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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ain Schumann
Non classifié
47
Piano & claviers
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200
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63
1 Piano, 4 mains
25
Piano Facile
11
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
3
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2
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1
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1
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9
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1
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1
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1
Voix Soprano, Piano
1
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21
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15
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12
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9
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9
Flûte traversière
6
Saxophone Tenor et Piano
6
Saxophone Baryton, Piano
5
Flûte à Bec
4
Saxophone Soprano et Piano
4
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3
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3
Cor anglais, Piano
3
Hautbois
2
Clarinette Basse
1
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1
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1
2 Flûtes traversières (duo)
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1
Saxophone
1
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7
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7
Trombone et Piano
7
Tuba et Piano
6
Trompette
6
Euphonium, Piano (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor anglais, Piano
3
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1
Quatuor de Cuivres
1
3 Trompettes (trio)
1
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1
Tuba
1
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21
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21
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16
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15
Violon
12
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12
Alto seul
6
Trio à Cordes: 2 violons, violoncelle
2
Harpe
2
2 Altos (duo)
1
2 Violons (duo)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Trio à Cordes: violon, alto, violoncelle
1
Violon, Alto (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Violoncelle (duo)
1
Contre Basse
1
+ 13 instrumentations
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2
Orchestre d'harmonie
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Orchestre
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Ensemble de cuivres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Vous avez sélectionné:
Ain Schumann
Partitions à imprimer
675 partitions trouvées
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Six Studies in Canon Form by Robert Schumann, Op. 56
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Robert Schumann
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Claude Debussy
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Six Studies in Canon Form by R
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Gibson Global
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SheetMusicPlus
Composed by Robert Schumann. Arranged by Claude Debussy. Classical, Romantic Period. Score. 44 pages. Gibson Global #623969. Published by Gibson Globa...
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Composed by Robert Schumann. Arranged by Claude Debussy. Classical, Romantic Period. Score. 44 pages. Gibson Global #623969. Published by Gibson Global
$9.95 ≈
¥70.80
Schumann: Six Etudes in Canon Form, Opus 56 - Piano Duet (1 Piano, 4 Hands)
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1 Piano, 4 mains
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Classique
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Robert Schumann
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Georges Bizet
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Schumann: Six Etudes in Canon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Composed by Robert Schumann. Edited by Allison Nelson and Maurice Hinson. Arranged by Georges Bizet. Classical. 47 pages. Alfred Music - Digital Sheet...
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Composed by Robert Schumann. Edited by Allison Nelson and Maurice Hinson. Arranged by Georges Bizet. Classical. 47 pages. Alfred Music - Digital Sheet Music #00-PB-0000618. Published by Alfred Music - Digital Sheet Music
$8.95 ≈
¥63.69
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥234.47
Two Songs by the Schumanns
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Clara Schumann
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Stephen Levintow
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Two Songs by the Schumanns
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Cypress Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1332112 Composed by Clara Schumann (1819-1896) and Robert Schumann (1810-1856). Arranged by Stephen Le...
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String Quartet String Quartet - Level 4 - SKU: A0.1332112 Composed by Clara Schumann (1819-1896) and Robert Schumann (1810-1856). Arranged by Stephen Levintow. 19th Century,Chamber,Romantic Period. 13 pages. Cypress Publishing #918892. Published by Cypress Publishing (A0.1332112). A matched pair of love songs by Robert Schumann and his wife Clara, who was a celebrated pianist and gifted composer in her own right, as this example proves. The selections are her Liebst du um Schönheit and Robert's Mondnacht.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$4.00 ≈
¥28.46
Four Melodies by Clara Schumann
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Quatuor à cordes: 2 violons, alto, violoncelle
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Clara Wieck-Schumann
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Stephen Levintow
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Four Melodies by Clara Schuman
