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The Carnival of the Animals - 14. Finale
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone,X…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone,Xylophone - Level 5 - Digital Download SKU: A0.948141 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and parts. 30 pages. Sam Bateman #3434639. Published by Sam Bateman (A0.948141). What better way to end this marvelous musical experience than with an upbeat, jaunty tune remixed with some of the previous movements? This piece will keep you toe-tapping from beginning to end - and probably make you think of a flamingo with a yo-yo - and it's all yours for just 18 US dollars!Like Fossils, this movement also includes a xylophone part, though this time it combines the xylophone and glass harmonica parts from the original.If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
16.84 €
$18.00
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Camille Saint-Saens
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Sam Bateman
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The Carnival of the Animals - 14. Finale
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Sam Bateman
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
8.37 €
$8.95
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
8.37 €
$8.95
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
BUKAN PENJARA SEHARAPAN
Large Ensemble Bass Guitar,Cello,Drums,Glockenspiel,Harmonica,Harp,Piano,Trumpet,Viola,Vio…
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Large Ensemble Bass Guitar,Cello,Drums,Glockenspiel,Harmonica,Harp,Piano,Trumpet,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.990761 Composed by SR.Pakpahan,SST. Arranged by Liric : SR.Pakpahan,SST. Contemporary,Musical/Show,New Age,Pop,Sacred. Score and parts. 63 pages. SR.Pakpahan,SST #5213461. Published by SR.Pakpahan,SST (A0.990761). Solo Pop Song of SACRED MUSIC.A Song for COMPOSITION COMPETITION SMPPRESS Contest 2020.Yesus Kristus sebagai Dasar Konstruksi Pekerjaan,(1 Kor 3:10 - 15)3:10 Sesuai dengan kasih karunia Allah, yang dianugerahkan kepadaku, aku sebagai seorang ahli bangunan yang cakap telah meletakkan dasar, dan orang lain membangun terus di atasnya. Tetapi tiap-tiap orang harus memperhatikan, bagaimana ia harus membangun di atasnya. 3:11 Karena tidak ada seorangpun yang dapat meletakkan dasar lain dari pada dasar yang telah diletakkan, yaitu Yesus Kristus. 3:12 Entahkah orang membangun di atas dasar ini dengan emas, perak, batu permata, kayu, rumput kering atau jerami, 3:13 sekali kelak pekerjaan masing-masing orang akan nampak. Karena hari Tuhan akan menyatakannya, sebab ia akan nampak dengan api dan bagaimana pekerjaan masing-masing orang akan diuji oleh api itu. 3:14 Jika pekerjaan yang dibangun seseorang tahan uji, ia akan mendapat upah. 3:15 Jika pekerjaannya terbakar, ia akan menderita kerugian, tetapi ia sendiri akan diselamatkan, tetapi seperti dari dalam api.Jesus Christ as the foundation of Job Construction,(1 Cor 3, 10 -15}:3:10 According to the grace of God given to me, like a skilled master-builder I laid a foundation, but someone else builds on it. And each one must be careful how he builds. 3:11 For no one can lay any foundation other than what is being laid, which is Jesus Christ. 3:12 If anyone builds on the foundation with gold, silver, precious stones, wood, hay, or straw, 3:13 each builder’s work will be plainly seen, for the Day will make it clear, because it will be revealed by fire. And the fire will test what kind of work each has done. 3:14 If what someone has built survives, he will receive a reward. 3:15 If someone’s work is burned up, he will suffer loss. He himself will be saved, but only as through fire.
