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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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I Remember the Love
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CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
God So Loved
Instrumental Parts - Digital Download SKU: H1.9165DP Composed by Pepper Choplin. In…
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Instrumental Parts - Digital Download SKU: H1.9165DP Composed by Pepper Choplin. Instrumental parts. 500 pages. Hope Publishing - Digital #9165DP. Published by Hope Publishing - Digital (H1.9165DP). Pepper Choplin.Easter Cantata Beginning with John 3:16, this musical tells the remarkable Passion story. The theme of God's love is highlighted in every step of Jesus' journey to the cross. With a light contemporary feel in the rhythm and harmony, the music is full of memorable melodies with a dramatic flair. From the rhythmic call of Hosanna, God Save Us to the reassuring, Remember I Am There to the dramatic one note melody of They Came to Arrest Him, this work will provide a moving experience for any service during Holy Week. The choir parts are carefully crafted and choir-tested, ensuring that your singers will perform with confidence. Four of the pieces may serve as Sunday anthems as the larger work is being prepared. Accompaniment can be provided by piano, or a small ensemble of eleven instruments arranged by Ed Hogan. Performance time is 39-minutes.Instrumental Parts include: Conductor's Score, Flute, Clarinet, Trumpet, French Horn (opt. Alto Sax), Trombone (opt. Baritone T.C. or Tenor Sax), Drums, Piano, Electric Bass, 2 Violins (opt. Viola), Cello & String Reduction.
Song List: God So Loved Hosanna, God Save Us! By the Way You Love Is It I? Remember I Am There They Came to Arrest Him What Wondrous Love of the Cross God So Loved (Reprise) Behold the Lord of Love
Song List
: God So Loved Hosanna, God Save Us! By the Way You Love Is It I? Remember I Am There They Came to Arrest Him What Wondrous Love of the Cross God So Loved (Reprise) Behold the Lord of Love
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Pepper Choplin
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God So Loved
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Hope Publishing - Digital
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SheetMusicPlus
God So Loved
Cello, Clarinet, Flute, French Horn, Piano, Trombone, Trumpet, Violin - Digital Download
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Cello, Clarinet, Flute, French Horn, Piano, Trombone, Trumpet, Violin - Digital Download SKU: H1.9161DP Composed by Pepper Choplin. Musicals for Adults. Ash Wednesday, Lent, Palm Sunday, Holy Week, Maundy Thursday, Good Friday, Easter Sunday, Jesus Christ - Cross, Jesus Christ - Death, Jesus Christ - Redeemer, Jesus Christ - Resurrection, Jesus Christ - Savior. Choral score. 96 pages. Hope Publishing - Digital #9161DP. Published by Hope Publishing - Digital (H1.9161DP). Pepper Choplin.Easter Cantata Beginning with John 3:16, this musical tells the remarkable Passion story. The theme of God's love is highlighted in every step of Jesus' journey to the cross. With a light contemporary feel in the rhythm and harmony, the music is full of memorable melodies with a dramatic flair. From the rhythmic call of Hosanna, God Save Us to the reassuring, Remember I Am There to the dramatic one note melody of They Came to Arrest Him, this work will provide a moving experience for any service during Holy Week. The choir parts are carefully crafted and choir-tested, ensuring that your singers will perform with confidence. Four of the pieces may serve as Sunday anthems as the larger work is being prepared. Accompaniment can be provided by piano, or a small ensemble of eleven instruments arranged by Ed Hogan. Performance time is 39-minutes.Instrumental Parts include: Conductor's Score, Flute, Clarinet, Trumpet, French Horn (opt. Alto Sax), Trombone (opt. Baritone T.C. or Tenor Sax), Drums, Piano, Electric Bass, 2 Violins (opt. Viola), Cello & String Reduction.
