"Take On Me" is a song by Norwegian synth-pop band A-ha. The original version was produced by Tony Mansfield and remixed by John Ratcliff. The 1985 version was produced by Alan Tarney for the group's debut studio album, Hunting High and Low (1985). The song combines synth-pop with a varied instrumentation, including acoustic guitars, keyboards, and drums.

The original "Take On Me" was recorded in 1984 and took two versions and three releases to chart in the United Kingdom, reaching number two on the UK Singles Chart in October 1985. In the United States in October 1985, it became the only A-ha song to top the Billboard Hot 100, assisted by wide exposure on MTV of its innovative music video, directed by Steve Barron. The video features the band in a live-action pencil-sketch sequence. The video won six awards and was nominated for two others at the 1986 MTV Video Music Awards.

With this sheet music, you can play "Harder, Better, Faster, Stronger" by Daft Punk on piano!

It's an accurate, carefully created piano arrangement of the full song.

The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.

"Harder, Better, Faster, Stronger" is a song from Daft Punk's second studio album "Discovery", and was released as a single in October 2001.

It became one of their biggest hits and most recognizable songs.

"Harder, Better, Faster, Stronger" makes for an amazing piano cover!

With this sheet music, you can play "Santa Baby" on piano!

It's an accurate, playable arrangement of Eartha Kitt's famous 1953 recording, in the song's original key of Db major.

It comes with a few challenges, but sounds fantastic!

The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.

Written by Joan Javits and Philip Springer, Eartha Kitt recorded the song with Henri René and his orchestra. After its release in October 1953, it became the best-selling Christmas song of that year!

The song's suggestive lyrics and sexual undertone were considered quite controversial (the song was even banned for some time in the American South), and "Santa Baby" has been named both one of the best and one of the worst Christmas songs ever written...

Still, the song has become a famous holiday hit, and has been recorded by many artists, including Madonna, Kylie Minogue, Michael Bublé, Robbie Williams, Ariana Grande, Gwen Stefani, Taylor Swift, and many others.

Many consider Eartha Kitt's original recording to be the greatest version of the song - it certainly makes for a fantastic piano cover!

Here are the song's full lyrics:

Santa baby, just slip a sable under the tree
For me
Been an awful good girl
Santa baby, so hurry down the chimney tonight

Santa baby, a 54 convertible too
Light blue
I'll wait up for you dear
Santa baby, so hurry down the chimney tonight

Think of all the fun I've missed
Think of all the fellas that I haven't kissed
Next year I could be just as good
If you'll check off my Christmas list

Santa baby, I wanna yacht
And really that's not a lot
Been an angel all year
Santa baby, so hurry down the chimney tonight

Santa honey, one little thing I really need
The deed
To a platinum mine
Santa baby, so hurry down the chimney tonight

Santa cutie, and fill my stocking with a duplex
And checks
Sign your 'X' on the line
Santa cutie, and hurry down the chimney tonight

Come and trim my Christmas tree
With some decorations bought at Tiffany's
I really do believe in you
Let's see if you believe in me

Santa baby, forgot to mention one little thing
A ring
I don't mean on the phone
Santa baby, so hurry down the chimney tonight
Hurry down the chimney tonight
Hurry, tonight

With this sheet music, you can play "In the End" by Linkin Park on piano!

It's an accurate, carefully created piano arrangement of the full song, in the song's original key of Eb minor.

"In the End" is a song from Linkin Park's debut album "Hybrid Theory", and was released in October 2000 as the album's second single.

Praised for its flawless combination of different elements - the melancholic, immediately recognizable piano riff, prominent rap parts by Mike Shinoda, heavy guitar riffs, and the powerful voice of Chester Bennington (who initially disliked the song), "In the End" became arguably Linkin Park's most famous hit!

"In the End" became one of Linkin Park's signature songs and their highest charting single (#2 on the Billboard Hot 100), reached top 10 positions around the globe, and became Billboard's second most played rock song of the decade.

The song has been streamed over 900 million times on Spotify, and the music video has been watched over a billion times on Youtube!

The song re-entered the charts after the suicide of Linkin Park's lead singer, Chester Bennington, in July 2017.

Every Linkin Park fan knows the lyrics of the song's chorus:

"I tried so hard and got so far
But in the end, it doesn't even matter
I had to fall to lose it all
But in the end, it doesn't even matter"

What better way to remember Chester than to play his music yourself?

"In the End" makes for an amazing piano cover...

Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.

Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.

In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.

The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.

In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."

This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The ?Nimrod? variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.

An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score

Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.

Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.

In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.

The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.

In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."

This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The ?Nimrod? variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.

An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Violin and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Double Bass and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Trumpet in Bb and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Horn in F and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Bassoon and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Oboe and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Trumpet in C and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Clarinet in Bb and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Trombone and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Viola and Piano by Harry Walker.