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Vous avez sélectionné:
Come Back When You Grow Up
Partitions à imprimer
17 partitions trouvées
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1
Come Back When You Grow Up
Piano grosses notes
Digital Download SKU: HX.458284 By Bobby Vee and The Strangers. Pop. E-Z Play Today…
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Digital Download SKU: HX.458284 By Bobby Vee and The Strangers. Pop. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.458284). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
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Piano grosses notes
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Bobby Vee and The Strangers
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Come Back When You Grow Up
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Hal Leonard - Digital
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SheetMusicPlus
Come Back When You Grow Up
Instruments en Do
C Instrument - Interactive Download SKU: HX.377885 By Martha Sharp. This edition: I…
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C Instrument - Interactive Download SKU: HX.377885 By Martha Sharp. This edition: Interactive Download,scorch. Pop. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #7079. Published by Hal Leonard - Digital (HX.377885).
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Instruments en Do
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Martha Sharp
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Come Back When You Grow Up
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Hal Leonard - Digital
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SheetMusicPlus
Martha Sharp: Come Back When You Grow Up - voice & other instruments (fake book)
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by Martha Sharp for voice & other instruments (fake bo…
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Instantly printable sheet music by Martha Sharp for voice & other instruments (fake book) of MEDIUM skill level. / pop
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Ligne De Mélodie, (Paroles) et Accords
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Martha Sharp
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Virtualsheetmusic
James Arthur - Say You Won't Let Go
Piano, Voix
Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by M…
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Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!<br> <br> With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!<br> These piano sheets come with an extra system for the singer, as well as the song's full lyrics. However, the full melody is included in the piano part, so it makes for a great instrumental (piano solo) version, too!<br> <br> "Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".<br> It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!<br> <br> Here are the full lyrics to James Arthur's "Say You Won't Let Go":<br> <br> I met you in the dark, you lit me up<br> You made me feel as though I was enough<br> We danced the night away, we drank too much<br> I held your hair back when<br> You were throwing up<br> Then you smiled over your shoulder<br> For a minute, I was stone-cold sober<br> I pulled you closer to my chest<br> And you asked me to stay over<br> I said, I already told ya<br> I think that you should get some rest<br> I knew I loved you then<br> But you'd never know<br> 'Cause I played it cool when I was scared of letting go<br> I know I needed you<br> But I never showed<br> But I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I'll wake you up with some breakfast in bed<br> I'll bring you coffee with a kiss on your head<br> And I'll take the kids to school<br> Wave them goodbye<br> And I'll thank my lucky stars for that night<br> When you looked over your shoulder<br> For a minute, I forget that I'm older<br> I wanna dance with you right now<br> Oh, and you look as beautiful as ever<br> And I swear that everyday'll get better<br> You make me feel this way somehow<br> I'm so in love with you<br> And I hope you know<br> Darling your love is more than worth its weight in gold<br> We've come so far my dear<br> Look how we've grown<br> And I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I wanna live with you<br> Even when we're ghosts<br> 'Cause you were always there for me when I needed you most<br> I'm gonna love you till<br> My lungs give out<br> I promise till death we part like in our vows<br> So I wrote this song for you, now everybody knows<br> Finally it's just you and me till we're grey and old<br> Just say you won't let go<br> Just say you won't let go
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Piano, Voix
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James Arthur
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Mario Stallbaumer
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James Arthur - Say You Won't Let Go
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Mario Stallbaumer
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SheetMusicPlus
Say You Won't Let Go - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download By James Arthur. Arranged by Mario Stall…
