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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
CORNEMUSE
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FORMATION MUSI…
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PIANO & CLAVIERS
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183
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Orgue
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82
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25
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6
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Clarinette
10
Saxophone Tenor et Piano
9
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Hautbois (partie séparée)
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Flûte à bec Soprano
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3 Clarinettes (trio)
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5
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Flûte à bec Alto
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4
Flûte à bec Tenor
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Quatuor de Flûtes : 4 flûtes
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Ensemble de Clarinettes
4
Ensemble de Flûtes
3
Quintette de Clarinettes: 5 clarinettes
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Saxophone Alto
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte et Guitare
2
Saxophone Baryton, Piano
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Hautbois
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Ensemble de saxophones
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Cor anglais, Guitare (duo)
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3 Saxophones (trio)
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2 Flûtes traversières (duo)
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2 Clarinettes (duo)
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Clarinette, Basson (duo)
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Trompette, Piano
14
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Trompette
13
Cor
11
Tuba
8
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Trombone et Piano
7
Tuba et Piano
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Cor et Piano
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Quatuor de Cuivres
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Trompette (partie séparée)
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Cor anglais, Guitare (duo)
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2 Euphoniums (duo)
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Bass Clef Instruments
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2 Trompettes (duo)
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2 Euphoniums et 2 Tubas
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2 Cors (duo)
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2 Trombones (duo)
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Ensemble de Trompettes
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CORDES
Violon et Piano
27
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violoncelle, Piano
17
Alto, Piano
15
Violoncelle
14
Violon
13
Alto seul
9
Harpe
9
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Violon, Violoncelle (duo)
3
2 Violons (duo)
3
2 Altos (duo)
3
2 Violoncelles (duo)
3
4 Violoncelles
2
2 Harpes (duo)
2
Harpe et Piano
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
2 Violons, Piano
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Violoncelle , Guitare (duo)
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, alto
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
34
Orchestre
25
Orchestre d'harmonie
20
Orchestre de chambre
4
Ensemble de Percussions
4
Ensemble de cuivres
3
Ensemble Jazz
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Jazz combo
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Cloches
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Fanfare
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Batterie
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Quintette de Cuivres: autres combinaisons
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AUTRES
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A Child I Was
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Genesis: I. The Garden of Eden
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1028362 Composed by Nina Smeets. Ch…
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Piano Solo - Level 4 - Digital Download SKU: A0.1028362 Composed by Nina Smeets. Children,Concert,Contemporary,Film/TV,Praise & Worship. Score. 11 pages. Hart vol Muziek #3483939. Published by Hart vol Muziek (A0.1028362). At the age of three, Nina suffered a big accident. After being for a long time in a coma, the doctors lost all hope. Miraculously she got conscious after repetitively listening to the 12th piano concerto from Mozart, played by her mother. As a child, Nina was always very attracted to music. Her dream was to become one day a pianist.One day Nina's fiancé, Gabriel Ferraz started to philosophize about the innovation within classical music. Gabriel motivates and inspires Nina to start writing music. In 2013 Nina plays the piano concerto of Gershwin in Switzerland with orchestra. After playing the concerto, she decides to play one of her own pieces as an encore. After a very positive feedback about her music, she starts playing other pieces written by herself on other concerts. At long last, Nina and Gabriel start the project of writing Project Reborn.In 2016 Nina's music from Project Reborn is nominated an award by the Akademia Music Award in the USA. 'Project Reborn' wins the Akademia Music Awards.Nina Smeets may caress the keys with unrivaled dexterity, but it's her underlying compositional instincts that leave us breathless with appreciation for 'Project Reborn'. by Akademia Music Awards For more information about Nina Smeets, click on the link below: https://www.facebook.com/smeetsnina/ For the complete book, click on the link below: https://www.facebook.com/pg/smeetsnina/shop/?ref=page_internal
