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Piano seul
1923
Piano, Voix
685
Piano Facile
467
Piano, Voix et Guitare
299
Orgue
211
Piano grosses notes
149
Instruments en Do
115
Accompagnement Piano
98
1 Piano, 4 mains
64
Accordéon
60
Piano (partie séparée)
36
Piano Trio: piano, violon, violoncelle
30
2 Pianos, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Piano (duo)
6
Clavecin
4
2 Pianos, 8 mains
3
Orgue, Trompette (duo)
3
1 Piano, 6 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
2
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1
Ligne De Mélodie, Piano
1
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1
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Guitare
245
Guitare notes et tablatures
152
Basse electrique
112
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78
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62
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53
2 Guitares (duo)
35
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16
Dulcimer
16
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10
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9
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7
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6
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Banjo
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2
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964
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202
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191
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121
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69
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49
Voix duo, Piano
47
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32
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Saxophone Soprano
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Clarinette, Trompette (duo)
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Flûte, Clarinette (duo)
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63
2 Hautbois (duo)
58
Hautbois, Basson (duo)
54
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Flûte, Violon
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Clarinette et Alto
44
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43
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3 Clarinettes (trio)
41
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39
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36
Flûte et Guitare
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Cor anglais, Piano
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28
Quintette de Clarinettes: 5 clarinettes
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Flute (partie séparée)
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Flûte à Bec
18
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14
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4 Hautbois
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Flûte à bec Soprano
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10
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9
Hautbois
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9
Piccolo, Piano
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3 Flûtes à bec (trio)
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Saxophone et Guitare
8
3 Hautbois
7
Cor Anglais
6
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6
Flûte, Hautbois, Basson
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2 Saxophones, Piano
6
Flûte, Violon, Piano
5
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5
Hautbois, Guitare (duo)
5
5 Flûtes à bec
5
Cor anglais, Guitare (duo)
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Flûte, Clarinette et Basson
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Flûte à bec Alto
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Flûte à bec Tenor
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2
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2
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Flûte irlandaise
2
Clarinette Basse
2
Harmonica
2
Flûte à bec Soprano, Piano
1
Saxophone et Piano
1
2 Flûtes traversières, Piano
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Hautbois, Basson et Piano
1
Flute, harpe et violon
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Clarinette, Saxophone, Piano
1
Ensemble de Hautbois
1
Flûte, Violon et Violoncelle
1
2 Cors Anglais Et Pianoforte
