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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Late
Non classifié
1 213
Piano & claviers
Piano seul
625
Piano, Voix
209
Piano, Voix et Guitare
155
Piano Facile
142
Accompagnement Piano
71
Instruments en Do
65
Orgue
37
1 Piano, 4 mains
30
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano grosses notes
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Clavecin
2
Accordéon
2
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
70
Guitare notes et tablatures
51
Ligne De Mélodie, (Paroles) et Accords
30
Ukulele
20
Basse electrique
11
Piano, Guitare (duo)
9
2 Guitares (duo)
8
Paroles et Accords
8
Guitare (partie séparée)
4
Banjo
3
Mandoline
1
Mandoline, Guitare (duo)
1
Dobro
1
Ensemble de guitares
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
230
Voix Tenor, Piano
71
Voix Alto, Piano
69
Chorale 3 parties
63
Voix Soprano, Piano
61
Chorale TTBB
45
Chorale 2 parties
43
Chorale SSAA
36
Voix Baryton, Piano
29
Chorale Unison
18
Voix duo, Piano
6
Voix haute
6
Voix Tenor
6
Voix moyenne, Piano
6
Voix seule
4
Chorale
3
Voix Soprano
1
Voix duo
1
Chorale SSATTB
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
111
Quatuor de Saxophones: 4 saxophones
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
85
Clarinette et Piano
75
Hautbois, Piano (duo)
66
2 Saxophones (duo)
60
Saxophone Alto et Piano
58
Saxophone Tenor et Piano
58
Quatuor de Clarinettes: 4 clarinettes
58
Saxophone (partie séparée)
47
Quintette de Saxophone: 5 saxophones
45
Saxophone Soprano et Piano
40
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Baryton, Piano
36
Cor anglais, Piano
32
2 Clarinettes (duo)
32
Flûte traversière
32
Clarinette
31
Ensemble de Clarinettes
27
2 Flûtes traversières (duo)
26
Saxophone Alto
24
Hautbois (partie séparée)
24
Ensemble de Flûtes
23
Clarinette Basse, Piano
20
Quatuor de Flûtes : 4 flûtes
20
Saxophone Tenor
20
Flûte, Clarinette (duo)
19
Ensemble de saxophones
16
3 Saxophones (trio)
16
Quintette de Clarinettes: 5 clarinettes
16
Quintette de Flûte : 5 flûtes
14
Saxophone, Clarinette (duo)
13
3 Clarinettes (trio)
13
Flûte à bec Soprano
10
2 Hautbois (duo)
10
Clarinette, Violon (duo)
9
Hautbois, Clarinette (duo)
8
Hautbois, Basson (duo)
8
Clarinette, Trompette (duo)
7
Clarinette, Basson (duo)
7
Clarinette et Alto
6
2 Flûte à bec (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Violon
5
Flûte, Alto (duo)
5
Quatuor de Flûtes à bec
5
Flute (partie séparée)
5
Flûte et Guitare
5
Flûte, Saxophone (duo)
5
Clarinette, Violoncelle (duo)
4
Flûte, Trompette (duo)
4
Flûte à Bec
4
Clarinette, Guitare (duo)
4
Hautbois, Flûte
4
Clarinette (partie séparée)
3
Hautbois
3
Flûte à bec Soprano, Piano
3
Flûte à bec Alto, Piano
3
Ensemble De Flûte à bec
3
Piccolo, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Tenor
3
Flûte, Violoncelle
3
3 Flûtes à bec (trio)
3
Flûte, Violon, Violoncelle et Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte à bec Alto
2
Flûte, Clarinette, Piano (trio)
2
2 Flûtes traversières, Piano
2
Saxophone Soprano
2
Saxophone et Orgue
2
5 Flûtes à bec
2
2 Flûtes à bec, Guitare
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Hautbois et alto (duo)
1
Harmonica
1
Ensemble de Hautbois
1
Clarinette Basse
1
Flûte, Hautbois (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette et Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
4 Hautbois
1
2 Clarinettes, Piano
1
2 Saxophones, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
Flute, harpe et violon
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Flûte et Trio à cordes
1
+ 89 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
116
Trombone et Piano
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette
43
Cor et Piano
41
Trompette, Piano
37
Euphonium, Piano (duo)
36
Cor anglais, Piano
