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Vous avez sélectionné:
Dat's Harmony
Partitions à imprimer
274 partitions trouvées
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Dat's Harmony
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775257 Composed by Bert Williams…
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Brass Quintet - Level 2 - Digital Download SKU: A0.775257 Composed by Bert Williams, Grant Clarke. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #4604227. Published by Alexander Wilson (A0.775257). Dat's Harmony, by lyricist Grant Clarke and vaudeville star / composer Bert Williams, is a delightful ditty. Williams includes considerable variety in both harmonic and rhythmic style. In particular, the chorus hints at a Latin beat. Our arrangement spreads lead responsibilities across both trumpets and French horn. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:46. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Bert Williams, Grant Clarke
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Bill Wilson
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Dat's Harmony
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Alexander Wilson
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SheetMusicPlus
On Jordan's Stormy Banks - Flex Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From South…
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String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
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Orchestre à Cordes
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
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From Southern Harmony
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Kristin Campbell
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On Jordan's Stormy Banks - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
Deep Harmony for Double Bass Quartet
4 Contrebasses
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.1093774 Composed by…
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.1093774 Composed by Handel Parker. Arranged by Graham Boag. Classical,Praise & Worship,Sacred,Spiritual. Score and parts. 9 pages. Graham Boag #697857. Published by Graham Boag (A0.1093774). One of my first arrangement that I ever did for Double Bass Quartet, it has been revised over the years to this updated version. Deep Harmony is well know in the Brass Band fraternity and is played often. It is known as 'The Bandsmen's Hymn' and I think it sits well on Double Bass. Enjoy.
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4 Contrebasses
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Handel Parker
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Graham Boag
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Deep Harmony for Double Bass Quartet
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Graham Boag
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SheetMusicPlus
Dat's Harmony
Piano, Voix
Portraits, Clowns, Costumes, Mirrors, Masks, African Americans, Dialects, Entertainment, M…
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Portraits, Clowns, Costumes, Mirrors, Masks, African Americans, Dialects, Entertainment, Musicians. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7751). - - - Johns Hopkins University Sheridan Libraries
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Piano, Voix
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Dat's Harmony
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Laudate Pueri Dominum
TB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.15-3815H
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TB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.15-3815H Composed by Patti Drennan. Octavo. 8 pages. Heritage Music Press #e15/3815H. Published by Heritage Music Press (LX.15-3815H). ISBN 9780787773281.Spritely original that is right in the groove for men's voices, especially younger choirs. Choral writing includes unison, simple harmony, and easily mastered independent counterpoint, with some optional divisi in the last four measures. A strong, exaltant main melody holds the piece together. This title will make any size ensemble sound great!
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Patti Drennan
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Laudate Pueri Dominum
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Heritage Music Press
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SheetMusicPlus
Predator Main Title
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1439120 Composed by Alan Silvestri.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1439120 Composed by Alan Silvestri. Arranged by David McCaulley. 20th Century,Contemporary,Film/TV. Score. 6 pages. David McCaulley #1019147. Published by David McCaulley (A0.1439120). In this main title sequence, Alan Silvestri presents his very unique, bold, and muscular themes for the 1987 action movie, Predator. With Silvestri's unique style of harmony combined with many electronic elements, this score represents one of Silvestri's finest early scores which perfectly captures the tone of the film. In this intermediate piano arrangement of the main titles, you'll find intense ostinatos, some tricky leaps of the hands, and several quick rhythmic figures that can be a fun challenge to practice!
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Piano seul
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Alan Silvestri
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David McCaulley
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Predator Main Title
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David McCaulley
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SheetMusicPlus
Predator Main Title
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1276110 Composed by Alan Silvestri.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1276110 Composed by Alan Silvestri. Arranged by David McCaulley. 20th Century,Contemporary,Film/TV. Score. 6 pages. David McCaulley #867851. Published by David McCaulley (A0.1276110). In this main title sequence, Alan Silvestri presents his very unique, bold, and muscular themes for the 1987 action movie, Predator. With Silvestri's unique style of harmony combined with many electronic elements, this score represents one of Silvestri's finest early scores which perfectly captures the tone of the film. In this advanced piano arrangement of the main titles, you'll find intense ostinatos, quick chordal leaps, and a wide use of the piano range.