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Hautbois, Violoncelle
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
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2 Clarinettes, Piano
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Instruments en Mib
1
Hautbois, violon (duo)
1
Flûte, Basson et Piano
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Piccolo
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Flûte de Pan
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
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CUIVRES
Trombone
945
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
636
Quatuor de Cuivres : 2 trompettes, trombone, tuba
500
Trombone (partie séparée)
402
Trombone et Piano
338
Quatuor de Cuivres: 2 trompettes, Cor, trombone
239
2 Trombones (duo)
190
Trompette
159
Trompette (partie séparée)
145
Trompette, Trombone (duo)
140
Trompette, Saxophone (duo)
93
Trompette, Piano
88
Quatuor de cuivres: 4 trombones
82
Ensemble de Trompettes
78
Cor et Piano
76
Ensemble de Trombones
68
Quatuor de Cuivres
66
2 Trompettes (duo)
61
Euphonium, Piano (duo)
46
2 Cors (duo)
40
Tuba et Piano
36
Cor anglais, Piano
34
Tuba
33
Cor (partie séparée)
33
Cor
33
Tuba (partie séparée)
27
2 Tubas (duo)
23
Trio de Cuivres
17
3 Trombones (trio)
17
Trompette, Cor (duo)
17
Quatuor de cuivres: 4 cors
17
Ensemble de Cors
13
2 Euphoniums et 2 Tubas
11
4 Tubas
10
Quatuor de cuivres: 4 trompettes
10
Trombone, Tuba (duo)
10
Euphonium
8
Trombone basse
8
Trombone, Cor (duo)
7
Trombone, Orgue
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor Anglais
6
Cor anglais, Guitare (duo)
5
3 Tubas (trio)
4
Trombone basse et Piano
4
Tuba ou Euphonium ou Saxhorn
3
Bass Clef Instruments
3
Instruments en Sib
3
3 Cors (trio)
3
Cor, Violoncelle (duo)
2
Trombone et orchestre
2
Trompette, Trombone, Piano
2
Cor et Orgue
2
Trompette, Tuba (duo)
2
3 Trompettes (trio)
2
Tuba et Orgue
2
Euphonium, Tuba (duo)
2
3 Euphoniums
2
Cor et Basson (duo)
2
Trombone, Violon (duo)
1
2 Cors, Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
647
Violon, Violoncelle (duo)
288
Violon
259
Violon et Piano
214
Trio à Cordes: violon, alto, violoncelle
200
Violoncelle, Piano
164
Harpe
136
Alto, Piano
128
2 Violons (duo)
109
Violoncelle (partie séparée)
88
2 Violoncelles (duo)
79
Violon, Alto (duo)
78
2 Altos (duo)
66
Violoncelle
54
Trio à Cordes: 2 violons, violoncelle
53
Contrebasse (partie séparée)
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
47
Alto seul
35
Contre Basse
31
Violon (partie séparée)
30
Contrebasse, Piano (duo)
26
Alto (partie séparée)
23
4 Violoncelles
21
2 Contrebasses (duo)
19
Ensemble de Violons
18
Ensemble d'Altos
16
Trio à Cordes: 3 violoncelles
16
Piano Trio: Violon, Alto, Piano
16
Alto, Violoncelle (duo)
15
Harpe et mandoline
9
Quatuor à cordes: 4 violons
9
Trio à cordes: 3 violins
8
Trio à cordes
6
Quatuor à cordes : 4 altos
6
Violoncelle, Contrebasse (duo)
6
Harpe, Flûte (duo)
6
Trio à cordes: 3 altos
5
Violoncelle , Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violon, Guitare (duo)
5
Harpe, Voix
5
2 Harpes (duo)
4
Harpe, Violon (duo)
3
Harpe, Violon, Violoncelle
2
Alto et Harpe
2
Ensemble de Violoncelles
2
Alto et Basson
2
Harpe et Piano
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Orgue
2
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Harpe (partie séparée)
1
3 Harpes
1
Autoharp
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1438
Orchestre
353
Orchestre à Cordes
329
Ensemble Jazz
291
Ensemble de cuivres
290
Orchestre de chambre
113
Jazz combo
109
Batterie
107
Cloches
61
Ensemble de Percussions
55
Batterie (partie séparée)
44
Fanfare
43
Percussion (partie séparée)
22
Xylophone
9
Xylophone, Piano
9
Marimba
7
Ensemble d'École
7
Vibraphone
5
Percussion
5
Quintette de Cuivres: autres combinaisons
4
Quintette à Vent
3
Piano et Orchestre
2
Orchestre, Violon
1
3 Marimbas
1
Marimba, Piano (duo)
1
Xylophone (partie séparée)
1
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9976
"Us" for Jazz Trombone Quintet & Rhythm Section
Ensemble de Trombones
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Th…
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Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set of Parts. 45 pages. Published by Cherry Classics Music
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.<br> <br> David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals. <br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.