32
Trombone (partie séparée)
25
Trompette (partie séparée)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
18
Tuba et Piano
17
Trombone
16
Cor
15
2 Trompettes (duo)
15
2 Trombones (duo)
14
Ensemble de Trombones
11
Tuba
11
2 Cors (duo)
11
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
9
Quatuor de cuivres: 4 trombones
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Cor (partie séparée)
5
Ensemble de Cors
4
Trombone, Cor (duo)
4
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
4
3 Trombones (trio)
3
2 Tubas (duo)
3
Tuba (partie séparée)
3
3 Tubas (trio)
3
Euphonium
3
Tuba et Orgue
3
Trio de Cuivres
2
Trombone, Tuba (duo)
2
Cor, Tuba (duo)
2
3 Cors (trio)
2
Trompette, Tuba (duo)
2
4 Tubas
2
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
175
Violon et Piano
101
Alto, Piano
63
Violoncelle, Piano
58
Violon
47
Harpe
38
Violon, Violoncelle (duo)
34
Violoncelle
33
2 Violons (duo)
27
Violon, Alto (duo)
21
Trio à Cordes: violon, alto, violoncelle
18
Alto seul
17
2 Violoncelles (duo)
15
2 Altos (duo)
14
Trio à Cordes: 2 violons, violoncelle
14
2 Harpes (duo)
10
Violon, Guitare (duo)
9
Alto (partie séparée)
8
4 Violoncelles
8
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
6
Contre Basse
6
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
5
Violon (partie séparée)
5
Contrebasse (partie séparée)
4
Quatuor à cordes: 4 violons
4
Ensemble d'Altos
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
4
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes : 4 altos
3
Harpe, Voix
3
Trio à cordes: 3 altos
3
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
277
Orchestre
95
Orchestre à Cordes
73
Ensemble de cuivres
41
Ensemble Jazz
39
Orchestre de chambre
31
Cloches
25
Jazz combo
13
Ensemble de Percussions
11
Fanfare
8
Piano et Orchestre
4
Batterie (partie séparée)
4
Batterie
3
Vibraphone
3
Marimba
2
Percussion (partie séparée)
2
Orchestre, Violon
1
Vibraphone (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PARTITIONS …
PAS DE PART…
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PERCUSSION
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
It's Late
Partitions à imprimer
7 195 partitions trouvées
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7176
Jeep's Blues: E-flat Alto Saxophone
#
Saxophone (partie séparée)
#
Methodes
#
David Berger, Duke Ellington,
#
Jeep's Blues: E-flat Alto Saxo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_AX1 E-flat Alto Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part...
(+)
Jazz Ensemble - SKU: AX.00-PC-0014296_AX1 E-flat Alto Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_AX1). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: 2nd B-flat Tenor Saxophone
#
Saxophone (partie séparée)
#
Methodes
#
David Berger, Duke Ellington,
#
Jeep's Blues: 2nd B-flat Tenor
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_TX2 2nd B-flat Tenor Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional....
(+)
Jazz Ensemble - SKU: AX.00-PC-0014296_TX2 2nd B-flat Tenor Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TX2). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: String Bass
#
Contrebasse (partie séparée)
#
Methodes
#
David Berger, Duke Ellington,
#
Jeep's Blues: String Bass
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_SB String Bass. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 2 pages. ...
(+)
Jazz Ensemble - SKU: AX.00-PC-0014296_SB String Bass. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_SB). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: Piano Accompaniment
#
Piano (partie séparée)
#
Methodes
#
David Berger, Duke Ellington,
#
Jeep's Blues: Piano Accompanim
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_K Piano Accompaniment. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 4 ...
