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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Have It All
Non classifié
3 898
Piano & claviers
Piano seul
2 071
Piano, Voix et Guitare
871
Piano Facile
829
Piano, Voix
700
Instruments en Do
394
Orgue
100
Accompagnement Piano
80
1 Piano, 4 mains
43
Piano Trio: piano, violon, violoncelle
26
Accordéon
21
2 Pianos, 4 mains
15
Piano (partie séparée)
10
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
5
2 Pianos, 8 mains
3
Clavecin
3
Clavier
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Ligne De Mélodie, Piano
1
+ 17 instrumentations
Retracter
Guitares
Guitare
169
Guitare notes et tablatures
168
Ligne De Mélodie, (Paroles) et Accords
76
Ukulele
59
2 Guitares (duo)
19
Guitare (partie séparée)
18
Basse electrique
17
4 Guitares (Quatuor)
14
Paroles et Accords
12
Mandoline
7
Banjo
7
3 Guitares (trio)
7
Dulcimer
7
Ensemble de guitares
4
Piano, Guitare (duo)
4
Mandoline, Guitare (duo)
4
2 Dulcimers (duo)
2
2 Ukuleles
1
Guitare, Orchestre
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
565
Chorale Unison
394
Chorale 3 parties
179
Chorale 2 parties
137
Chorale TTBB
72
Chorale SSAA
40
Voix Soprano, Piano
25
Voix duo
21
Voix Tenor, Piano
20
Voix Alto, Piano
18
Voix duo, Piano
17
Voix haute
6
Voix Tenor
6
Pack Instrumental pour Chorale
6
Voix seule
5
Voix Baryton, Piano
4
Chorale SSATTB
4
Voix basse, Piano
3
Chorale
3
Voix moyenne, Piano
2
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Soprano
1
Chorale SSAATTBB
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
318
Quintette de Saxophone: 5 saxophones
197
Quatuor de Saxophones: 4 saxophones
196
Flûte, Hautbois, Clarinette, Basson
181
Flûte traversière et Piano
148
Clarinette et Piano
136
Hautbois, Piano (duo)
113
Flûte traversière
109
Quatuor de Clarinettes: 4 clarinettes
103
Saxophone Alto et Piano
103
Clarinette
96
Saxophone (partie séparée)
87
Hautbois (partie séparée)
85
2 Flûtes traversières (duo)
82
Ensemble de saxophones
78
Saxophone Tenor et Piano
76
Quatuor de Flûtes : 4 flûtes
67
Ensemble de Clarinettes
67
Saxophone Soprano et Piano
66
Saxophone Alto
63
2 Saxophones (duo)
62
Ensemble de Flûtes
46
2 Clarinettes (duo)
42
Saxophone Baryton, Piano
39
Saxophone Tenor
35
Quintette de Clarinettes: 5 clarinettes
34
2 Flûtes traversières, Piano
28
Quintette de Flûte : 5 flûtes
23
Flûte, Clarinette (duo)
23
Cor anglais, Piano
23
3 Saxophones (trio)
22
3 Clarinettes (trio)
21
Flûte et Guitare
19
Clarinette Basse, Piano
18
Quatuor de Flûtes à bec
17
Flûte à Bec
16
2 Hautbois (duo)
16
Cor Anglais
15
Clarinette, Violon (duo)
15
Hautbois, Basson (duo)
14
5 Flûtes à bec
14
Trio de Flûtes: 3 flûtes
14
Hautbois, Clarinette (duo)
13
Saxophone, Clarinette (duo)
12
Flûte à bec Soprano
12
Clarinette et Alto
11
Clarinette (partie séparée)
11
Hautbois
11
Clarinette, Violoncelle (duo)
10
Hautbois, Flûte
10
Flute (partie séparée)
10
Clarinette, Basson (duo)
9
Flûte, Violon
9
Clarinette, Trompette (duo)
9
Clarinette, Guitare (duo)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Harmonica
8
Flûte, Alto (duo)
7
Flûte irlandaise
7
Flûte, Violoncelle
6
Flûte, Hautbois (duo)
6
Flûte, Violon, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
2 Flûte à bec (duo)
6
Saxophone Soprano
5
Saxophone Baryton
5
Flûte, Trompette (duo)
5
Flûte, Clarinette, Piano (trio)
5
Flûte à bec Alto, Piano
5
Flûte, Saxophone (duo)
4
Flûte, Trombone (duo)
4
Clarinette, Trombone (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Clarinette et Basson
4
Flûte, Violon et Violoncelle
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Violoncelle
3
Saxophone
3
2 Clarinettes, Piano
3
Hautbois, Guitare (duo)
3
Flûte, Hautbois, Basson
3
Cor anglais, Guitare (duo)
3
Flûte à bec Soprano, Piano
3
Ocarina
2
Hautbois et alto (duo)
2
Ensemble De Flûte à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Alto et Piano
2
Flûte à bec Alto
2
Flûte, Basson et Piano
1
Flûte à bec Tenor
1
Clarinette, Tuba
1
Saxophone et Guitare
