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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James Keenan
Non classifié
2
Piano & claviers
Piano seul
4
Piano, Voix et Guitare
1
Guitares
Guitare notes et tablatures
16
Guitare
3
Basse electrique
3
Voix
Chorale 3 parties
1
Vents
Cuivres
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violon, Violoncelle (duo)
1
Orchestre & Percussions
Batterie
7
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Nouveautes
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difficulté (tous)
débutant
facile
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expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
James Keenan
Partitions à imprimer
40 partitions trouvées
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1
26
Aenima
Basse electrique
Bass Guitar TAB - Level 4 - Digital Download SKU: A0.1455430 By Tool. By Adam Jones…
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Bass Guitar TAB - Level 4 - Digital Download SKU: A0.1455430 By Tool. By Adam Jones, Daniel Carel, Justin Chancellor, Maynard, and Maynard James Keenan. Arranged by Tracy Dean McCallum. 20th Century,Rock. Score. 14 pages. Tracy Dean McCallum #1034522. Published by Tracy Dean McCallum (A0.1455430). https://tracymccallum.com/
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Basse electrique
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Tool
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Tracy Dean McCallum
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Aenima
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Tracy Dean McCallum
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SheetMusicPlus
Vicarious
Guitar - Level 4 - Digital Download SKU: A0.1425793 By Tool. By Adam Jones, Daniel …
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Guitar - Level 4 - Digital Download SKU: A0.1425793 By Tool. By Adam Jones, Daniel Carey, Justin Chancellor, and Maynard James Keenan. Arranged by Danny Buckley. 21st Century,Contemporary,Rock. 44 pages. Danny Buckley #1006554. Published by Danny Buckley (A0.1425793). Vicarious by Tool arranged for Guitar Ensemble.
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Tool
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Danny Buckley
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Vicarious
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Danny Buckley
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SheetMusicPlus
3 Libras
Batterie
Drum Set,Drums - Level 1 - Digital Download SKU: A0.1321633 By A Perfect Circle. By…
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Drum Set,Drums - Level 1 - Digital Download SKU: A0.1321633 By A Perfect Circle. By Billy Howerdel and Maynard James Keenan. Arranged by Drum Transcription: Leo Alvarado. Rock. Score. 1 pages. Drum Sheet MX #910110. Published by Drum Sheet MX (A0.1321633).
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Batterie
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A Perfect Circle
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3 Libras
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Drum Sheet MX
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SheetMusicPlus
Schism
Guitar - Level 3 - Digital Download SKU: A0.1241516 By Tool. By Adam Jones, Daniel …
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Guitar - Level 3 - Digital Download SKU: A0.1241516 By Tool. By Adam Jones, Daniel Carey, Justin Chancellor, and Maynard James Keenan. Arranged by Daniel Buckley. 21st Century,Contemporary,Rock. 37 pages. Danny Buckley #836887. Published by Danny Buckley (A0.1241516). My arrangement of Tool's Schism for guitar ensemble 4 parts.
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Tool
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Daniel Buckley
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Schism
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Danny Buckley
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SheetMusicPlus
Magdalena
Batterie
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1323501 By A Perfect Circle. By…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1323501 By A Perfect Circle. By Maynard James Keenan and William Howerdel. Arranged by Realsongbook. Rock. Score. 5 pages. Realsongbook #911686. Published by Realsongbook (A0.1323501). Drum transcription of Magdalena by A Perfect Circle.This transcription is from the Drum Cover version by Realsongbook, available on Youtube.
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Batterie
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A Perfect Circle
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Realsongbook
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Magdalena
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Realsongbook
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SheetMusicPlus
The Outsider
Batterie
Drums - Level 3 - Digital Download SKU: A0.978072 By A Perfect Circle. By Billy How…
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Drums - Level 3 - Digital Download SKU: A0.978072 By A Perfect Circle. By Billy Howerdel and Maynard James Keenan. Arranged by Brian Hurst. Metal,Rock. Score. 4 pages. Brian Hurst #5210167. Published by Brian Hurst (A0.978072). This is a full drum transcription for the song The Outsider by A Perfect Circle from the album Thirteenth Step. Josh Freese plays the drums and kills it on this track. Lots of syncopation and polyrhythms to have fun with! Full song with ghost notes, fills, and dynamics.