Song List: God So Loved Hosanna, God Save Us! By the Way You Love Is It I? Remember I Am There They Came to Arrest Him What Wondrous Love of the Cross God So Loved (Reprise) Behold the Lord of Love
Song List
: God So Loved Hosanna, God Save Us! By the Way You Love Is It I? Remember I Am There They Came to Arrest Him What Wondrous Love of the Cross God So Loved (Reprise) Behold the Lord of Love
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Pepper Choplin
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God So Loved
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Hope Publishing - Digital
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SheetMusicPlus
I'm Trying to Be Like Jesus
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Per…
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Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
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Piano seul
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Janice Kapp Perry
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Mark Gubler
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I'm Trying to Be Like Jesus
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Mark Gubler
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SheetMusicPlus
I've Gotta Get A Message To You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To You
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Peet du Toit
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Love Theme (tema D'amore)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1300359 Composed by Andrea Morricon…
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Piano Solo - Level 4 - Digital Download SKU: A0.1300359 Composed by Andrea Morricone and Ennio Morricone. Arranged by ROBERT VAN HORNE. Classical,Film/TV,Historic,Instructional,Romantic Period. Score. 9 pages. White Piano International Publishing #890079. Published by White Piano International Publishing (A0.1300359). LOVE THEME from Cinema Paradiso (Piano Solo Arrangement)Advanced Intermediate Piano Solo9 pagesDuration is about 4:15I can’t remember when I first saw the movie CINEMA PARADISO…maybe in the Fall of 2018. The story and especially the music left me memorized and haunted by the themes of music intertwined with the characters portrayed in this beautiful and award winning movie.My favorite music from the movie is the “LOVE THEME composed by Ennio Morricone and his son Andrea Morricone. I think this exquisite music creates an atmosphere that is unforgettable, unique and quite memorable.After having the opportunity of watching the movie again in August 2023, I decided to create a piano arrangement of the LOVE THEME. The arrangement is an advanced intermediate piano solo. I incorporated my own style of arpeggios at the beginning and at the end of the arrangement with musical voicings to enhance the thematic melody. Also, I've included short melodic snippets from two of the other musical themes from the movie, connecting the beautiful LOVE THEME. The sheet music is clearly notated in the Classical tradition with dynamic and articulation marks, phrasing, pedal indications, suggested fingerings, chord identifications, and appropriate musical terms for playing.LOVE THEME from Cinema Paradiso is an excellent teaching piece and repertoire selection.It’s captivating melody is ideal for recitals and school musical events as well as an excellent encore for professionals…a delightful musical listening treat for audiences and for advancing piano students.The mp3 sample begins on page 6 of the piano arrangement.Robert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
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Piano seul
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Andrea Morricone and Ennio Morricone
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ROBERT VAN HORNE
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Love Theme
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White Piano International Publishing
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SheetMusicPlus
I Remember the Hour When Sadly We Parted. Song and Chorus
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3918 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3918 Composed by B. Frank Walters. Courtship, Love, Soldiers, War, Farewells, Patriotism, Homecomings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3918). I Remember the Hour When Sadly We Parted. Answer to Weeping, Sad, and Lonely. Song and Chorus. Words by Ednor Rossiter. Music Composed by B. Frank Walters. Published 1863 by Lee & Walker, No. 722 Chestnut Street in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love, Soldiers, War, Farewells, Patriotism, Homecomings. First line reads I remember the hour when sadly we parted.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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Chorale SATB
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B
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I Remember the Hour When Sadly We Parted. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
I Cried For You
Piano and voice, ukulele - Digital Download SKU: LV.9073 Composed by Arthur Freed, …
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Piano and voice, ukulele - Digital Download SKU: LV.9073 Composed by Arthur Freed, Gus Arnheim & Abe Lyman. Celebrities, Portraits, Unrequited love, Anger. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9073). I Cried For You. By Arthur Freed, Gus Arnheim and Abe Lyman. Published 1923 by Miller Music, Inc., 1629 Broadway in New York. Composition of strophic with chorus with piano and voice, ukulele instrumentation. Subject headings for this piece include Celebrities, Portraits, Unrequited love, Anger. First line reads I remember other days how I used to weep over things you said to me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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Arthur Freed, Gus Arnheim and Abe Lyman
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Arthur Freed, Gus Arnheim & Abe Lyman
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I Cried For You
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Tu te Rappelles (Do You Remember)