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1511369 Composed by Clara Wieck-Schumann. Arranged by Stephen Levintow. 19th Century,Romantic...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1511369 Composed by Clara Wieck-Schumann. Arranged by Stephen Levintow. 19th Century,Romantic Period. 32 pages. Cypress Publishing #1086543. Published by Cypress Publishing (A0.1511369). Appreciation for the quality and charm of Clara Schumann’s music has increased in recent years as it has become better known. She was the daughter and prize pupil of the celebrated piano teacher Friedrich Wieck, and she toured internationally by her early teens. Wieck also taught Robert Schumann, but bitterly opposed the liaison of Robert and Clara, aware that it would cause him to lose control of her career and the income it generated. The two were able to marry only after a long court battle with Wieck.In the 40 years that Clara survived Robert, she composed very little, devoting her energy to performance, and to securing Robert’s musical legacy. Nobody can blame her for this, especially as performing was a far more secure way to support her large family. But we can still regret that she did not compose more, given the excellence of the small body of work we have. This set includes arrangements of two piano pieces from her Opus 15, Vier flüchtige Stücke (Four Fleeting Pieces), and two Lieder for voice and piano from her Opus 13, Der Mond kommt still gegangen (The Moon Comes Quietly) and Liebeszauber (Love’s Spell). Clara’s musical forms are generally more conventional than Robert’s, but she is capable of bold harmonies and modulations, often in the middle sections of her piano pieces. Opus 15, No. 3, the third of this set, is an example, with some rhythmic challenges to the quartet. Cypress Publishing offers other works by Clara Schumann arranged for string quartet under “Two Pieces by Clara Schumann” (from Op. 15 and Op. 21), and her wonderful song Liebst du um Schönheit (If You Love for Beauty), paired with Robert’s great Mondnacht (Moonlit Night) as “Two Songs by the Schumanns”.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$9.00 ≈
¥64.04
Robert Schumanns Traumreise
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Enjott Schneider
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Robert Schumanns Traumreise
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Schott Music - Digital
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SheetMusicPlus
Lower voice, flute, bassclarinet, percussion and piano - advanced - SKU: S9.Q23764 For lower voice, flute, bass clarinet, percussion and piano. C...
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Lower voice, flute, bassclarinet, percussion and piano - advanced - SKU: S9.Q23764 For lower voice, flute, bass clarinet, percussion and piano. Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Op. 35. Duration 26 minutes. Schott Music - Digital #Q23764. Published by Schott Music - Digital (S9.Q23764). German.Schumann's dream journey invites the listener on a hovering flight towards death. It is a window into his life which was often characterised by pain and longing. The inner conflict is revealed by the contrast in styles: his tonal musical language is expressively juxtaposed by the instrumental commentaries in contemporary idioms.
$41.99 ≈
¥298.80
Schumann: Träumerei Op. 15 No. 7 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.550198 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 7...
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String Quartet String Quartet - Level 3 - SKU: A0.550198 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 7 pages. Jmsgu3 #4598525. Published by jmsgu3 (A0.550198). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore. Träumerei is the seventh and most renowned movement of Robert Schumann's Kinderszenen, Op. 15 (Scenes from Childhood), which was composed in 1838. It is a solo piano piece and is a perfect example of a lyrical composition, combining tenderness and tremendous emotion. The title Träumerei means Dreaming, it was written as a tribute to Schumann's four-year-old daughter, Marie. The piece was published as part of Kinderszenen on December 27, 1838, with the title given by the composer himself, reflecting his longing for his childhood and the innocence of his children. The composition evokes a mood of aching melancholy, loss, and nostalgia, which has contributed to its universal popularity. It has been embraced for its sweetness and longing, and it communicates the idea of dreaming and nostalgia, appealing to both adults and children.Träumerei gained significant recognition in the Soviet Union, where it was selected to be played in the background during a moment of silence in memory of the victims of the Soviet Union's war against Nazi Germany. The piece's universal emotional appeal has made it a beloved and widely recognized masterpiece. The composition has been featured in various films and arranged for different instruments, contributing to its enduring popularity and cultural significance.
$47.95 ≈
¥341.21
Saint-Saëns: Oratorio de Noël, 5 soli, SSAA choir, harp, organ and strings - Score Only
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Chorale SSAA
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Roar Kvam
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Saint-Saëns: Oratorio de Noë
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KVAMusic Edition
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SheetMusicPlus
Level 3 - SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pa...
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Level 3 - SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pages. KVAMusic Edition #985137. Published by KVAMusic Edition (A0.1401939). Charles-Camille Saint-SaeÌ?ns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist.He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the ocial church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-SaeÌ?ns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers.This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de NoeÌ?l (Christmas Oratorio) at the end of the 1850s and completed it in 1860.The first performanse was at the church La Madeleine in Paris December 1869.The work is dedicated to A Madame la Vicomtesse de Grandval.The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de NoeÌ?l is drawn from the Old and New Testaments: (1. Instrumental).2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.
$20.00 ≈
¥142.32
Saint-Saëns: Oratorio de Noël (Christmas Oratorio) 5 soli, SSAA choir, harp, organ and strings. Vo
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Roar Kvam
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Saint-Saëns: Oratorio de
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KVAMusic Edition
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.768518 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christmas,Romantic Period. Octavo. 80 pages. KVAMu...
