ISBN 9781619111707. This is the follow-up to the successful Latinitas for Solo Guitar. (Product Number: 20995BCDEB Mel Bay Publications.) Some of the best-known Latin American rhythms are included in this collection which is carefully graded for intermediate level performance. The most natural way of making music is having the accompaniment independent from the melody, so both parts can be played with full expression and attention to nuances. Also, in Latin American music the second guitar plays some very attractive but sometimes complex rhythms. Therefore, having the two parts separated makes it possible to play this music with more accuracy and enjoyment. Latinas for Two, in addition to presenting beautiful melodies and captivating rhythms, should provide guitarists of all ages with a fantastic trip through the sensual South-American world of music! Includes access to online audio.

ISBN 9781609742850.

Alexandre Lagoya once said: For one guitar you can write what the guitar will allow you to write. For two guitars you can write what you choose. While there is a measure of overstatement in this, it remains true that the medium of two guitars allows much greater creative freedom to the composer. There are many kinds of guitar-duo works- at one extreme the very simple, at the other the call for two virtuosi; those in this book inhabit the middle of this spectrum. They are not in effect accompanied guitar solos but equal duets in which two players of moderate technical ability converse with one another, sharing the lead. This they do without sacrificing musical interest. Two of the pieces consist of variations on folk tunes - Shades of Green uses the Irish tune The Next Market Day, while Varieties of Scotch is based on the well-known Scottish tune Ye Banks and Braes. The remaining duet is an affectionate nod in the ragtime direction of Scott Joplin. The two sets of variations are suitable for concert use, and Joblinesque is a natural ending.

English - German.

The Clavier Toccata BWV 914 is an early work of J.S. Bach. It has four parts and, by virtue of ist original key of E Minor, is eminently suitable for the Concert Guitar. Additionally the character of the dialogue between the parts in the introductory first movement and the Adagio, as well as the fugal Allegro and the closing Fugue make this work sound particulary natural on two guitars.