30.87 €
$33.00
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SR
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Liric : SR
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BUKAN PENJARA SEHARAPAN
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SR.Pakpahan,SST
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SheetMusicPlus
ENDURING OUR LIVE
Large Ensemble Bass Guitar,Cello,Clarinet,Harmonica,Recorder,Trumpet,Viola,Voice,Xylophone…
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Large Ensemble Bass Guitar,Cello,Clarinet,Harmonica,Recorder,Trumpet,Viola,Voice,Xylophone - Level 5 - Digital Download SKU: A0.990747 Composed by SR.Pakpahan,SST. Arranged by Lyric : SR.Pakpahan,SST. Christian,Contemporary,Musical/Show,New Age,World. Score and parts. 46 pages. SR.Pakpahan,SST #4782599. Published by SR.Pakpahan,SST (A0.990747). #COMPOSITION COMPETITION 2019 SMP PRESSCATEGORY : SACRED MUSIC - INSTRUMENTAL ENSEMBLEFROM PMD MUSIC CREATIONCara membuat lagu ini lihat di http://www.Worldslastchance.com di menu Groups / my group / PMD Luni Solar Lover, (How to make this song take a look at http://www.Worldslastchance.comon the menu Groups / my group / PMD Luni Solar Lover.`This song is packaged using 192 pieces of effects (braid 12 types of mixer effects). Realistic drumset sounds. Dual percussion (drumset) as a knock variation instrument with Impacter generator, and knock instrument with drumsynth life generator.(Lagu ini dikemas dengan menggunakan 192 buah Efek (jalinan 12 jenis efek mixer). Bunyi drumset realistik. Dual perkusion (drumset) sebagai instrumen variasi ketukan dengan generator Impakter, dan instrumen ketukan dengan generator drumsynth life.Lyric of Song:ENDURING OUR LIVE (C=1, 4/4)(Intro)Enduring our live, complaining and complainingKeep looking at Jesus Christ The Lord, He is The SaviourJesus Christ The Lord, Jesus Christ The Lamb of God, He died for the ransom of the worldJesus Christ The Lord, Jesus Christ The Lamb of God, He rose for the people who believeJesus Christ, He is my saviour, Jesus Christ, He is your saviour too, keep believingIn faith our life, we must not complain moreJesus Christ The Lord who gave love to us, Hallelujah(Interlude/Instrumental)Jesus Christ, He is my saviour, Jesus Christ, He is your saviour too, says I'm believeFriends, let's be grow up, be light up, let's be strong and fruitfullAnd win many souls for Jesus ChristJesus Christ The Lord with The Holly Spirit accompany us in ministryMinistring choice for the best believers(Interlude/Instrumental)Jesus Christ The Lord with The Holly Spirit accompany us in ministryMinistring choice for the best believers.
15.9 €
$17.00
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SR
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Lyric : SR
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ENDURING OUR LIVE
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SR.Pakpahan,SST
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SheetMusicPlus
ENDURING OUR LIVE (Tutorial)
Large Ensemble Acoustic Guitar,Bass Guitar,Double Bass,Drum Set,Electric Guitar,Harmonica,…
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Large Ensemble Acoustic Guitar,Bass Guitar,Double Bass,Drum Set,Electric Guitar,Harmonica,Marimba,Piano,Piccolo,Recorder,Synthesizer,Trumpet,Viola,Voice,Xylophone - Level 5 - Digital Download SKU: A0.990748 Composed by SR.Pakpahan,SST. Arranged by Lyricst : SR.Pakpahan,SST. Christian,Instructional,Musical/Show,New Age,World. Score and parts. 44 pages. SR.Pakpahan,SST #4786909. Published by SR.Pakpahan,SST (A0.990748). TUTORIAL HOW TO MAKE MUSIC IN FL STUDIO 11.A Song (Dual Drum set) From PMD Music Creation With MUSESCORE.Look inside And Listen https://www.sheetmusicplus.com/title/enduring-our-live-tutorial-digital-sheet-music/21404557How to make this song take a look at http://www.Worldslastchance.com on the menu Groups / my group / PMD Luni Solar Music Lover.(Cara membuat lagu ini lihat di http://www.Worldslastchance.com di menu Groups / my group / PMD Luni Solar Music Lover), Lyric of Song:ENDURING OUR LIVE (C=1, 4/4)(Intro)Enduring our live, complaining and complainingKeep looking at Jesus Christ The Lord, He is The SaviourJesus Christ The Lord, Jesus Christ The Lamb of God, He died for the ransom of the worldJesus Christ The Lord, Jesus Christ The Lamb of God, He rose for the people who believeJesus Christ, He is my saviour, Jesus Christ, He is your saviour too, keep believingIn faith our life, we must not complain moreJesus Christ The Lord who gave love to us, Hallelujah(Interlude/Instrumental)Jesus Christ, He is my saviour, Jesus Christ, He is your saviour too, says I'm believeFriends, let's be grow up, be light up, let's be strong and fruitfullAnd win many souls for Jesus ChristJesus Christ The Lord with The Holly Spirit accompany us in ministryMinistring choice for the best believers(Interlude/Instrumental)Jesus Christ The Lord with The Holly Spirit accompany us in ministryMinistring choice for the best believers
1.86 €
$1.99
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SR
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Lyricst : SR
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ENDURING OUR LIVE
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SR.Pakpahan,SST
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SheetMusicPlus
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