Partitions Numériques de National pour Clarinette, Basson (duo)

National

Slavonic Dance Op. 46, No. 3 (Clarinet & Bassoon Duet) #Clarinette, Basson (duo) #INTERMÉDIAIRE/AVANCÉ #Classique #Antonin Dvorak #Catriona Melville-Mason #Slavonic Dance Op. 46, No. 3 #C Melville-Mason #SheetMusicPlus

Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 4 - SKU: A0.956613 Composed by Antonin Dvorak. Arranged by Catriona Melville-Mason. Concert...(+)

Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 4 - SKU: A0.956613 Composed by Antonin Dvorak. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6477753. Published by C Melville-Mason (A0.956613). Slavonic Dances Op 46, written in 1878, was something of a breakthrough work for Czech composer Antonin Dvorak, finally establishing his reputation well beyond his native land. The dances are original melodies, inspired by, and drawing on, the character of traditional national dances, rather than works based on existing folk tunes, as was the fashion among composers at around that time. These Slavonic Dances were originally written for piano 4 hands but, at his publisherâ€™s request, Dvorak produced orchestrated versions shortly thereafter. The pieces proved so popular that Dvorak composed a second set, Op. 72, in 1886. Op. 46, No. 3 is in the form of the polka, a dance which originated in Bohemia. This arrangement, for mixed woodwind duo of B-flat clarinet and bassoon, is best suited to players of advanced intermediate standard or above.

Ode to Joy by Beethoven for Clarinet and Bassoon #Clarinette, Basson (duo) #FACILE #Classique #Classique #Ludwig van Beethoven #Ander #Ode to Joy by Beethoven for Cl #Woods Only, Arrangements #SheetMusicPlus

Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1152448 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,...(+)

Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1152448 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 7 pages. Woods Only, Arrangements #752674. Published by Woods Only, Arrangements (A0.1152448). This arrangement adapted for clarinet and bassoon duet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the KÃ¤rntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..