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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
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COR
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CORNET
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Enrico Caruso
Non classifié
7
Piano & claviers
Piano, Voix
8
Accordéon
2
Piano seul
1
Guitares
Piano, Guitare (duo)
2
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1
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4
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2
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2
2 Flûtes traversières (duo)
2
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1
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1
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1
Clarinette Basse, Piano
1
Piccolo, Piano
1
Clarinette
1
+ 7 instrumentations
Retracter
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2
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1
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Enrico Caruso
Partitions à imprimer
62 partitions trouvées
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1
26
51
Caruso
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Andrea Bocelli
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Marek Czekala
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Caruso
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Marek Czekala
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1233717 By Andrea Bocelli. By Lucio Dalla. Arranged by Marek Czekala. 20th Century,Classical,Opera. Score and Parts. ...
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Full Orchestra - Level 4 - SKU: A0.1233717 By Andrea Bocelli. By Lucio Dalla. Arranged by Marek Czekala. 20th Century,Classical,Opera. Score and Parts. 37 pages. Marek Czekala #829285. Published by Marek Czekala (A0.1233717). Caruso is one of the most well-known Italian love songs. Written in 1986 by singer-songwriter Lucio Dalla, it is dedicated to acclaimed Italian opera singer Enrico Caruso.In an interview, Dalla revealed the origin and meaning of the lyrics. After his boat broke down between Sorrento and Capri, the singer-songwriter had no choice but to spend the night in a hotel in Sorrento (known as Surriento in Neapolitan), a city overlooking the Bay of Naples. He chose the Excelsior Vittoria Hotel, and happened to stay in the very same hotel room that Enrico Caruso had stayed in, shortly before he passed away.(There’s no Lyrics in this Score).
$69.00 ≈
¥495.35
Caruso
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Contemporain
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Il Divo
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Caruso
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802529 By Il Divo. By Lucio Dalla. Arranged by Daniele Carnivali & Peet du Toit. Contempor...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802529 By Il Divo. By Lucio Dalla. Arranged by Daniele Carnivali & Peet du Toit. Contemporary. Score and parts. 14 pages. Peet du Toit #5769201. Published by Peet du Toit (A0.802529). This song is dedicated to Enrico Caruso, a famous and well-loved Italian tenor. The song simply tells about the pain and longings of a man who is about to die while he is looking into the eyes of a girl who was very dear to him. Following a brilliant arrangement for concert band by Daniele Carnivali, I transcribed it for a brass quintet. This is music of the heart. Enjoy!
$18.00 ≈
¥129.22
Solamente Una Vez
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Accordéon
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INTERMÉDIAIRE
#
Latin/Musique du monde
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Jazz
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Aguirre Agustin Lara
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Bob van der Poel
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Solamente Una Vez
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Accordion Arrangement by Bob van der Poel
#
SheetMusicPlus
Accordion,Instrumental Solo - Level 3 - SKU: A0.1409337 Composed by Aguirre Agustin Lara. Arranged by Bob van der Poel. 20th Century,Jazz,Latin,Standard...
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Accordion,Instrumental Solo - Level 3 - SKU: A0.1409337 Composed by Aguirre Agustin Lara. Arranged by Bob van der Poel. 20th Century,Jazz,Latin,Standards. Individual part. 2 pages. Accordion Arrangement by Bob van der Poel #991961. Published by Accordion Arrangement by Bob van der Poel (A0.1409337). Agustin Lara is Mexico's most popular singer and composer of the early 20th century. His songs have been recorded by a diverse list of artists ranging from Bing Crosby to Enrico Caruso. This song was originally featured in the 1941 Spanish language film ``Melodias de America''. In 1945 the Xavier Cugat Orchestra (with cronner Bing Crosby) took their version to #4 on the charts.This arrangement is handcrafted for Stradella Bass accordion.