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Batterie
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A Perfect Circle
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Brian Hurst
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The Outsider
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Brian Hurst
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SheetMusicPlus
Judith
Batterie
Drum Set,Drums - Level 5 - Digital Download SKU: A0.1102197 By A Perfect Circle. By…
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Drum Set,Drums - Level 5 - Digital Download SKU: A0.1102197 By A Perfect Circle. By Billy Howerdel and Maynard James Keenan. Arranged by Carlos Sanchez. Instructional,Rock. Score. 4 pages. Carlos Sanchez #705601. Published by Carlos Sanchez (A0.1102197). Drumset transcription of Judith(album version) by A Perfect Circle; originally performed by Josh Freese; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Drumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersSelf Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterTribute - Tenacious DUnchained - Van HalenBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater
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Batterie
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A Perfect Circle
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Carlos Sanchez
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Judith
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Carlos Sanchez
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SheetMusicPlus
The Hollow
Batterie
Drums - Level 3 - Digital Download SKU: A0.978073 By A Perfect Circle. By Billy How…
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Drums - Level 3 - Digital Download SKU: A0.978073 By A Perfect Circle. By Billy Howerdel and Maynard James Keenan. Arranged by Brian Hurst. Metal,Rock. Score. 3 pages. Brian Hurst #5210155. Published by Brian Hurst (A0.978073). This is a complete drum transcription for The Hollow by A Perfect Circle from the album Mer De Noms. Primus Drummer Tim Alexander played drums on this track. Transcription includes ghost notes and drum fills.
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Batterie
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A Perfect Circle
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Brian Hurst
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The Hollow
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Brian Hurst
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SheetMusicPlus
10,000 Days (wings Pt. 2)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1048776 By Tool. By Adam Jones, Dan…
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Piano Solo - Level 4 - Digital Download SKU: A0.1048776 By Tool. By Adam Jones, Daniel Carey, Justin Chancellor, and Maynard James Keenan. Arranged by Tracy Dean McCallum. Renaissance,Rock. Score. 49 pages. Tracy Dean McCallum #653195. Published by Tracy Dean McCallum (A0.1048776). Keyboard Solo.
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Piano seul
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Tool
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Tracy Dean McCallum
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10,000 Days
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Tracy Dean McCallum
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SheetMusicPlus
Stinkfist
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1163130 By Tool. By Adam Jones, Da…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1163130 By Tool. By Adam Jones, Daniel Carey, Maynard James Keenan, and Paul D'amour. Arranged by Rohan Hayes. New Age,Rock. Individual part. 6 pages. Rohan Hayes #763484. Published by Rohan Hayes (A0.1163130). Fingerstyle guitar / chord melody full song arrangement of Tools 'Stinkfist' (1996), by Rohan Hayes (Twelve Foot Ninja).
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Guitare
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Tool
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Rohan Hayes
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Stinkfist
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Rohan Hayes
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SheetMusicPlus
Wings For Marie (pt. 1)
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.7…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.759262 By Tool. By Adam Jones, Daniel Carey, Justin Chancellor, and Maynard James Keenan. Arranged by Tim Olt. Metal. Score and parts. 4 pages. Olt Music #6047895. Published by Olt Music (A0.759262). This tune by Tool makes for an interesting duet.
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Violon, Violoncelle (duo)
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Tool
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Tim Olt
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Wings For Marie
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Olt Music
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SheetMusicPlus
Intolerance
Guitare notes et tablatures
Guitar,Voice - Level 3 - Digital Download SKU: A0.1114073 By Tool. By Adam Jones, D…
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Guitar,Voice - Level 3 - Digital Download SKU: A0.1114073 By Tool. By Adam Jones, Daniel Carey, and Maynard James Keenan. Arranged by Aaron Mason. Grunge,Rock. Guitar Tab with Voice. 19 pages. Sound Masonry #715978. Published by Sound Masonry (A0.1114073). I’ve been a huge fan of Tool and this album since it came out in 1993. I wanted to make a proper tablature for this song after noticing the one being sold had some things that I knew were incorrect. To do that I watched every live video I could find on YouTube and carefully studied where on the neck Adam Jones played each part. I was even surprised to discover I had been playing the opening riff wrong for 30 years! I feel like this was more of a guitar player study than just a transcription and I’m excited to share it with guitar playing fans of Tool like myself.