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Ensemble de Trombones
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Thad Jones
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Fletcher, David
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"Us" for Jazz Trombone Quintet & Rhythm Section
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Cherry Classics Music
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SheetMusicPlus
Saw Ye My Savior? — trombone (or euphonium, cello) and piano
Trombone et Piano
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1204336 Composed by Ameri…
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional. Score and part. 8 pages. Con Spirito Music #802815. Published by Con Spirito Music (A0.1204336). Here's a lovely, lyrical tune that's ideal for use during Holy Week or as a meditative prelude, offertory, or communion selection for trombone (or euphonium, cello) and piano.Saw Ye My Savior? is an early 19th-century American folk hymn with a tune that predates it by perhaps 100 years or more. Both the text and the tune seem to have been freely adapted to the subject of the song (whether secular or sacred) and the singer, which is typical of folk songs and folk hymns handed down from one generation to the next. For example, the text of the hymn, which begins Saw ye my Savior, saw ye my Savior, saw ye my savior and my God? is similar to that of an English folk song, Saw you my father, saw you my mother, saw you my true love John?In the 1858 edition of William Walker's shape-note hymnal, The Southern Harmony, and Musical Companion, the source cited for the text and tune is Baptist Harmony (1834), p. 477. However, William Hauser and Benjamin Turner's collection, The Olive Leaf (1878), refers to the tune as a Scotch air; and certainly, the Scotch snap rhythm in measures 3 and 4 of the tune lend credence to that. The website, hymnary.org, cites Saw Ye My Savior? as having been published in 167 hymnals (all prior to 1979 but one). Two similar tunes, CRUCIFIXION (Southern Harmony) and ATONEMENT are associated with the text. Because the subject of the text is Christ's crucifixion (see representative text here), Saw Ye My Savior? has often been used as a choral anthem in Palm Sunday, Good Friday, and Holy Saturday worship services. This arrangement of the lovely, flowing tune for trombone (or euphonium, cello) and piano is ideal at any time as a meditative prelude to worship, or as an offertory or communion selection. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved.
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Trombone et Piano
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American folk hymn tune
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Todd Marchand
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Saw Ye My Savior? — trombone
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Con Spirito Music
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SheetMusicPlus
Blessed Assurance - Brass Quartet For Trumpet and Trombone (Easy) Score And All Part Included
Trompette, Trombone (duo)
Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1029077
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Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1029077 Composed by Joshua Popovici. Christian,Classical,Instructional,Praise & Worship,Sacred. Score and parts. 5 pages. Joshua Popovici #4616399. Published by Joshua Popovici (A0.1029077). Here’s the thing… There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangement clean and simple for you. So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony. Not complexity. This song is an arrangement of Blessed Assurance for a brass quartet. 2 Trumpets & 2 Trombones (or any low brass instrument). Share this link with someone who might be like this song! As you play through this arrangement, you'll notice how all the parts interact with one another. Every instrument clearly cutting through. It’s a rich and satisfying arrangement. Not only will you enjoy playing this, but listeners will also experience something unforgettable. Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything. If you want the music arranged in differently (ex. instrumentation, keys, clefs, etc...). Just let me know! I'll respond ASAP. I'll be your free assistant :) Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!
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Trompette, Trombone (duo)
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Joshua Popovici
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Blessed Assurance - Brass Quartet For Trumpet and Trombone
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Joshua Popovici
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SheetMusicPlus
Twelve Duos for Trombones based on Armenian Folk Songs
2 Trombones (duo)
Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. …
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Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. 23 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.
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2 Trombones (duo)
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Petros Shoujounian
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Twelve Duos for Trombones based on Armenian Folk Songs
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Cherry Classics Music
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
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Trombone
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone et Orgue
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
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Saxophone et Orgue
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Judith Cloud
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What Would Nina Simone Say? For Soprano Sax & Organ
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Judith Cloud
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SheetMusicPlus
Broken Bow: 1st Trombone
Trombone (partie séparée)
Concert Band - Digital Download SKU: AX.00-PC-0014377_TN1 1st Trombone. Comp…
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Concert Band - Digital Download SKU: AX.00-PC-0014377_TN1 1st Trombone. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_TN1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
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Trombone (partie séparée)
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Carl Strommen
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Festival.