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Piano seul
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Alan Silvestri
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David McCaulley
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Predator Main Title
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David McCaulley
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SheetMusicPlus
Of the Father's Love Begotten (Corde Natus)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887973 Composed by Graham …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887973 Composed by Graham Yates. Christian,Christmas,Contemporary,Sacred. Octavo. 8 pages. Graham Yates #5012737. Published by Graham Yates (A0.887973). Based on the ancient Latin text by Prudentius Aurelius, made famous by the evocative translations of Neale and Davis, this new setting of Corde Natus (Of the Father's Love Begotten) presents a beautiful choral reflection on love, creation and worship. Sometimes associated with Advent or Christmas, the lyrics are typically associated with the Gregorian chant: Divinum Mysterium - a style of singing that is difficult for many congregations, even when updated to modern notation in hymnals. This anthem re-presents the timeless lyrics with steady meter, regular phrases full of step-wise melodic motion, with plenty of unison and light choral harmony. It functions both as a piece suitable for amateur choirs, as well as having enough challenges to engage a more advanced choir. The piano part flows in and through the melody, leading to the punctuating moment of each verse: Alleluia..
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Chorale SATB
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Graham Yates
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Of the Father's Love Begotten
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Graham Yates
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SheetMusicPlus
Chaffee's Mandolin
Violon et Piano
Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1346363 By …
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Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1346363 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 7 pages. Duration 48. Heather Mueller Music #7RLGQaKW7DwluSlgrhnHD3. Published by Heather Mueller Music (A0.1346363). Key: G major.Unlock the harmonious blend of Irish and USA folk traditions with Chaffee's Mandolin Medley. This unique collection is a harmonious celebration of two distinct musical heritages, tailored for fiddle players, violinists, and musicians seeking to explore the rich tapestry of folk music. The sheet music provided includes the enchanting melody, detailed chord progressions, chord symbols, and a foundational bassline. Key Features: Transcontinental Harmony: Immerse yourself in the seamless fusion of Irish and USA folk melodies. Chaffee's Mandolin Medley offers a musical bridge that connects two vibrant traditions, providing a rich and diverse experience for musicians. Interactive Exploration: Elevate your playing with the interactive score, allowing you to play along at varying speeds and explore different keys. Whether you're a beginner or an experienced musician, this feature ensures an adaptable and enjoyable learning experience. Cultural Tapestry: Delve into the heart of both Irish and USA folk cultures. Each note reflects the spirit and authenticity of these traditions, offering a comprehensive musical experience that resonates with the depth of cultural heritage. String Ensemble Adventure: Crafted for string instrument enthusiasts, the sheet music encourages collaboration with a mandolin, creating a dynamic ensemble experience. Perfect for musicians keen on exploring the synergy between different stringed instruments. Folkloric Medley: Chaffee's Mandolin Medley weaves together a captivating tapestry of folkloric melodies. From Irish jigs to USA folk tunes, this collection serves as a versatile addition to your repertoire, suitable for solo performances or ensemble playing. Embark on a musical adventure that transcends borders and genres, capturing the essence of both Irish and USA folk traditions with the unique charm of Chaffee's Mandolin Medley..