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Piano seul
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Nina Smeets
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Genesis: I. The Garden of Eden
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Hart vol Muziek
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SheetMusicPlus
Through a Child's Eyes - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3395631. Published by Kevin G. Pace (A0.701759). An original hymn with text by Kathryn W. Hales below.YouTube video: https://youtu.be/fxh5D3JYM_o When I see the world through a child’s eyes, I see mountains and bluebirds and bright butterflies; I feel sand through my toes when at the beach And the apples on the tree just out of reach. When I see the world through a child’s eyes, It’s easy to believe in a Heavenly Father so wise, That He created this earth and all its beauty untold; I still hope to see it that way when I’m old. When I see a family through the eyes of a child, I see a father who provides and a mother who smiles; I have brothers and sisters who are kind to me And we all play together in harmony. When I see a family through the eyes of a child, I can believe in Heavenly Parents, loving and mild, I can view each person as someone of worth And accept them as God’s family here on the earth. When I see others through the eyes of a child, I can learn compassion, to speak without guile; I can be teachable, forgiving, honest, and true, When I see the kind things others may do. It’s easy to believe in a God who is just, When I learn from others to show mercy and trust. I can learn patience while waiting a while, For God’s blessings to come to an obedient child. (Optional for the Christmas season) When I see Christmas through a child’s eyes, I feel laughter and magic and wondrous surprise; I love lights and music and cookies and songs, I want to serve others and never do wrong. It’s easy to believe when Baby Jesus was born Though ‘twas long ago on that Christmas morn, That Love had come down to redeem and glorify, When I see our Savior through a child’s eyes.
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Chorale SATB
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Kevin G
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Through a Child's Eyes - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Touched by a Child
Chorale SATB
SATB choir (With Optional Full Orchestra) - Digital Download SKU: LX.10-2541M Compo…
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SATB choir (With Optional Full Orchestra) - Digital Download SKU: LX.10-2541M Composed by John Purifoy. Sacred Anthem, Christmas. Octavo. 12 pages. Monarch Music #e10/2541M. Published by Monarch Music (LX.10-2541M). UPC: 000308055153.A marvelous reflection on the far-reaching effect the Babe of Bethlehem had-and has- on all people of the earth.
Song List: Angels' Song I Was Touched and I Believe Light Of The World O Come All Ye Faithful Rejoice Rejoice All People Run Shepherds Run The Truth and the Light Touched By A Child Touched by a King
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Chorale SATB
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John Purifoy
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Touched by a Child
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Monarch Music
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SheetMusicPlus
Songs for a Rainbow People
A collection of hymns and songs by this talented New Zealand composer. The selections are …
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A collection of hymns and songs by this talented New Zealand composer. The selections are light-hearted, creative and uplifting. Notes on the hymns are included
Song List: Across a Dark, Autumnal Sky I Saw a Flock of Wild Geese Fly (Honking Hymn) As Everyone Knows, or Thinks They Know from the Book of Genesis (The Tale of a Snake) A Stable Lamp Is Lighted Every Hair upon Your Head Fancy Noah Sailing in the Ark (Rainbow People) For Everyone Born a Place a the Table Gentle God, the Candle Flickers God in the Darkness, God Beyond Our Knowing God of the Bible, God in the Gospel(Fresh as the Morning) God Rest Us, Rest that Part of Us which Is Tired Great and Deep the Spirit's Purpose Here to Celebrate God's Loving How Much Am I Worth? I'm a Fishbowl Christian I'm Gonna Take Another Step Along the Way (Treksong) It All Depends on Where I'm Going Listen to the Voices, Listen to the Voices of the Earth Lord, I Wait for the Tide to Turn Lord Jesus, Look on This We Do Merry Christmas Rag Nothing Is Lost on the Breath of God Now as We Go, Kind Spirit Keep Us O Spring in the Desert, O Shelter from Heat (Prayer for the Presence) Snap Us Out of It, Lord (The Ho-Hum Hymn) Sometimes the Boundless Beauty of the World Strong Word of God, Spoken to All The Grace of God on You Distill The Lord God Walked in Paradise (Callings) There's Straw in the Manger (The Folly of Love Carol) These Hills Where the Hawk Flies Lonely This Tree We Plant in Loving Memory When I Was a Child I Thought as a Child When Our Lives Know Sudden Shadow
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Songs for a Rainbow People
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SheetMusicPlus
A Child’s Garden of Jazz for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Hen…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolking, Henryenry
