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5
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Space Between
Partitions à imprimer
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Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
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2 Pianos, 4 mains
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
Space Between
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1330334 Composed by Andy Dodd, Shay…
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Piano Solo - Level 3 - Digital Download SKU: A0.1330334 Composed by Andy Dodd, Shayna Mordue, Stephen Mark Conley, and Tyler Shamy. Arranged by poon. Film/TV,Pop. Score. 6 pages. Poon #918215. Published by poon (A0.1330334). Space Between - from Descendants 2 - For Piano Solo With Lyrics.
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Piano seul
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Andy Dodd, Shayna Mordue, Stephen Mark Conley, and Tyler Shamy
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poon
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Space Between
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poon
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SheetMusicPlus
The Spaces Between Us (Score and Parts)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.969861 Composed by Amy Dunker…
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String Orchestra - Level 5 - Digital Download SKU: A0.969861 Composed by Amy Dunker. Concert,Contemporary. Score and parts. 60 pages. Amy Dunker #5902575. Published by Amy Dunker (A0.969861). The Spaces Between Us was written during the early stages of the 2020 COVID-19 pandemic. Fear and angst compounded by social distancing created a dark cloud over the lives of people clamoring to make a life during this complicated time. Duration: 14:00
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Orchestre à Cordes
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Amy Dunker
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The Spaces Between Us
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Amy Dunker
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SheetMusicPlus
Mystic Space - Ambient Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.573205 Composed by James Michael St…
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Piano Solo - Level 3 - Digital Download SKU: A0.573205 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age. Score. 4 pages. James M Stevens Music ASCAP #5011245. Published by James M Stevens Music ASCAP (A0.573205). Written December 22, 2019, this is a minimalistic piano composition written in a reflective and mystical style with some light ambient orchestration. The key is somewhat ambivalent and model with a mixture between D minor (aeolian), A phrygian, and B flat lydian. Wrote it just for a change of pace before I work on some commissions. Hope you enjoy this deep space meditative piece! 
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Mystic Space - Ambient Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Space Oddity
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.887549 By David Bowie. By David Bow…
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Easy Piano - Level 1 - Digital Download SKU: A0.887549 By David Bowie. By David Bowie. Arranged by Nicholas Goulding. Pop,Rock. Score. 4 pages. Nicholas Goulding #3561283. Published by Nicholas Goulding (A0.887549). David Bowie's 'Space Oddity' as arranged for easy piano. Simplified rhythm and large print make this arrangement ideal for beginners.The melody is shared between the treble stave and the bass stave, so have a look through the piece to determine which notes are part of the main melody. It is recommended to use the Right Hand for this melody regardless of which stave it appears in. There are bass tones for the Left Hand to play throughout the piece - in most cases each bass tone matches the chord symbols above. Here's an idea - get a guitarist on board to provide some rhythmic accompaniment. There are chord symbols throughout the piece so a good chord-reader will know what to do. Instant duet.
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Piano Facile
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David Bowie
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Nicholas Goulding
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for beginners
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Space Oddity
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Nicholas Goulding
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SheetMusicPlus
Blank Space
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.887552 By Taylor Swift. By Johan Sc…
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Easy Piano - Level 1 - Digital Download SKU: A0.887552 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Nicholas Goulding. Pop. Score. 5 pages. Nicholas Goulding #3563373. Published by Nicholas Goulding (A0.887552). Taylor Swift's 'Blank Space' as arranged for easy piano. The key has been changed and the rhythm simplified to make this more accessible for beginners.The melody is split between the two staves to emulate both the lows and highs of Taylor Swift's voice. Whenever the melody is in the bass stave the stems are up, indicating that you should use your right hand for these notes. Throughout most of the piece, the left hand should be used to play those low fifths in the bass stave.The tempo marking is just a suggestion, feel free to play at whatever pace that allows you to remain in control.
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Piano Facile
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Taylor Swift
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Nicholas Goulding
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Blank Space
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Nicholas Goulding
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SheetMusicPlus
Searching Space
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1026054 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1026054 Composed by Jonathan Hart. Contemporary. 14 pages. Jonathan Hart #5777755. Published by Jonathan Hart (A0.1026054). This setting for SATB choir with piano accompaniment features lyrics that describe some elements of the majesty of space. The accompaniment is wistful at times and the piece features some use of changing time signatures. The harmony constantly shifts between the major and the minor and the singing range should be suitable for most adult SATB choirs. The piece will take just over three and a half minutes to perform and could be performed in a building with a generous acoustic.
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Chorale SATB
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Jonathan Hart
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Searching Space
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Jonathan Hart
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SheetMusicPlus
Between Times for clarinet, viola and piano
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Download SKU: A0.886685 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3573129. Published by Panagiotis Theodossiou (A0.886685). Between Times Time past and time future... for clarinet, viola and piano (2017) op.73Work written within the framework of composer's postgraduate studies on Composition for Vocal and Instrumental Ensembles in Ionian university and dedicated to the professor Josef Papadatos. Based on an excerpt from the Four Quartets by T.S.Eliot is polystilistic in idiom and in concertante style. Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. (T.S.Eliot, Four Quartets)Τα μÎÏη:I.Adagio misterioso (Outer Space, Gravity Zero)II.Allegro (Into a time vortex)III.L'istesso tempo (Escape) to Antonio Vivaldi & Dmitri ShostakovitchIV.Andante rubato (Tranquillity Nebula) to Olivier MessiaenV.Allegro (Gravitational Disorder) to Keith EmersonVI.Adagio misterioso (Eternal Present)Premier by Ionian Islands Festival Ensemble (Alexandros Michailidis, Helias Sdoukos, Stefanos Nassos) at Ionian Academy Theater in 2017.The work was chosen by International Society for the Contemporary Music to represent Greece in 2018 ISCM World New Music Days in BeijingModern Music Festival, China. Performance by Trio Clavino (Doris Hall - Gulati, Simon Maurer, Xun Pan).