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Violon et Piano
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Traditional Fiddle Tunes
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Heather M Music
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Chaffee's Mandolin
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Heather Mueller Music
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SheetMusicPlus
Villain's Army's March for Concert Band - Score & Parts
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.919759 Composed by Michael Bleiwe…
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Concert Band - Level 4 - Digital Download SKU: A0.919759 Composed by Michael Bleiweiss. March. 63 pages. Michael Bleiweiss Music #4410865. Published by Michael Bleiweiss Music (A0.919759). This is a slightly idiosyncratic standard format march in a minor key. Its features include: Each instrument gets a passage of the melody or close harmony. Complex counterpointThis is an expansion of the original double quintet arrangement for full concert band.Separate conductor's score and set of parts are also available on this site.Permission is granted to make sufficient copies of the individual parts to accomodate the number of musicians in each section.Genre: Concert MarchRunning Time: 3:55
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Orchestre d'harmonie
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Michael Bleiweiss
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Villain's Army's March for Concert Band - Score & Parts
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Michael Bleiweiss Music
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SheetMusicPlus
Away in a Manger and the Carols of Christmas for Beginner Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1323092 Composed by Traditional Chr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1323092 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 54 pages. SilverTonalities #911366. Published by SilverTonalities (A0.1323092). Away in a Manger and the Carols of Christmas for Beginner PianoTraditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.- ANGEL GABRIEL, is a traditional Basque Carol, also known as “Gabrielle’s Messageâ€, pages 1-2AS LATELY WE WATCHED, is a traditional Nativity Carol, originating from Austria, pages 3-4AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels, pages 5-7BELLS ARE RINGING GLAD AND SWEET, is an American Carol composed by Henry S. Perkins, with lyrics by Eben E. Rexford, pages 8-10CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 11-13COVENTRY CAROL, is an English Carol that dates back to the 16th Century, and is based on Chapter 2 of the Gospel of Matthew, pages 14-15FRIENDLY BEASTS, also known as the “Carol of the Animals†is a traditional Nativity Carol, possilby dating back to as early as the 12th Century, pages 16-17GENTLY FALLS THE WINTER SNOW, is an English Carol written by Herbert Stephan Irons, with lyrics by the Rev. Edward Caswall, pages 18-20GOOD CHRISTIAN MEN REJOICE, is an Old English Carol, translated from Latin to English, dating back to the 14th Century, pages 21-23HARK THE HERALD ANGELS SING, is an English Carol published in 1739 and based on Luke 2:14, with the Music adapted from the German Composer Felix Mendelssohn, pages 24-26IN A LITTLE STABLE, is a 17th Century German Carol written by Corona Elisabeth Wilhelmina Schroeter, pages 27-28JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 29-31JOY TO THE WORLD, is an English Carol, written by the Minister and Hymnwriter Isaac Watts in 1719, pages 32-33MASTERS IN THIS HALL, is an English Carol dated approximately in 1860, and is also known as “Nowell Sing We Clearâ€, pages 34-36O LITTLE TOWN OF BETHLEHEM, the most common version of this Carol written in 1868, is known as the “St. Louis†version, pages 37-38ONCE IN ROYAL DAVID’S CITY, is an English Anglican Carol, representing that Christ has ascended once again to glory, pages 39-40SEE THE MORNING STAR IS DWELLING, is a Sunday School hymn, written in 1867 by W. Wood, pages 41-43SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 44-45STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Ispired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 46-48THERE CAME THREE KINGS, is a Carol of Epiphany written by E. Poppen, also known as “There Came Three Kings Ere Break of Day, pages 49-51WINTER’S SNOW, first published in approximately 1857, is also known as “See Amid the Winter’s Snowâ€, pages 50-52-53.
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Piano Facile
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Traditional Christmas Carols
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SilverTonalities
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Away in a Manger and the Carols of Christmas for Beginner Piano
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SilverTonalities
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SheetMusicPlus
SCARBOROUGH FAIR
Hautbois (partie séparée)
Oboe Solo - Level 1 - Digital Download SKU: A0.1197196 Composed by Traditional Engl…
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Oboe Solo - Level 1 - Digital Download SKU: A0.1197196 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 pages. Alex Rodrigues #796359. Published by Alex Rodrigues (A0.1197196). Scarborough Fair is a traditional English song dating back to the late 16th century. The music is known for its smooth and captivating melody, with lyrics that speak of an annual fair that took place in the town of Scarborough, England.The song became popular again in the 1960s when it was recorded by artists such as Simon & Garfunkel. Simon & Garfunkel's version added a second melody and lyrics to the traditional song, creating a rich and exciting harmony.The sheet music is suitable for musicians of all levels, from beginners to advanced, and is an excellent choice for anyone who wants to play a classic and timeless song with a modern twist.