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A Child’s Garden of Jazz for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Dreams of my Childhood. Song & Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.15654 Composed by Howard Brockway. Child…
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Piano and voice - Digital Download SKU: LV.15654 Composed by Howard Brockway. Children playing, Parks, Couples, Trees, Ice skating, Snow, Kites, Fishing, Families, Friendship, Time, Human life cycle, Death, Emotion--pain. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15654). Dreams of my Childhood. Song & Chorus. Composed by W.H. Brockway. Published 1859 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Children playing, Parks, Couples, Trees, Ice skating, Snow, Kites, Fishing, Families, Friendship, Time, Human life cycle, Death, Emotion--pain. First line reads Oh! well I remember when I was a child, My old Cottage home and my dear mother's smile.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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Piano, Voix
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Howard Brockway
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Dreams of my Childhood. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Dreams of My Childhood. Song & Chorus
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.605 Composed by H…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.605 Composed by Howard Brockway. Parks, Trees, Children playing, Couples, Fishing, Ice skating, Seasons, Nostalgia, Sadness, Friendship, Time. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.605). Dreams of My Childhood. Song & Chorus. Composed by W.H. Brockway. Published 1858 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parks, Trees, Children playing, Couples, Fishing, Ice skating, Seasons, Nostalgia, Sadness, Friendship, Time. First line reads Oh! well I remember when I was a child, my old cottage home and my dear mother's smile.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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Chorale SATB
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Howard Brockway
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Dreams of My Childhood. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
I saw a maiden arr Pettman and arr for men's voices (mp3)
Choir - Level 3 - Digital Download SKU: A0.1310125 By David Warin Solomons (as the …
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Choir - Level 3 - Digital Download SKU: A0.1310125 By David Warin Solomons (as the dwsChorale). By Traditional. Arranged by David Warin Solomons and Edgar Pettman. Christmas,Religious. Full Performance. Duration 150. David Warin Solomons #899263. Published by David Warin Solomons (A0.1310125). Traditional Christmas Carol arranged by Edgar Pettman and transposed here for men's voices1 Â I saw a maiden sitten and sing:She lulled a child, a sweete Lording.Lullay, lullay, my dear son, my sweeting.Lullay, lullay, my dear heart, my own dear darling.2 Â This very Lord he made alle thing:Of lordes the Lord, of kinges the King.3 Â There was mickle melody at that childes birth:And all in heaven's bliss, they made mickle mirth.4 Â Angels sang that night and saiden to that child:Now blest be thou and she, both meek and mild.5 Â Pray we to that child and to His mother dear,His blessing to them that maken now cheer.
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David Warin Solomons
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I saw a maiden arr Pettman and arr for men's voices
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David Warin Solomons
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SheetMusicPlus
"I was not leaving you" from "The Songs of the Land of my Childhood-Bashkortostan" - Musical Arrange
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.930243 Arranged by Alfia Yussupova.…
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Easy Piano - Level 1 - Digital Download SKU: A0.930243 Arranged by Alfia Yussupova. Contemporary,Folk. Score. 3 pages. Alfia Yussupova #4278195. Published by Alfia Yussupova (A0.930243). I was not leaving you from The Songs of the Land of my Childhood-Bashkortostan - Musical Arrangements based on Bashkir and Tatar Traditional Melodies Arranged for Easy Piano by Alfia Yussupova, www.alfiamusic.com Review: Beautiful songs from an ancient tradition – but with a universal appeal: These are songs that seem strangely familiar, and touch the child in all of us. – Marty Rudali
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Piano Facile
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Alfia Yussupova
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"I was not leaving you" from "The Songs of the Land of my Childhood-Bashkortostan" - Musical Arrange
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Alfia Yussupova
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SheetMusicPlus
El Condor Pasa (If I Could)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Daniel Alomia Robles, Jorge Milchberg, and Paul Simon
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandeli…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
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Chorale SATB
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Dandelion Music Press
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I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Non mi porti a Funkytown? (Disco & Pavane)
Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1381033 Composed b…
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Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965749. Published by Barabba Music (A0.1381033). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with Flute and Oboe in place of the clarinet available. For more information visit www.jasonbarabba.com.