1
Flûte, Hautbois, Piano (trio)
1
Piccolo
1
Flute, harpe et violon
1
Ensemble de Hautbois
1
2 Hautbois, Piano
1
Saxophone et Orgue
1
Hautbois, violon (duo)
1
3 Flûtes à bec (trio)
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
3 Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Orgue (duo)
1
Instruments en Mib
1
Clarinette, Contrebasse (duo)
1
Hautbois, Violon, Piano
1
Flûte et Trio à cordes
1
Ensemble à vent
1
+ 108 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
276
Quatuor de Cuivres : 2 trompettes, trombone, tuba
165
Trompette, Piano
107
Quatuor de Cuivres
96
Trompette
93
Trombone et Piano
91
Trombone
72
Cor et Piano
70
Tuba
53
Cor
51
Trompette (partie séparée)
51
Trombone (partie séparée)
50
Tuba et Piano
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
Ensemble de Trombones
38
2 Trombones (duo)
27
Quatuor de cuivres: 4 trombones
26
Euphonium, Piano (duo)
25
Trompette, Trombone (duo)
23
Cor anglais, Piano
23
Ensemble de Trompettes
22
2 Trompettes (duo)
20
2 Cors (duo)
16
Cor Anglais
15
Cor (partie séparée)
13
Trio de Cuivres
12
Trompette, Saxophone (duo)
11
Quatuor de cuivres: 4 cors
10
2 Tubas (duo)
9
Euphonium
8
Tuba (partie séparée)
8
Ensemble de Cors
6
Cor, Tuba (duo)
5
Trompette, Cor (duo)
5
Trompette, violon (duo)
4
4 Tubas
4
2 Euphoniums et 2 Tubas
4
2 Euphoniums (duo)
3
Euphonium, Tuba (duo)
3
Cor anglais, Guitare (duo)
3
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Trompette, Trombone, Piano
2
Trombone, Cor (duo)
2
Bass Clef Instruments
2
3 Trompettes (trio)
2
3 Trombones (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
2 Cors, Piano
1
Trombone basse
1
Instruments en Sib
1
Quatuor de cuivres: 4 trompettes
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
692
Violon
264
Violon, Violoncelle (duo)
218
Violon et Piano
187
Trio à Cordes: violon, alto, violoncelle
180
Violoncelle, Piano
129
Harpe
125
Violoncelle
124
Quintette à cordes: 2 violons, alto, violoncelle, basse
117
Alto, Piano
90
Alto seul
86
2 Violons (duo)
67
Contre Basse
66
Trio à Cordes: 2 violons, violoncelle
58
Violon, Alto (duo)
52
2 Violoncelles (duo)
46
2 Altos (duo)
34
Contrebasse, Piano (duo)
32
Alto (partie séparée)
23
Violoncelle, Contrebasse (duo)
17
Contrebasse (partie séparée)
17
Alto, Violoncelle (duo)
16
2 Harpes (duo)
14
4 Violoncelles
13
Ensemble de Violons
13
Ensemble d'Altos
12
Violon (partie séparée)
12
Violon, Guitare (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Quatuor à cordes: 4 violons
6
Trio à cordes: 3 violins
6
4 Contrebasses
5
Trio à cordes: 3 altos
5
2 Contrebasses (duo)
5
Violoncelle , Guitare (duo)
5
Piano Trio: Violon, Alto, Piano
4
Harpe, Voix
4
Quatuor à cordes : 4 altos
4
Ensemble de Violoncelles
3
Harpe, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Violon, Basson (duo)
3
Harpe, Flûte (duo)
3
3 Harpes
2
2 Altos, Piano
2
Alto et Basson
2
Alto, Guitare (duo)
2
5 Harpes
2
Flûte, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes
1
Harpe, Violon (duo)
1
Violoncelle (partie séparée)
1
2 Violoncelles, Piano
1
Autoharp
1
Harpe et Piano
1
Harpe, Violon, Violoncelle
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
573
Orchestre à Cordes
287
Orchestre
207
Ensemble Jazz
196
Ensemble de cuivres
127
Orchestre de chambre
73
Fanfare
53
Cloches
49
Jazz combo
40
Ensemble de Percussions
38
Batterie
12
Batterie (partie séparée)
11
Percussion (partie séparée)
9
Marimba
8
Ensemble d'École
6
Vibraphone
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Xylophone, Piano
3
Orchestre, Violon
2
Percussion
2
Piano et Orchestre
1
2 Xylophones
1
Xylophone
1
Xylophone ou Marimba ou Vibraphone
1
3 Marimbas
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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6 partitions trouvées
<
1
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99 ≈
6.60€
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95 ≈
6.57€
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
3.31€