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Piano Solo - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!<br> <br> With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!<br> The full melody is included in the piano part, so it makes for a great instrumental (piano solo) version!<br> <br> "Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".<br> It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!<br> <br> Here are the full lyrics to James Arthur's "Say You Won't Let Go":<br> <br> I met you in the dark, you lit me up<br> You made me feel as though I was enough<br> We danced the night away, we drank too much<br> I held your hair back when<br> You were throwing up<br> Then you smiled over your shoulder<br> For a minute, I was stone-cold sober<br> I pulled you closer to my chest<br> And you asked me to stay over<br> I said, I already told ya<br> I think that you should get some rest<br> I knew I loved you then<br> But you'd never know<br> 'Cause I played it cool when I was scared of letting go<br> I know I needed you<br> But I never showed<br> But I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I'll wake you up with some breakfast in bed<br> I'll bring you coffee with a kiss on your head<br> And I'll take the kids to school<br> Wave them goodbye<br> And I'll thank my lucky stars for that night<br> When you looked over your shoulder<br> For a minute, I forget that I'm older<br> I wanna dance with you right now<br> Oh, and you look as beautiful as ever<br> And I swear that everyday'll get better<br> You make me feel this way somehow<br> I'm so in love with you<br> And I hope you know<br> Darling your love is more than worth its weight in gold<br> We've come so far my dear<br> Look how we've grown<br> And I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I wanna live with you<br> Even when we're ghosts<br> 'Cause you were always there for me when I needed you most<br> I'm gonna love you till<br> My lungs give out<br> I promise till death we part like in our vows<br> So I wrote this song for you, now everybody knows<br> Finally it's just you and me till we're grey and old<br> Just say you won't let go<br> Just say you won't let go
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Piano seul
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James Arthur
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Mario Stallbaumer
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Say You Won't Let Go - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
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Orchestre à Cordes
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
"Three Labe Sonnets" for mezzo-soprano and piano
Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Compos…
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Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
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Jason A
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"Three Labe Sonnets" for mezzo-soprano and piano
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Call of the Wild Publishing
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SheetMusicPlus
Twinkle, Twinkle Little Star UKULELE SOLO. ( Mozart ) BEGINNER
Ukulele
Ukulele - Level 1 - Digital Download SKU: A0.1202252 Composed by Wolfgang Amadeus M…
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Ukulele - Level 1 - Digital Download SKU: A0.1202252 Composed by Wolfgang Amadeus Mozart. Arranged by Andre D Tuffo. Children,Classical,Instructional,Standards,Traditional. Score. 1 pages. Andre D. Tuffo #800932. Published by Andre D. Tuffo (A0.1202252). Twinkle, Twinkle Little Star UKULELE SOLO. ( Mozart ) BEGINNERhttps://linktr.ee/andredtuffoTwinkle, Twinkle Little Star in English, is a popular children's song that has been enjoyed by generations of young learners all over the world. The song's simple melody and catchy lyrics have made it a staple of early childhood education, as it is often used to teach children basic concepts such as counting, letters, and colors.The song's origins can be traced back to the early 19th century, when it was first published as a poem in a collection called Rhymes for the Nursery. The poem's melody was based on a French tune called Ah! vous dirai-je, Maman, which was also used for several other nursery rhymes and songs.The lyrics of Twinkle, Twinkle Little Star are simple and easy to remember, making it an ideal song for young children. The song tells the story of a little star that shines brightly in the night sky, inviting children to join in and sing along.Over the years, Twinkle, Twinkle Little Star has been adapted and performed in many different musical styles, from classical to jazz to rock. The song's popularity has also led to countless parodies and adaptations, as well as a variety of educational materials such as books, videos, and apps.Despite its simple structure and melody, Twinkle, Twinkle Little Star has become a beloved classic of children's music, and its enduring popularity is a testament to the power of music to connect us to our earliest memories and to each other. Whether sung by a child at home or performed by a professional musician on stage, the song remains a cherished part of childhood and a beloved symbol of the joys of learning and growing up.
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Ukulele
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Wolfgang Amadeus Mozart
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Andre D Tuffo
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Twinkle, Twinkle Little Star UKULELE SOLO.