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Non mi porti a Funkytown? (Disco & Pavane)
Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1381048 Composed by Ja…
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Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965763. Published by Barabba Music (A0.1381048). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and flute in place of the oboe available. For more information visit www.jasonbarabba.com.
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Non mi porti a Funkytown? (Disco & Pavane)
Cello,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1381044 Composed by J…
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Cello,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965759. Published by Barabba Music (A0.1381044). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and oboe in place of the flute available. For more information visit www.jasonbarabba.com.
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
A Promise to Stand By:
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemp…
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Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
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Orchestre d'harmonie
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Livin' on a Prayer
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407815 By Bon …
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407815 By Bon Jovi. By Richie Sambora, Jon Bon Jovi, Desmond Child. Arranged by Julia Daintree. 20th Century,Contemporary,Pop,Rock. 5 pages. Julia Daintree #990438. Published by Julia Daintree (A0.1407815). Flexible arrangement SSA, SAT, SABSchool Choirs, Youth Choirs, Community Choirs, Gospel ChoirsSo much fun to practice and perform. If you have a guitarist to play the instrumental solo, it adds a lot. Drums are a big help, too, but not essential. I wasn't sure how this would work with a choir but it was so great that I'm going to introduce a few more rock songs. The choir and the audience absolutely loved it :)Enjoy!
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Bon Jovi
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Julia Daintree
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Livin' on a Prayer
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Julia Daintree
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Sometimes I Feel Like a Motherless Child/Steal Away
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.918262 Arranged by Dillon's Music G…
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Piano Solo - Level 3 - Digital Download SKU: A0.918262 Arranged by Dillon's Music Group. African. Score. 3 pages. Dillon's Music Group #6013055. Published by Dillon's Music Group (A0.918262). Sometimes I Feel Like a Motherless Child is traced back to the era of slavery. It's an expression of pain and despair as the lyrics describe the hopelessness of a child torn from its parents. Steal Away is a song with a coded message, not only about having faith in God, but messages about slaves running away to seek their freedom. Sung softly in the dark of night, it was a signal that the coast was clear and now was the time to escape their bondage. They sang hopefully: Steal away, steal away, Steal away to Jesus! Steal away, steal away home, I ain't got long to stay here. (included in Brenda Dillon's African American Collection)About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday. She also presented group piano and RMM sessions throughout the U.S. In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred listed on her website (www.brendadillon.com).
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Piano seul
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Dillon's Music Group
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Sometimes I Feel Like a Motherless Child/Steal Away
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Dillon's Music Group
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SheetMusicPlus
What am I Doing Here PVG
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.984013 Composed b…
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishing #4360965. Published by Boothe Publishing (A0.984013). One of my auntie's got killed coming home from work late one evening by a drunk driver who was not obeying the traffic signals. I remember thinking to myself that this wasn't fair. It wasn't right. This was the first time that someone close to me was ushered out of this world. I started looking at my own life. Was I ready to leave this world behind? My auntie didn't get to decide. One moment she was here. The next she was gone, leaving her children behind. As I looked at myself I noticed there were a lot of flaws in my character. I liked some things about myself, however, there were a lot of other character traits where I felt that I was lacking in integrity and honesty. The question, What am I doing here? made me want to correct those flaws so that I could feel good about meeting God when I leave this world. I have found that change is possible.