Chorale 3 parties
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1011599 Composed by Celine …
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1011599 Composed by Celine Tsoi. Contemporary,Holiday,Instructional,Love,Standards. Octavo. 20 pages. Celine Tsoi #3518551. Published by Celine Tsoi (A0.1011599). Tu te Rappelles? , meaning ‘do you remember?’, depicts the love of a girl to her partner. She reminiscences about her past memories with him and in the climax, she proclaims her love for him as she is soon to leave his side. This combination, an SSA choir with violin and piano, is chosen for it captures the character of a female speaker, and the piano adds depth to the piece but still keeps the gentleness of the message. The bright timbre of the violin as well as the use of D major is to convey positivity: this is not a sad piece. This speaker looks forward to the future and treasures their past moments together. This piece is in verse-chorus form. The chorus, starting from ‘Je t’aimerai’, and followed by ‘Jusqu’a...’ repeats three times before arriving at the final climax in A major. In between the second chorus and the third chorus, a transitional section, in F# minor, is added. This section, as it is about her difficult decision to leave, is stronger and faster than other sections. The original lyrics are inspired by a famous TV show, Game of Thrones , in which a character says the lyrics in the chorus. Different techniques are used to bring out the message in the lyrics, such as word-painting, use of harmony and instruments, and key changes. Parting is inevitable in any relationship. I hope this piece can describe some emotions and thoughts in the face of parting and can echo among not only lovers but families and friends as well.
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Chorale 3 parties
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Celine Tsoi
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Tu te Rappelles
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Celine Tsoi
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SheetMusicPlus
Love Wedding Engagement and Anniversary
Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.13…
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Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1362623 Composed by Connie Boss. Arranged by Connie Boss. Wedding. 132 pages. Connie Boss #947050. Published by Connie Boss (A0.1362623). This is a book of 14 songs that can be used for weddings or engagement or anniversary or all three. They range from duets to trios, but can be sung as solo or duets instead. Parts are written in treble clef, but tenor or bass could sing as well. Almost all of them have an optional instrument part for either flute or violin or cello and with piano accompaniment. There are original songs as well as public domain songs in the book. No copyright music is allowed in a collection. It's a great deal to buy the whole book, but you can look on here for a specific song if you prefer just to purchase a song or two.I couldn't put all the songs on the mp3 - you can hear them all in the YouTube link below.For questions or requests, email cdboss@cvalley.netSongs included in this book are1. Ave Maria - both Latin and English lyrics included2. At Last, Our Day is Here - wedding reception song3. Beautiful Dreamer4. Bless Our Love5. Do You Remember - Anniversary6. For Always7. How Beautiful (is the Love Between the Two of Us)8. How Can I Keep From Singing - new lyrics in parts and melody in part9. Lost and Found10. My Love, Our Love11. Pachelbel Canon Wedding Version - lyrics for wedding added12. Some Day Soon - Engagement or Wedding13. The Lord’s Prayer14. What Wondrous Love is This - Wedding lyrics added.
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Connie Boss
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Connie Boss
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Love Wedding Engagement and Anniversary
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Connie Boss
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SheetMusicPlus
I Can Still Sing, vocal solo
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1077330 Composed by Ke…
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Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1077330 Composed by Kevin G. Pace (ASCAP), Sherri D. Johnson. 20th Century,Contemporary,New Age. 8 pages. Kevin G. Pace #681507. Published by Kevin G. Pace (A0.1077330). A beautiful vocal solo with music by Kevin G. Pace and text by Sherri D. Johnson. Text: When I think of my childhood and all it did bring, (5, p.u. , 6-9) what I remember most is that you always would sing. (9-12) Through the good and the bad, the happy and sad, (13-14) no matter what happened you always did sing. (14-20) There were times I know it was hard for you. (21 pu, 22- There were many things that you had to go through. (23 pu, 24-25 I’m sure there were times when your strength was all gone, (25 pu, 26 and you felt it impossible for you to go on. (27 pu, to 29) Yet somehow within you there was always a song (30 pu, 31- ) that renewed your faith and helped you be strong. (to 37) I learned that no matter what life might bring, (38- it would all be okay if we could still sing. (to 45) I think of the journey you have valiantly fought ( and all of the lessons that to me you taught. You taught me to have faith in my Savior above; you have shown me how to truly love. (to 54) Chorus: You have blessed so many lives; you have touched our hearts. Many tears will be shed when from us you depart. Now your journey soon must come to an end, oh how I will miss you, my dear mother, and friend. (to 66) Yet my life will go on, more challenges to bring, but I’ll be okay, because you taught me to sing. Oh what joy you will feel as you look on his face, and kneel at his feet in that glorious place. (to 79) As you bask in his light he will say to thee, (82-85) “My Daughter, your life has been pleasing to me. (86-89) You kept the faith, you fought a good fight, now take my hand and enter into the light. (to 98) Then joining his angels your voice will ring, as to him your praises you bring. For in that great place, throughout eternity, with Heavenly choirs you will still sing.