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Andre D. Tuffo
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SheetMusicPlus
Miscellany, 7 Short Movements For Piano Solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. …
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Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score. 27 pages. Geraldine (Denny) Green at Oakmountmusic #903031. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314290). Written in 2008, Miscellany, 7 short movements for solo piano, was Commissioned by conductor/pianist Anthony Davie.Duration: approx 15 minutes in total.Inspired by friends, family and general life experiences, this set of short pieces encompasses a range of moods; from Romantic and melodic to comical and dissonant.Movement 1. Didi – Didi was a very unique and special friend for many years. She gave out great spiritual strength and insight into this very confusing world in which we all live. She was a real tower of quiet, gentle strength.Movement 2. Brew! – This movement was inspired directly by the Brewing Industry. It strives to depict the hustle and bustle of a busy, working brewery and the the many hilarious, fabulous people I met during my three years in the beer-making industry.Movement 3 – Convent Cherub – This little piece began life as the opening title music of a film score I worked on while at college. The film itself, entitled My Brother Rob, was made by Alison Hilder, a student director at the Harrow School of Film. The story told of a young boy traumatised by a convent boarding school up-bringing. I have felt for many years that this little main theme has needed an alternative home, as much film music is never played again.Movement 4 – Megan – This movement comes directly from my wonderful and beautiful daughter, who was 5 years old at the time of the writing of this piece. It seeks to express her wild vibrance, eternal cheekiness, infinite energy, sparkle and the utter fearlessness of youth.Movement 5 – Edward – This music is for my gorgeous little son, who has Down’s Syndrome, and was only 3 at the time of the writing of this piece. The opening came to me moments after the doctor had confirmed Edward had Down’s, when he was only 6 hours old. The music tries to convey the fear of the unknown, huge unconditional love and moments of uncertainty alternated by washes of strength. And yet, all through the fear the resolve to forever love and stay strong always wins.Movement 6 – Indifference – The opening 4 notes are the core of this movement, and the piece is built around and from them. This music is an observation of deep, rumbling frustration at the indifference growing in our fast moving, modern society.Movement 7 – “Wee Us†– This movement expresses family triumph, the gifts of life and love, and the glory of boundless, wild, youthful energy. This tune has not yet run its course. It will be back!
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Piano seul
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PIano - Sebastian Kurz
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Miscellany, 7 Short Movements For Piano Solo
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Geraldine
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SheetMusicPlus
Resilience
Cloches
3, 4, 5, 6, or 7 octaves handbells - Level 4+ - Digital Download SKU: C7.CGB1040 Co…
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3, 4, 5, 6, or 7 octaves handbells - Level 4+ - Digital Download SKU: C7.CGB1040 Composed by Alex Guebert. General. Master Ringer. With Bass, 5, 6 or 7 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB1040. Published by Chorister's Guild - Digital (C7.CGB1040). UPC: 749193026793.From Joshua 1:9: …Be strong and courageous. Do not be afraid; do not be discouraged, for the Lord your God will be with you wherever you go. Resilience is a musical painting of the journey of life, and of a resilient soul. We hear the serenity of sure comfort at the beginning, and then a melody appears--it emanates peacefulness, but also challenge. Major seventh and minor seventh chords are used back-to-back to portray the juxtaposition of light and darkness. When the minor chords take over and the melody begins to fall, a contemplative, tearful section begins, only to be interrupted by a confident rhythm. The 11/8 time signature conveys unsteadiness, but as it continues and grows, it becomes steady and powerful. Finally, the main theme returns in exuberance--the true form of a resilient spirit. As the music comes to a close, the final chord is a major seventh, not minor--good has triumphed over evil--and the notes float up heavenward to the final resting place--it is finished; having persevered, the soul has earned its peaceful rest.
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Cloches
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Alex Guebert
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Resilience
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Chorister's Guild - Digital
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SheetMusicPlus
Fantasy on Ukrainian Bell Carol - Organ Score
3, 4, or 5 octabes handbells - Level 4 - Digital Download SKU: C7.CGB1034 Composed …
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3, 4, or 5 octabes handbells - Level 4 - Digital Download SKU: C7.CGB1034 Composed by Brian Childers. Arranged by Brian Childers. Christmas. Master Ringer. With Brass quintet or organ, timpani. Score. 8 pages. Chorister's Guild - Digital #CGB1034. Published by Chorister's Guild - Digital (C7.CGB1034). UPC: 749193026724.From Joshua 1:9: ...Be strong and courageous. Do not be afraid; do not be discouraged, for the Lord your God will be with you wherever you go. Resilience is a musical painting of the journey of life, and of a resilient soul. We hear the serenity of sure comfort at the beginning, and then a melody appears--it emanates peacefulness, but also challenge. Major seventh and minor seventh chords are used back-to-back to portray the juxtaposition of light and darkness. When the minor chords take over and the melody begins to fall, a contemplative, tearful section begins, only to be interrupted by a confident rhythm. The 11/8 time signature conveys unsteadiness, but as it continues and grows, it becomes steady and powerful. Finally, the main theme returns in exuberance--the true form of a resilient spirit. As the music comes to a close, the final chord is a major seventh, not minor--good has triumphed over evil--and the notes float up heavenward to the final resting place--it is finished; having persevered, the soul has earned its peaceful rest.
