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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
New Britain
Non classifié
49
Piano & claviers
Piano seul
21
Orgue
16
Piano Facile
4
Piano Trio: piano, violon, violoncelle
3
Instruments en Do
2
Piano, Voix et Guitare
2
1 Piano, 4 mains
1
Orgue, Trompette (duo)
1
Piano, Voix
1
Accordéon
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Voix
Chorale SATB
39
Chorale 3 parties
8
Voix duo, Piano
3
Voix haute
2
Chorale 2 parties
2
Chorale SATBB
1
Chorale
1
Chorale, Orgue
1
+ 3 instrumentations
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Vents
2 Saxophones (duo)
12
Clarinette et Piano
8
Flûte traversière et Piano
7
Hautbois, Piano (duo)
6
2 Clarinettes (duo)
6
Saxophone Soprano et Piano
6
Saxophone, Clarinette (duo)
5
Saxophone Tenor et Piano
5
Clarinette, Trompette (duo)
4
Saxophone Baryton, Piano
4
Clarinette, Violon (duo)
4
Saxophone Alto et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Clarinette (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Alto
3
Clarinette et Alto
2
Flûte, Saxophone (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Basson (duo)
2
2 Hautbois (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Cor anglais, Piano
2
2 Flûtes traversières (duo)
2
Clarinette Basse, Piano
2
Hautbois, Flûte
2
Clarinette
2
Saxophone Tenor
1
Saxophone (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Basson (duo)
1
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1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Saxophones: 4 saxophones
1
+ 32 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette, Saxophone (duo)
4
Trompette, Piano
3
Trompette
3
Trombone et Piano
3
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 cors
1
Cor et Piano
1
Quatuor de Cuivres
1
+ 8 instrumentations
Retracter
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Violon et Piano
8
Alto, Piano
6
Violon
5
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violoncelle, Piano
5
Harpe
3
Alto seul
2
Violon, Violoncelle (duo)
2
2 Violoncelles (duo)
2
2 Altos (duo)
2
2 Violons (duo)
2
Violon, Alto (duo)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
+ 11 instrumentations
Retracter
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Orchestre
4
Cloches
4
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2
Orchestre d'harmonie
2
Orchestre à Cordes
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
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Vous avez sélectionné:
New Britain
Hautbois, Piano (duo)
Partitions à imprimer
6 partitions trouvées
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1
Amazing Grace, Concert Solo for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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John Newton
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David McKeown
#
Amazing Grace, Concert Solo fo
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David McKeown
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587642 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pa...
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Oboe,Piano - Level 3 - SKU: A0.587642 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611381. Published by David McKeown (A0.587642). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Oboe with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.27€
Amazing Grace, for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Trad American
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Nigel Williams
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Amazing Grace, for Oboe and Pi
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Nigel Williams
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.763419 Composed by Trad American. Arranged by Nigel Williams. Easter,Folk,Lent,Sacred,Standards. Score and part. 8 pages....
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Oboe,Piano - Level 3 - SKU: A0.763419 Composed by Trad American. Arranged by Nigel Williams. Easter,Folk,Lent,Sacred,Standards. Score and part. 8 pages. Nigel Williams #5360413. Published by Nigel Williams (A0.763419). This new arrangement of Amazing Grace uses the well known traditional American tune 'New Britain'. The oboe states the familiar tune accompanied by the piano, then in the following two variations the piano has the melody while the oboe accompanies with a descant style counter melody using the whole range of the instrument. Ideal in any church service at any time, and especially during the Easter season, this arrangement is also ideal for High School students looking for new and innovative repertoire while working at home. The performance duration is close to three minutes and the full score has individual parts attached.
$4.99 ≈
4.63€
Amazing Grace - Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Traditional
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Anne Christopherson GRSM ARCM
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Amazing Grace - Oboe and Piano
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Music-Scores.com
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.721850 Composed by Traditional. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Holiday,Sacred,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.721850 Composed by Traditional. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Holiday,Sacred,Wedding. Score and part. 4 pages. Music-Scores.com #5044193. Published by Music-Scores.com (A0.721850). Amazing Grace was originally an Appalachian folk tune known as New Britain, but only became famous after the words of Amazing Grace were set to it.For Oboe and Piano.About 1 minute, 30 seconds.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$4.95 ≈
4.60€
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.59€
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95 ≈
23.16€
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