(+)
Jazz Ensemble - SKU: AX.00-PC-0014296_K Piano Accompaniment. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_K). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: 2nd Trombone
#
Trombone (partie séparée)
#
Methodes
#
David Berger, Duke Ellington,
#
Jeep's Blues: 2nd Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_TN2 2nd Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages...
(+)
Jazz Ensemble - SKU: AX.00-PC-0014296_TN2 2nd Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TN2). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: 4th B-flat Trumpet
#
Trompette (partie séparée)
#
Methodes
#
David Berger, Duke Ellington,
#
Jeep's Blues: 4th B-flat Trump
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_T4 4th B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 ...
(+)
Jazz Ensemble - SKU: AX.00-PC-0014296_T4 4th B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_T4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_T4). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: E-flat Baritone Saxophone
#
Saxophone (partie séparée)
#
Methodes
#
David Berger, Duke Ellington,
#
Jeep's Blues: E-flat Baritone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_BTX E-flat Baritone Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. ...
(+)
Jazz Ensemble - SKU: AX.00-PC-0014296_BTX E-flat Baritone Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_BTX). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: 1st B-flat Trumpet
#
Trompette (partie séparée)
#
Methodes
#
David Berger, Duke Ellington,
#
Jeep's Blues: 1st B-flat Trump
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_T1 1st B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 ...
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Jazz Ensemble - SKU: AX.00-PC-0014296_T1 1st B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_T1). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: B-flat Tenor Saxophone
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Saxophone (partie séparée)
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Methodes
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David Berger, Duke Ellington,
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Jeep's Blues: B-flat Tenor Sax
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_TX1 B-flat Tenor Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Par...
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Jazz Ensemble - SKU: AX.00-PC-0014296_TX1 B-flat Tenor Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TX1). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: 3rd B-flat Trumpet
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Trompette (partie séparée)
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Methodes
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David Berger, Duke Ellington,
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Jeep's Blues: 3rd B-flat Trump
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_T3 3rd B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 ...
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Jazz Ensemble - SKU: AX.00-PC-0014296_T3 3rd B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_T3). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: Drums
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Batterie (partie séparée)
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Methodes
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David Berger, Duke Ellington,
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Jeep's Blues: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_D Drums. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 2 pages. Alfred ...
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Jazz Ensemble - SKU: AX.00-PC-0014296_D Drums. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_D). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: 2nd E-flat Alto Saxophone
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Saxophone (partie séparée)
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Methodes
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David Berger, Duke Ellington,
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Jeep's Blues: 2nd E-flat Alto
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_AX2 2nd E-flat Alto Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. ...
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Jazz Ensemble - SKU: AX.00-PC-0014296_AX2 2nd E-flat Alto Saxophone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_AX2). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: 2nd B-flat Trumpet
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Trombone (partie séparée)
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Methodes
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David Berger, Duke Ellington,
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Jeep's Blues: 2nd B-flat Trump
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_T2 2nd B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 ...
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Jazz Ensemble - SKU: AX.00-PC-0014296_T2 2nd B-flat Trumpet. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_T2). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: 1st Trombone
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Trombone (partie séparée)
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Methodes
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David Berger, Duke Ellington,
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Jeep's Blues: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_TN1 1st Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages...
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Jazz Ensemble - SKU: AX.00-PC-0014296_TN1 1st Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TN1). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Jeep's Blues: 3rd Trombone
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Trombone (partie séparée)
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Methodes
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David Berger, Duke Ellington,
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Jeep's Blues: 3rd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014296_TN3 3rd Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages...
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Jazz Ensemble - SKU: AX.00-PC-0014296_TN3 3rd Trombone. Composed by David Berger, Duke Ellington, and Johnny Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014296_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014296_TN3). UPC: 038081331911.Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington's later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.
$3.00 ≈
¥21.63
Treasure Chest (a chocolate song)
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Chorale 2 parties
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FACILE
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Sally Whitwell
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Treasure Chest
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.873031 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 7 pages. Sally Whitwell #3869011. Published by ...