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Brian Childers
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Brian Childers
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Fantasy on Ukrainian Bell Carol - Organ Score
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Chorister's Guild - Digital
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SheetMusicPlus
Good Advice
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?†was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.
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Piano, Voix
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Cheryl Prazak
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Jon Burr
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Good Advice
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Cheryl Prazak
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SheetMusicPlus
Eye Of The Tiger
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1041970 By Survivor. By Frank Sulli…
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Easy Piano - Level 1 - Digital Download SKU: A0.1041970 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Susan Staples Bell. Contest,Festival,Film/TV,Instructional,Rock,Video Game. Score. 3 pages. Susan Staples Mast Bell #646756. Published by Susan Staples Mast Bell (A0.1041970). Eye of the Tiger, from Rocky III Multi Level Piano Ensemble By Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP “Eye of the Tiger†is a song by the American Rock Band, Survivor, which rocketed to fame when it was released as the theme song for the 1982 movie, Rocky III. Now, it’s an all time favorite. Here’s a fresh new arrangement, that’s sure to please! Perfect for group lessons, recitals or just plain fun. Written in the Key of C minor, 4/4 time, BPM = Medium Rock, 102. Includes hand claps and some options to make younger parts easier. Piano Ensemble comes with Score and all Parts. This arrangement is for Easy Piano Solo. It is part of a Multi Level Piano Ensemble. Group Lessons and Piano Ensembles have been growing in popularity, and what a wonderful opportunity to bring everyone together. The beauty of this arrangement is how flexible it is: All the parts can be played together in 1 large group. Mix & match parts: Pianist 3 & 4 are a stand alone Duet. Pianist 5 is a stand alone Intermediate Solo. Pianist 1 is an Elementary Solo- and you can use the Secondo from the Duet or the included Teacher part for Accompaniment. Pianist 2 is an easier stand alone Late Elementary Solo. Don’t have an advanced student to play Intermediate Solo? Parts 1 - 4 cover all the parts on their own. FREE Backing Tacks included to aid in practicing for each part! Find them here: https://drive.google.com/drive/folders/1DMde4XYcP_xxLrIgEmTdEDcJxzTRcDsi?usp=sharing In this Multi Level Piano Ensemble, you’ll find: All parts get to enjoy the melody, some might need to learn it by rote, due to syncopation. Easy Piano: Simplified melody and minimal movement in Right hand. Left hand is optional, and when played, stays in Bass C position using whole notes. This part is written in C Major with accidentals. Late Elementary: Simplified melody, with some thirds, and minimal movement in Right hand. Left Hand accompanies with a drone bass in 5ths. This part is written in C Major with accidentals. Primo: Top half of the Duet. Straight up Melody the entire piece and is doubled in both hands. Secondo: Bottom half of the Duet. Low C position Power chords! (Open 5ths) really adds to the pounding Rock beat. Intermediate Solo/Teacher: This part gets all the fun! Is a stand alone Solo or the Leader of the group. Lots of Octaves in Left Hand and moving hand positions. But don’t worry, if you don’t have an Intermediate pianist, this part is covered in the Duet. Or use the Backing Track as a foundation for others to play with. This arrangement is available in 5 versions: Multi Level Piano Ensemble Easy Solo Late Elementary Solo Intermediate Duet Intermediate Solo Susan Staples Bell has been a Piano Instructor for over 30 years. In all her compositions, she strives to educate as well as delight. This is a Single Use License. Eye of the Tiger, from Rocky III Multi Level Piano Ensemble By Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP Time length. (03.00). Perfect for Group Lessons. Recitals. Pop. Rock. Fun! There’s so much more to discover! For special SALE and FREE items check out: https://www.susanstaplesbellmusic.com/ Check out other compositions by Susan Staples Bell available on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/susan-staples-mast-bell-sheet-music/3014463?aff_id=563375.