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Choral Choir (SSA) - Level 4 - SKU: A0.768518 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christmas,Romantic Period. Octavo. 80 pages. KVAMusic Edition #6078597. Published by KVAMusic Edition (A0.768518). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental). 2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.
$10.00 ≈
¥71.16
Saint-Saëns: Oratorio de Noël (Christmas Oratorio) 5 soli, SSAA choir, harp, organ and strings
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Roar Kvam
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Saint-Saëns: Oratorio de
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KVAMusic Edition
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.768516 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christian,Christmas,Romantic Period. Octavo. 144 p...
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Choral Choir (SSA) - Level 4 - SKU: A0.768516 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christian,Christmas,Romantic Period. Octavo. 144 pages. KVAMusic Edition #6078593. Published by KVAMusic Edition (A0.768516). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental). 2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.
$52.00 ≈
¥370.03
The Entertainer
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Piano seul
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Classique
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The Entertainer
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Hal Leonard - Digital
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SheetMusicPlus
Piano - SKU: HX.1340323 Edited by Charmaine Siagian and Sonya Schumann. This edition: scorch. Educational Piano. Classical. Score. 4 pages. Hal Leonard ...
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Piano - SKU: HX.1340323 Edited by Charmaine Siagian and Sonya Schumann. This edition: scorch. Educational Piano. Classical. Score. 4 pages. Hal Leonard - Digital #346398. Published by Hal Leonard - Digital (HX.1340323).
$4.99 ≈
¥35.51
Schumann, R. - Traumerei for Two Violins
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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R
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Linda M
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Schumann, R. - Traumerei for T
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Linda M Scott
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.540536 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. 3 pages. Linda M Scott #4295829. Published...
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Violin Duet Violin - Level 3 - SKU: A0.540536 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. 3 pages. Linda M Scott #4295829. Published by Linda M Scott (A0.540536). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a duo of two violins is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99 ≈
¥42.62
Schumann, R. - Traumerei for Violin, Viola and Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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R
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Linda M
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Schumann, R. - Traumerei for V
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.540538 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and part...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.540538 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 4 pages. Linda M Scott #4295837. Published by Linda M Scott (A0.540538). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a trio for violin, viola and cello is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99 ≈
¥42.62
Schumann, R. - Traumerei for Three Violins
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Trio à cordes: 3 violins
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INTERMÉDIAIRE
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Classique
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R
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Linda M
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Schumann, R. - Traumerei for T
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 3 - SKU: A0.540537 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 5 pages. ...
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String Ensemble,String Trio Violin - Level 3 - SKU: A0.540537 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 5 pages. Linda M Scott #4295833. Published by Linda M Scott (A0.540537). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a trio of three violins is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99 ≈
¥42.62
Schumann, R. - Traumerei for Violin and Cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Classique
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R
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Linda M
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Schumann, R. - Traumerei for V
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Linda M Scott
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.540534 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and pa...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.540534 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 3 pages. Linda M Scott #4295819. Published by Linda M Scott (A0.540534). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a duo of violin and cello is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99 ≈
¥42.62
Schumann, R. - Traumerei for Violin and Viola
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Classique
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R
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Linda M
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Schumann, R. - Traumerei for V
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Linda M Scott
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.540540 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and pa...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.540540 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 3 pages. Linda M Scott #4295845. Published by Linda M Scott (A0.540540). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a duo of two cellos is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99 ≈
¥42.62
Schumann, R. - Traumerei for Two Violas
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2 Altos (duo)
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INTERMÉDIAIRE
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Classique
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R
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Linda M
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Schumann, R. - Traumerei for T
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Linda M Scott
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SheetMusicPlus
Viola Duet Viola - Level 3 - SKU: A0.540533 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score. 3 pages. Linda M Scott #4295815. Publ...
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Viola Duet Viola - Level 3 - SKU: A0.540533 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score. 3 pages. Linda M Scott #4295815. Published by Linda M Scott (A0.540533). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a duo of two violas is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99 ≈
¥42.62
Schumann, R. - Traumerei for Two Violins and Cello
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Classique
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R
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Linda M
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Schumann, R. - Traumerei for T
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 3 - SKU: A0.540535 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 4 p...
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String Ensemble,String Trio Cello,Violin - Level 3 - SKU: A0.540535 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 4 pages. Linda M Scott #4295823. Published by Linda M Scott (A0.540535). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a trio of two violins and cello is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99 ≈
¥42.62
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥234.47
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
¥248.70
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
#
Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥234.47
Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥234.47
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥234.47
Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥234.47
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥234.47
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