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Choral Choir (SA) - Level 2 - SKU: A0.873031 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 7 pages. Sally Whitwell #3869011. Published by Sally Whitwell (A0.873031). Composer’s Note - Treasure ChestI w​as commissioned by the Canberra International Music Festival in 2016 to write a work for children’s chorus. The concert was a Mothers’ Day event, sponsored by a couple of local boutique chocolatiers, so the works on the program were all chocolate and coffee themed, including J S Bach’s Coffee Cantata and a bunch of songs from Charlie and the Chocolate Factory. The festival’s Artistic Director Roland Peelman asked me if I could write a new piece on this theme.So I got thinking about chocolate and about Mothers’ Day and about how when you’re a little kid and have no earnings, you still give your mum a present for her special day (that is, your dad pays for it and you sign the card!). And if it’s chocolate, you might give her ​your​ favourite chocolate instead of ​hers,​ and all you are really waiting for is for her to offer you one. When I was a child, I always used to think of chocolate boxes as treasure chests, full of shining precious things only consumed on very special occasions. Because they were such a rarity, you really had to savour each sweet taste and gooey texture. I​ ’m sure from this song, you’ll be able to tell that I am a big sweet tooth!-- Sally Whitwell
$1.99 ≈
¥14.35
It's So Still in Bethlehem
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Chorale SATB
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FACILE
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Noël
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Arr
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Ruth Elaine Schram
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It's So Still in Bethlehem
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Chorister's Guild - Digital
#
SheetMusicPlus
SATB chorus - early intermediate - SKU: C7.CGE259 Still, Still, Still with O Little Town of Bethlehem. Composed by Arr. Ruth Elaine Schram. Arran...
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SATB chorus - early intermediate - SKU: C7.CGE259 Still, Still, Still with O Little Town of Bethlehem. Composed by Arr. Ruth Elaine Schram. Arranged by Ruth Elaine Schram. Christmas. Sing! With Opt. Handchimes. Octavo. 12 pages. Chorister's Guild - Digital #CGE259. Published by Chorister's Guild - Digital (C7.CGE259). UPC: 749193027851.A memorable, pentatonic setting of selected lines from The Gift to Sing by James Weldon Johnson that speaks to the heart of all who find comfort and hope in song. Choirs, audiences and directors can all relate to the fact that there are times in life when blackening clouds seem to surround us. But the soaring melodic refrain reminds us that the magic way to turn the gloom to day is to sing and sing and sing. The accompaniment swells with wave-like motion under vocal lines that capture the joyful flight of hearts that take wing when we sing.
$2.45 ≈
¥17.66
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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Giovvanni Gabrieli
#
James M
#
3 tubas
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. P...
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Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥345.68
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95 ≈
¥345.68
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
#
FACILE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥345.68
Enjoy Yourself (it's Later Than You Think)
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Chorale TTBB
#
FACILE
#
Contemporain
#
Carl Sigman and Herb Magidson
#
Jim Shubert
#
Enjoy Yourself
#
James W. Shubert
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971370 Composed by Carl Sigman and Herb Magidson. Arranged by Jim Shubert. Contemporary. Octavo. 4 pages. James ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971370 Composed by Carl Sigman and Herb Magidson. Arranged by Jim Shubert. Contemporary. Octavo. 4 pages. James W. Shubert #6401509. Published by James W. Shubert (A0.971370). 4 part Male Barbershop arrangement (TTBB) Early Intermediate Level. A big hit for Guy Lombardo and his Royal Canadians in 1949, and covered by various artists, including Bing Crosby, Doris Day,Louis Prima. A lively calypso beat carries a message that is as relevant today as it was when written. Your older audiences will love it and remember it, your younger audiences will enjoy it. A bit different than most barbershop arrangements.
$1.99 ≈
¥14.35
Enjoy Yourself (it's Later Than You Think)
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Contemporain
#
Carl Sigman and Herb Magidson
#
Dr
#
Enjoy Yourself
#
Michael McDonough A.S.C.A.P.
#
SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.965539 Composed by Carl Sigman and Herb Magidson. Arranged by Dr. Michael C. McDonough A.S.C.A.P. Contempora...