$4.99 ≈
¥35.82
COME BACK TO SORRENTO - clarinet and piano
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Clarinette et Piano
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INTERMÉDIAIRE
#
Contemporain
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Ernesto De Curtis
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Anthony Giamanco
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COME BACK TO SORRENTO - clarin
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Whole Tone Press
#
SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.774045 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and p...
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Clarinet,Piano - Level 3 - SKU: A0.774045 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part. 12 pages. Whole Tone Press #6425257. Published by Whole Tone Press (A0.774045). One of the most beloved Neapolitan songs of all time, composed by Ernesto de Curtis in 1894, and recorded by many artists, including Enrico Caruso, Luciano Pavarotti, Dean Martin, Bing Crosby and Sergio Franchi. This intermediate-level arrangement for clarinet and piano displays the beauty and passion of the original vocal solo, and will be a welcome addition to your recital/concert repertoire.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$4.50 ≈
¥32.31
Ciribiribin
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Voix duo, Piano
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Classique
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Alberto Pestalozza
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Scott S
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Ciribiribin
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Scott S. Stewart
#
SheetMusicPlus
Piano,Voice Duet Piano,Voice - SKU: A0.955847 Composed by Alberto Pestalozza. Arranged by Scott S. Stewart. Romantic Period. 6 pages. Scott S. Stewart #...
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Piano,Voice Duet Piano,Voice - SKU: A0.955847 Composed by Alberto Pestalozza. Arranged by Scott S. Stewart. Romantic Period. 6 pages. Scott S. Stewart #6356345. Published by Scott S. Stewart (A0.955847). Ciribiribin, an Italian waltz style ballad. was composed by Alberto Pestalozza in 1898, with lyrics by Carlin Tiochet, and has been popular in Europe and North America ever since. The lyrics were originally written in the Piedmontese dialect of northwest Italy. It has been recorded by such notables as Enrico Caruso, Mario Lanza, Grace Moore, Katherine Grayson, as well as the orchestras of Benny Goodman, Harry James, Glenn Miller. Ciribiribin has also been featured in many movies and television shows between (from at least) 1929 to the present day. This arrangement is scored as a duet for soprano & baritone with piano accompaniment. Original traditional Italian text is used and and English text also appears on this arrangement. Performance time: 3:15. This song is popular with outdoor ethnic festivals.
$12.99 ≈
¥93.25
"Una Furtiva Lagrima" (A Furtive Tear) from "L'elisir d'amore" by Gaetano Donizetti
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Piano, Voix
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FACILE
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Classique
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Gaetano Donizetti
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Leah Ginzburg
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"Una Furtiva Lagrima"
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Leah Ginzburg
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.850226 Composed by Gaetano Donizetti. Arranged by Leah Ginzburg. Classical,Concert,Opera,World. Score. 6 pages. Le...
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Piano,Vocal,Voice - Level 2 - SKU: A0.850226 Composed by Gaetano Donizetti. Arranged by Leah Ginzburg. Classical,Concert,Opera,World. Score. 6 pages. Leah Ginzburg #6709971. Published by Leah Ginzburg (A0.850226). Una Furtiva Lagrima (A Furtive Tear) is the romanza from the Italian opera L'elisir d'amore by Gaetano Donizetti. This beautiful romance was performed by such a famous vocal masters as Luciano Pavarotti, Enrico Caruso and others. Easy piano solo version arranged by Leah Ginzburg in A Minor
$9.99 ≈
¥71.72
Mattinata (D Major)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Ruggiero Leoncavallo
#
Jonathan Prentice
#
Mattinata
#
Jonathan Prentice
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.884772 Composed by Ruggiero Leoncavallo. Arranged by Jonathan Prentice. 20th Century,Classical. Score. 5 pages. Jo...
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Piano,Vocal,Voice - Level 4 - SKU: A0.884772 Composed by Ruggiero Leoncavallo. Arranged by Jonathan Prentice. 20th Century,Classical. Score. 5 pages. Jonathan Prentice #5809721. Published by Jonathan Prentice (A0.884772). The first song to be written specifically for the gramophone, the great Enrico Caruso was the first to record it, but the enduring popularity of the song has led to many tenors following suit! (Here in D Major, suitable for high baritones and mezzos).