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Guitare notes et tablatures
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Tool
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Aaron Mason
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Intolerance
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Sound Masonry
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SheetMusicPlus
Flood
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1195923 By Tool. By Adam Jo…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1195923 By Tool. By Adam Jones, Daniel Carey, Maynard James Keenan, and Paul D'amour. Arranged by David Gibbon. Pop,Rock. Octavo. 12 pages. David Gibbon #795097. Published by David Gibbon (A0.1195923).
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Chorale 3 parties
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Tool
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David Gibbon
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Flood
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David Gibbon
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SheetMusicPlus
The Last Rose of Summer, Op.73 - Thalberg
Piano seul
Piano Solo - Advanced - Digital Download Composed by Sigismond Thalberg (1812-1871). Ar…
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Piano Solo - Advanced - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period. 10 pages. Published by James Keenan
Originally a poem written by Thomas Moore in 1805, "The Last Rose of Summer" is based upon the Irish traditional tune of "Aislean an Oigfear", or "The Young Man's Dream." Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing.[57] He was greatly in fashion and was imitated by others.[58] In 1852, Wilhelm von Lenz wrote: 'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.' Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote: 'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'. Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end. In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this. 'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard.'Originally a poem written by Thomas Moore in 1805, "The Last Rose of Summer" is based upon the Irish traditional tune of "Aislean an Oigfear", or "The Young Man's Dream."
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing.[57] He was greatly in fashion and was imitated by others.[58] In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard.'
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Piano seul
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Sigismond Thalberg
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Editions Melodia
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The Last Rose of Summer, Op.73 - Thalberg
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James Keenan
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SheetMusicPlus
Romance et étude (Romance and Etude), Op. 38 - Thalberg
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Etudes and Exercises, Technique Training, Recital. Score, Sheet Music Single. 14 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques. Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote: 'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.' Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote: 'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'. Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end. In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this. 'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
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Piano seul
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Sigismond Thalberg
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Editions Melodia
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Romance et étude
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James Keenan
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SheetMusicPlus
Berceuse (Lullaby or Cradle Song) - Thalberg
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871).…
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Piano Solo - Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Repertoire, Recital. Score, Sheet Music Single. 5 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques. Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote: 'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.' Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote: 'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'. Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end. In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this. 'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
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Piano seul
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Sigismond Thalberg
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Editions Melodia
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Berceuse
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James Keenan
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SheetMusicPlus
All We Do