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Hautbois (partie séparée)
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Traditional English
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Alex Nunes Rodrigues
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Garfunkel. Simon &
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SCARBOROUGH FAIR
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Alex Rodrigues
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SheetMusicPlus
SCARBOROUGH FAIR
Hautbois (partie séparée)
Oboe Solo - Level 1 - Digital Download SKU: A0.1197195 Composed by Traditional Engl…
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Oboe Solo - Level 1 - Digital Download SKU: A0.1197195 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 pages. Alex Rodrigues #796358. Published by Alex Rodrigues (A0.1197195). Scarborough Fair is a traditional English song dating back to the late 16th century. The music is known for its smooth and captivating melody, with lyrics that speak of an annual fair that took place in the town of Scarborough, England.The song became popular again in the 1960s when it was recorded by artists such as Simon & Garfunkel. Simon & Garfunkel's version added a second melody and lyrics to the traditional song, creating a rich and exciting harmony.The sheet music is suitable for musicians of all levels, from beginners to advanced, and is an excellent choice for anyone who wants to play a classic and timeless song with a modern twist.
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Hautbois (partie séparée)
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Traditional English
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Alex Nunes Rodrigues
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Garfunkel. Simon &
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SCARBOROUGH FAIR
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Alex Rodrigues
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SheetMusicPlus
SCARBOROUGH FAIR
Hautbois (partie séparée)
Oboe Solo - Level 1 - Digital Download SKU: A0.1197215 Composed by Traditional Engl…
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Oboe Solo - Level 1 - Digital Download SKU: A0.1197215 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 pages. Alex Rodrigues #796378. Published by Alex Rodrigues (A0.1197215). Scarborough Fair is a traditional English song dating back to the late 16th century. The music is known for its smooth and captivating melody, with lyrics that speak of an annual fair that took place in the town of Scarborough, England.The song became popular again in the 1960s when it was recorded by artists such as Simon & Garfunkel. Simon & Garfunkel's version added a second melody and lyrics to the traditional song, creating a rich and exciting harmony.The sheet music is suitable for musicians of all levels, from beginners to advanced, and is an excellent choice for anyone who wants to play a classic and timeless song with a modern twist.
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Hautbois (partie séparée)
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Traditional English
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Alex Nunes Rodrigues
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Garfunkel. Simon &
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SCARBOROUGH FAIR
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Alex Rodrigues
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SheetMusicPlus
SCARBOROUGH FAIR
Alto (partie séparée)
Viola Solo - Level 1 - Digital Download SKU: A0.1197222 Composed by Traditional Eng…
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Viola Solo - Level 1 - Digital Download SKU: A0.1197222 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 pages. Alex Rodrigues #796385. Published by Alex Rodrigues (A0.1197222). Scarborough Fair is a traditional English song dating back to the late 16th century. The music is known for its smooth and captivating melody, with lyrics that speak of an annual fair that took place in the town of Scarborough, England.The song became popular again in the 1960s when it was recorded by artists such as Simon & Garfunkel. Simon & Garfunkel's version added a second melody and lyrics to the traditional song, creating a rich and exciting harmony.The sheet music is suitable for musicians of all levels, from beginners to advanced, and is an excellent choice for anyone who wants to play a classic and timeless song with a modern twist.