$1.99 ≈
¥14.29
Sullivan: The Lost Chord for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for F
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥193.47
Mattinata for Bb Trumpet, Cornet, Flugelhorn & Piano
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Trompette, Piano
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INTERMÉDIAIRE
#
Ruggiero Leoncavallo
#
Keith Terrett
#
Piano
#
Mattinata for Bb Trumpet, Corn
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Keith Terrett
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.746838 Composed by Ruggiero Leoncavallo. Arranged by Keith Terrett. 20th Century,Classical,Historic,Opera,Tradi...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.746838 Composed by Ruggiero Leoncavallo. Arranged by Keith Terrett. 20th Century,Classical,Historic,Opera,Traditional. Score and part. 6 pages. Keith Terrett #3586843. Published by Keith Terrett (A0.746838). Mattinata by Ruggero Leoncavallo (1857-1919) arranged by Keith Terrett  for Bb Trumpet, Cornet, Flugelhorn & Piano.Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite.
$7.99 ≈
¥57.36
Mattinata (Db Major)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
#
Jonathan Prentice
#
Jonathan Prentice
#
Mattinata
#
Jonathan Prentice
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1048868 By Jonathan Prentice. By Ruggiero Leoncavallo. Arranged by Jonathan Prentice. 20th Century,Classical. Scor...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1048868 By Jonathan Prentice. By Ruggiero Leoncavallo. Arranged by Jonathan Prentice. 20th Century,Classical. Score. 5 pages. Jonathan Prentice #653272. Published by Jonathan Prentice (A0.1048868). The first song to be written specifically for the gramophone, the great Enrico Caruso was the first to record it, but the enduring popularity of the song has led to many tenors following suit! (Here in Db Major, suitable for baritones and mezzos).
$1.99 ≈
¥14.29
Mattinata for Alto (Treble) Recorder & Piano
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Ruggiero Leoncavallo
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Keith Terrett
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Piano
#
Mattinata for Alto
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Keith Terrett
#
SheetMusicPlus
Instrumental Solo,Piano,Treble Recorder - Level 3 - SKU: A0.746834 Composed by Ruggiero Leoncavallo. Arranged by Keith Terrett. 20th Century,Traditional...
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Instrumental Solo,Piano,Treble Recorder - Level 3 - SKU: A0.746834 Composed by Ruggiero Leoncavallo. Arranged by Keith Terrett. 20th Century,Traditional,World. Score and individual part. 6 pages. Keith Terrett #3586059. Published by Keith Terrett (A0.746834). Mattinata by Ruggero Leoncavallo (1857-1919) arranged by Keith Terrett for Alto (Treble) Recorder & Piano. Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite.
$6.99 ≈
¥50.18
Mattinata (C Major)
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Piano, Voix
#
INTERMÉDIAIRE
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Ruggiero Leoncavallo
#
Jonathan Prentice
#
Mattinata
#
Jonathan Prentice
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1120098 Composed by Ruggiero Leoncavallo. Arranged by Jonathan Prentice. 20th Century,Classical. Score. 5 pages. J...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1120098 Composed by Ruggiero Leoncavallo. Arranged by Jonathan Prentice. 20th Century,Classical. Score. 5 pages. Jonathan Prentice #721415. Published by Jonathan Prentice (A0.1120098). The first song to be written specifically for the gramophone, the great Enrico Caruso was the first to record it, but the enduring popularity of the song has led to many tenors following suit! (Here in C Major, suitable for baritones and mezzos).
$1.99 ≈
¥14.29
Mattinata (Leoncavall) - Bb Clarinet and Piano
#
Clarinette et Piano
#
Ruggiero Leoncavallo
#
Marcus Martin
#
Mattinata
#
Cornelius Edition
#
SheetMusicPlus
Clarinet,Piano - SKU: A0.805599 Composed by Ruggiero Leoncavallo. Arranged by Marcus Martin. Concert,Romantic Period,Standards. Score and part. 6 pages....