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Voix duo, Piano
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Steven H
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Ashley Ivers
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What am I Doing Here PVG
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Boothe Publishing
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SheetMusicPlus
What am I Doing Here Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069966 Composed by Boothe Publishing. Arranged by…
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Piano - Digital Download SKU: A0.1069966 Composed by Boothe Publishing. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 183. Boothe Publishing #4633693. Published by Boothe Publishing (A0.1069966). One of my auntie's got killed coming home from work late one evening by a drunk driver who was not obeying the traffic signals. I remember thinking to myself that this wasn't fair. It wasn't right. This was the first time that someone close to me was ushered out of this world. I started looking at my own life. Was I ready to leave this world behind? My auntie didn't get to decide. One moment she was here. The next she was gone, leaving her children behind. As I looked at myself I noticed there were a lot of flaws in my character. I liked some things about myself, however, there were a lot of other character traits where I felt that I was lacking in integrity and honesty. The question, What am I doing here? made me want to correct those flaws so that I could feel good about meeting God when I leave this world. I have found that change is possible.
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Piano seul
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Boothe Publishing
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Ashley Ivers
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What am I Doing Here Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Song of My Children for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.982071
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Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.982071 Composed by James Gardner. Contemporary. Score and parts. 36 pages. James Gardner #6074275. Published by James Gardner (A0.982071). I wanted to set a precious memory I had from a time when two of my children were quite young. My daughter Cassi was only 1 year old or so, and my son Christopher about 8. I was holding my little Cassi in my lap and Christopher was running back and forth through the living room in his Batman cape, pretending to be his hero at that moment! This memory would come and go for me over the next few years until I began to find musical themes for each child and determined to compose a tone poem with them.
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Piano Quatuor: piano, violon, alto, violoncelle
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James Gardner
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Song of My Children for Piano Quartet
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James Gardner
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SheetMusicPlus
When Mary Looked Upon Her Child
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1406731 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1406731 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #989487. Published by Kevin G. Pace (A0.1406731). A gorgeous Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:When Mary looked upon her Child, I wonder what she thought, While knowing she would share her Baby's life which would be, would be sought. I wonder if she asked for strength to master each new day, or did she know her Father would sustain her as she obeyed.When Mary looked upon her Child, I wonder if she viewed Herself as mother of God's Son . . . Him, who would be pursued. Or did she hold her Baby close, just wanting to protect?I wonder if her eyes had tears each day while sweet Jesus, while Jesus slept.When Mary looked upon her Child, I wonder if she prayed For greater faith to conquer all obstructions that would block the way. I wonder if she felt prepared for what was just ahead, And did she trust each day for help no matter where God led?When Mary looked upon her Child, I know she felt great love Because she had been given Him from God, our Father up above. She cared for our Lord all his life, throughout each mortal snare. Her gift would be a mother's special love; a deep love they always would share.
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Chorale SATB
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Kevin G
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When Mary Looked Upon Her Child
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Kevin G. Pace
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SheetMusicPlus
Treasure Chest (a chocolate song)
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873031 Composed by Sally Whi…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873031 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 7 pages. Sally Whitwell #3869011. Published by Sally Whitwell (A0.873031). Composer’s Note - Treasure ChestI w​as commissioned by the Canberra International Music Festival in 2016 to write a work for children’s chorus. The concert was a Mothers’ Day event, sponsored by a couple of local boutique chocolatiers, so the works on the program were all chocolate and coffee themed, including J S Bach’s Coffee Cantata and a bunch of songs from Charlie and the Chocolate Factory. The festival’s Artistic Director Roland Peelman asked me if I could write a new piece on this theme.So I got thinking about chocolate and about Mothers’ Day and about how when you’re a little kid and have no earnings, you still give your mum a present for her special day (that is, your dad pays for it and you sign the card!). And if it’s chocolate, you might give her ​your​ favourite chocolate instead of ​hers,​ and all you are really waiting for is for her to offer you one. When I was a child, I always used to think of chocolate boxes as treasure chests, full of shining precious things only consumed on very special occasions. Because they were such a rarity, you really had to savour each sweet taste and gooey texture. I​ ’m sure from this song, you’ll be able to tell that I am a big sweet tooth!-- Sally Whitwell
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Chorale 2 parties
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Sally Whitwell
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Treasure Chest
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Sally Whitwell
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SheetMusicPlus
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