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Back To The Future Part Iii
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Crtitères actifs :
Back To The Future Part Iii
Partitions à imprimer
5 partitions trouvées
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1
Back To The Future Part Iii
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Alan Silvestri
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Sean Breen
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Back To The Future Part Iii
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Sean Breen
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1258782 By Alan Silvestri. By Alan Silvestri. Arranged by Sean Breen. 21st Century,Broadway,Children,Film/TV,Musical/Sh...
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Concert Band - Level 3 - SKU: A0.1258782 By Alan Silvestri. By Alan Silvestri. Arranged by Sean Breen. 21st Century,Broadway,Children,Film/TV,Musical/Show,Pop. Score and Parts. 98 pages. Sean Breen #852041. Published by Sean Breen (A0.1258782). Transcribed for Symphonic Band, this arrangement of the Theme from Back to the Future III is as close to the original as possible. This piece is a peefect addition to any movie themed concert or program. Written with a more senior group in mind, this arrangement stays true to the original orchestral work and uses all the original time and keyt signatures. A challenging piece, but surely a crowd pleasure at any Hollywood themed concert.
$55.00 ≈
¥398.74
Back To The Future
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Silvestri
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Graham Boag
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Eric Stoltz was cast instead
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Back To The Future
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Graham Boag
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and part...
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Concert Band - Level 4 - SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.
$59.99 ≈
¥434.91
Back To The Future Part Iii
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Trompette, Cor (duo)
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Silvestri
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Papeghin Marc
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Trumpet
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Back To The Future Part Iii
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Marc Papeghin
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SheetMusicPlus
B-Flat Trumpet,Horn,Instrumental Duet - Level 4 - SKU: A0.1279575 By Alan Silvestri. By Alan Silvestri. Arranged by Papeghin Marc. Film/TV. 14 pages. Ma...
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B-Flat Trumpet,Horn,Instrumental Duet - Level 4 - SKU: A0.1279575 By Alan Silvestri. By Alan Silvestri. Arranged by Papeghin Marc. Film/TV. 14 pages. Marc Papeghin #871043. Published by Marc Papeghin (A0.1279575). The original symphonic orchestration rearranged for French Horn & Trumpet.Ideal to play along with the song !
$4.99 ≈
¥36.18
Back To The Future
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Silvestri
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Joseph Perkins
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Back To The Future
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Joseph Perkins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1404786 Composed by Alan Silvestri. Arranged by Joseph Perkins. 20th Century,Contemporary,Film/TV. 106 pages. Joseph ...
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Full Orchestra - Level 4 - SKU: A0.1404786 Composed by Alan Silvestri. Arranged by Joseph Perkins. 20th Century,Contemporary,Film/TV. 106 pages. Joseph Perkins #987850. Published by Joseph Perkins (A0.1404786). Small cuts and alterations have been made to lower the difficulty and allow for a string/full option. This arrangement can be used as string orchestra arrangement (with piano and Percussion) or with addition of winds up to full orchestra. Exposed Oboe/Bassoon/Horn parts are embedded or cued into the wind or string parts (or have ossia measures). The Bass Clarinet doubles the Bassoon. Alto Saxophone is a substitution part for French Horn. Tenor Saxophone doubles Trombone II. Baritone Saxophone doubles Trombone III.
$49.99 ≈
¥362.41
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50 ≈
¥199.37
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Back To The Future Part Iii