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Kevin G
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I Can Still Sing, vocal solo
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Kevin G. Pace
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Footprints In The Garden
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By Lyrics: Cheryl Prazak and music: Oscar Ahnfelt. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 8 pages. Cheryl Prazak #885157. Published by Cheryl Prazak (A0.1294831). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Footprints In The GardenOn the path were footprints in the garden, whose they were, I could not find a sign.Thinking I was alone in the garden, I supposed the footprints to be mine.I could not hear your sweet voice pleading, summoning me from a world somewhere.You were in the garden interceding, but I didn’t remember that You care. I could not hear your kind voice calling, lost was I in a world of despair.On my heavy heart your voice was falling, I had long forgotten You were there.Now I hear your voice gently whispering, falling softly as the morning dew.I can feel your loving touch refreshing, bidding me to start my life anew.All the time You were there in the garden, giving me your love and strength sublime.I thought I was alone in the garden; wondrously, You were there all the time.But now your gentle voice I am hearing, breaking through the din and through the fray.Yours the voice of my kind Master speaking, in the garden from which I did stray.Like roses lost within a labyrinth, still fragrantly blossom in the rain.In the garden now two sets of footprints, that is where my roses bloom again.That is where my roses bloom again.
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Piano, Voix
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Cheryl Prazak
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Jon Burr
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Footprints In The Garden
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Cheryl Prazak
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SheetMusicPlus
The Grape Vine Swing in the Dell. Song and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.14830 Composed by Frank Howard. Couples,…
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Piano and voice - Digital Download SKU: LV.14830 Composed by Frank Howard. Couples, Courtship & love, Trees, Country life. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14830). The Grape Vine Swing in the Dell. Song and Chorus. Words and Music by Frank Howard. Published 1869 by W.W. Whitney's Palace of Music in Toledo, O. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Courtship & love, Trees, Country life. First line reads Oh, well I remember the day, In the bright, beautiful month o May.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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Piano, Voix
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Frank Howard
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The Grape Vine Swing in the Dell. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Grape-Vine Swing in the Del
Piano, Voix
Voice and piano - Digital Download SKU: LV.111 Composed by Frank Howard. Couples, C…
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Voice and piano - Digital Download SKU: LV.111 Composed by Frank Howard. Couples, Courtship & love, Clothing & dress, Trees, Birds. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.111). The Grape-Vine Swing in the Del. Words and Music by Frank Howar. Published 1869 by W.W. Whitney in Toledo, O. Composition of strophic with SATB chorus with voice and piano instrumentation. Subject headings for this piece include Couples, Courtship & love, Clothing & dress, Trees, Birds. First line reads Oh well I remember the day.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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Piano, Voix
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Frank Howard
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The Grape-Vine Swing in the Del
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Voice of the Shepherd - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701460 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701460 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125381. Published by Kevin G. Pace (A0.701460). An original hymn based on Alma chapter 5 from the Book of Mormon. See text by Kathryn Hales below.YouTube video: https://youtu.be/mDD-eZJ8PcIDo you hear the voice of the Shepherd Calling Come unto me, Partake of the fruit of the Tree of Life And drink living waters freely. Come unto me and bring forth works Of righteousness built on faith; Remember the deliverance of your fathers And the words the prophets saith. Strip yourselves of all pride and envy; Persecute not your brother; Be ready to help the needy and poor, Showing love to one another. Receive my image in your countenance; Sing the song of redeeming love; Humble yourselves and trust in my voice, That comes from the heavens above. Wash your garments in the blood of the Lamb; Steadfastly believe on my name; Have clean hands and a pure heart, Standing firm without guilt or shame. Come to the fold of the Good Shepherd, Repent, overcome every sin; I’m calling with a voice so gentle, Come to my fold and enter in.
