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VAMPIRE'S DANCE
Partitions à imprimer
6 partitions trouvées
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1
VAMPIRE'S DANCE
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Violon et Piano
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Contemporain
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Monica Bergo
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VAMPIRE'S DANCE
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Moni Bergo
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SheetMusicPlus
Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #...
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Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth? While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us around the fire like wolves, red eyes, a bit 'fierce, we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were or roots or ties ,no land limits And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need Strange characters So wild and free ,But in this society ,Nothing scarier ago I donate my blood every day to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled Look in the mirror You can see my reflection? This is a dream or reality? The lie or the truth? Monica Bergo
$5.00 ≈
¥36.22
A Vampire's Lament
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Adam Frank
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A Vampire's Lament
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Adam Frank
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.1033567 By Adam Frank. By Adam Frank. 20th Century,Classical,Contemporary,New Age,Romantic Period. Score and ...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.1033567 By Adam Frank. By Adam Frank. 20th Century,Classical,Contemporary,New Age,Romantic Period. Score and parts. 16 pages. Adam Frank #638876. Published by Adam Frank (A0.1033567). With a plethora of effects- such as harmonics or creepy tapping on the instrument along with a powerful juxtaposition of a graceful 6/8 dance with unsettling moments of distress- this work is a must for all aspiring ensemble guitarists.
$12.99 ≈
¥94.09
Percussion Suite (& Ballet): The Vampire Suite
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JC Cro
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Percussion Suite
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JC Croyle
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Bell (or Triangle),Boomwhackers,Claves,Glockenspiel,Snare Drum,Tom Tom,Woodblock,Xylophone - Level 4 - SKU: A0.1427368 ...
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Percussion Ensemble Bass Marimba,Bell (or Triangle),Boomwhackers,Claves,Glockenspiel,Snare Drum,Tom Tom,Woodblock,Xylophone - Level 4 - SKU: A0.1427368 By JC Cro. By JC Croyle. Classical,Contemporary,Contest,Festival. 350 pages. JC Croyle #1008094. Published by JC Croyle (A0.1427368). The Vampire Suite is a percussion suite of four Act's, each having anywhere from six to ten parts. It is aproximately 60 minutes long. It can be performed as a percussion suite or can be performed with dance to tell the 4 distinct stories. Each Act is based on a short story written between 1800 and 1920. The stories are The Vampire Maid by Hume Nisbit, Dracula's Guest by Bram Stroker, Clarimonde by Theophile Gautier and Wake Not the Dead by Ernst Raupach.It would take 4-6 percussionists of an intermediate to advanced level. The Marimba parts, being the most difficult, could also be played by a pianist on piano. Included: Full Score Each Part Individually The storyboards for the Ballet Instrument List Bio's of each character Instrumentation: Bass Drum (Concert) Bongos Boom Whackers Claves Concert Toms Conga Cowbell Djembe Drum-Set Glockenspiel (Bells) Marimba Snare Drum (Concert) Triangle Tubular Bells Vibraphone Wood Blocks Xylophone The mp3 here is a sampling of the pieces.The music can be heard in full at https://jccroylepercussion.bandcamp.com/album/the-vampire-suite-for-percussion
$39.99 ≈
¥289.66
Dance of the bipolar Vampire
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Piano seul
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Halloween
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James McDonald
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Dance of the bipolar Vampire
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James McDonald
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SheetMusicPlus
Composed by James McDonald. 20th Century, Repertoire, Halloween, Children's Music. Score. 4 pages. Published by James McDonald (S0.200529). - Score - 20th Centu...
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Composed by James McDonald. 20th Century, Repertoire, Halloween, Children's Music. Score. 4 pages. Published by James McDonald (S0.200529). - Score - 20th Century,Repertoire,Halloween,Children's Music - James McDonald
$1.99 ≈
¥14.41
Tanzsaal
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Orchestre d'harmonie
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AVANCÉ
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Musical
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Jim Steinman, with a book by M
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David Boyd
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Tanzsaal
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David Boyd
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1510595 By Musical (Original Cast). By Jim Steinman and Michael Kunze. Arranged by David Boyd. Broadway,Musical/Show,Po...
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Concert Band - Level 5 - SKU: A0.1510595 By Musical (Original Cast). By Jim Steinman and Michael Kunze. Arranged by David Boyd. Broadway,Musical/Show,Pop,Rock. 357 pages. David Boyd #1085794. Published by David Boyd (A0.1510595). Tanzsaal, or The Ballroom, is the dramatic antepenultimate piece from the musical Tanz der Vampire (Dance of the Vampires). Composed by Jim Steinman, with a book by Michael Kunze.Transcribing Tanzsaal for concert band was both a challenge and an exciting opportunity to bring this theatrical masterpiece into a new context. Though it contains elements from the 2019 Berlin Cast Recording, the majority of the material is transcribed from the original 1997 Vienna Cast Recording. Most of the original string parts have been given to the saxes and lower clarinets. The upper woodwinds retain the expanded ornamental material from the Berlin production. Two of the melodies prominently featured in this piece are recurring themes throughout the show. Gott ist tot” (God is dead) and Totale Finsternis (Eternal Darkness) appear as both their own numbers, and as incidental melodic material. English listeners may recognize these as Original Sin recorded by Pandora's Box and Meatloaf, and Total Eclipse of the Heart recorded by Bonnie Tyler and many others.
$79.99 ≈
¥579.39
A Sunny Day in Hell (cello and guitar)
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Violoncelle , Guitare (duo)
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Apostolos Paraskevas
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A Sunny Day in Hell
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and...
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Instrumental Duet Cello,Guitar,Instrumental Duet - SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and parts. 29 pages. Silver Sickle Publications #6092705. Published by Silver Sickle Publications (A0.942094). A Sunny Day in Hell - for Guitar and Cello A small introduction from the guitar opens the work which brings the introductory material as a feeling of a sluggish and almost joyful day, an opening with a dark feeling. Almost like a sunny day in hell, I could say. This opening material gives its turn to a fast-fierce agitated section in where the guitar mostly plays 16th triplets and the cello introduces an exotic dance-like tune. A limping dance, I must add given the title’s influence. Almost like a small party in hell. The following slow section brings up a sad melancholic mood where both instruments share new material with an evocation of a past happy life. The work ends with the main fast material in a variation form. It was my intention to compose a friendly work for performers and audiences.First twist:Performers: prepare audience for an upcoming performance twist/surprise which will not come (at least not during performance). If or when members of the audience later ask about it, performers should assure them that the twist is still an upcoming great event. Have them re-live the performance as they wonder for years to come...If members of the audience should coerce or threaten you by force, you may reveal the twist: In the unfortunate event that you may later end up in hell, this performance guarantees that you will have at least one Sunny Day in HellOptional Second twist:Performers, could as an extra touch, wear fangs (teeth of a vampire or devil) and after performance could reveal them by either biting the lip or casually smiling or yawning at the audience. No audience preparation is needed for this twist. Although wearing Fangs during the performance, could be a nuisance to some performers, they could give to the work a special extra bite. As a variation, fangs could be wore after the end of the performance. Apostolos Paraskevas, Boston 2008
$14.99 ≈
¥108.58
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