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Clarinet,Piano - SKU: A0.805599 Composed by Ruggiero Leoncavallo. Arranged by Marcus Martin. Concert,Romantic Period,Standards. Score and part. 6 pages. Cornelius Edition (uk) #6231391. Published by Cornelius Edition (uk) (A0.805599). Mattinata was the first song ever written expressly for the Gramophone Company (the present day EMI). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite of tenors. This new arrangement for Bb clarinet makes an attractive 3 minute item suitable for recitals and other occasions.
$3.99 ≈
¥28.64
Sullivan: The Lost Chord for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for C
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
(+)
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
¥193.47
COME BACK TO SORRENTO - flute and piano
#
Flûte traversière et Piano
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INTERMÉDIAIRE
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Ernesto De Curtis
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Anthony Giamanco
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COME BACK TO SORRENTO - flute
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Whole Tone Press
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.774049 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part...
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Flute,Piano - Level 3 - SKU: A0.774049 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part. 12 pages. Whole Tone Press #6427457. Published by Whole Tone Press (A0.774049). One of the most beloved Neapolitan songs of all time, composed by Ernesto de Curtis in 1894, and recorded by many artists, including Enrico Caruso, Luciano Pavarotti, Dean Martin, Bing Crosby and Sergio Franchi. This intermediate-level arrangement for flute and piano displays the beauty and passion of the original vocal solo, and will be a welcome addition to your recital/concert repertoire. NOTE: There are two possible endings - the 'Long Ending', with cadenza (which requires a more advanced player as it goes from D4 to G6; and the 'Short Ending', which is much simpler and easier to play.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg.
$4.50 ≈
¥32.31
Sullivan: The Lost Chord for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥193.47
Sullivan: The Lost Chord for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for C
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥193.47
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
¥193.47
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
#
Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥193.47
"Lasciati amar" for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ruggiero Leoncavallo
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Shawn Heller
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"Lasciati amar" for
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Shawn Heller
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.860300 Composed by Ruggiero Leoncavallo. Arranged by Shawn Heller. 20th Century,Opera,World. Score. 3 pages. Shawn Heller...
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Piano Solo - Level 4 - SKU: A0.860300 Composed by Ruggiero Leoncavallo. Arranged by Shawn Heller. 20th Century,Opera,World. Score. 3 pages. Shawn Heller #2828117. Published by Shawn Heller (A0.860300). A romanza written in 1913 and dedicated to Enrico Caruso. Adapted from the (voice and piano) autograph score for solo piano.
$4.99 ≈
¥35.82
Sullivan: The Lost Chord for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for T
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sa...
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Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥193.47
Sullivan: The Lost Chord for Trumpet & Piano
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Trompette
#
INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for T
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jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥193.47
Sullivan: The Lost Chord for Alto Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for A
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
¥193.47
COME BACK TO SORRENTO - trumpet and piano
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Trompette
#
Ernesto De Curtis
#
Anthony Giamanco
#
COME BACK TO SORRENTO - trumpe
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Whole Tone Press
#
SheetMusicPlus
Piano,Trumpet - SKU: A0.774047 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part. 12 pag...
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Piano,Trumpet - SKU: A0.774047 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part. 12 pages. Whole Tone Press #6425533. Published by Whole Tone Press (A0.774047). One of the most beloved Neapolitan songs of all time, composed by Ernesto de Curtis in 1894, and recorded by many artists, including Enrico Caruso, Luciano Pavarotti, Dean Martin, Bing Crosby and Sergio Franchi. This intermediate-level arrangement for trumpet and piano displays the beauty and passion of the original vocal solo, and will be a welcome addition to your recital/concert repertoire.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$4.50 ≈
¥32.31
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© 2000 - 2024
Accueil
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Nouveautés
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Compositeurs
Mentions légales
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Version intégrale
Enrico Caruso