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Chorale SATB
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Kevin G
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The Voice of the Shepherd - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Will You Remember Me? A Charming Song with Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.14824 Composed by Will S. Hays. Courtshi…
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Piano and voice - Digital Download SKU: LV.14824 Composed by Will S. Hays. Courtship & love, Good-byes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14824). Will You Remember Me? A Charming Song with Chorus. Written & Composed by Will S. Hays. Published 1864 by Tripp & Cragg in Louisville, Ky. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Good-byes. First line reads Remember thee! Yes! loved one, Oh! how can I forget?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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Piano, Voix
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Will S
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Will You Remember Me? A Charming Song with Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Parable feel the hurt--CONTINUES
Piano seul
Piano - Digital Download SKU: A0.1066788 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066788 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 373. THEMIS KOUTRAS #5209807. Published by THEMIS KOUTRAS (A0.1066788). This is a song in parable saying I feel the pain of the son of man upon my back I like to interpret this parable song it means that I love the lord JESUS CHRIST so much it means my memory is not so good now and I sometimes forget a lot of things it means that sometimes when I do forget the whole holy bible and see the gospel the moment he has been crucified I feel his pain on the cross in my heart down deep meaning I get down with enormous amount of pain as if I am spiritually crucified with him then when he gets raised to live it changes and then I rejoice to the full with him then I remember the holy bible again now at this time my memory is very good I think GOD has healed my memory?
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Piano seul
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THEMIS KOUTRAS
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Parable feel the hurt--CONTINUES
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THEMIS KOUTRAS
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SheetMusicPlus
Could I Have This Dance
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1241593 By Anne Murray. By Bob Hous…
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Piano Solo - Level 4 - Digital Download SKU: A0.1241593 By Anne Murray. By Bob House and Wayland Holyfield. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #836965. Published by Timothy Stapay (A0.1241593). A traditionl Country-Style arrangement of Could I Have This Dance; from the movie Urban Cowboy. Could I Have This Dance is a song recorded by the Canadian country music artist Anne Murray. It was used in the 1980 film Urban Cowboy and appeared on both the Urban Cowboy soundtrack album for that film, as well as on the Anne Murray's Greatest Hits compilation album, issued in late 1980. Later on, it also appeared on Murray's 2007 album Anne Murray Duets: Friends & Legends, performed as a duet with Amy Grant.As a single, it was released in August 1980 and became Murray's fifth number one country hit as a solo artist. It went to number one for one week and spent a total of ten weeks on the country chart. Could I Have This Dance was also Murray's tenth Top 40 on the U.S. pop singles chart, peaking at number 33. The song was written by Wayland Holyfield and Bob House.Lyrics:I'll always remember the song they were playin'The first time we danced and I knewAs we swayed to the music and held to each otherI fell in love with youCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?I'll always remember that magic momentWhen I held you close to meAs we moved together, I knew foreverYou're all I'll ever needCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?Could I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?
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Piano seul
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Anne Murray
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Timothy Stapay
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Could I Have This Dance
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Timothy Stapay
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for Low Voice Piano, Theme from The Snow Queen, A B
Voix basse
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730412 Composed by James …
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730412 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. 8 pages. James Nathaniel Holland #3369751. Published by James Nathaniel Holland (A0.730412). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original key for low voice, piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
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Voix basse
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for SATB Chorus Piano, Theme from The Snow Queen, A
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730415 Composed by James N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730415 Composed by James Nathaniel Holland. Holiday,Love,Wedding. Octavo. 9 pages. James Nathaniel Holland #3369827. Published by James Nathaniel Holland (A0.730415). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged here for close harmonies for SATB Chorus (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
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Chorale SATB
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
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