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1206658 By Oh Wonder. By Oh Wonder. Arranged by Graham Boag. 20th Century,Classical,Contemporary,Film/TV. Score and parts. 11 pages. Graham Boag #804840. Published by Graham Boag (A0.1206658). Oh Wonder is the debut studio album by English alt-pop duo Oh Wonder, self-released on 4 September 2015. The album is the accumulation of singles released monthly throughout 2014–2015, in addition to two unreleased songs.The song All We Do is featured in the opening credits of the ITV crime drama Unforgotten, at the end of the Miss Taken episode of the CBS drama Elementary, in an episode of ITV's Coronation Street, and in the 2015 MTV American slasher horror series Scream. Scream also featured the song Shark in season 1 episode 2, and Technicolor Beat in season 1 episode 5. The song Drive was used in the pilot episode of the 2015 BBC drama Doctor Foster. “White Blood was featured in season 3, episode 2 of The CW drama Reign. The first verse of the song Landslide was sampled in rapper Lil Uzi Vert's song The Way Life Goes from their album Luv Is Rage 2, as well as retaining some of the original vocals, so Oh Wonder are credited as featured artists on the song. Unforgotten is a British crime drama television series, which initially aired on ITV on 8 October 2015. It was created and written by Chris Lang and directed by Andy Wilson. The programme follows a team of London detectives led by DCI Cassie Stuart (Nicola Walker) (Series 1–4), DCI Jess James (Sinéad Keenan) (Series 5) and DI Sunny Khan (Sanjeev Bhaskar) as they solve cold cases of disappearance and murder. Each series consists of six episodes. Series 1 to 4 were broadcast in the UK in 2015, 2017, 2018 and 2021. On 30 March 2021 a fifth series was announced, scheduled for release in 2023, and it was confirmed that Sanjeev Bhaskar would reprise his role. A year later it was confirmed that Sinéad Keenan would replace Walker as Bhaskar's new partner, DCI Jessica Jessie James. Filming for the fifth series began on 14 March 2022. The first episode of series 5 premiered on ITV in February 2023.Each series deals with a new case, introducing seemingly unconnected characters who are gradually revealed to have some relationship with the victim. As the murder mystery unfolds, the emotional ramifications of the crime on the lives of those affected are also explored. Unforgotten has received critical acclaim. Tom Courtenay won the 2016 BAFTA TV Award for Best Supporting Actor for the first series and Mark Bonnar won the 2017 BAFTA Scotland for Best Actor in Television for the second series. Â
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Quatuor à cordes: 2 violons, alto, violoncelle
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Oh Wonder
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Graham Boag
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All We Do
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Graham Boag
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SheetMusicPlus
H
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1488221 By Tool. By Adam Jones, Daniel Carey, James H. Keenan, and Paul D'amour. Arranged by Emelyn Bashour. Grunge,Pop,Punk,Rock. 32 pages. Emelyn Bashour #1065107. Published by Emelyn Bashour (A0.1488221).
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Quatuor à cordes: 2 violons, alto, violoncelle
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Tool
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Emelyn Bashour
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H
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Emelyn Bashour
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SheetMusicPlus
Colour Me In
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.811851 By Various Art…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.811851 By Various Artists. By James Cargill and Patricia Keenan. Arranged by G. Franklin. Contemporary,Pop,Rock. Score. 6 pages. Inner Marshland #4359967. Published by Inner Marshland (A0.811851). While the multiple guitar parts are simple, there's a layering of them which adds complexity, so I've simplified them for playability. The cello parts are also included.
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Piano, Voix et Guitare
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Various Artists
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G
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Colour Me In
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Inner Marshland
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SheetMusicPlus
Passenger
Guitare notes et tablatures
By Deftones. By Chi Cheng, Abe Cunningham, Camilo "Chino" Moreno, Stephen Carpen…
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By Deftones. By Chi Cheng, Abe Cunningham, Camilo "Chino" Moreno, Stephen Carpenter, and Maynard James Keenan. For Guitar TAB. Pop/Rock. 7 pages. Published by Alfred Music - Digital Sheet Music
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Guitare notes et tablatures
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Deftones
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Passenger
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Maynard James Keenan: The Outsider for guitar
Guitare notes et tablatures
Instantly printable sheet music by A Perfect Circle for guitar (tablature) of MEDIUM skill…
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Instantly printable sheet music by A Perfect Circle for guitar (tablature) of MEDIUM skill level. / metal,rock
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Guitare notes et tablatures
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Maynard James Keenan
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Virtualsheetmusic
Maynard James Keenan: Schism for guitar
Guitare
Instantly printable sheet music by Tool for guitar solo (chords) of EASY skill level. / me…
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Instantly printable sheet music by Tool for guitar solo (chords) of EASY skill level. / metal,rock,children
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Guitare
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Maynard James Keenan
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Virtualsheetmusic
Maynard James Keenan: Sober for guitar
Guitare
Instantly printable sheet music by Tool for guitar solo (chords) of EASY skill level. / me…
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Instantly printable sheet music by Tool for guitar solo (chords) of EASY skill level. / metal,rock,children
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Guitare
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Maynard James Keenan
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Virtualsheetmusic
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