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Broken Bow: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Grinch! A Christmas Choral Medley (from the motion picture Dr. Seuss' How the Grinch Stole Christmas): 1st Trombone
Trombone (partie séparée)
1st Trombone - Digital Download SKU: AX.00-PC-0015752_TN1 1st Trombone. Arra…
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1st Trombone - Digital Download SKU: AX.00-PC-0015752_TN1 1st Trombone. Arranged by Andy Beck. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015752_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015752_TN1). UPC: 038081360560.No one likes a grinch . . . but everyone loves that famous You're a Mean One song! Here it is along with two others from the popular Dr. Seuss holiday phenomenon. Four minutes of fah who foraze fun!Inst. Parts Available (choral); Recorded Acc. Available.
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Trombone (partie séparée)
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Andy Beck
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Recorded Acc. Available.
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Grinch! A Christmas Choral Medley
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
Ensemble de Trombones
Trombone Choir Ensemble - Advanced - Digital Download Composed by Charles Ives (1874-…
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Trombone Choir Ensemble - Advanced - Digital Download Composed by Charles Ives (1874-1954). Arranged by Ross Holcombe. 20th Century, Americana. Score, Set of Parts. 44 pages. Published by Cherry Classics Music
Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.<br> <br> Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven’s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process. <br> <br> The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.<br> <br> This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.
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Ensemble de Trombones
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Charles Ives (1874-1954)
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Ross Holcombe
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The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
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Cherry Classics Music
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SheetMusicPlus
Grinch! A Christmas Choral Medley (from the motion picture Dr. Seuss' How the Grinch Stole Christmas): B-flat Tenor Saxophone
Saxophone (partie séparée)
B-flat Tenor Saxophone - Digital Download SKU: AX.00-PC-0015752_TX1 B-flat Tenor…
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B-flat Tenor Saxophone - Digital Download SKU: AX.00-PC-0015752_TX1 B-flat Tenor Saxophone. Arranged by Andy Beck. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015752_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015752_TX1). UPC: 038081360560.No one likes a grinch . . . but everyone loves that famous You're a Mean One song! Here it is along with two others from the popular Dr. Seuss holiday phenomenon. Four minutes of fah who foraze fun!Inst. Parts Available (choral); Recorded Acc. Available.
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Saxophone (partie séparée)
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Andy Beck
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Recorded Acc. Available.
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Grinch! A Christmas Choral Medley
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Recordare (from "Requiem") (F) (Saxophone Quintet - 1 Sop, 1 Alto, 2 Ten, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1108365 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711007. Published by Regis Bookshar (A0.1108365). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophones and 1 Baritone Saxophone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Saxophone Quintet - 1 Sop, 2 Alto, 1 Ten, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1108370 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711010. Published by Regis Bookshar (A0.1108370). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Saxophone Quintet - 3 Alto, 1 Ten, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1108376 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711017. Published by Regis Bookshar (A0.1108376). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Saxophone Quintet, consisting of 3 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Saxophone Quintet - 2 Alto, 2 Ten, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1108373 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711013. Published by Regis Bookshar (A0.1108373). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
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SheetMusicPlus
Recordare (from "Requiem") (F) (Trombone Sextet)
Ensemble de Trombones
Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1111397 Composed by…
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Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1111397 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713684. Published by Regis Bookshar (A0.1111397). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Sextet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Sextet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
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Ensemble de Trombones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Trombone Septet)
Ensemble de Trombones
Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1112148 Composed by…
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Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1112148 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714334. Published by Regis Bookshar (A0.1112148). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Septet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Septet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
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Ensemble de Trombones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Trombone Octet)
Ensemble de Trombones
Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1112903 Composed by…
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Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1112903 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714858. Published by Regis Bookshar (A0.1112903). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Octet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Octet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