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Piano Facile
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Survivor
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Susan Staples Bell
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Eye Of The Tiger
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Susan Staples Mast Bell
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SheetMusicPlus
Eye Of The Tiger
2 Pianos, 8 mains
By Survivor. By Jim Peterik and Frank Sullivan. Arranged by Susan Staples Bell. Contest…
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By Survivor. By Jim Peterik and Frank Sullivan. Arranged by Susan Staples Bell. Contest, Festival, Film/TV, Instructional, Rock, Video Game. Score. 26 pages. Susan Staples Mast Bell #646687. Published by Susan Staples Mast Bell
Eye of the Tiger, from Rocky IIIMulti Level Piano EnsembleBy Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP?Eye of the Tiger? is a song by the American Rock Band, Survivor, which rocketed to fame when it was released as the theme song for the 1982 movie, Rocky III. Now, it?s an all time favorite. Here?s a fresh new arrangement, that?s sure to please! Perfect for group lessons, recitals or just plain fun.Written in the Key of C minor, 4/4 time, BPM = Medium Rock, 102. Includes hand claps and some options to make younger parts easier. Piano Ensemble comes with Score and all Parts. Group Lessons and Piano Ensembles have been growing in popularity, and what a wonderful opportunity to bring everyone together. The beauty of this arrangement is how flexible it is: All the parts can be played together in 1 large group. Mix and match parts: Pianist 3 and 4 are a stand alone Duet. Pianist 5 is a stand alone Intermediate Solo. Pianist 1 is an Elementary Solo- and you can use the Secondo from the Duet or the included Teacher part for Accompaniment. Pianist 2 is an easier stand alone Late Elementary Solo. Don?t have an advanced student to play Intermediate Solo? Parts 1 - 4 cover all the parts on their own.FREE Backing Tacks included to aid in practicing for each part! Find them here: https://drive.google.com/drive/folders/1DMde4XYcP_xxLrIgEmTdEDcJxzTRcDsi?usp=sharingIn this Multi Level Piano Ensemble, you?ll find:All parts get to enjoy the melody, some might need to learn it by rote, due to syncopation.Easy Piano: Simplified melody and minimal movement in Right hand. Left hand is optional, and when played, stays in Bass C position using whole notes. This part is written in C Major with accidentals.Late Elementary: Simplified melody, with some thirds, and minimal movement in Right hand. Left Hand accompanies with a drone bass in 5ths. This part is written in C Major with accidentals.Primo: Top half of the Duet. Straight up Melody the entire piece and is doubled in both hands.Secondo: Bottom half of the Duet. Low C position Power chords! (Open 5ths) really adds to the pounding Rock beat.Intermediate Solo/Teacher: This part gets all the fun! Is a stand alone Solo or the Leader of the group. Lots of Octaves in Left Hand and moving hand positions. But don?t worry, if you don?t have an Intermediate pianist, this part is covered in the Duet. Or use the Backing Track as a foundation for others to play with.This arrangement is available in 5 versions:Multi Level Piano EnsembleEasy SoloLate Elementary Solo Intermediate DuetIntermediate SoloSusan Staples Bell has been a Piano Instructor for over 30 years. In all her compositions, she strives to educate as well as delight.This is a Single Use License.Eye of the Tiger, from Rocky IIIMulti Level Piano EnsembleBy Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAPTime length. (03.00). Perfect for Group Lessons. Recitals. Pop. Rock. Fun!There?s so much more to discover!For special SALE and FREE items check out:https://www.susanstaplesbellmusic.com/Check out other compositions by Susan Staples Bell available on Sheet Music Plus:https://www.sheetmusicplus.com/publishers/susan-staples-mast-bell-sheet-music/3014463?aff_id=563375Also, selected pieces are now available on JW Pepper for a print option: https://www.jwpepper.com/myscore/SusanStaplesBellSusan Bell Youtube: Like, Subscribe and Hit the Notification Bell!https://www.youtube.com/channel/UCGLKCgMtPyUB7ba7lsmoycgFollow me on Facebook:https://www.facebook.com/SusanBellPianoStudio.Compositions.
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2 Pianos, 8 mains
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Survivor
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Eye Of The Tiger
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Susan Staples Mast Bell
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SheetMusicPlus
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