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Panagiotis Theodossiou
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Dmitri Shostakovitch
IV
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Between Times for clarinet, viola and piano
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Panagiotis Theodossiou
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SheetMusicPlus
Space Oddity
Piano grosses notes
Digital Download SKU: HX.458287 By David Bowie. Folk,Pop,Rock. E-Z Play Today. 3 pa…
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Digital Download SKU: HX.458287 By David Bowie. Folk,Pop,Rock. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.458287). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
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Piano grosses notes
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David Bowie
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Space Oddity
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Hal Leonard - Digital
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SheetMusicPlus
Blank Space
Piano grosses notes
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.457900 By T…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.457900 By Taylor Swift. This edition: scorch. E-Z Play Today. Pop,Rock. Score. 5 pages. Hal Leonard - Digital #263996. Published by Hal Leonard - Digital (HX.457900). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
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Piano grosses notes
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Taylor Swift
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Blank Space
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Hal Leonard - Digital
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SheetMusicPlus
Wide Open Spaces
Orgue
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.720941 By T…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.720941 By The Chicks. This edition: scorch. E-Z Play Today. Country. Score. 6 pages. Hal Leonard - Digital #22782. Published by Hal Leonard - Digital (HX.720941). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
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Orgue
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The Chicks
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Wide Open Spaces
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Hal Leonard - Digital
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SheetMusicPlus
The Space Between
Piano, Voix et Guitare
By Dave Matthews Band. Pop; Rock. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - …
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By Dave Matthews Band. Pop; Rock. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
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Piano, Voix et Guitare
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Dave Matthews Band
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Rock
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The Space Between
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Space Between Us
Flûte traversière
Flute Solo,Soprano Flute - Level 3 - Digital Download SKU: A0.1206354 Composed by B…
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Flute Solo,Soprano Flute - Level 3 - Digital Download SKU: A0.1206354 Composed by Blake Buehler. Classical,Contemporary. Individual part. 4 pages. Blake Buehler #804550. Published by Blake Buehler (A0.1206354). Solo unaccompanied flute, performance duration may vary, approximatley 5'.
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Flûte traversière
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Blake Buehler
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The Space Between Us
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Blake Buehler
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SheetMusicPlus
Space Between Us
Violoncelle, Piano
Cello,Piano - Digital Download SKU: A0.941416 Composed by Antti Nissilä. Concert…
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Cello,Piano - Digital Download SKU: A0.941416 Composed by Antti Nissilä. Concert,Contemporary. Score and part. 5 pages. A-Minor Production #5447831. Published by A-Minor Production (A0.941416). An elegiac short piece (3:30) for cello and piano.
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Violoncelle, Piano
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Antti Nissilä
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Space Between Us
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A-Minor Production
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SheetMusicPlus
The Space Between
Ligne De Mélodie, (Paroles) et Accords
Digital Download SKU: HX.319061 By Dave Matthews Band. Pop,Rock. Guitar Lead Sheet.…
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Digital Download SKU: HX.319061 By Dave Matthews Band. Pop,Rock. Guitar Lead Sheet. 2 pages. Published by Hal Leonard - Digital (HX.319061).
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Ligne De Mélodie, (Paroles) et Accords
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Dave Matthews Band
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The Space Between
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Hal Leonard - Digital
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SheetMusicPlus
The Space Between
Batterie
Digital Download SKU: HX.345223 By Dave Matthews Band. Pop,Rock. Drum Transcription…
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Digital Download SKU: HX.345223 By Dave Matthews Band. Pop,Rock. Drum Transcription. 5 pages. Published by Hal Leonard - Digital (HX.345223).
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Batterie
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Dave Matthews Band
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The Space Between
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Hal Leonard - Digital
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SheetMusicPlus
The Space Between
Instruments en Do
C Instrument - Digital Download SKU: HX.396911 By Dave Matthews Band. This edition:…
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C Instrument - Digital Download SKU: HX.396911 By Dave Matthews Band. This edition: scorch. Pop,Rock. Lead Sheet / Fake Book. 4 pages. Hal Leonard - Digital #31643. Published by Hal Leonard - Digital (HX.396911).
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Instruments en Do
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Dave Matthews Band
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The Space Between
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Hal Leonard - Digital
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SheetMusicPlus
The Space Between
Ligne De Mélodie, (Paroles) et Accords
Interactive Download SKU: HX.1147716 By Dave Matthews Band. This edition: Interacti…
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Interactive Download SKU: HX.1147716 By Dave Matthews Band. This edition: Interactive Download,scorch. Pop,Rock. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #31643. Published by Hal Leonard - Digital (HX.1147716).
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Ligne De Mélodie, (Paroles) et Accords
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Dave Matthews Band
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The Space Between
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Hal Leonard - Digital
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SheetMusicPlus
Space Between Us
Alto, Piano
Piano,Viola - Digital Download SKU: A0.941417 Composed by Antti Nissilä. Concert…
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Piano,Viola - Digital Download SKU: A0.941417 Composed by Antti Nissilä. Concert,Contemporary. Score and part. 5 pages. A-Minor Production #5436313. Published by A-Minor Production (A0.941417). An elegiac short piece (3:30) for viola and piano.
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Alto, Piano
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Antti Nissilä
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Space Between Us
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A-Minor Production
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SheetMusicPlus
The Space Between
Paroles et Accords
By Dave Matthews Band. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital Shee…
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By Dave Matthews Band. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
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Paroles et Accords
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Dave Matthews Band
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Rock
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The Space Between
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
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Piano seul
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
Interstellar
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.912635 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
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