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Ensemble de Trombones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Trombone Quintet)
Ensemble de Trombones
Trombone Quintet Trombone - Level 4 - Digital Download SKU: A0.1108393 Composed by …
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Trombone Quintet Trombone - Level 4 - Digital Download SKU: A0.1108393 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711034. Published by Regis Bookshar (A0.1108393). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Quintet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
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Ensemble de Trombones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Game Of Thrones
Quatuor de cuivres: 4 trombones
Trombone, Trombone Quartet - Advanced Intermediate - Digital Download By Ramin Djawad…
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Trombone, Trombone Quartet - Advanced Intermediate - Digital Download By Ramin Djawadi. Arranged by Nathan Toft. Score, Set of Parts. 21 pages. Published by Nathan Toft
I've included two versions of this arrangement for trombone quartet. Both versions are the same in structure and rhythm but have different ranges. The intermediate version is more suitable for experienced high school students. Scores and parts for each version are included.<br> <br> You can listen to it here: https://youtu.be/nJnynH46Pyw
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Quatuor de cuivres: 4 trombones
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Ramin Djawadi
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Nathan Toft
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Game Of Thrones
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Nathan Toft
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SheetMusicPlus
Chorale Prelude on Personent Hodie - Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.814817 Composed by Richard E Br…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.814817 Composed by Richard E Brown. Arranged by Dacker Music. Christmas,Contemporary,Praise & Worship,Sacred. Score and parts. 22 pages. Dacker Music #6065289. Published by Dacker Music (A0.814817). This composition for standard brass quintet is based on a medieval Christmas hymn which dates from the late 14th Century and probably had its origins in Germany. Personent Hodie was first published in the Finnish song book Piae Cantiones in 1582. The Latin text has had many English translations over the centuries, but the one most commonly heard today is On This Day Earth Shall Ring by Jane M. Joseph (1894–1929). Grade 4 - Duration 2:45
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Richard E Brown
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Dacker Music
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Chorale Prelude on Personent Hodie - Brass Quintet
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Dacker Music
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SheetMusicPlus
STAR TREK theme - trombone solo performance (To boldly go...) \| Posaune
Trombone
Trombone - Intermediate - Digital Download By Michael Giacchino, Alexander Courage, G…
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Trombone - Intermediate - Digital Download By Michael Giacchino, Alexander Courage, Gene Roddenberry. Arranged by Sophia Johanna Transistor. Score, Solo Part. 5 pages. Published by Sophia Transistor
Epic famous film music STAR TREK theme "To Boldly Go and End Credits" arranged for single trombone solo performance (or any instrument notated in bass clef in C).<br> A symphonic suite arranged for slide-trombone instrumentation. Originally I started to play the trombone because of Commander William T. Riker.<br> <br> This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.<br> It has been adapted specifically for trombone / t-bone brass players. Breething signs and spaces are included. Special slide positions and slide effects are notated as well.<br> <br> Total play time is approximately 7 minutes and 43 seconds<br> but there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of "to boldly go" ends:<br> https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787<br> After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.<br> <br> Score is available in C in bass clef with 5 pages in DIN-A4 format.<br> <br> Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab''<br> There is even a High Db''' for the very ambitious trombone player (but the higher notes are also notated one octave lower).<br> <br> Thanks!
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Trombone
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Michael Giacchino, Alexander Courage, Gene Roddenberry
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Sophia Johanna Transistor
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STAR TREK theme - trombone solo performance
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Sophia Transistor
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SheetMusicPlus
Trumpet Tune and Air, by Purcell; Trombone Duet
2 Trombones (duo)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.587673 Composed by Henr…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.587673 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score. 3 pages. David McKeown #4729545. Published by David McKeown (A0.587673). The Trumpet Tune and Air was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a duet for two Trombones and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet and Alto Saxophone version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
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2 Trombones (duo)
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purcell; Trombone Duet
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David McKeown
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SheetMusicPlus
Away In A Manger: for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548479 Composed by Mueller. Arr…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548479 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386541. Published by jmsgu3 (A0.548479). Traditional Christmas song arranged for Trombone & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
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Trombone et Piano
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Piano
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Away In A Manger: for Trombone & Piano
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jmsgu3
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SheetMusicPlus
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