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Alto (partie séparée)
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Traditional English
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Alex Nunes Rodrigues
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Garfunkel. Simon &
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SCARBOROUGH FAIR
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Alex Rodrigues
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SheetMusicPlus
SCARBOROUGH FAIR
Alto (partie séparée)
Viola Solo - Level 1 - Digital Download SKU: A0.1197203 Composed by Traditional Eng…
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Viola Solo - Level 1 - Digital Download SKU: A0.1197203 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 pages. Alex Rodrigues #796366. Published by Alex Rodrigues (A0.1197203). Scarborough Fair is a traditional English song dating back to the late 16th century. The music is known for its smooth and captivating melody, with lyrics that speak of an annual fair that took place in the town of Scarborough, England.The song became popular again in the 1960s when it was recorded by artists such as Simon & Garfunkel. Simon & Garfunkel's version added a second melody and lyrics to the traditional song, creating a rich and exciting harmony.The sheet music is suitable for musicians of all levels, from beginners to advanced, and is an excellent choice for anyone who wants to play a classic and timeless song with a modern twist.
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Alto (partie séparée)
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Traditional English
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Alex Nunes Rodrigues
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Garfunkel. Simon &
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SCARBOROUGH FAIR
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Alex Rodrigues
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SheetMusicPlus
Away In A Manger: for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548475 Composed by Muell…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548475 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386527. Published by jmsgu3 (A0.548475). Traditional Christmas song arranged for Bb Clarinet & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
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Clarinette et Piano
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Piano
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Away In A Manger: for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Away In A Manger: for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548477 Composed by Mueller. …
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386535. Published by jmsgu3 (A0.548477). Traditional Christmas song arranged for Horn in F and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
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Cor et Piano
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Away In A Manger: for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Away In A Manger: for Bassoon & Piano
Basson, Piano (duo)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.548473 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and parts. 3 pages. Jmsgu3 #3386521. Published by jmsgu3 (A0.548473). Traditional Christmas song arranged for Bassoon & Piano. Third verse features modified harmony. Score: 2 pg. Part: 1 pg. Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
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Basson, Piano (duo)
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Piano
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Away In A Manger: for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Away In A Manger: for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548478 Composed by Mueller. Arrange…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386539. Published by jmsgu3 (A0.548478). Traditional Christmas song arranged for Oboe & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
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Hautbois, Piano (duo)
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Piano
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Away In A Manger: for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Bach: Toccata and Fugue in D Minor, BWV 565 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1473062 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Halloween,Historic. 36 pages. Jmsgu3 #1050683. Published by jmsgu3 (A0.1473062). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (Toccata), a fugal section (fugue), and a short free closing section.The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period.It gained widespread recognition after being featured in Disney's 1940 film Fantasia, where it was adapted for orchestra by Leopold Stokowski. The piece has become strongly associated with horror films and Gothic imagery in Western culture.The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue in D Minor, BWV 565 for String Quartet
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jmsgu3
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SheetMusicPlus
Bach: Toccata and Fugue, BWV 565 for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1474154 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Standards. 49 pages. Jmsgu3 #1051783. Published by jmsgu3 (A0.1474154). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
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Quintette de Saxophone: 5 saxophones
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue, BWV 565 for Saxophone Quintet
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jmsgu3
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SheetMusicPlus
Bach: Toccata and Fugue in D Minor, BWV 565 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1473627 Composed by Johann Se…
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String Orchestra - Level 4 - Digital Download SKU: A0.1473627 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Halloween,Historic,Standards,Traditional. 48 pages. Jmsgu3 #1051343. Published by jmsgu3 (A0.1473627). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
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Orchestre à Cordes
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue in D Minor, BWV 565 for String Orchestra
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jmsgu3
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SheetMusicPlus
Bach: Toccata and Fugue in D Minor, BWV 565 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1473…
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1473676 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Traditional. 49 pages. Jmsgu3 #1051393. Published by jmsgu3 (A0.1473676). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue in D Minor, BWV 565 for Brass Quintet
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jmsgu3
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SheetMusicPlus
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