Three Studies by arranger Karl Lynden:<br> <br> "The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich’s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement “Five Etude”.<br> <br> Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.<br> <br> No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."
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Quatuor de cuivres: 4 trombones
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Vladislav Blazhevich
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Karl Lyden
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Three Studies for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone et Orgue
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
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Saxophone et Orgue
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Judith Cloud
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What Would Nina Simone Say? For Soprano Sax & Organ
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Judith Cloud
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SheetMusicPlus
Mission: Impossible Theme from the Paramount Television Series MISSION: IMPOSSIBLE - trombone quartet
Quatuor de cuivres: 4 trombones
Trombone, Brass Quartet, Trombone Quartet - Advanced - Digital Download By Lalo Schif…
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Trombone, Brass Quartet, Trombone Quartet - Advanced - Digital Download By Lalo Schifrin. Arranged by Austin Ralphson. Score, Set of Parts. 12 pages. Published by Austin Ralphson
A hallmark of this American TV series is each episode's opening scene, in which Briggs or Phelps receives his instructions from a faceless voice, delivered on a recording which then self-destructs; this is immediately followed by the theme music, composed by Lalo Schifrin. This music is presented here in an exciting arrangement for trombone quartet with optional drum kit; it works as a great opener to a concert.A hallmark of this American TV series is each episode's opening scene, in which Briggs or Phelps receives his instructions from a faceless voice, delivered on a recording which then self-destructs; this is immediately followed by the theme music, composed by Lalo Schifrin. This music is presented here in an exciting arrangement for trombone quartet with optional drum kit; it works as a great opener to a concert.
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Quatuor de cuivres: 4 trombones
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Lalo Schifrin
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Austin Ralphson
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Mission: Impossible Theme from the Paramount Television Series MISSION: IMPOSSIBLE - trombone quartet
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SheetMusicPlus
Carol of the Merry Gentlemen for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download Composed by Traditional Christmas Caro…
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Trombone Quartet - Advanced - Digital Download Composed by Traditional Christmas Carol. Arranged by Diefenderfer, Ryan. Christian, Jazz, Christmas. Score, Set of Parts. 14 pages. Published by Cherry Classics Music
Ryan Diefenderfer's clever arrangement of the Traditional Christmas carol God Rest You Merry, Gentlemen for Trombone Quartet begins as a Bass Trombone feature ballad with accompanying jazz chords. Then it ramps up to a jazz waltz giving all parts a good workout.<br> <br> This almost 4-minute work is appropriate for advanced performers.<br> <br> The digital sound track is a rough guide to who this arrangement sounds  Ryan Diefenderfer's clever arrangement of the Traditional Christmas carol God Rest You Merry, Gentlemen for Trombone Quartet begins as a Bass Trombone feature ballad with accompanying jazz chords. Then it ramps up to a jazz waltz giving all parts a good workout.<br> <br> This almost 4-minute work is appropriate for advanced performers.<br> <br> The digital sound track is a rough guide to who this arrangement sounds  
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Quatuor de cuivres: 4 trombones
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Traditional Christmas Carol
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Diefenderfer, Ryan
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Carol of the Merry Gentlemen for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
First Day Drone
Saxophone (partie séparée)
Baritone Saxophone Solo - Level 5 - Digital Download SKU: A0.1025264 Composed by Is…
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Baritone Saxophone Solo - Level 5 - Digital Download SKU: A0.1025264 Composed by Isaac Simon. Contemporary,Standards. Individual part. 1 pages. Isaac Simon #4627057. Published by Isaac Simon (A0.1025264). A short piece for solo Baritone Saxophone that tells the story of someone flying and crashing their helicopter drone on their first day. .
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Saxophone (partie séparée)
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Isaac Simon
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First Day Drone
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Isaac Simon
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SheetMusicPlus
Asturias Leyenda for Trombone Quartet Ensemble
Quatuor de cuivres: 4 trombones
Trombone Quartet Ensemble - Advanced - Digital Download Composed by Isaac Albeniz (1860-…
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Trombone Quartet Ensemble - Advanced - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Karl Hinterbichler. 20th Century, Romantic Period. Score, Set of Parts. 21 pages. Published by Cherry Classics Music
Asturias or Leyenda (Legend) named by the composer is a 6-minute work originally written in 1892 for the Piano as part of a three-movement suite entitled Chants d'Espagne. The work is actually best known in its very popular guitar rendition. The music is in the Andalusian flamenco style A-B-A with a malagueña as the B section. Karl Hinterbichler has worked some technical magic with his new arrangement for Trombone Quartet. Advanced performers will have a great time working out this mesmerizing piece of music.Asturias or Leyenda (Legend) named by the composer is a 6-minute work originally written in 1892 for the Piano as part of a three-movement suite entitled Chants d'Espagne. The work is actually best known in its very popular guitar rendition.
The music is in the Andalusian flamenco style A-B-A with a malagueña as the B section.
Karl Hinterbichler has worked some technical magic with his new arrangement for Trombone Quartet. Advanced performers will have a great time working out this mesmerizing piece of music.
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Quatuor de cuivres: 4 trombones
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Isaac Albeniz (1860-1909)
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Karl Hinterbichler
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Asturias Leyenda for Trombone Quartet Ensemble
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SheetMusicPlus
16th Century Christmas Carol Medley for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet Ensemble Choir - Advanced - Digital Download Composed by Traditional…
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Trombone Quartet Ensemble Choir - Advanced - Digital Download Composed by Traditional Christmas music. Arranged by Jim Hopson. Christian, Christmas. Score, Set of Parts. 13 pages. Published by Cherry Classics Music
Jim Hopson has arranged a 16th Century Christmas Carol Medley for Trombone Quartet. The three carols are:<br> <br> Bring a Torch, Jeanette, Isabella - Lo' How a Rose E'er Blooming - Coventry Carol<br> <br> There are touches of jazz chording and rhythmic stylings throughout, adding a bit of mystery to the 16th Century flavors.<br> <br> The medley is about 2 1/2 minutes in length and appropriate for advanced performers.Jim Hopson has arranged a 16th Century Christmas Carol Medley for Trombone Quartet. The three carols are:<br> <br> Bring a Torch, Jeanette, Isabella - Lo' How a Rose E'er Blooming - Coventry Carol<br> <br> There are touches of jazz chording and rhythmic stylings throughout, adding a bit of mystery to the 16th Century flavors.<br> <br> The medley is about 2 1/2 minutes in length and appropriate for advanced performers.
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Quatuor de cuivres: 4 trombones
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Traditional Christmas music
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Jim Hopson
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16th Century Christmas Carol Medley for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
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