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Brass Ensemble Trombone - Level 3 - SKU: A0.965539 Composed by Carl Sigman and Herb Magidson. Arranged by Dr. Michael C. McDonough A.S.C.A.P. Contemporary. Score and parts. 19 pages. Michael McDonough A.S.C.A.P. #6439471. Published by Michael McDonough A.S.C.A.P. (A0.965539). This is a swing version of a great tune. All tenor parts get to play lead. Give this fun arrangement a try.
$15.00 ≈
¥108.14
It's Too Late
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Contemporain
#
Gloria Estefan
#
Joseph Pugh
#
It's Too Late
#
Joseph Pugh
#
SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - SKU: A0.855318 By Gloria Estefan. By Carole King and Toni Stern. Arranged by Joseph Pugh. Contempo...
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Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - SKU: A0.855318 By Gloria Estefan. By Carole King and Toni Stern. Arranged by Joseph Pugh. Contemporary. Score and parts. 8 pages. Joseph Pugh #6610465. Published by Joseph Pugh (A0.855318). Copyright © 1971 Colgems-EMI Music Inc. Copyright RenewedIt's Too Late is a song from Carole King's 1971 album Tapestry. Toni Stern wrote the lyrics and King wrote the music. It was released as a single in April 1971 and reached number 1 on the Billboard Hot 100 and Adult Contemporary charts. Sales were later gold-certified by the RIAA. Billboard ranked It's Too Late and its fellow A-side, I Feel the Earth Move, as the No. 3 record for 1971.This is a shortened jazz flute solo version of the song by, Joseph Pugh.
$7.99 ≈
¥57.60
Father of my Heart - A Father's Day Song [vocals/piano]
#
Piano, Voix
#
FACILE
#
by Australian composer, Rebecc
#
Father of my Heart - A Father'
#
Rebecca Summers
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1007857 Composed by by Australian composer, Rebecca Summers. Children,Holiday,Pop. Score. 6 pages. Rebecca Summers...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1007857 Composed by by Australian composer, Rebecca Summers. Children,Holiday,Pop. Score. 6 pages. Rebecca Summers #3884837. Published by Rebecca Summers (A0.1007857). Perfect for a school Father's Day ceremony, uplifting lyrics, intermediate keyboard part.LyricsCan't you understand you're number one?Important as the moonshine, essential as the sunthat shines so bright when we're togetherI hate when we're apartYou're in my soul forever, the father of my heart.You're in my soul forever, the father of my heart.Can't you understand you matter morethan any other person, it's you I'm searching foramongst the crowded rows of peopleat the finish and the start.I'll look to you forever, the father of my heart.I'll look to you forever, the father of my heart.ChorusIt's not too late. It's not too late.It's not too late we've got the day together.It's not too late I don't care 'bout the weather.It's not too late and some day when we're older my baby sitting on your shoulderI hope I'm wonderin' if she feels the same.Don't you understand it's not too lateTo throw out your 'to-do' list and to celebratea Happy Father's Day together this year's our brand new start.Do you hear my wishes, the father of my heart.Do you hear my wishes, the father of my heart.
$12.99 ≈
¥93.65
It's A Most Unusual Day
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Andy Williams
#
John Fries
#
It's A Most Unusual Day
#
John Fries
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1330406 By Andy Williams. By Harold Adamson and Jimmy McHugh. Arranged by John Fries. 20th Century,Jazz,Standards. Score....
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Piano Solo - Level 4 - SKU: A0.1330406 By Andy Williams. By Harold Adamson and Jimmy McHugh. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #918275. Published by John Fries (A0.1330406). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. This song is considered part of the Great American Songbook. It was introduced in the film A Date With Judy when it was sung by Jane Powell in the opening scene with the school orchestra and is later sung in the film by Elizabeth Taylor (dubbed by Jean McLaren) and in the finale in an ensemble]. Beverly Kenney recorded It's a Most Unusual Day in 1957 for her album Beverly Kenney sings for Playboys which is featured in a Lincoln automobile commercial for television as of late 2021. The original arrangement was in 3/4 time. This is a swing version.
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