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Vous avez sélectionné:
I Do Gregorian
Partitions à imprimer
7 partitions trouvées
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1
When I Survey the Wondrous Cross
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Chorale SATB
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INTERMÉDIAIRE
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Isaac Watts
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Justin M
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When I Survey the Wondrous Cro
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Justin M. Ryan
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.886923 Composed by Isaac Watts. Arranged by Justin M. Ryan. Baroque,Contemporary,Easter,Sacred. Octavo. 8 pages....
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Choral Choir (SATB) - Level 3 - SKU: A0.886923 Composed by Isaac Watts. Arranged by Justin M. Ryan. Baroque,Contemporary,Easter,Sacred. Octavo. 8 pages. Justin M. Ryan #3049153. Published by Justin M. Ryan (A0.886923). The hymn, When I Survey the Wondrous Cross, was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first two lines of the second verse do paraphrase St Paul at Galatians 6:14. The poetry of When I survey... may be seen as English literary baroque.[1] The hymn's fourth verse (His dying crimson...) is commonly omitted in printed versions, a practice that began with George Whitefield in 1757.[2]This arrangement is for SATB Choir and is performed at a Moderate tempo. It is broken up into 4 verses plus please watch verse 3. The Soprano melody has been slightly adjusted but still follows the same harmonic movement as in Vs. 1 and 2. Enjoy this wonderful Lenten Classic.Tune Information Composer: Lowell Mason (1824) Meter: 8.8.8.8 Incipit: 11232 34323 33343 Key: F Major or modal Source: Adapted from a Gregorian Chant
$2.99 ≈
¥21.26
Gloria in excelsis Deo (G major - no lyrics)
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Instruments en Do
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DÉBUTANT
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Musique Sacrée
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Gregorian Chant
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Duda Oriontte
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Gloria in excelsis Deo
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Duda Oriontte
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.505790 Composed by Gregorian Chant. Arranged by Duda Oriontte. Children,Christmas,Holiday,Praise & Worship,Sacred. Lead...
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C Instrument - Level 1 - SKU: A0.505790 Composed by Gregorian Chant. Arranged by Duda Oriontte. Children,Christmas,Holiday,Praise & Worship,Sacred. Lead Sheet / Fake Book. 1 pages. Duda Oriontte #117452. Published by Duda Oriontte (A0.505790). Gloria in excelsis Deo (G major - no lyrics) Let's celebrate the christmas Xmas music is always beautiful And i like a lot this piece, i made this arrangement for you to play with your friends Good study.
$4.50 ≈
¥32.00
Gloria in excelsis Deo (Bb major - with lyrics)
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Instruments en Do
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DÉBUTANT
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Musique Sacrée
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Gregorian Chant
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Duda Oriontte
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Gloria in excelsis Deo
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Duda Oriontte
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.505792 Composed by Gregorian Chant. Arranged by Duda Oriontte. Children,Christmas,Holiday,Praise & Worship,Sacred. Lead...
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C Instrument - Level 1 - SKU: A0.505792 Composed by Gregorian Chant. Arranged by Duda Oriontte. Children,Christmas,Holiday,Praise & Worship,Sacred. Lead Sheet / Fake Book. 1 pages. Duda Oriontte #117454. Published by Duda Oriontte (A0.505792). Gloria in excelsis Deo (Bb major - with lyrics) Let's celebrate the christmas Xmas music is always beautiful And i like a lot this piece, i made this arrangement for you to play with your friends Good study.
$4.50 ≈
¥32.00
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19 ≈
¥15.57
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
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Orgue
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INTERMÉDIAIRE
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Organ - Level 3 - SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score...
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Organ - Level 3 - SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
$5.99 ≈
¥42.59
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19 ≈
¥15.57
Ave Maria, Woman of Valor+Harp Part
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Chorale SATB
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INTERMÉDIAIRE
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Michael D
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Ave Maria, Woman of Valor+Harp
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Michael D. McClish
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.940833 Composed by Michael D. McClish. Christian,Contemporary,Holiday,Sacred. Octavo. 11 pages. Michael D. McCli...
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Choral Choir (SATB) - Level 3 - SKU: A0.940833 Composed by Michael D. McClish. Christian,Contemporary,Holiday,Sacred. Octavo. 11 pages. Michael D. McClish #5797717. Published by Michael D. McClish (A0.940833). This piece combines the standard text of Ave Maria in English with the text from Proverbs 31 known as Woman of ValorI wrote this piece to venerate Mary and also to venerate all women and their personal strengths. I consider this Easy to Medium in difficulty, as it has a lot of unison singing and simple four part choral singing. This would be perfect to use to in a Christmas, Mother's Day, or regular service that highlights contributions of women, and the personal strength necessary to surmount ordeals in life. The middle melody is taken from the Gregorian Chant Ave Maria but with words from Proverbs. It should be sung in the style of a legato, light chant, yet with crisp consonants to hear all the words. I am working on an SSA version of the same piece. For those who do not have a budget for a harpist, I also have a backing track available with the harp and organ. The organ is lighter, so an organist could play along and be dominant, and the harp would be heard most. The harp part is attached score.
$2.25 ≈
¥16.00
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