Keep Nothing From Me - a flowing ballad for solo female voice & piano
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Voix haute
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INTERMÉDIAIRE
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Simon Walters
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Keep Nothing From Me - a flowi
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Simon Walters
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.832134 Composed by Simon Walters. Folk,Pop. 9 pages. Simon Walters #5723215. Published by Simon Walters (A0.83...
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High Voice,Vocal Solo - Level 3 - SKU: A0.832134 Composed by Simon Walters. Folk,Pop. 9 pages. Simon Walters #5723215. Published by Simon Walters (A0.832134). A flowing pop/folk ballad for most female voices (A below middle C to C above middle C) asking a partner to open up.... if the relationship is to have a future...How many have been lost through lack of communication ?Keep nothing from me: it's no use keeping secrets, can't you see?If we are to continue then we need to talk things through: keep nothing from me...Why can't you set me free....?
$3.99 ≈
3.77€
Life On Mars
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Rock
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David Bowie
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Austin Ralphson
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Life On Mars
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Austin Ralphson
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.563641 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. 28 pages. Austin Ralphson #43512...
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High Voice,Vocal Solo - Level 4 - SKU: A0.563641 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. 28 pages. Austin Ralphson #4351211. Published by Austin Ralphson (A0.563641). This arrangement of the David Bowie classic from 1971 will bring a suitably vibrant, emotion-filled element to any programme, serving as a fitting tribute to a hugely influential and popular musician. It works well in pretty much any concert due to its popularity and the variations in dynamics, timbre, texture and, or course, the incredibly unpredictable harmonies.I have kept much of the piano accompaniment the same as David Bowie composed. The soloist should really go for it on the octave leaps into the choruses. An essential addition to any programme, this pack provides piano and vocal parts in C, D and (the original) E major keys to cater for different vocal ranges. It is a great crowd-pleaser!
$9.99 ≈
9.44€
You're Not Replaceable
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Voix haute
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FACILE
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Brenda A
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You're Not Replaceable
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Brenda A. McGee
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.984957 Composed by Brenda A. McGee. Christian,Concert,Gospel. 14 pages. Brenda A. McGee #5709851. Published by...
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High Voice,Vocal Solo - Level 2 - SKU: A0.984957 Composed by Brenda A. McGee. Christian,Concert,Gospel. 14 pages. Brenda A. McGee #5709851. Published by Brenda A. McGee (A0.984957). You're Not Replaceable is for soprano voice and piano accompaniment.It is a piece to comfort those who have been rejected by their mother or father. This work is appropriate for recording for a CD selection on a album. This work is appropriate for adult performers and high school or college performers at all church services or at a recital. Brenda A. McGee is affiliated with BMI. Ms. McGee can be contacted at facebook.com/thepianoladybamcgee, www.brendaamcgee.com, or bamcgee@brennieproductions.com.
$5.86 ≈
5.54€
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